bookmark_borderIn All CAPS!!!

In-All-CAPS-Best-Of.mp3
In-All-CAPS-Best-Of.mp4
In-All-CAPS.mp3
In-All-CAPS.mp4
In-All-CAPS-intro.mp3

[Intro]
Blah, blah, blah
(Nah, nah, nah)

[Verse 1]
I’m not sure what you’re talkin’ ’bout
I add it up, and it don’t amount
No, no idea what you’re tryin’ to say
In any meaningful way

[Bridge]
Blah, blah, blah
(Nah, nah, nah)

[Chorus]
No, doubt
In all Caps,
(SHOUT!)
Another mental lapse
(Collapse)
Misfired synapse
(Lapse, lapse, lapse)

[Verse 2]
No one knows what you’re talkin’ ’bout
No matter how you count — the wrong amount
No, no idea what you’re tryin’ to say
In any meaningful way

[Bridge]
Blah, blah, blah
(Nah, nah, nah)

[Chorus]
No, doubt
In all Caps,
(SHOUT!)
Another mental lapse
(Collapse)
Misfired synapse
(Lapse, lapse, lapse)

[Bridge]
Blah, blah, blah
(Nah, nah, nah)

[Chorus]
No, doubt
In all Caps,
(SHOUT!)
Another mental lapse
(Collapse)
Misfired synapse
(Lapse, lapse, lapse)

[Outro]
Blah, blah, blah
(Nah, nah, nah)
Bye-bye

Trumpenomics: The Decline of the US

From the album “Stretch

The Human Induced Climate Change Experiment

bookmark_borderCountry Mile

Country-Mile.mp3
Country-Mile.mp4
Country-Mile-Unplugged-Underground-XXI.mp3
Country-Mile-Unplugged-Underground-XXI.mp4
Country-Mile-intro.mp3

[Verse 1]
How to make a long story
Short
How to report
On all your glory

[Chorus]
I would walk a country mile
To make the longest yard
Give heaven and earth for a smile
No matter how far… or hard…

[Bridge]
Even for just a little while

[Verse 2]
How to stretch my time with you
Knowing hearts are true
How to prolong my time
Under your shine

[Chorus]
I would walk a country mile
To make the longest yard
Give heaven and earth for a smile
No matter how far… or hard…

[Bridge]
Even for just a little while
(Smile, smile, smile)
So happy together
(Smile, smile, smile)
We’ll weather the weather
(Even for just a little while)
Smile!

[Chorus]
I would walk a country mile
To make the longest yard
Give heaven and earth for a smile
No matter how far… or hard…

[Outro]
Even for just a little while

From the album “Stretch

bookmark_borderRain on Reign

Rain-on-Reign-Best-Of.mp3
Rain-on-Reign-Best-Of.mp4
Rain-on-Reign.mp3
Rain-on-Reign.mp4
Rain-on-Reign-intro.mp3
Rain-on-Reign-intro.wav

[Verse 1]
Did love rain on your parade
Crawl through the mud, throwing shade
Egotistical extravaganza
During a “no kings” bonanza

[Chorus]
Raining on your reign
Few peasants present
Raining on your day
Blue skies another day

[Bridge]
Rain on reign

[Verse 2]
You say it’s your birthday
Celebrating TACO day
Everyone walked away
Saying not O.K.!

[Chorus]
Raining on your reign
Few peasants present
Raining on your day
Blue skies another day

[Bridge]
Rain on reign
Rain on your reign
(Wash away the pain)
Rain on your reign
(Is he even sane)
Rain on your reign
(No one does remain)

[Chorus]
Raining on your reign
Few peasants present
Raining on your day
Blue skies another day

[Outro]
Rain on your reign
(Wash away the pain)
Rain on reign

 

ABOUT THE SONG

The song “Rain on Reign” is a scathing, poetic critique of authoritarian vanity and failed spectacle—and when interpreted in light of the Trump military parade and associated public backlash, it becomes a sharp, multilayered protest anthem.

Here’s a breakdown of the interpretation as it relates to Trump’s rain-drenched, underattended military parade and the broader themes of critique:

[Verse 1]

Did love rain on your parade
Crawl through the mud, throwing shade
Egotistical extravaganza
During a “no kings” bonanza

This verse sets the tone. “Rain on your parade” doubles as both literal and metaphorical—referencing the physical rain during the Trump parade and the broader disappointment and public rejection of the spectacle. The phrase “crawl through the mud” evokes the uncomfortable and undignified treatment of soldiers ordered to march in poor conditions. “Egotistical extravaganza” points to the self-centered nature of the event, while “no kings bonanza” ties directly to the nationwide protests rejecting authoritarianism—echoing the chant, “No Kings.”

