bookmark_borderLike Lightning

Like-Lightning-Best-Of.mp3
Like-Lightning-Best-Of.mp4
Like-Lightning.mp3
Like-Lightning.mp4
Like-Lightning-intro.mp3

[Verse 1]
Did you see the light
But not hear the (Boom!)
Then you just might
Have been struck too soon

[Bridge]
A direct strike
(Deathlike)

[Chorus]
It struck like lightning
(Shock of a lifetime)
Too late for frightening
(Need a lifeline)

[Verse 2]
I thought they said
(“It never strikes twice”)
They might be right…
If you’re already dead

[Bridge]
A direct strike
(Deathlike)

[Chorus]
It struck like lightning
(Shock of a lifetime)
Too late for frightening
(Need a lifeline)

[Bridge]
A direct strike
(Deathlike)
Set my world on fire
(Fanned flames higher)
Increased frequency
(And intensity)

[Chorus]
It struck like lightning
(Shock of a lifetime)
Too late for frightening
(Need a lifeline)

[Outro]
A direct strike
(Deathlike)

ABOUT THE SONG

The song “Like Lightning” captures the essence of how humanity is reacting to climate change with tragic slowness, much like waiting to hear thunder after seeing a lightning strike—by the time you hear the boom, it’s already too late.

  • “Did you see the light / But not hear the (Boom!)”
    represents the speed of light vs the speed of sound: we see climate signals (heatwaves, ice melt, sea level rise) instantly, yet society waits to “hear the boom” (economic impacts, mass displacements, food shortages) before reacting. By the time those consequences arrive, the lightning (climate tipping points) has already struck.

  • “A direct strike (Deathlike)”
    symbolizes the irreversible damage of crossed tipping points: AMOC slowdown, Arctic ice collapse, and wet-bulb heat thresholds are not future threats; they are direct strikes already occurring, leading to death and displacement.

  • “It struck like lightning / (Shock of a lifetime)”
    conveys the shock people feel when extreme events hit (floods, fires, crop failures), even though the science has warned about these for decades.

Feedback Loops Like Lightning Chains

The science note for the song fits seamlessly:

  • Lightning increases wildfire ignition, releasing CO2 and brown carbon, which lowers albedo, causing more warming, more storms, and more lightning—a rapid, non-linear feedback loop akin to a chain reaction of lightning strikes.

  • Each strike is not an isolated event but a trigger for the next, paralleling how permafrost melt releases methane, accelerating warming, which intensifies storms, which increase lightning, which ignite more fires, releasing more carbon.

“Too late for frightening (Need a lifeline)”

This lyric underlines that fear is useless once the system has tipped. Humanity now needs radical lifelines (systemic emissions cuts, carbon removal, regenerative adaptation), but these require acting before the next strike, not after hearing the thunder.

“Set my world on fire (Fanned flames higher)”

A direct reference to how human activities (fossil fuels, deforestation) amplify these feedback loops, much like fanning flames during a lightning-induced wildfire, accelerating our own destruction.

The Song’s Core Warning

“Like Lightning” is a stark climate allegory:

  • You cannot wait for the sound of collapse; by the time it is loud enough to force action, the damage is irreversible.

  • The speed of climate system responses is like lightning, but human, political, and economic responses have been at the speed of sound—too slow to matter.

  • Each delay worsens the impacts, creating more fires, floods, and food crises, making the environment increasingly uninhabitable.

Conclusion

“Like Lightning” reminds us that climate change is not a distant storm; it is a lightning strike happening now. Humanity’s continued inaction, denial, and slow response ensure that we experience the shock of a lifetime repeatedly until systems collapse. The song calls for immediate, radical action before the next flash becomes the one that ends us.

ABOUT THE SCIENCE
Several feedback loops involve brown carbon, lightning, wildfires, arctic warming, ice melt, and permafrost collapse. Brown carbon, with a low albedo, absorbs more heat, releasing sequestered carbon and methane into the atmosphere, creating a self-reinforcing cycle.

Studies have identified a feedback loop between lightning and forest fires. Global warming increases extreme weather events, conducive to lightning. More lightning ignites trees and soil, releasing warming CO2, creating more storms and lightning. The Forests at Risk Due to Lightning Fires study reveals the sensitivity of intact forests to potential increases in lightning fires, impacting terrestrial carbon storage and biodiversity.

“What many people may not be aware of is that lightning is the most common ignition source for fires in remote temperate and boreal forests,” says Thomas Janssen, research associate at VU Amsterdam. These forests store large amounts of carbon, which is released in the form of greenhouse gases during the fire. The research reveals that 77% of the burned area in intact forest regions outside the tropics is due to lightning fires, and the number of strikes is expected to increase by 11 to 3 % per degree warming with ongoing climate change.

“When a thunderstorm passes through this landscape, there are thousands of lightning strikes, and some hundreds of them start little fires,” said Prof Sander Veraverbeke from the Vrije Universiteit Amsterdam, one of the authors on the research paper. “And these can grow together into mega-fire complexes that become the size of small countries. Once these fires are so big, it becomes very difficult to do anything about them.”

More wildfires create more CO2 and more brown carbon that result in more global warming that results in more lightning strikes creating more wildfires resulting in more global warming thawing more permafrost allowing more emissions of CO2 and methane resulting in more warming, creating many more feedback loops. The Canadian wildfires of 2023 are a clear example of a tipping point that has been crossed. These fires released more carbon into the atmosphere than the annual emissions of all but three countries. Permafrost, once considered a stable, frozen barrier, is now thawing and burning year-round, releasing even more carbon and methane into the atmosphere.

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderSkepticism

Skepticism-Best-Of.mp3
Skepticism-Best-Of.mp4
Skepticism.mp3
Skepticism.mp4
Skepticism-intro.mp3

[Verse 1]
Your cognitive dysfunction
Is no longer assumption
Actually…
It’s just a matter of degree

[Bridge]
Can you turn your brain on
(So we can carry on?)

[Chorus]
Skepticism or narcissism
Tough to tell between your schisms
With reality
(I mean… really?)

