bookmark_borderMartyrdom

Martyrdom-Best-Of.mp3
Martyrdom-Best-Of.mp4
Martyrdom.mp3
Martyrdom.mp4
Martyrdom-intro.mp3

[Intro]
(Do you think I’m dumb?)
No one wants martyrdom
(Dum, dee, dum)

[Verse 1]
For the sake of principle
(Getting down on my knees)
Your nonstop pull, pull, pull
(Slaughter as you please)

[Chorus]
Did you…
Sacrifice! (Sacrifice something of great value)
Did you?
For what it’s worth…
Especially life itself
(Your wealth… birth on Earth)

[Bridge]
Do you think I’m dumb?
(No one wants martyrdom)
Dum, dee, dum
(A martyr to the cause of freedom)
This is not your kingdom
(A martyr to the cause of freedom)
Dum, dee, dum

[Verse 2]
For god’s sake what does it take
(Do you understand man?)
You must give to live
(All else… to try to die)

[Chorus]
Did you…
Sacrifice! (Sacrifice something of great value)
Did you?
For what it’s worth…
Especially life itself
(Your wealth… birth on Earth)

[Bridge]
Do you think I’m dumb?
(No one wants martyrdom)
Dum, dee, dum
(A martyr to the cause of freedom)
This is not your kingdom
(A martyr to the cause of freedom)
Dum, dee, dum

[Outro]
(Do you think I’m dumb?)
No one wants martyrdom
(Dum, dee, dum)

ABOUT THE SONG
It is profoundly disturbing to witness the systematic genocide of a people in real time. Schools and hospitals have been bombed into rubble. Farmland has been contaminated with chemical weapons, ensuring long-term food insecurity and poisoning the soil for generations. The infrastructure—roads, electricity, water treatment plants—has been deliberately destroyed, leaving sewer water running through streets while disease spreads among the displaced.

Tens of thousands of children have been killed by these bombings, with countless others left as amputees, forced to undergo surgery without anesthesia or pain medication due to the total collapse of medical supply chains. Entire families are starving under siege, cut off from food, water, and basic medical care as fuel blockades prevent bakeries from operating and hospitals from functioning.

July 10, 2025
Ahmed shared devastating news:

“Yesterday, my children were shot at, and today, my nephew was murdered.
Paradise has received Abu Muhammad.
The martyrdom of my nephew, Khaled Abu Hamra, who now joins his brother, the martyr Muhammad.
We belong to Allah, and to Him we shall return.”

This is the brutal reality families in Gaza are enduring each day under occupation and siege. It is a call for all who witness these crimes to speak out and demand accountability before more innocent lives are lost.

July 10, 2025

Ahmed said:

Thank you, my friend, for shedding light on this crime. I would also like to inform you that all of Abu Muhammad’s children have been injured. His son Muhammad has been paralyzed due to a spinal injury. His eldest daughter is in intensive care. His youngest daughter had her fingers amputated and her face burned. Their mother had her foot amputated. This is a calamity and a disaster that has befallen this family.
الملتقى الجنة أبو محمد
استشهاد إبن أختي خالد أبو حمرة
ليلتحق بأخيه الشهيد محمد
إنا لله و إنا إليه راجعون
Palestinian Murdered
Palestinian Murdered

Evangelical Christianity and Israel
If you’re curious about the driving force behind US support for Israel, it’s ironically rooted in Evangelical Christianity. Many Evangelical Christians believe they can hasten the “second coming of Christ” by bringing about the apocalypse. According to their interpretation of the Bible, this involves Israel reclaiming Jerusalem, Jesus returning, and ultimately eliminating all Jews. For numerous “Christian Zionists,” especially influential evangelists aligned with the Republican Party, support for Israel is less about political strategy and more about its supposed role in biblical prophecy. In this worldview, war is not something to be avoided but embraced as a divine necessity—an inevitable and even celebratory step toward Jesus’ rule from the Temple Mount in Jerusalem. The fate of Jews and Palestinians is, to put it mildly, seen as collateral damage.

From the album “Shot!