[Chorus]

Raining on your reign
Few peasants present
Raining on your day
Blue skies another day

The chorus is both literal and symbolic. “Raining on your reign” criticizes the fragility of Trump’s attempt at strongman optics, portraying him not as a respected leader, but a would-be monarch losing public support. “Few peasants present” mocks the sparse crowd, emphasizing the failure to draw public enthusiasm. “Blue skies another day” contrasts the gloom of the parade with the hope of a future without authoritarian rule.

[Bridge]

Rain on reign

A minimalist, powerful refrain. It reinforces the central theme—nature, truth, and public dissent disrupting tyranny.

[Verse 2]

You say it’s your birthday
Celebrating TACO day
Everyone walked away
Saying not O.K.!

This verse is satirical. “You say it’s your birthday” mocks Trump’s use of national celebrations as personal glorification, while “TACO day” humorously trivializes the seriousness of the parade—hinting at cultural tone-deafness or misappropriation. “Everyone walked away” signals public disapproval, and “Saying not O.K.!” channels protest slogans rejecting the event and the administration’s values.

[Bridge – Extended]

Rain on your reign
(Wash away the pain)
(Is he even sane)
(No one does remain)

This part shifts from satire to urgency. “Wash away the pain” suggests the rain is cleansing—a symbol of resistance and renewal. “Is he even sane” critiques the erratic and self-absorbed nature of the leadership, while “No one does remain” underscores a loss of support and isolation, referencing aides, allies, and a dwindling base.

[Outro]

Rain on your reign
(Wash away the pain)
Rain on reign

A haunting, cleansing finish. The repetition evokes finality—the collapse of an ego-driven reign under the weight of protest, weather, irony, and history.

Overall Interpretation

“Rain on Reign” operates as a lyrical takedown of authoritarian hubris. It captures the symbolic downfall of a leader who confuses pageantry with patriotism, and power with respect. The rain—uninvited, unplanned—becomes a metaphor for truth, resistance, and accountability.

When paired with the imagery of antiwar lyrics blaring during the parade, low turnout, racially diverse soldiers used as props, and nationwide “No Kings” protests, the song becomes a kind of folk elegy for democracy under pressure—but with a glimmer of hope that blue skies await.

Trumpenomics: The Decline of the US

From the album “Stretch

The Human Induced Climate Change Experiment

bookmark_borderThe Rack

The-Rack.mp3
The-Rack.mp4
The-Rack-Unplugged-Underground-XXI.mp3
The-Rack-Unplugged-Underground-XXI.mp4
The-Rack-intro.mp3

[Verse 1]
Fetch ’em
And stretch ’em
“See how far I can go”
To making them grow

[Chorus]
The nation is on the rack
Pulling us apart… till they break our back
The tyrant at the helm
Dwells in the darkest realm

[Bridge]
Pull ’em apart from the seams
(So it seems)

[Verse 2]
Grab ’em, nab ’em
Pull ’em apart
“I’ve no heart”
No, know no heart

[Chorus]
The nation is on the rack
Pulling us apart… till they break our back
The tyrant at the helm
Dwells in the darkest realm

[Bridge]
Pull ’em apart from the seams
(So it seems)
It’s an ugly scene
(The rich and mean)

[Chorus]
The nation is on the rack
Pulling us apart… till they break our back
The tyrant at the helm
Dwells in the darkest realm

[Outro]
Pull ’em apart from the seams
(So it seems)
It’s an ugly scene
(The dirty and mean)

ABOUT THE SONG

“The Rack” is a visceral and haunting metaphor for the pain and cruelty inflicted by the Trump administration’s immigration policies—particularly through ICE (Immigration and Customs Enforcement). Drawing on the imagery of medieval torture, the song positions the nation itself as the victim, slowly torn apart under the strain of authoritarian cruelty and systemic dehumanization.

Verse 1:

“Fetch ’em / And stretch ’em / ‘See how far I can go’ / To making them grow”

This verse conjures the voice of a power-drunk figure—likely Trump—treating human lives as a game of control and experimentation. “Fetch ’em and stretch ’em” evokes ICE raids and family separations, with immigrants “stretched” emotionally, physically, and legally. The twisted idea of making people “grow” here reads as a mockery of empowerment—growth through trauma imposed from above.