[Verse 2]
Your totally inability
To see things clearly
Specifically…
(The degree of non-linearity)

[Bridge]
Can you turn your brain on
(So we can carry on?)

[Chorus]
Skepticism or narcissism
Tough to tell between your schisms
With reality
(I mean… really?)

[Bridge]
Can you turn your brain on
(So we can carry on?)
[Instrumental, Guitar Solo]

[Chorus]
Skepticism or narcissism
Tough to tell between your schisms
With reality
(I mean… really?)

[Outro]
Can you turn your brain on
(So we can carry on?)

ABOUT THE SONG
A message to climate crisis deniers: Over the last 35 years, we have conducted millions of “anti-IQ tests” across all demographics and regions, from top scientists to washed-up hair-band singers from the ’80s—and you have ranked among the lowest. This should be of real concern to you.

It’s still unclear whether your cognitive impairments are primarily environmental, genetic, or both. However, you display all the hallmark symptoms of chronic lead poisoning: extreme self-interest, low empathy, resistance to facts, and an aversion to complexity. These are well-documented neurological and behavioral impacts of lead exposure.
Lead damages the prefrontal cortex—the part of the brain responsible for impulse control, moral reasoning, empathy, and long-term planning. People with lead exposure often exhibit selfish, impulsive, antisocial behavior—a “me first” mindset. Lead also impairs executive function, making it hard to analyze, plan, or engage in abstract thought, leading to an aversion to science, math, and logical reasoning.

Instead, thinking becomes concrete, emotionally driven, and black-and-white, making people highly susceptible to political propaganda, conspiracy theories, and fear-based manipulation. Lacking the ability to think critically or tolerate uncertainty, they cling to misinformation regardless of evidence, resisting rational discourse no matter how clearly it’s explained.

If you truly care about yourself and those around you, I strongly recommend both physical and mental evaluations. There is help available, but the first step is recognizing that your current approach isn’t working—and is harming not just you but everyone subjected to your ongoing spread of false, misleading, and dangerous claims.

ABOUT THE SCIENCE
Our updated climate model, now integrating complex social-ecological factors as part of a dynamic and non-linear system, shows that global temperatures could rise by up to 9°C within this century—far beyond previous predictions of a 4°C rise over the next thousand years. This level of warming will render much of the world uninhabitable within this century.

In the 1990s, we first hypothesized the non-linear acceleration of climate change. By the early 2000s, this hypothesis had evolved into an established climate theory, now widely recognized as scientific fact. My lab partner, a Doctor of Physics from Ohio State, and I collaborated to provide the key evidence creating this theory. Over the years, we have observed a dramatic reduction in the doubling time of climate change impacts—the rate at which these effects intensify. Initially, the doubling time was approximately 100 years, but it has since decreased to 10 years and, more recently, to just 2 years. This trend implies that the damage caused by climate change today is double what it was two years ago. In two years, it could be four times worse; in four years, eight times worse; and within a decade, potentially 64 times worse. These projections are conservative, assuming the doubling period does not continue to shrink further. Alarmingly, this rapid acceleration does not appear to be an anomaly. If this trajectory persists, the consequences will likely be far more catastrophic than previously anticipated.

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderWet Fish

Wet-Fish.mp3
Wet-Fish.mp4
Wet-Fish-Unplugged-Underground-XXIII.mp3
Wet-Fish-Unplugged-Underground-XXIII.mp4
Wet-Fish-intro.mp3

[Intro]
It felt like a cold, wet fish
(To the side of the face)
A total disgrace
(Human race… be careful what you wish)

[Verse 1]
There I was…
Trying to mind my own business
When I came to realize
Way to many I’s

[Bridge]
Eye on the I
(It’s come to do or die)
Aye, aye, aye, aye

[Chorus]
It felt like a cold, wet fish
(To the side of the face)
A total disgrace
(Human race… be careful what you wish)

It felt like a cold, wet fish
(To the side of the face)
A total disgrace
(Human race… be careful what you wish)

[Verse 2]
Where to begin…
Once again
The mistake
Of an I for I

[Bridge]
Eye on the I
(It’s come to do or die)
Aye, aye, aye, aye
(Aye, aye, aye, aye)

[Chorus]
It felt like a cold, wet fish
(To the side of the face)
A total disgrace
(Human race… be careful what you wish)

It felt like a cold, wet fish
(To the side of the face)
A total disgrace
(Human race… be careful what you wish)

[Outro]
Eye on the I
(It’s come to do or die)
Aye, aye, aye, aye
(Aye, aye, aye, aye)

“Wet Fish” Climate & Fiscal Crisis Interpretation

The song “Wet Fish” captures the jarring realization humanity faces as our selfish, short-sighted systems collapse, reflected in both climate breakdown and economic instability.

🔹 “There I was… Trying to mind my own business”
Represents individuals ignoring collective responsibility, living within consumerist bubbles, assuming “someone else will fix it.”

🔹 “Way too many I’s” and “Eye on the I”
Highlight hyper-individualism, the “me first” mentality driving overconsumption, fossil fuel dependence, and wealth hoarding, accelerating both the climate and fiscal crises.


Climate Crisis Layer

🌡️ “It felt like a cold, wet fish (to the side of the face)”
Symbolizes the shocking wake-up call of extreme weather events—deadly humid heat, violent rain, and uninhabitable conditions—slapping us with the reality of non-linear climate acceleration we chose to ignore.

⚠️ “Human race… be careful what you wish”
Warns that our wish for endless economic growth, convenience, and cheap energy has led to feedback loops—melting ice, AMOC weakening, extreme heat—that are now irreversible.


Fiscal Crisis Layer

💰 “The mistake of an I for I”
Reflects the illusion that individual financial success is separate from collective collapse. Our debt-fueled growth, tax structures protecting fossil fuel billionaires, and speculative bubbles have created an unstable economic system on the brink of implosion.

📉 “It’s come to do or die”
Speaks to the urgency: the fiscal system and climate system are now intertwined. The collapse of capitalism may come first, or climate may force it. Either way, we have run out of time for gradual change.


