[Silence]<\/p>\n
[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]<\/p>\n
[Intro]
\n[Instrumental Intro: Pulsing Bass, Clean Guitar Arpeggio, Soft Synth Pad]
\n[Minimal Beat, Hi-Hat Ticks, Subtle Kick]
\n[Spoken Vocal, casual, slightly ironic]
\nYou don\u2019t notice it\u2026
\nUntil you\u2019re already past it\u2026
\n(Should know when to quit)<\/p>\n
[Verse 1]
\n[Drop to Groove: Bass Pulse, Muted Guitar, Light Drums]
\nStarted small, just a shift in tone
\nOne more step, now you\u2019re on your own
\nDidn\u2019t feel like a change at all
\nTill you turned and you saw the fall<\/p>\n
Every inch seemed justified
\nEvery move had a place to hide
\nBut the marker\u2019s not where it was
\nAnd the line doesn\u2019t care because\u2026<\/p>\n
[Verse 2]
\n[Expanded Arrangement, Slightly Darker Tone]
\nRules were clear till they began to bend
\nEvery limit had an open end
\nWhat you swore you\u2019d never do
\nNow looks different coming through<\/p>\n
Signals blur, the lines erase
\nYou adjust to the shifting space
\nEvery boundary you redefine
\nTill there\u2019s nothing left to define<\/p>\n
[Pre-Chorus]
\n[Stronger Build, Snare Crescendo, Vocal Stack]
\nEvery reason starts to slide
\nEvery \u201cno\u201d gets justified
\nWhat was wrong becomes aligned
\nWhen you move the line in time<\/p>\n
[Chorus]
\n[Big Chorus, Layered Vocals, Driving Rhythm]
\nSoon to discover…
\n(Over!)
\n…the line
\n(Gone this time)
\nSorry, mam, yes I am
\n(Over the line)
\nStep by step, see the sign
\n(Over the line)<\/p>\n
[Bridge]
\n[Breakdown: Piano, Ambient Synth, Low Sub Pulse]
\nA line is drawn
\n(Then worn away)
\nA quiet shift
\n(You don\u2019t betray)<\/p>\n
Until it\u2019s clear
\n(There\u2019s no return)
\nThe edge you crossed
\n(Is where you learn)<\/p>\n
[Build-Up]
\n[Snare Roll Crescendo, Rising Synth Arpeggio, Guitar Feedback]
\n(Over\u2026)
\n(Over\u2026)
\n(Over\u2026)<\/p>\n
[Final Chorus]
\n[Explosive Full Band, Double-Time Feel, High Energy]
\nSoon to discover…
\n(Over!)
\n…the line
\n(No rewind)
\nSorry, mam, yes I am
\n(Over the line)
\nNo excuse, no disguise
\n(Over the line)<\/p>\n
[Outro]
\n[Instrumental Outro: Fading Guitar, Organ Drone, Soft Percussion]
\n[Beat Drops Out Gradually]
\n[Spoken Vocal, fading]
\nDon\u2019t need to cross the line\u2026
\nJust move it through time\u2026<\/p>\n
[End \u2192 Silence]<\/p>\n