Chorus:

“The nation is on the rack / Pulling us apart… till they break our back / The tyrant at the helm / Dwells in the darkest realm”

This is the heart of the song’s message. The “rack” is not only a tool of torture, but a symbol of how Trump’s policies—particularly those that scapegoat immigrants—have fractured the nation. The pain isn’t isolated to victims of ICE; it’s collective. The chorus also directly names the leader—a “tyrant”—and places him in a “darkest realm,” suggesting moral decay, authoritarianism, and sadism.

Bridge:

“Pull ’em apart from the seams / (So it seems)”

This line reflects how families, communities, and even democratic norms are being torn at their very seams. “So it seems” adds a layer of cynicism or numb disbelief, as if this destruction has become so normalized that people barely flinch.

Verse 2:

“Grab ’em, nab ’em / Pull ’em apart / ‘I’ve no heart’ / No, know no heart”

This verse intensifies the cruelty. “Grab ‘em, nab ‘em” evokes the no-knock raids and aggressive tactics ICE used under Trump, often separating children from their parents without due process. The phrase “I’ve no heart” becomes a chilling mantra of intentional emotional detachment. The clever wordplay in “No, know no heart” suggests not only a lack of compassion, but a complete unfamiliarity with it—a cultivated cruelty.

Bridge 2:

“It’s an ugly scene / (The rich and mean)”

This points the blame not just at Trump, but at the powerful elite who profit from suffering—those who fund private detention centers, run media distraction campaigns, or pass policies while hiding behind wealth and privilege. It calls out the systemic injustice, not just the figurehead.

Final Chorus & Outro:

“Pull ’em apart from the seams / (So it seems) / It’s an ugly scene / (The dirty and mean)”

The repetition in the outro reinforces the trauma and leaves the listener with a grim image: a torn country, a broken system, and the perpetrators cloaked in dirt and malice. “Dirty and mean” evokes both corruption and intentional cruelty.

Summary:

“The Rack” is a searing condemnation of Trump-era immigration policies and the moral decay they represent. Using the powerful image of a nation strapped to a torture device, the song captures the ripping-apart of families, values, and identity under the guise of law and order. It doesn’t just criticize the policies—it exposes the inhumanity behind them, and the elites who benefit from division and pain.

Brutal. Honest. Unflinching.

Trumpenomics: The Decline of the US

From the album “Stretch

The Human Induced Climate Change Experiment

bookmark_borderThe Stretching of Truth

The-Stretching-of-Truth-Best-Of.mp3
The-Stretching-of-Truth-Best-Of.mp4
The-Stretching-of-Truth.mp3
The-Stretching-of-Truth.mp4
The-Stretching-of-Truth-Pt-2.mp3
The-Stretching-of-Truth-Pt-2.mp4
The-Stretching-of-Truth-intro.mp3

[Intro]
Ain’t gotta be a sleuth
To know the stretching of truth

[Verse 1]
Our times transpire
Under the dictator liar
In a reign of pain
By the insane

[Chorus]
Stretch the truth
(Until it breaks)
All cuckoo couth
(Just takes and takes)

[Bridge]
Ain’t gotta be a sleuth
To know the stretching of truth

[Verse 2]
Our time has come
To shun, shun, shun
The fascist pig
With the comb over wig

[Chorus]
Stretch the truth
(Until it breaks)
All cuckoo couth
(Just takes and takes)

[Bridge]
Ain’t gotta be a sleuth
To know the stretching of truth

[Chorus]
Stretch the truth
(Until it breaks)
All cuckoo couth
(Just takes and takes)

[Outro]
Ain’t gotta be a sleuth
To know the stretching of truth

ABOUT THE SONG

“The Stretching of Truth” is a scathing lyrical indictment of political deception in the Trump era. With blunt language and cutting satire, the song captures the sheer volume, brazenness, and corrosive impact of Donald Trump’s lies—spanning everything from crowd sizes and election results to pandemics and personal scandals. The tone is both furious and mocking, laying bare the damage done to truth, democracy, and public trust.

Verse 1:

“Our times transpire / Under the dictator liar / In a reign of pain / By the insane”

This opening verse frames the Trump presidency as an era defined by falsehood and authoritarian behavior. The term “dictator liar” underscores how relentless deception was not an accident, but a governing strategy. The phrase “reign of pain” reflects the real-world consequences of misinformation: from avoidable COVID deaths to insurrection and deepening division.