Summary

“Wet Fish” becomes a metaphor for humanity’s moment of reckoning:

  • We are slapped awake by climate disasters we fueled.

  • We are faced with fiscal collapse rooted in greed and inequity.

  • We are being forced to see that hyper-individualism cannot survive in a system dependent on collective stability.

The repeated “Aye, aye, aye, aye” echoes the cry of realization that it is “do or die.” We either confront the systems we have created or suffer the consequences we wished upon ourselves.

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderDown the Rabbit Hole

Down-the-Rabbit-Hole-Best-Of.mp3
Down-the-Rabbit-Hole-Best-Of.mp4
Down-the-Rabbit-Hole.mp3
Down-the-Rabbit-Hole.mp4
Down-the-Rabbit-Hole-intro.mp3

[Intro]
If you want to go for a roll
I suggest
Go ask Alice…
Down the rabbit hole

[Verse 1]
Proof experience
Can have appeal
If existence
Is for real

[Chorus]
If you want to go for a roll
I suggest
Go ask Alice…
Down the rabbit hole

[Bridge]
Situation’s become
(Unexpectedly engrossing)
Perplexed by how complex
(Is the surreal for real)
What’s the deal?

[Verse 2]
Poof! Existence
Can expire
Proving subsistence
… is dire

[Chorus]
If you want to go for a roll
I suggest
Go ask Alice…
Down the rabbit hole

[Bridge]
Situation’s become
(Unexpectedly engrossing)
Perplexed by how complex
(Is the surreal for real)
What’s the deal?

[Chorus]
If you want to go for a roll
I suggest
Go ask Alice…
Down the rabbit hole

[Outro]
Situation’s become
(Unexpectedly engrossing)
In the finality
(Of humanity)

ABOUT THE SONG

“Down the Rabbit Hole” captures the disorienting descent into systemic collapse, where climate, economic, and social crises accelerate beyond control while society remains entranced by distractions and denial.

[Verse 1: Proof experience can have appeal / If existence is for real]

This suggests people’s preference for comfort over truth—choosing short-term experiences (consumerism, fossil fuel consumption, “normalcy”) while ignoring the existential crisis unfolding. It questions whether we even take existence seriously enough to act.

[Chorus: If you want to go for a roll / Go ask Alice down the rabbit hole]

Go ask Alice” references Alice in Wonderland, symbolizing falling into a confusing, chaotic reality—mirroring how society is spiraling into climate and economic collapse, with people seeking escape or entertainment rather than facing the crisis. The rabbit hole is the non-linear acceleration of collapse, drawing us deeper while society underestimates the risks.

[Bridge: Situation’s become (unexpectedly engrossing) / Perplexed by how complex (is the surreal for real) / What’s the deal?]

This reflects how the climate system’s tipping points, economic fragility, and feedback loops are suddenly impossible to ignore, pulling in even skeptics as reality becomes surreal. Heatwaves, AMOC weakening, jet stream destabilization, and wet-bulb crises were theoretical to many; now they are visibly unfolding.

It also critiques the confusion people feel because they ignored scientists and economists for decades, making the complexity of collapse feel surreal and overwhelming.

[Verse 2: Poof! Existence can expire / Proving subsistence … is dire]

This starkly warns of sudden collapse: species extinction, ecological tipping points, and the fragility of food and water systems that can lead to rapid societal destabilization (“poof!”). It highlights that basic survival (“subsistence”) is under threat, and the urgency of action is being ignored.

[Chorus repeats]

The repetition emphasizes how society keeps choosing denial and distraction (“going for a roll”) instead of addressing the accelerating crises, slipping further down the rabbit hole.

[Outro: In the finality (of humanity)]

The song closes with the stark reality: humanity is facing its potential endgame if systemic collapse continues, whether through uninhabitable heat, societal breakdown from economic collapse, or cascading climate impacts.

Summary:

“Down the Rabbit Hole” is a metaphor for society’s descent into climate, economic, and social collapse while ignoring reality in favor of distraction and denial. The song captures:

The non-linear acceleration of crises (climate feedbacks, wet-bulb thresholds, AMOC/jet stream destabilization).
Economic fragility under extractive, short-sighted policies.
Society’s denial while collapse visibly unfolds.
The surreal, overwhelming nature of compound crises.
The finality we face if we fail to act.

It is a call to wake up before the descent is irreversible, reminding us that the rabbit hole is not fantasy—it is the current trajectory of humanity under denial, inaction, and a system prioritizing profit over survival.

URGENT CLIMATE WARNING
Our most recent climate model — now incorporating economic and social feedback loops — projects up to 9°C global warming by 2100. This far exceeds prior estimates and indicates we are entering a phase of compound, cascading collapse.

At this level of heating, many regions will become uninhabitable due to heat stress, sea-level rise, food system failure, and forced migration. Wet-bulb temperatures in the U.S. are already nearing 31°C (87.8°F) — a physiological limit beyond which human life cannot be sustained outdoors for long, even with water and shade.

This is not hypothetical. The climate system is tipping now.

Immediate mitigation and adaptation are essential to preserve habitable zones and public health—and to avoid collapse on both ecological and economic fronts.

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderYou’re Getting Warmer

Youre-Getting-Warmer-Best-Of.mp3
Youre-Getting-Warmer-Best-Of.mp4
Youre-Getting-Warmer.mp3
Youre-Getting-Warmer.mp4
Youre-Getting-Warmer-intro.mp3

[Intro]
You’re getting warmer
(Warmer, warmer)

[Verse 1]
Did you have a clue
It’s getting hotter
What will you do
To make it better

[Chorus]
You’re getting warmer
(Warmer, warmer)
Warmer and warmer still
(Warmer and warmer until…)

[Bridge]
Is the frog any stranger
(For not jumping out of danger)

[Verse 2]
Shouldn’t be surprising
The temperatures rising
Now the question of you
“What ‘cha going to do?”

