{"id":53045,"date":"2026-05-05T12:13:45","date_gmt":"2026-05-05T12:13:45","guid":{"rendered":"https:\/\/kingarthur.com\/songwriter\/?p=53045"},"modified":"2026-05-05T12:13:45","modified_gmt":"2026-05-05T12:13:45","slug":"base","status":"publish","type":"post","link":"https:\/\/kingarthur.com\/songwriter\/2026\/05\/05\/base\/","title":{"rendered":"Base"},"content":{"rendered":"<p>[Silence]<\/p>\n<p>[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]<\/p>\n<p>[Intro]<br \/>\n[Low Synth Drone, Sparse Piano Notes, Wind FX]<br \/>\n[Sub Bass Pulse, Slow Kick Enters]<br \/>\n[Spoken Vocal, measured]<br \/>\nWe called it \u201cnormal\u201d\u2026<br \/>\n(Not normal at all)<br \/>\nSet the line\u2026<br \/>\n(Set the time)<br \/>\nHeld it still\u2026<br \/>\n(Against its will)<br \/>\nWhile everything moved\u2026<br \/>\n(Look what we&#8217;ve proved)<\/p>\n<p>[Refrain]<br \/>\n[Full Groove, Steady but Tense, Organ Undercurrent]<br \/>\nIt\u2019s become too long<br \/>\n(Baseline)<br \/>\nIt\u2019s the same ole\u2019 song<br \/>\n(Out of time)<br \/>\nWhen you think things are going fine<br \/>\n(Better readjust your baseline)<br \/>\n&#8230;before running out of time<\/p>\n<p>[Verse 1]<br \/>\n[Drop to Groove: Clean Guitar, Tight Bass, Minimal Drums]<br \/>\nAveraged out what used to be<br \/>\nSmoothed the curve so we could see<br \/>\nWhat was stable, what was known<br \/>\nIn a world less overthrown<\/p>\n<p>Thirty years to draw the frame<br \/>\nMeasure shifts, assign a name<br \/>\nBut the pace began to climb<br \/>\nFaster than the measured time<\/p>\n<p>[Refrain]<br \/>\n[Fuller, Added Harmonies, Cymbal Washes]<br \/>\nIt\u2019s become too long<br \/>\n(Baseline)<br \/>\nIt\u2019s the same ole\u2019 song<br \/>\n(Out of time)<br \/>\nWhen you think things are going fine<br \/>\n(Better readjust your baseline)<br \/>\n&#8230;before running out of time<\/p>\n<p>[Instrumental Break]<br \/>\n[Organ Lead, Guitar Echo, Pulsing Bassline]<br \/>\n[Synth Arp Builds Tension]<\/p>\n<p>[Verse 2]<br \/>\n[Expanded Arrangement, Darker Tone]<br \/>\nWhat we call the \u201cnormal range\u201d<br \/>\nShifts beneath accelerating change<br \/>\nEdges move while we compare<br \/>\nTo a past no longer there<\/p>\n<p>Benchmarks set in slower days<br \/>\nNow can blur the sharper phase<br \/>\nWhat we miss between the lines<br \/>\nIs the speed of steep inclines<\/p>\n<p>[Pre-Chorus]<br \/>\n[Stronger Build, Snare Crescendo, Vocal Stack]<br \/>\nEvery decade rewrites scale<br \/>\nOld assumptions start to fail<br \/>\nIf the baseline stays the same<br \/>\nWe misread the growing flame<\/p>\n<p>[Refrain]<br \/>\n[Big Chorus, Driving Rhythm, Layered Vocals]<br \/>\nIt\u2019s become too long<br \/>\n(Baseline)<br \/>\nIt\u2019s the same ole\u2019 song<br \/>\n(Out of time)<br \/>\nWhen you think things are going fine<br \/>\n(Better readjust your baseline)<br \/>\n&#8230;before running out of time<\/p>\n<p>[Bridge]<br \/>\n[Breakdown: Piano, Ambient Synth, Low Sub Pulse]<br \/>\nA line we trust<br \/>\nA line we hold<br \/>\nBut time has changed<br \/>\nThe story told<\/p>\n<p>If change is fast<br \/>\nAnd lines are slow<br \/>\nWe miss the truth<br \/>\nWe need to know<\/p>\n<p>[Build-Up]<br \/>\n[Snare Roll Crescendo, Rising Synth Arpeggio, Guitar Feedback]<br \/>\n(Readjust\u2026)<br \/>\n(Readjust\u2026)<br \/>\nIt&#8217;s about time<br \/>\n(Baseline\u2026)<\/p>\n<p>[Final Refrain]<br \/>\n[Explosive Full Band, Double-Time Feel, Full Vocal Stack]<br \/>\nIt\u2019s become too long<br \/>\n(No baseline)<br \/>\nIt\u2019s the same ole\u2019 song<br \/>\n(Out of time)<br \/>\nWhen you think things are going fine<br \/>\n(You\u2019re behind the baseline)<br \/>\n&#8230;running out of time<\/p>\n<p>[Outro]<br \/>\n[Instrumental Fade: Wind Returns, Piano Motif, Synth Drone]<br \/>\n[Beat Drops Out \u2192 Ambient Only]<br \/>\n[Spoken Vocal, fading]<br \/>\nBaseline<br \/>\n(&#8230; can&#8217;t rewind&#8230;.)<br \/>\n[End \u2192 Wind fades \u2192 Silence]<\/p>\n<p>About the Song<br \/>\nA climate change baseline is a 30-year reference period (commonly 1961\u20131990 or 1995\u20132014) used to measure modern climate shifts. It provides a \u201cnormal\u201d for comparing temperature and emissions changes, with 1850\u20131900 often used to approximate pre-industrial conditions. These benchmarks are essential for tracking progress against global warming targets, such as the 1.5\u00b0C limit.<\/p>\n<p>The limitation of a fixed 30-year baseline is that the climate system is now changing rapidly. When conditions shift on decadal timescales, a long baseline can smooth or lag emerging trends, making the pace and intensity of current impacts harder to capture in real time.<\/p>\n<h3 align=\"center\">The <a href=\"\/global_warming\/Climate-Change-Acceleration-Rate.html\">acceleration of climate change.<\/a><\/h3>\n<p>From the album <strong>&#8220;<a href=\"\/albums\/Line\/\">Line<\/a>&#8220;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Silence] [Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums] [Intro] [Low Synth Drone, Sparse Piano Notes, Wind FX] [Sub Bass Pulse, Slow Kick Enters] [Spoken Vocal, measured] We called it \u201cnormal\u201d\u2026 (Not normal at all) Set the line\u2026 (Set the time) Held it still\u2026 (Against its will) While everything moved\u2026 (Look what we&#8217;ve proved) [Refrain] [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3,1],"tags":[163],"class_list":["post-53045","post","type-post","status-publish","format-standard","hentry","category-4d-music","category-uncategorized","tag-climate-change"],"_links":{"self":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/53045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/comments?post=53045"}],"version-history":[{"count":2,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/53045\/revisions"}],"predecessor-version":[{"id":53047,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/posts\/53045\/revisions\/53047"}],"wp:attachment":[{"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/media?parent=53045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/categories?post=53045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kingarthur.com\/songwriter\/wp-json\/wp\/v2\/tags?post=53045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}