Chorus:

“Stretch the truth (Until it breaks) / All cuckoo couth (Just takes and takes)”

The chorus uses the metaphor of “stretching the truth” to show how repeated lies can distort reality—until it collapses entirely. The phrase “cuckoo couth” is a clever oxymoron, mocking the absurd civility some still afford to such blatant dishonesty. “Just takes and takes” points to Trump’s extractive politics: taking attention, power, money, and trust without giving anything back.

Bridge:

“Ain’t gotta be a sleuth / To know the stretching of truth”

This line cuts deep. It says you don’t need to be a detective or political analyst to see through the lies—it’s all out in the open. The dishonesty is so egregious, so frequent, that pretending not to see it is its own form of complicity.

 

Verse 2:

“Our time has come / To shun, shun, shun / The fascist pig / With the comb over wig”

Verse 2 is raw, emotional, and direct. “To shun, shun, shun” is a call to action—repeating the word drives home the urgency of rejecting Trump’s influence. The phrase “fascist pig” invokes classic protest language from the civil rights and anti-war movements, drawing a line between authoritarianism then and now. The mocking of his appearance with “comb over wig” echoes the way totalitarian rulers often invite ridicule even as they demand fear—a reminder that satire is also resistance.

Final Chorus & Outro:

Repetition of the chorus and outro solidifies the message: this isn’t about one lie or a few exaggerations—it’s about a systematic unraveling of truth in public life.

Summary:

“The Stretching of Truth” functions as a protest anthem for a truth-starved democracy. It highlights how Trump’s endless falsehoods, far from harmless puffery, have eroded norms, inflamed hatred, and blurred the lines between opinion and fact. It urges listeners not just to recognize the lies—but to reject the liar, loudly and collectively.

It’s angry. It’s irreverent. It’s honest.

And it refuses to stretch the truth.

Trumpenomics: The Decline of the US

From the album “Stretch

The Human Induced Climate Change Experiment

bookmark_borderListen Longer

Listen-Longer.mp3
Listen-Longer.mp4
Listen-Longer-Unplugged-Underground-XXI.mp3
Listen-Longer-Unplugged-Underground-XXI.mp4
Listen-Longer-intro.mp3

[Verse 1]
Watching the light fade
With the day (they fade away)
Earth’s cast in shade
Still gonna play (come on let’s stay)

[Chorus]
Can I listen
A little longer
Season of reason
Coming on stronger

[Bridge]
One last song…
(Before I move along)

[Verse 2]
Watching the moon rise
With the tide (as the sun subsides)
Earth’s carousel ride
Still a surprise (where the future lies)

[Chorus]
Can we listen
A little longer
Season of reason
Coming on stronger

[Bridge]
One last song…
(Before we move along)

[Chorus]
Can we listen
A little longer
Season of reason
Coming on stronger

[Chorus 2]
Can we stay
A little longer
Live for the day
Together stronger

[Outro]
One last song…
(Before we move along)

From the album “Sound Sound

bookmark_borderIs It Sound?

Is-It-Sound.mp3
Is-It-Sound.mp4
Is-It-Sound-Unplugged-Underground-XXI.mp3
Is-It-Sound-Unplugged-Underground-XXI.mp4
Is-It-Sound-intro.mp3

[Intro]
Is it solid
(Is it sound)
[Instrumental, Guitar Solo]
Solid as a rock
(Knock knock)

[Verse 1]
Are you on sound footing
In a stable place
It’s getting uprooting
In the human race

[Bridge]
Is it solid
(Is it sound)
Found (unbound)
[Instrumental, Synth Solo, Organ, Bass]

[Chorus]
Is the sound solid
(Flow like liquid)
Multiple states
(Adjustable minds)

[Instrumental, Saxophone Solo]

[Verse 2]
Is your foundation
… secure
How’s your proud nation…
Are you sure

[Bridge]
Is it solid
(Is it sound)
Get down (unbound)
[Instrumental, Synth Solo, Organ, Bass]

[Chorus]
Is the sound solid
(Flow like liquid)
Multiple states
(Adjustable minds)

[Outro]
[Instrumental, Guitar Solo]
Is it solid
(It is sound)
Long live rock!
(Rock!)