[Chorus]
You’re getting warmer
(Warmer, warmer)
Warmer and warmer still
(Warmer and warmer until…)

[Bridge]
Is the frog any stranger
(For not jumping out of danger)

[Chorus]
You’re getting warmer
(Warmer, warmer)
Warmer and warmer still
(Warmer and warmer until…)

[Outro]
Is the frog any stranger
(For not jumping out of danger)

ABOUT THE SONG
“You’re Getting Warmer” uses a deceptively simple structure to highlight the creeping, accelerating danger of climate change and humanity’s failure to act.

The repeated phrase “You’re getting warmer” serves as both a literal and metaphorical warning about rising global temperatures. It references the children’s game where “warmer” indicates getting closer to something, but here it is flipped into an ominous signal that we are drifting closer to climate catastrophe.

Verse 1 asks whether people “have a clue” that it’s getting hotter and challenges them with “What will you do to make it better?” emphasizing that the climate crisis is not just a passive condition but requires active choices to mitigate.

The chorus repetition of “warmer and warmer still” mimics the relentless rise of global average temperatures and the intensification of heatwaves, droughts, and other extreme events driven by climate change.

The bridge—“Is the frog any stranger (for not jumping out of danger)”—references the boiling frog metaphor, illustrating how humanity is failing to respond to gradually worsening conditions until it becomes too late, normalizing climate extremes until they become deadly.

Verse 2 highlights that the temperature rise “shouldn’t be surprising,” aligning with decades of climate science warnings, while asking “What ‘cha going to do?” which shifts the focus from passive observation to personal and collective responsibility.

Overall, the song captures the psychological dimension of the climate crisis—how humans adapt to gradual increases in danger without adequately responding, allowing temperatures (and their deadly consequences) to escalate.

The repetition of “warmer, warmer” in a hauntingly simple refrain is a stark reminder that the window for action is closing, urging listeners to recognize the accelerating climate emergency before it is irreversible.

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderGood Trouble

Good-Trouble-Best-Of.mp3
Good-Trouble-Best-Of.mp4
Good-Trouble.mp3
Good-Trouble.mp4
Good-Trouble-intro.mp3

[Intro]
One plus one
Equals two
(Not much about that… you can do)

[Verse 1]
Sea level rise
(What a surprise)
See ya later…
(To the equator)

[Chorus]
It’s some of that
(That’ll make you blue)
It’s the math
(That kills you)
One plus one
Equals two
(Not much about that… you can do)

[Bridge]
Specifically
(Non-linear acceleration)
Tragically
(Feedback loop devolution)

[Verse 2]
It’s the doubling
That’s troubling
Social-ecological feedback
Attack

[Chorus]
[Bridge]

[Outro]
One plus one
Equals two
(Not much about that… you can do)

A blues-rock psychedelic, psychobilly song with a driving beat featuring guitar solos, overdriven tone with vibrato and bends, and an organ providing sustained chords and melodic counterpoint. The guitar features prominent slide techniques and expressive phrasing. The organ plays a walking bass line in some sections, adding to the blues feel. Vocals are male and female duet, four-part harmonies live with audience participation.

ABOUT THE SONG

This song captures the inescapable, mathematical certainty of the climate and economic crises we are facing, emphasizing that while individual choices matter, the systemic math is what “kills you.”

[Intro & Chorus: One plus one equals two]

“One plus one equals two (Not much about that… you can do)”

This line highlights the inexorable math of physical and economic laws. Just as 1+1 will always equal 2, the laws of physics (thermodynamics, Clausius-Clapeyron) and basic economic math (deficits + interest = debt spiral) cannot be wished away by ideology.

As detailed in The Economic Monsters: Inflation and Interest Rates, the compounding debt, tariffs, and interest rates are feeding a system that will collapse under its own weight, just as greenhouse gas emissions will inevitably warm the planet beyond safe thresholds.

[Verse 1: Sea level rise]

“Sea level rise (What a surprise)”
“See ya later… (To the equator)”

These lines reference rising seas and forced migration, which are already displacing communities in low-lying equatorial and subtropical regions.

This connects directly to your Trump’s Climate Destruction, which outlines how dismantling climate policies accelerates sea-level rise, intensifies storms, and forces populations away from equatorial regions and coasts, fueling humanitarian crises.

[Bridge: Non-linear acceleration & feedback loops]

“Specifically (Non-linear acceleration)”
“Tragically (Feedback loop devolution)”

These lines capture the tipping points and feedback loops detailed in your climate and economic models, where warming:

  • Increases atmospheric water vapor (Clausius-Clapeyron),

  • Increases deadly wet-bulb temperatures (explained here),

  • Melts ice, reducing albedo, causing further warming,

  • Thaws permafrost, releasing methane, accelerating warming further.

Simultaneously, economic feedback loops such as rising debt, interest payments, and reduced productive capacity from anti-immigration policies create a compound collapse, as discussed in The Broken Math of Today’s Economy.

[Verse 2: Doubling and feedback]

“It’s the doubling that’s troubling”
“Social-ecological feedback attack”

This highlights exponential growth and compounding collapse, where:

  • Greenhouse gases double every few decades, causing disproportionate warming and system breakdown.

  • Economic policies that ignore feedback loops (like tariffs, deficits, and anti-immigration) lead to runaway debt, rising interest, and labor shortages that choke capitalism.

The “social-ecological feedback attack” reflects how social collapse and ecological collapse amplify each other, triggering mass migrations, political instability, and collapse of governance structures needed to manage climate adaptation.

[Outro: The inescapable math]

“One plus one equals two (Not much about that… you can do)”

The outro reinforces that physics and economic arithmetic are indifferent to ideology. We are in a system driven by compound, cascading collapse unless bold, collective action changes the trajectory.

Summary:

This song is a poetic expression of the reality that climate physics and economic math will dictate outcomes if systemic change is not made. It warns that:

✅ Climate change is accelerating due to non-linear feedback loops.
✅ Deadly humid heat and sea-level rise are displacing populations now.
✅ Economic policies ignoring basic math are driving collapse.
✅ Doubling (exponential growth) is accelerating these crises.
✅ Individual actions help, but systemic change is essential to slow the collapse.

