{"id":52055,"date":"2026-03-29T13:59:57","date_gmt":"2026-03-29T13:59:57","guid":{"rendered":"https:\/\/kingarthur.com\/songwriter\/?p=52055"},"modified":"2026-03-29T13:59:57","modified_gmt":"2026-03-29T13:59:57","slug":"problematic","status":"publish","type":"post","link":"https:\/\/kingarthur.com\/songwriter\/2026\/03\/29\/problematic\/","title":{"rendered":"Problematic"},"content":{"rendered":"<p>[Intro \u2013 Spoken \/ Whispered]<br \/>\n[Ambient synth pad, low pulsing bass, reverb-heavy whisper]<br \/>\nProblematic\u2026 everything accelerates\u2026<br \/>\nCheck the rate, check the rate\u2026<\/p>\n<p>[Bridge]<br \/>\n[Soft percussion, minimalist piano arpeggio, gentle guitar swells]<br \/>\n(Up, up, up)<br \/>\nChange is speeding up<br \/>\n(Rate itself is shifting)<br \/>\nAcceleration\u2019s rising<br \/>\nFeedback (back, backs) are lifting<br \/>\n(Uprising)<\/p>\n<p>[Chorus]<br \/>\n[Full band kicks in: drums, bass, electric guitar, synth stabs, light strings]<br \/>\nIt\u2019s a problematic problem<br \/>\n(Too fast to solve)<br \/>\nIt\u2019s a problem in the making<br \/>\n(Too big to absolve)<\/p>\n<p>[Verse 1]<br \/>\n[Pulsing bass continues, snare brushes, layered atmospheric synth]<br \/>\nFirst derivative, the speed we know<br \/>\nSecond derivative, the rate starts to grow<br \/>\nThird derivative, the jerk we can\u2019t ignore<br \/>\nSmall pushes now create much more<\/p>\n<p>[Electric guitar stabs on \u201cmore,\u201d slight distortion, synth risers]<br \/>\nEvery system feeds the other<br \/>\nEconomy, climate, intertwined like no other<br \/>\nLosses pile, resilience fades<br \/>\nEvery measure lags, every warning delayed<\/p>\n<p>[Verse 2]<br \/>\n[Drums pick up intensity, cymbal swells, higher synth layer enters]<br \/>\nNonlinear, runaway, tipping near<br \/>\nDoubling times compressed, future unclear<br \/>\nd\u00b2I\/dt\u00b2 rising, d\u00b3I\/dt\u00b3 too<br \/>\nEvery tiny change now multiplies through<\/p>\n<p>[Layered guitar harmonics, reverb-heavy piano chords, subtle vocal echoes]<br \/>\nMathematical, physical, real-world collide<br \/>\nEquations fail where chaos hides<br \/>\nSolve for x? Solve for y?<br \/>\nReality laughs as numbers fly<\/p>\n<p>[Chorus]<br \/>\n[Full band hits harder, synths arpeggiated, driving percussion, delay on vocals]<br \/>\nIt\u2019s a problematic problem<br \/>\n(Too fast to solve)<br \/>\nIt\u2019s a problem in the making<br \/>\n(Too big to absolve)<\/p>\n<p>[Bridge 2]<br \/>\n[Breakdown: bass and percussion drop out, ambient pads swell, glitch effects]<br \/>\nFeedback feeds feedback<br \/>\nAcceleration accelerates<br \/>\nSmall perturbations \u2192 massive reactions<br \/>\n(Whole reduced to fractions)<br \/>\nSystemic consequences reverberate<br \/>\n(Hole&#8230; resonate)<\/p>\n<p>[Gradual build: snare rolls, rising synths, distorted guitar re-entry]<\/p>\n<p>[Outro \u2013 Repeated, Fading]<br \/>\n[Layered reverb, echoing vocals, slowly dropping instruments one by one]<br \/>\nProblematic\u2026 problem\u2026<br \/>\nProblematic\u2026 problem\u2026<br \/>\nEquations break, reality wakes\u2026<\/p>\n<p>About:<br \/>\n\u201cProblematic\u201d uses wordplay to convey that climate\u2013economic dynamics are both a math problem (rate, derivatives, equations) and a real-world problem (systemic risk, instability). The arrangement reflects the intensifying nature of the third derivative: quiet, uncertain passages illustrate early-stage changes, while full-band crashes and layered effects mirror runaway feedback and singularity-like escalation.<\/p>\n<p>From the album <strong>&#8220;<a href=\"\/albums\/Third-Derivative\/\">Third Derivative<\/a>&#8220;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Intro \u2013 Spoken \/ Whispered] [Ambient synth pad, low pulsing bass, reverb-heavy whisper] Problematic\u2026 everything accelerates\u2026 Check the rate, check the rate\u2026 [Bridge] [Soft percussion, minimalist piano arpeggio, gentle guitar swells] (Up, up, up) Change is speeding up (Rate itself is shifting) Acceleration\u2019s rising Feedback (back, backs) are lifting (Uprising) [Chorus] [Full band kicks in: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-52055","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/52055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/comments?post=52055"}],"version-history":[{"count":2,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/52055\/revisions"}],"predecessor-version":[{"id":52074,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/52055\/revisions\/52074"}],"wp:attachment":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/media?parent=52055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/categories?post=52055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/tags?post=52055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}