Song inspired by Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderConstructive Interference

Constructive-Interference-Best-Of.mp3
Constructive-Interference-Best-Of.mp4
Constructive-Interference.mp3
Constructive-Interference.mp4
Constructive-Interference-intro.mp3

[Verse 1]
How a standing wave
Does behave
Did you hear the scoop
On the positive feedback loop

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Instrumental, Saxophone Solo]

[Verse 2]
Resonance and dissidence
Phase and delay
Resonant frequency
Nodes and anomalies

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Verse 3]
Combined attitude of amplitudes
Superposition superstition
Pickups near the amp
Feedback starts to ramp

[Bridge]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

[Chorus]
Constructive interference
(Maximum motion)
Reflection reference
(Resonant notion)

[Outro]
[Instrumental, Guitar Solo, Feedback Guitar, Bass]
Phase alignment
(Energy reinforcement)

ABOUT THE SONG

The physics of a sound wave that reinforces itself — such as in a standing wave or acoustic feedback — relies on constructive interference, resonance, and positive feedback loops. Here’s a breakdown of how these phenomena work:

1. Standing Waves

Standing waves occur when two sound waves of the same frequency and amplitude travel in opposite directions and interfere. This typically happens in enclosed spaces or along a string or pipe.

Physics involved:

  • Superposition: When two waves meet, their amplitudes add.

  • Nodes and antinodes:

    • Nodes: Points of destructive interference, no motion.

    • Antinodes: Points of constructive interference, maximum motion.

  • Boundary conditions: Reflections off walls (closed or open ends) determine where nodes and antinodes form.

  • Resonant frequency: Only specific frequencies (harmonics) fit perfectly into the space and reinforce themselves.

Example: A guitar string fixed at both ends supports standing waves at:

fn=n(v2L)f_n = n\left(\frac{v}{2L}\right)

Where:

  • fnf_n = nth harmonic frequency

  • vv = wave speed

  • LL = length of string

  • nn = harmonic number (1, 2, 3…)

2. Acoustic Feedback (Microphone Feedback)

Feedback happens when a sound loop forms between a microphone and a speaker, causing rapid reinforcement of a specific frequency.

Physics involved:

  • Positive feedback loop:

    1. Microphone picks up sound from a speaker.

    2. Amplifier boosts it.

    3. Speaker re-emits it.

    4. Microphone picks it up again… and so on.

  • Resonance: The loop amplifies only certain frequencies—typically those at or near the resonant frequencies of the room or audio system.

  • Constructive interference: If the sound wave’s phase aligns on each loop, the amplitude grows exponentially.

  • Phase and delay: A small time delay (usually milliseconds) determines whether the wave will cancel or reinforce itself.

Mathematical condition (Barkhausen criterion for feedback):

Loop gain≥1andtotal phase shift=0∘ or multiple of 360∘\text{Loop gain} \geq 1 \quad \text{and} \quad \text{total phase shift} = 0^\circ \text{ or multiple of } 360^\circ

Unifying Concepts

Both standing waves and feedback involve:

  • Reflection and interference

  • Phase alignment

  • Resonant frequency matching

  • Energy reinforcement over time

 Real-World Examples

  • Musical instruments: Resonating air columns (flutes, organs) use standing waves.

  • Room acoustics: Standing waves can cause “dead spots” or “boomy” tones.

  • PA systems: Improper mic placement causes feedback squeal.

  • Singular note feedback in rock music: Guitar pickups near amp create musical feedback.

This song could also be applied to political protests. Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderSssound

Sssound-Best-Of.mp3
Sssound-Best-Of.mp4
Sssound.mp3
Sssound.mp4
Sssound-Pt-2.mp3
Sssound-Pt-2.mp4
Sssound-intro.mp3

[Intro]
(Shhh) Sssound

[Verse 1]
Please don’t shhish the sound
At least not while I’m around
I want to hear
So hear me clear

[Chorus]
So, please don’t shhish the sound
(At least not while I’m around)
No, please don’t shhish the sound
(I’m trying to get down)

[Bridge]
Sss sound

[Verse 2]
Please don’t shhish the sound
How can the groove be found
Tune it to come in clear
So we can hear it far and near

[Chorus]
No, please don’t shhish the sound
(At least not while I’m around)
So, please don’t shhish the sound
(I’m trying to get down)

[Bridge]
Sss sound
Music wears the crown
(On our knees, get down)
Music is the queen
(Let her be scene)

[Chorus]
So, please don’t shhish the sound
(At least not while we’re around)
No, please don’t shhish the sound
(We’re trying to get down)