Related Papers:

📄 The Economic Monsters: Inflation and Interest Rates
📄 Trump’s Climate Destruction
📄 The Broken Math of Today’s Economy: A Simplified Look

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderClues

Clues.mp3
Clues.mp4
Clues-Unplugged-Underground-XXII.mp3
Clues-Unplugged-Underground-XXII.mp4
Clues-intro.mp3

[Intro]
Clues… have you any?

[Verse 1]
Is it that Earth is flat
Or flat-earther head’s girth
How does gravity…
Let you be?

[Chorus]
Do you have a clue
(Well, do you?)
Are your thought askew
(Tell, please do.)

[Bridge]
I’m having difficulty
(With the ability to see)
Can you put into words
(Your thoughts absurd)

[Verse 2]
Is it the new green scam
(Or the denier’s are liars)
The fact of the matter…
It’s the damned demand

[Chorus]
Do you have a clue
(Well, do you?)
Are your thought askew
(Tell, please do.)

[Bridge]
I’m having difficulty
(With the ability to see)
Can you put into words
(Your thoughts absurd)

[Chorus]
Do you have a clue
(Well, do you?)
Are your thought askew
(Tell, please do.)

[Outro]
I’m having difficulty
(With the ability to see)
I’ll be alright
(If you can shine the light)

From the album “Clues

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderNAIs

NAIs-Best-Of.mp3
NAIs-Best-Of.mp4
NAIs.mp3
NAIs.mp4
NAIs-Prelude.mp3
NAIs-Prelude.mp4
NAIs-Unplugged-Underground-XXII.mp3
NAIs-Unplugged-Underground-XXII.mp4
NAIs-intro.mp3

[Verse 1]
Would you care to share…
(Well)
What’s your favorite smell
(Please, do tell)

[Chorus]
(I swear…)
The ions in the air
(Yell!) My favorite smell
(Becoming more aware)

[Bridge]
Boom! (Gone with strife)
Poof! (Come to life)
Boom! (Bliss arrives)
Poof! (Come alive)

[Verse 2]
(Hey!)
Would you dare to say…
(Hey!)
Have you fallen under the spell
(Please, do tell)

[Chorus]
(I swear…)
The ions in the air
(Yell!) My favorite smell
(Becoming more aware)

[Bridge]
Boom! (Gone with strife)
Poof! (Come to life)
Boom! (Bliss arrives)
Poof! (Come alive)

[Chorus]
(I swear…)
The ions in the air
(Yell!) My favorite smell
(Becoming more aware)

[Outro]
Boom! (Gone with strife)
Poof! (Come to life)

ABOUT THE SONG

After a thunderstorm, the ions in the air are referred to as negative air ions (NAIs). These are primarily negatively charged oxygen molecules (O2-) and their clusters, formed during lightning strikes and other atmospheric electrical discharges.

Negative air ions (NAIs) can contribute to making the air smell better by reducing the presence of airborne pollutants that cause unpleasant odors. This is achieved through a process called ionization, where NAIs attach to airborne particles and cause them to clump together. 
  1. Negative Ion Generation: Air ionizers release negative ions into the air.
  2. Ion Attachment: These negative ions attach to airborne pollutants like dust, allergens, and smoke particles, many of which carry a positive charge.
  3. Particle Clumping: This attachment process causes the particles to clump together into larger, heavier units.
  4. Settling: These heavier particles then fall out of the air, either landing on surfaces or being captured by an air purifier’s filters (if present). 
By removing these odor-causing particles from the air, the overall air quality improves and the air may seem fresher. 

From the album “Lighten Up

bookmark_borderConstructive Interference

Constructive-Interference-Best-Of.mp3
Constructive-Interference-Best-Of.mp4
Constructive-Interference.mp3
Constructive-Interference.mp4
Constructive-Interference-intro.mp3

[Verse 1]
How a standing wave
Does behave
Did you hear the scoop
On the positive feedback loop

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Instrumental, Saxophone Solo]

[Verse 2]
Resonance and dissidence
Phase and delay
Resonant frequency
Nodes and anomalies

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Verse 3]
Combined attitude of amplitudes
Superposition superstition
Pickups near the amp
Feedback starts to ramp

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Outro]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

ABOUT THE SONG

The physics of a sound wave that reinforces itself — such as in a standing wave or acoustic feedback — relies on constructive interference, resonance, and positive feedback loops. Here’s a breakdown of how these phenomena work:

1. Standing Waves

Standing waves occur when two sound waves of the same frequency and amplitude travel in opposite directions and interfere. This typically happens in enclosed spaces or along a string or pipe.

Physics involved:

  • Superposition: When two waves meet, their amplitudes add.

  • Nodes and antinodes:

    • Nodes: Points of destructive interference, no motion.

    • Antinodes: Points of constructive interference, maximum motion.

  • Boundary conditions: Reflections off walls (closed or open ends) determine where nodes and antinodes form.

  • Resonant frequency: Only specific frequencies (harmonics) fit perfectly into the space and reinforce themselves.

Example: A guitar string fixed at both ends supports standing waves at:

fn=n(v2L)f_n = n\left(\frac{v}{2L}\right)

Where:

  • fnf_n = nth harmonic frequency

  • vv = wave speed

  • LL = length of string

  • nn = harmonic number (1, 2, 3…)

2. Acoustic Feedback (Microphone Feedback)

Feedback happens when a sound loop forms between a microphone and a speaker, causing rapid reinforcement of a specific frequency.

Physics involved:

  • Positive feedback loop:

    1. Microphone picks up sound from a speaker.

    2. Amplifier boosts it.

    3. Speaker re-emits it.

    4. Microphone picks it up again… and so on.

  • Resonance: The loop amplifies only certain frequencies—typically those at or near the resonant frequencies of the room or audio system.

  • Constructive interference: If the sound wave’s phase aligns on each loop, the amplitude grows exponentially.

  • Phase and delay: A small time delay (usually milliseconds) determines whether the wave will cancel or reinforce itself.