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderBullseye

Bullseye-Best-Of.mp3
Bullseye-Best-Of.mp4
Bullseye.mp3
Bullseye.mp4
Bullseye-intro.mp3

[Verse 1]
Taking aim
(Gonna shame the blamed)
Getting ready to take a shot
(At explaining “why not”)

[Chorus]
Let the truth be said
(Hit the nail on the head)
The rate of hate is why
(You hit the bullseye)

[Bridge]
When I shoot from the hip
(… direct hit)
[Instrumental, Organ Solo, Synth, Bass]

[Verse 2]
Ready, aim, fire
(Fire up your desire)
Pull the hair trigger
(On how to go figure)

[Chorus]
Let the truth be said
(Hit the nail on the head)
The rate of hate is why
(You hit the bullseye)

[Bridge]
When I shoot from the hip
(… direct hit)

[Chorus]
Let the truth be said
(Hit the nail on the head)
The rate of hate is why
(You hit the bullseye)

[Outro]
Only shoot from the hip
(If you can do it)

ABOUT THE SONG

The song “Bullseye” captures the tension and courage required when exposing truth in a time of authoritarian silencing and genocide denial. Each section of the song can be understood as follows:

[Verse 1] Taking aim (Gonna shame the blamed)

This reflects the decision to speak out publicly, taking careful aim at the systems committing war crimes while knowing the risk (“gonna shame the blamed”). Publishing the truth about Gaza and the U.S. crackdown is taking a shot at power, explaining “why not” remain silent.

[Chorus] Let the truth be said (Hit the nail on the head)

This is the resolve to tell the truth no matter the consequences. “The rate of hate is why / You hit the bullseye” speaks to how authoritarian regimes amplify hate to silence dissent, and truth-tellers become targets because they “hit the bullseye” by exposing genocide, surveillance, and repression accurately.

[Bridge] When I shoot from the hip (… direct hit)

This represents courage in urgent truth-telling even when it places you in the crosshairs of the system, echoing your statement: “Once I publish the truth to millions of people, it actually makes me safer.” It is shooting from the hip with clarity and precision because waiting is complicity.

[Verse 2] Ready, aim, fire (Fire up your desire)

This verse reflects the moral call to action: despite fear, we prepare to expose crimes against humanity (“ready, aim, fire”) because the truth matters more than personal safety. “Fire up your desire” aligns with the moral urgency to stand against genocide.

[Chorus] Let the truth be said (Hit the nail on the head)

The repetition reinforces that calling out genocide and apartheid is not hate speech; it is hitting the truth directly, even as power tries to silence you.

[Outro] Only shoot from the hip (If you can do it)

This final line acknowledges the weight of responsibility. Speaking out publicly (“shooting from the hip”) can endanger others if not done carefully, aligning with your current caution around GoFundMe donations and how aid can be traced to people in Gaza, putting them at risk of execution.

Overall Meaning:

“Bullseye” becomes an anthem for courageous truth-telling in a time of repression, illustrating:

  • The moral necessity to “take aim” at genocide and oppression.

  • The precision and clarity required to “hit the bullseye” without harming others unintentionally.

  • The personal cost and real dangers for those who speak out.

  • The reminder that publishing the truth is not only a duty but a form of protection for oneself and the broader fight for justice.

It embodies the moment we are in:

If we believe in freedom, it must include the freedom to call out genocide—and the freedom to stand in solidarity with those who suffer under it, even when it puts us in the crosshairs of those in power.

THE STORY
Israeli Minister Israel Katz has confirmed that the Israeli government is planning to establish what it calls a “humanitarian city” in southern Gaza—on the ruins of what was once Rafah before it was decimated by Israeli bombings. Human rights experts warn that this plan amounts to building a concentration camp in Gaza under the false pretense of humanitarian aid.

Under Katz’s plan, Israel would first force 600,000 Palestinians into the area and eventually concentrate the entire population of over 2 million Palestinians there. Entry into the camp would require screening by Israeli authorities, effectively creating a prison where Palestinians can neither move freely nor escape the humanitarian catastrophe unfolding around them.