[Outro]
(Sss sound)
Music wears the crown
(On our knees, get down)
Music is the king
(Let’s hear you sing)
Please don’t shhish the sound

From the album “Sound Sound

bookmark_borderNot Uncommon

Not-Uncommon.mp3
Not-Uncommon.mp4
Not-Uncommon-Unplugged-Underground-XXI.mp3
Not-Uncommon-Unplugged-Underground-XXI.mp4
Not-Uncommon-intro.mp3

[Verse 1]
The unusual
Has become usual
The not so average…
Average

[Bridge]
The age (of not uncommon)
Come on!
[Instrumental, Electric Piano Solo]

[Chorus]
Are you indifferent
To what’s different
And, do you mind
What you’ve come to find?

[Bridge]
The age (of not uncommon)
Come on!
[Instrumental, Saxophone Solo, Bass, Drum Fills]

[Verse 2]
What once was whack
Is now the knack
Oh no the irony
Of hypocrisy

[Bridge]
The age (of not uncommon)
Come on!
[Instrumental, Electric Piano Solo]

[Chorus]
Are you indifferent
To what’s different
And, do you mind
What you’ve come to find?

[Bridge]
The age (of uncommon)
Come on!
[Instrumental, Saxophone Solo, Bass, Drum Fills]

[Chorus]
Are you indifferent
To what’s different
And, do you mind
What you’ve come to find?

[Outro]
Uncommon is common
(It’s not uncommon any more)
… for sure
(It’s not uncommon any more)

ABOUT THE SONG

The song “Not Uncommon” is a sharp, satirical meditation on how once-shocking behaviors and crises—particularly those tied to authoritarianism and climate collapse—have been normalized. It critiques a society numbed by repetition and denial, where democratic decay and environmental devastation no longer provoke outrage, but resignation. By blending minimalist verses, recurring instrumental breaks, and a hauntingly ironic chorus, the piece captures the emotional flatness that defines our “age of not uncommon.”

Interpretation of “Not Uncommon”

Verse 1:

“The unusual / Has become usual / The not so average… Average”
This verse sets the thematic tone: what was once outrageous or implausible is now routine. It points to the way Trump’s anti-democratic policies—like undermining elections, embracing white nationalism, and inciting insurrection—have ceased to shock many Americans. Similarly, it alludes to the climate crisis: 100° Arctic temps, orange skies from wildfires, and mass extinctions have become background noise.

Bridge (Electric Piano Solo):

“The age (of not uncommon) / Come on!”
This refrain is both exasperated and sardonic. “Come on!” could be a protest or a plea—an urging for people to snap out of apathy. The electric piano solo that follows creates an ironic pause, a moment of reflection or numb disbelief, much like our reaction to headlines we no longer read in full.

Chorus:

“Are you indifferent / To what’s different / And, do you mind / What you’ve come to find?”
These lines question collective desensitization. It challenges the listener: Have you stopped caring? Do you notice how far we’ve drifted? It also plays on the dual meaning of “different”: the changes we’ve accepted and the consequences we’re facing—political violence, censorship, rising seas, burning forests.

Verse 2:

“What once was whack / Is now the knack / Oh no the irony / Of hypocrisy”
A clever play on cultural reversal. What was once absurd (“whack”) is now skillful manipulation (“knack”). This is a direct jab at how Trumpism turned lies into strategy, rage into branding. The final line—“Oh no the irony / Of hypocrisy”—is a summation of the times: climate deniers buying beachfront property, corrupt officials demanding loyalty oaths, fossil fuel executives sponsoring climate summits.

Bridge (Sax Solo):

A melancholic sax solo underscores the mood: we are in a tragic jazz improvisation of history, where no one quite knows the score anymore, but the dissonance is intentional.

Final Chorus and Outro:

“Are you indifferent / To what’s different / And, do you mind / What you’ve come to find?” is repeated for emphasis, forcing listeners to sit with the discomfort of their own complicity or fatigue.

“Uncommon is common / (It’s not uncommon anymore)… for sure”
The outro drives home the central idea: normalization has won—for now. The phrase “for sure” lands like a sigh of bitter acceptance or reluctant acknowledgement.

Summary:

“Not Uncommon” is a poetic, almost jazzy lament for a world that no longer blinks at fascism or firestorms. It’s a protest song for the age of numbness, where what should horrify us merely scrolls by. Whether referencing Trump’s assault on democratic institutions or the climate crisis playing out in real time, the song mourns the loss of outrage—and warns that normalization is itself a form of surrender.