Mathematical condition (Barkhausen criterion for feedback):

Loop gain≥1andtotal phase shift=0∘ or multiple of 360∘\text{Loop gain} \geq 1 \quad \text{and} \quad \text{total phase shift} = 0^\circ \text{ or multiple of } 360^\circ

Unifying Concepts

Both standing waves and feedback involve:

  • Reflection and interference

  • Phase alignment

  • Resonant frequency matching

  • Energy reinforcement over time

 Real-World Examples

  • Musical instruments: Resonating air columns (flutes, organs) use standing waves.

  • Room acoustics: Standing waves can cause “dead spots” or “boomy” tones.

  • PA systems: Improper mic placement causes feedback squeal.

  • Singular note feedback in rock music: Guitar pickups near amp create musical feedback.

This song could also be applied to political protests. Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderChemical Signaling

Chemical-Signaling-Best-Of.mp3
Chemical-Signaling-Best-Of.mp4
Chemical-Signaling.mp3
Chemical-Signaling.mp4
Chemical-Signaling-intro.mp3

[Verse 1]
Pheromones
(Human moans)
Receptors
(Transmitters)

[Chorus]
Mark my words
(Mark my territory)
Here’s the story
(Words, molecular)

[Bridge]
… spectacular…. (for sure)
Future!

[Verse 2]
Welcome…
(To the Wood Wide Web)
Come to know “how come?)
(The flow the ebb)

[Chorus]
Mark my words
(Mark my territory)
Here’s the story
(Words, molecular)

[Bridge]
… spectacular…. (for sure)
Future!

[Outro]
Hear what I say
(In a different way)

A SCIENCE NOTE

Chemical signaling between plants and fungi—or between different types of animals—is similar to vocal or sound-based communication in some fundamental ways, even though the medium and method differ.

Similarities Between Chemical and Acoustic Communication

1. Purpose: Information Exchange

Both chemical signaling and vocalization are used to send messages about:

  • Danger (e.g. predators, fire, disease)

  • Mating or reproduction

  • Territory or boundaries

  • Resource location (food, water, nutrients)

2. Sender ➜ Signal ➜ Receiver Model

Both follow a communication model:

  • Sender produces the signal (plant, fungus, animal)

  • Signal travels through a medium (air, water, ground)

  • Receiver detects and responds

Communication Sender Signal Medium Receiver
Voice/Sound Animal Sound wave Air/water Ears
Chemical Plant, fungus, animal Molecule Air/soil/water Receptors

3. Specialized Receptors

In both cases, the receiver must have specialized receptors to detect and interpret the signal:

  • Ears detect sound vibrations.

  • Cells or nerve endings detect specific molecules (like pheromones or fungal signals).

4. Direction and Specificity

  • Sound can be directional (e.g., bird call from a tree).

  • Chemicals can also be directional via gradients or localized release, especially in soil or water.

Examples of Chemical Signaling (Plants & Fungi)

Mycorrhizal Networks (aka “Wood Wide Web”)

  • Fungi form underground networks with tree roots.

  • Trees release chemicals (e.g., sugars, defense compounds) into the fungal network.

  • Fungi send nutrients and also relay warning signals about pests or drought to other trees.

Plant-to-Plant Warnings

  • A damaged plant (e.g., eaten by caterpillars) releases volatile organic compounds (VOCs) into the air.

  • Nearby plants detect the VOCs and activate their own defenses (like producing bitter chemicals or growing faster).

Examples of Chemical Signaling (Animals)

Pheromones

  • Ants leave chemical trails for others to follow.

  • Mammals may release pheromones to attract mates or mark territory.

  • Humans even release subtle chemical cues that affect others’ behavior (e.g., sweat-related pheromones, though still debated).

So, How Is It “Like Voice”?

Think of chemical signaling as the biochemical equivalent of talking:

  • Instead of vibrating air with vocal cords, the organism releases molecular “words.”

  • Instead of eardrums, the receiving organism uses chemical receptors.

  • Both are forms of language—just with different alphabets (molecules instead of sound frequencies).

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderEar to the Ground

Ear-to-the-Ground-Best-Of.mp3
Ear-to-the-Ground-Best-Of.mp4
Ear-to-the-Ground.mp3
Ear-to-the-Ground.mp4
Ear-to-the-Ground-intro.mp3

[Intro]
(The sound)
… it comes in clear
With your ear
(To the ground)

[Verse 1]
You know
Hearing buffalo
(Low, way down low)

The direction
… the flow
(Low, way down low)

[Chorus]
The sound (the lowdown)
What you hear (comes in clear)
With your ear (way down near)
… touching the ground (way, way down)

[Bridge]
Low frequency (efficiently)
Did move through solid (especially)

[Verse 2]
You know
Hear the elephant rant
(Low, way down low)

Gettin’ down
With infrasound
(Ya know, down low)

[Chorus]
The sound (the lowdown)
What you hear (comes in clear)
With your ear (way down near)
… touching the ground (way, way down)

[Bridge]
Low frequency (efficiently)
Did move through solid (especially)

[Chorus]
The sound (the lowdown)
What you hear (comes in clear)
With your ear (way down near)
… touching the ground (way, way down)

[Outro]
Get down (way, way down)
Found the sound (way, way down)

A SCIENCE NOTE
What is the science for the very low rumble elephants can hear… and the vibration you can hear if you put your ear to the ground like the Indians did to hear buffalo running… or to a railroad track to hear a far off train?

Great question — the science behind these phenomena all centers on low-frequency sound waves and how they travel through different mediums, like air, ground, or metal.

1. Elephants and Infrasound

Elephants communicate using infrasound — sound waves below 20 Hz, which is beneath the range of human hearing.

  • Why infrasound?

    • Long wavelengths of low-frequency sounds travel further through the ground and air with less energy loss than higher-frequency sounds.

    • Elephants can send and receive these deep rumbles over distances of 5–10 miles, even through the ground.

  • How do elephants detect it?

    • Through their large ears, but also through bone conduction in their feet and trunk.

    • Vibrations are sensed by Pacinian corpuscles — special receptors in their feet — and then transmitted up the bones to the inner ear.

2. Putting Your Ear to the Ground or Railroad Track

This works on the same principle — low-frequency vibrations travel more efficiently through solids than air.