If logistical conditions align, Israel intends to establish this camp during a temporary 60-day ceasefire currently being discussed by the U.S. and other mediators. However, legal experts argue that such a plan is a clear violation of international law and a crime against humanity. “It is all about population transfer to the southern tip of the Gaza Strip in preparation for deportation outside the Strip,” Israeli human rights lawyer Michael Sfard told The Guardian. “While the government still calls the deportation ‘voluntary,’ people in Gaza are under so many coercive measures that no departure can be seen in legal terms as consensual.”

A U.S.-Backed Operation
According to Reuters, the U.S.-backed Gaza Humanitarian Foundation (GHF) has prepared a parallel plan to create “Humanitarian Transit Areas” in Gaza. While marketed as safe zones, these areas would serve to concentrate Palestinians under tight control, aiming to replace Hamas’ governance in Gaza and further align with U.S. President Donald Trump’s “vision for Gaza.” Trump has previously described his plan as turning Gaza into a “Riviera,” which in practice would mean the ethnic cleansing of the Strip for future development while erasing its indigenous population.

Al Jazeera reports that it has obtained satellite images showing extensive bulldozing and flattening of what remains of Rafah, clearing the land for this planned “camp.” Meanwhile, the GHF has shut down three of its four aid distribution sites, leaving the population with even fewer means of survival. At the sole remaining site, 20 women and children were reportedly shot in a single day while attempting to obtain food, adding to the hundreds of starving Palestinians who have been shot by GHF and Israeli forces while seeking aid.

Exporting Ethnic Cleansing Abroad
President Trump’s role in these plans has been further revealed through his recent meetings with five leaders of African nations. While publicly framed as economic and diplomatic discussions, credible sources confirm that the primary agenda was to secure agreements for accepting mass deportations of immigrants from the United States and the forced expulsion of Palestinians from Gaza.

Regionally, Egypt, Jordan, Lebanon, Iran, and Iraq have refused to participate in this ethnic cleansing agenda, leaving the U.S. and Israel scrambling to pressure or incentivize other nations into accepting deported Palestinians. Human rights observers warn that the move to forcibly confine Palestinians into a single encampment under armed control is a prelude to mass deportation, mirroring dark chapters of ethnic cleansing throughout history.

Why This Matters
This plan is not a security measure or a humanitarian initiative. It is a calculated, systematic effort to erase a people from their land under the guise of aid and counterterrorism, backed by the world’s most powerful governments. It violates every principle of human rights and international law, threatening to set a dangerous precedent for how powerful states can displace entire populations with impunity.

The world cannot afford to look away. What is unfolding in Gaza is not only a tragedy for Palestinians; it is a test of whether the international community will stand up against genocide and the criminalization of resistance, or whether it will remain complicit in the name of political expediency.

Evangelical Christianity and Israel
If you’re curious about the driving force behind US support for Israel, it’s ironically rooted in Evangelical Christianity. Many Evangelical Christians believe they can hasten the “second coming of Christ” by bringing about the apocalypse. According to their interpretation of the Bible, this involves Israel reclaiming Jerusalem, Jesus returning, and ultimately eliminating all Jews. For numerous “Christian Zionists,” especially influential evangelists aligned with the Republican Party, support for Israel is less about political strategy and more about its supposed role in biblical prophecy. In this worldview, war is not something to be avoided but embraced as a divine necessity—an inevitable and even celebratory step toward Jesus’ rule from the Temple Mount in Jerusalem. The fate of Jews and Palestinians is, to put it mildly, seen as collateral damage.

From the album “Shot!

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderMission Critical

Mission-Critical.mp3
Mission-Critical.mp4
Mission-Critical-Reggae.mp3
Mission-Critical-Reggae.mp4
Mission-Critical-intro.mp3

[Verse 1]
Step 1: Open the door
(Look for something more)
Step 2: Walk on out
(See what it’s about)

[Bridge]
Hey! (What do you say?)
Do I need to ask
(Are you up for the task?)

[Chorus]
Mission critical
(Critical mission)
Fightin’ the impractical
(That are under suspicion)

[Verse 2]
Step 3: Looking into me
(To see what I can see)
Step 4: Gonna look some more
(Is it the same as before?)

[Bridge]
Hey! (What do you say?)
Do I need to ask
(Are you up for the task?)