Song inspired by Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderSurround Sound

Surround-Sound.mp3
Surround-Sound.mp4
Surround-Sound-Reggae.mp3
Surround-Sound-Reggae.mp4
Surround-Sound-intro..>

[Verse 1]
If you’re feeling down
(Surround yourself with sound)
The orange clown makes you frown
(Surround yourself with sound)

[Chorus]
Surround sound
Bring it all around
Surround sound
You know… (in stereo!)

[Bridge]
Listen
(Christen your rebirth)
Listen
(And clear your fear)

[Verse 2]
If you’re feeling low
(Surround yourself with sound)
Get to know the flow
(Surround yourself with sound)

[Chorus]
Surround sound
Bring it all around
Surround sound
You know… (in stereo!)

[Bridge]
Listen
(Christen your rebirth)
Listen
(And clear your fear)

[Chorus]
Surround sound
Bring it all around
Surround sound
You know… (in stereo!)

[Outro]
Listen
(Glisten in delight)
Listen
(Insight into the light)

From the album “Sound Sound

Also found on the album “Reggae Modern Day

bookmark_borderOde to Sound

Ode-to-Sound.mp3
Ode-to-Sound.mp4
Ode-to-Sound-Pt-2.mp3
Ode-to-Sound-Pt-2.mp4
Ode-to-Sound-intro.mp3

[Intro]
Ode to sound
(About what’s owed to sound)

[Refrain]
Oh (what’s owed to sound)
Oh, oh (ode to sound)

[Refrain]
Can you hear (it’s drawing near)
Oh (what’s owed to sound)
Oh, oh (ode to sound)

[Refrain]
Can you hear (it’s drawing near)
Should you fear (or should you cheer?)
Oh (what’s owed to sound)
Oh, oh (ode to sound)

[Refrain]
Can you hear (it’s drawing near)
Should you fear (or should you cheer?)
Get on your feet (dance to the beat)
Let’s hear you here! (loud and clear)
Oh (what’s owed to sound)
Oh, oh (ode to sound)

[Outro]
Oh (what’s owed to sound)
Oh, oh (ode to sound)

From the album “Sound Sound

bookmark_borderFollow the Sound

Follow-the-Sound.mp3
Follow-the-Sound.mp4
Follow-the-Sound-Unplugged-Underground-XXI.mp3
Follow-the-Sound-Unplugged-Underground-XXI.mp4
Follow-the-Sound-intro.mp3

[Intro]
Follow (the sound)

[Verse 1]
In the heyday
Of music
In the summer of love
All was fantastic
Except for the war

[Bridge]
(War!) No more!
(No more!) War!
Look around…
Follow (the sound)

[Chorus]
And so the sound (saved us)
From all of us
The sound you could hear here
Made it clear

[Bridge]
(Friend or foe)
Now you know

[Verse 2]
It’s the same ole song
(The same old dance)
Have we come along
(Or left life to chance?)

[Bridge]
(War!) No more!
(No more!) War!
Look around…
Follow (the sound)

[Chorus]
And so the sound (saved us)
From all of us
The sound you could hear here
Made it clear

[Chorus 2]
Though the sound saved us
(From all of us)
It became abundantly clear
(What to hold dear)

[Outro]
Friend or foe?
(Now you know)
(Which road to go….)
High or low?
(Go)
Follow (the sound)

ABOUT THE SONG

The song “Follow the Sound” is a haunting, poetic reflection on war, peace, and the enduring power of truth through music. It weaves together echoes of the Vietnam era—particularly the peace-driven counterculture of the 1960s—with the wars and geopolitical chaos of the Trump years, including conflicts in Ukraine, Gaza, and Iran. The song doesn’t just critique violence; it offers an alternative compass: the “sound” of conscience, resistance, and clarity amidst the noise of propaganda and destruction.

Verse 1:

“In the heyday / Of music / In the summer of love / All was fantastic / Except for the war”
This opening sets a scene from the 1960s: a time of cultural revolution, music festivals, and hope—but also the dark shadow of the Vietnam War. The juxtaposition between joy and war captures the dissonance felt by a generation trying to celebrate life while witnessing death overseas. The “heyday of music” points to artists like Dylan, Hendrix, and Joplin, who became both entertainers and messengers.