Hearing Buffalo or Horses:

  • Hoofbeats on the ground create low-frequency seismic vibrations.

  • These waves can be heard or felt before the animals are visible, especially in still, quiet environments.

  • Native Americans and scouts often placed their ears directly to the ground to detect these faint vibrations.

Railroad Track Trick:

  • Steel is a very efficient conductor of sound, especially at low frequencies.

  • When a train is coming, vibrations from the wheels traveling down the tracks generate sound that can move miles ahead of the train.

  • Putting your ear to the rail gives you direct contact with the metal, allowing you to hear the vibrations well before you’d hear them in air.

Summary of Physics:

  • Low-frequency waves (infrasound or seismic waves) travel farther and more efficiently than high-frequency ones.

  • Solids (like earth or steel) conduct sound much faster and farther than air — sound moves ~343 m/s in air, but ~5,960 m/s in steel.

  • This is why animals like elephants, and indigenous peoples or scouts, can “hear” things that seem far away or invisible.

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderSound Advice

Sound-Advice-Best-Of.mp3
Sound-Advice-Best-Of.mp4
Sound-Advice.mp3
Sound-Advice.mp4
Sound-Advice-intro.mp3

[Verse 1]
Listen to him preach
“Swallow more bleach”
(Oh, no, no, no)
He doesn’t know

[Chorus]
If you’re looking for sound advice
(Better think twice)
Free the bats from the belfry
(To free up some reality)

[Verse 2]
Climate science denier
Liar, liar, liar
(Oh, no, no, no)
He doesn’t know

[Chorus]
If you’re looking for sound advice
(Better think twice)
Free the bats from the belfry
(To free up some reality)

[Bridge]
Knowledge of economics
(He’s not too quick)
Has no taste in music
(Certainly not my pick)
In fact you could make the call
(Doesn’t know anything at all)
No, nothing at all

[Chorus]
If you’re looking for sound advice
(Better think twice)
Free the bats from the belfry
(To free up some reality)

[Outro]
(Oh, no, no, no)
He doesn’t know
(Don’t know, don’t know, don’t know)

Song inspired by Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderAblaze

Ablaze.mp3
Ablaze.mp4
Ablaze-Pt-2.mp3
Ablaze-Pt-2.mp4
Ablaze-intro.mp3

[Verse 1]
Counting down
To ignition
Just look around
For conformation

[Chorus]
All the world’s ablaze
Breathing in the haze
Situation of fire
Growing ever higher

[Bridge]
Fan the flames
(Who’s to blame)

[Verse 2]
Don’t be confused
Lit the fuse
Just a matter of time
Before we find…

[Chorus]
All the world’s ablaze
Breathing in the haze
Situation of fire
Growing ever higher

[Bridge]
Fan the flames
(Who’s to blame)
The alarm is sounding
(So resounding)
Better pour on water
(Save your son and daughter)

[Chorus]
All the world’s ablaze
Breathing in the haze
Situation of fire
Growing ever higher

[Outro]
Better pour on water
(Save your son and daughter)

ABOUT THE SONG

The song “Ablaze” is a powerful and urgent anthem that captures the terrifying reality of the climate crisis through the imagery of wildfire. With its stark warnings and escalating tension, the song reflects the rising intensity, frequency, and devastation of wildfires driven by global warming, reckless policy, and delayed action. Every line deepens the sense that the world is not just metaphorically—but literally—on fire.

Verse 1:
“Counting down to ignition / Just look around for conformation” presents the world as a ticking time bomb. The word “conformation” can be read as both evidence and twisted affirmation—the fires are here, the science is clear, yet we’re still looking for signs as if denial could delay disaster. Wildfire season is no longer a season—it’s perpetual, and we’re living in its shadow.

Chorus:
“All the world’s ablaze / Breathing in the haze” speaks to both the visual horror and the public health crisis. It evokes smoke-choked skylines in places like California, Alberta, and Australia. This isn’t abstract—it’s happening now. The “situation of fire growing ever higher” reflects both the literal spread of flames and the broader existential threat posed by the accelerating climate emergency.

Bridge (1):
“Fan the flames / Who’s to blame?” cuts to the heart of the matter—our collective complicity and the deliberate choices of fossil fuel companies, deregulation, and politicians who feed the fire for profit or power. The passive phrasing belies an active role: we’ve stoked this blaze with carbon, greed, and delay.

Verse 2:
“Don’t be confused / Lit the fuse / Just a matter of time before we find…” underscores that this wasn’t a natural accident—it was triggered. The “fuse” is decades of ignored warnings, rising emissions, deforestation, and extractive industry. The next catastrophe isn’t a question of “if,” but “when.”

Bridge (2):
The second bridge raises the emotional stakes:
“The alarm is sounding (So resounding)” evokes the literal fire alarms and the louder call of climate scientists.
“Better pour on water / Save your son and daughter” personalizes the plea. This isn’t just about statistics or policy—it’s about the survival of future generations. The water we need is action—policy change, adaptation, mitigation. And time is running out.

Final Chorus and Outro:
Repeating the chorus hammers in the message: the crisis is global, the danger is growing, and the smoke is choking us all. The outro“Better pour on water (Save your son and daughter)”—is both a plea and a command. There’s still hope, but only if we act now.

Summary:

“Ablaze” is a blistering climate protest song that uses the wildfire as both metaphor and reality. It channels the collective anxiety of living through a planet that’s literally burning, while calling out the failures that brought us here. The repetition of flames, haze, and alarms creates a visceral experience—reminding us this isn’t distant or hypothetical. It’s here. It’s now.

It’s not just a song—it’s a warning shot.

Song inspired by Trumpenomics: The Decline of the US

From the album “Daze Days

The Human Induced Climate Change Experiment

bookmark_borderSmokescreen

Smokescreen.mp3
Smokescreen.mp4
Smokescreen-Reggae.mp3
Smokescreen-Reggae.mp4
Smokescreen-intro.mp3
Smokescreen.mp3
Smokescreen.mp4

[Verse 1]
What’s that haze in the sky
Or is it the clouds in my eyes
Can’t quite seem to see the sun
Wondering if it’s come undone

[Chorus]
The scene’s obscene
You’ll come to know what I mean
If you could only see through
The smokescreen

[Bridge]
If this is a dream
(It’s a nightmare)
Gotta do what ya gotta do
(Turn to love and show you care)

[Verse 2]
What’s that haze all through the sky
Or is it the clouds in my eyes
Can’t quit seem to see the sun
Wondering if it’s coming undone

[Chorus]
The scene’s obscene
You’ll come to know what I mean
If you could only see through
The smokescreen

[Bridge]
If this is a dream
(It’s a nightmare)
Gotta do what ya gotta do
(Turn to love and show you care)

[Chorus]
The scene’s obscene
You’ll come to know what I mean
If you could only see through
The smokescreen

[Outro]
Gotta do what we gotta do
Aware our hearts are true
(Turn to love… find care there)

ABOUT THE SONG

The song “Smokescreen” resonates powerfully with today’s air quality crisis, especially when viewed through the lens of ozone pollution, wildfire smoke, and Saharan dust—threats both visible and invisible that now fill American skies. Here’s an interpretation of the lyrics in the context of the current environmental reality:

Interpretation: “Smokescreen” as a Metaphor for Climate-Driven Air Pollution

Verse 1 & 2:

“What’s that haze in the sky / Or is it the clouds in my eyes / Can’t quite seem to see the sun / Wondering if it’s come undone”

This reflects the literal and symbolic obscuring of the sun by wildfire smoke, ozone haze, and Saharan dust. The repeated line about “the clouds in my eyes” evokes not just physical irritation from pollutants but also a metaphorical blindness—a societal inability or refusal to see the environmental degradation in front of us. The sun, symbolizing life and clarity, appears “undone,” mirroring how climate change is unraveling natural systems.

Chorus:

“The scene’s obscene / You’ll come to know what I mean / If you could only see through / The smokescreen”

This “smokescreen” operates on multiple levels. On one hand, it’s the literal haze—dangerous and growing—blanketing cities like Philadelphia. On the other, it’s a critique of denial, distraction, or political inaction surrounding the climate crisis. The “obscenity” is both the worsening air and the systems that allow it to continue.

Bridge:

“If this is a dream (It’s a nightmare) / Gotta do what ya gotta do / (Turn to love and show you care)”

Here, the dream-turned-nightmare reflects how humanity’s industrial and economic ambitions—once seen as progress—have morphed into existential threats. The call to “turn to love and show you care” is a moral imperative: to respond with compassion, climate action, and community responsibility rather than apathy.

Outro:

“Gotta do what we gotta do / Aware our hearts are true / (Turn to love… find care there)”

The song ends with a communal rallying cry, urging collective responsibility. “Do what we gotta do” suggests urgent action—policy change, emissions cuts, environmental justice—while grounding that in sincerity and care, the antidotes to the indifference that allowed the crisis to escalate.

Conclusion:

“Smokescreen” serves as both a poetic reflection of the worsening air quality and a call to action. It captures the confusion, the fear, and ultimately, the hope that we might still clear the air—literally and metaphorically—if we choose to act with awareness, love, and urgency.

From the album “Come On

Also found on the album “Reggae Modern Day

The Human Induced Climate Change Experiment

bookmark_borderSupercritical

Supercritical-Best-Of.mp3
Supercritical-Best-Of.mp4
Supercritical.mp3
Supercritical.mp4
Supercritical-intro.mp3

[Verse 1]
Do you have to be so critical
(Super duper)
Can’t you act more rational
(A normal formal state)

[Chorus]
Supercritical
(Fluctuates wildly)
Turning political
(To put it mildly)

[Verse 2]
To please me
(Stay away from my coffee)
Decaffeinated
(Is way overrated)

[Chorus]
Supercritical
(Fluctuates wildly)
Turning political
(To put it mildly)

[Bridge]
Compressibility spikes
(Yikes!)
Surface tension disappears
(Raising fears)
Time to anoint
(Where at a critical point)

[Chorus]
Supercritical
(Fluctuates wildly)
Turning political
(To put it mildly)

[Outro]
Supercritical
(Avoid the hypocritical)

A SCIENCE NOTE

Supercritical Fluid

  • Occurs above critical temperature & pressure.

  • Behaves like both a gas and a liquid.

  • Example: Supercritical CO₂ (used to decaffeinate coffee).

A supercritical fluid is a state of matter that occurs above a substance’s critical temperature and pressure—the point where the substance can no longer be distinguished as either a liquid or a gas.

It behaves as a hybrid:

  • Like a gas: fills a container completely and flows freely

  • Like a liquid: dissolves substances and has solvent-like properties

Critical Point: The Threshold

The critical point is defined by:

  • Critical Temperature (Tc): Above this, the substance cannot be liquefied by pressure alone.

  • Critical Pressure (Pc): Minimum pressure required to liquefy a gas at its critical temperature.

Examples of Supercritical Fluids

Substance Critical Temperature (°C) Critical Pressure (atm) Use / Notes
Carbon Dioxide (CO₂) 31.1 °C 73.8 atm (7.38 MPa) Decaffeinating coffee, green solvents
Water (H₂O) 374 °C 218 atm (22.1 MPa) Supercritical water oxidation (SCWO), chemistry reactions
Ammonia (NH₃) 132.4 °C 112.8 atm Experimental refrigeration
Methane (CH₄) -82.6 °C 45.8 atm Natural gas processing
Ethanol (C₂H₅OH) 241.6 °C 63 atm Solvent for organic materials

Why They’re Useful

  • Tunable solvents: Slight changes in temp/pressure adjust their solvency.

  • Green chemistry: CO₂ replaces toxic solvents in extraction or cleaning.

  • Penetrative: SCFs can diffuse through solids like a gas but dissolve substances like a liquid.

Behavior Near the Critical Point

  • Density fluctuates wildly.

  • Surface tension disappears (no distinct liquid/gas interface).

  • Compressibility spikes.

This makes supercritical fluids useful but difficult to control without precise equipment.

From the album “States of Matter