Bridge 1:

“War! No more! / No more! War! / Look around… Follow (the sound)”
This chant echoes anti-war protests, linking past movements with present struggles. “Follow the sound” becomes both a literal and metaphorical call—to listen for truth, to follow one’s conscience, to resist the march of war drums whether in Saigon, Kyiv, Gaza City, or Tehran.

Chorus 1:

“And so the sound (saved us) / From all of us”
The phrase “from all of us” is key—it suggests that the danger isn’t only out there in the enemy, but within: in our apathy, nationalism, or tribalism. The sound—perhaps music, perhaps collective awareness—becomes the thread that rescues humanity from self-destruction.
“The sound you could hear here / Made it clear” implies that truth is audible if we choose to listen. It’s not hidden—it’s being drowned out.

Bridge 2:

“Friend or foe / Now you know”
A commentary on propaganda and the demonization of “others” in every war. Governments manipulate truth; the sound—of protest, of truth-tellers—cuts through that manipulation.

Verse 2:

“It’s the same ole song / The same old dance” references the tragic repetition of history: new generations fighting old wars. The Trump years saw this cycle continue—weapon sales, bombings, authoritarian alliances.
“Have we come along / Or left life to chance?” questions whether we’ve grown or simply drifted, allowing war to become normalized again—whether in support of Saudi strikes, Israeli bombings, or escalations with Iran.

Bridge 3: (repeating the cry for peace)

“War! No more!” is no longer just about Vietnam—it’s about the collective global fatigue with militarism and the human cost of leaders chasing power.

Chorus 2:

“Though the sound saved us (from all of us) / It became abundantly clear (what to hold dear)”
This second chorus shows evolution—now the “sound” has taught us not just to resist war, but to recognize what’s worth fighting for: peace, justice, truth, human dignity.

Outro:

“Friend or foe? / Now you know / Which road to go… High or low?”
This closing gives the listener agency—there is a choice. The road “high” may refer to moral clarity, diplomacy, restraint. “Low” may be war, fear, vengeance. The instruction to “follow the sound” is again repeated—trust the conscience, the music, the truth that speaks against violence.

Summary:

“Follow the Sound” is a timeless anti-war ballad that bridges generations—from Vietnam to today’s war-torn world. It condemns not just war itself, but the systems, leaders, and ideologies (like Trump’s nationalist militarism) that perpetuate it. The “sound” represents protest, music, truth, and moral direction—urging us to listen closely in a world overwhelmed by lies and gunfire.

Song inspired by Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment

bookmark_borderSound, The

Sound-The.mp3
Sound-The.mp4
Sound-The-Unplugged-Underground-XXI.mp3
Sound-The-Unplugged-Underground-XXI.mp4
Sound-The-intro.mp3

[Intro]
Please remind…
Where can I find
(The Sound)
Anywhere around?

[Verse 1]
Searching near
Searching far
(How bizarre)

Come to hear
A certain sound
(n’ get down)

[Chorus]
If you could be so kind
As to remind…
Where can I find
(The Sound)

[Bridge]
Anywhere around?
Sound! (Sound sound)

[Verse 2]
Beyond bizarre
A bit too far
(I hear your fear)

Come to here
A certain sound
(n’ resound)

[Chorus]
If you could be so kind
As to remind…
Where can I find
(The Sound)

[Outro]
Getting up (to get down)
Found (The Sound)
Getting up (to get down)
Found (The Sound)

From the album “Sound Sound

bookmark_borderLouder

Louder-Best-Of.mp3
Louder-Best-Of.mp4
Louder.mp3
Louder.mp4
Louder-intro.mp3

[Intro]
Make a noise
(Louder!)

[Verse 1]
So, here we are
Not that far
From The End
Will that get your heart
To start

[Chorus]
Can you (make a noise)
Louder!
Will you (raise your voice)
Louder!

[Bridge]
Make a noise
(Louder!)
Forget the poise
(Make a noise!)
Raise your voice
(With power)
In our hour

[Verse 2]
So, here we are
Not that far
From The End
Will that get your heart
To start

[Chorus]
Can you (make a noise)
Louder!
Will you (raise your voice)
Louder!

[Bridge]
Make a noise
(Louder!)
Forget the poise
(Make a noise!)
Raise your voice
(With power)
In our hour

[Outro]
In our hour we are…
(In our hour)
We are.

Song inspired by Trumpenomics: The Decline of the US

From the album “Sound Sound

The Human Induced Climate Change Experiment