[Chorus]
Mission critical
(Critical mission)
Fightin’ the impractical
(Who are under suspicion)

[Bridge]
Hey! (What do you say?)
Do I need to ask
(Are you up for the task?)

[Outro]
Mission critical
(Critical mission)
Fightin’ the impractical
(They’re under suspicion)

From the album “Shot!

Also found on the album “Reggae Modern Day

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderIn the Dark

In-the-Dark-Best-Of.mp3
In-the-Dark-Best-Of.mp4
In-the-Dark.mp3
In-the-Dark.mp4
In-the-Dark-intro.mp3

[Verse 1]
Trying to be an advocate
As careful as I can
Will how I agitate
Help or harm man

[Bridge]
1, 2…
(Go or no?)
Me n’ you
(Do we know)

[Chorus]
Took a shot in the dark
(Created a spark)
The question: will my guess
(Create a mess)

[Verse 2]
Trying to be an advocate
As careful as I can
Will how I agitate
Help or harm man

[Bridge]
1, 2…
(Go or no?)
Me n’ you
(Do we know?)

[Chorus]
Took a shot in the dark
(Created a spark)
The question: will my guess
(Create a mess)

[Verse 3]
Trying to do what’s right
With all my might
Unintended consequences
Rattling my senses

[Bridge]
1, 2…
(Go or no?)
Me n’ you
(Do we know?)

[Chorus]
Took a shot in the dark
(Created a spark)
The question: will my guess
(Create a mess)

[Outro]
1, 2…
(Go or no?)
Me n’ you
(Do we know?)

From the album “Shot!

bookmark_borderUnring

Unring.mp3
Unring.mp4
Unring-Reggae.mp3
Unring-Reggae.mp4
Unring-intro.mp3

[Intro]
Oh, well
(Can’t unring the bell)
How absurd… (It’s not even a word)

[Verse 1]
So, I’ve been told
Many times along the road
No matter how old
Today is today
No matter your mode

[Chorus]
Oh, well
(Can’t unring the bell)
How absurd… (s’ not even a word)
Haven’t you heard
(Or couldn’t you tell)
Scatter the heard

[Verse 2]
Yes, indeed
Best not impede
The will of the ill
If you recede
The will succeed
Of falling from the hill

[Chorus]
Oh, well
(Can’t unring the bell)
How absurd… (s’ not even a word)
Haven’t you heard
(Or couldn’t you tell)
Scatter the heard

[Bridge]
Here it’s been told
(Hear — so I’ll grow old)
The tail of our fail
(Flail! Woe, whoa woe, oh, oh)
Don’t cha know
(Wail! Woe, whoa woe, oh, oh)

[Outro]
[Instrumental, Guitar Solo]
So, I can live another day
(The world hears what I say)
The tail of our fail
(Flail! Woe, whoa woe, oh, oh)
Don’t cha know
(Wail! Woe, whoa woe, oh, oh)

ABOUT THE SONG

Unring” captures the irreversible moment when I choose to speak the truth publicly, even under threat, knowing that once that truth is released to the world, it cannot be silenced or hidden again.

The opening verse, “No matter how old, today is today,” reflects my decades of investigative work and the experiences that led me to this moment—understanding that there is never a wrong time to speak out. Despite the personal danger, I know that publishing the truth about the genocide in Gaza is necessary and urgent.

The chorus, “Can’t unring the bell,” symbolizes the point of no return once I publish the truth. Once the bell of truth rings—once I tell millions of people what is happening—it cannot be unrung, undone, or unpublished, no matter the pressure from those in power. It is also a declaration of protection: by making the truth public, I make myself safer, forcing accountability through exposure.

“Scatter the heard” plays on “scatter the herd,” reflecting how my work disrupts blind followers and the systems of silence, breaking the collective complicity that allows genocide and oppression to continue unchallenged.

The second verse, “Best not impede the will of the ill,” is a warning that silence out of fear only allows the corrupt (“the ill”) to continue unchecked. It reflects the reality that if I recede into fear, the systems of oppression and war crimes will continue to thrive.

The bridge, “Here it’s been told… Hear, so I’ll grow old,” expresses my understanding that speaking the truth openly is not only my duty but also my shield, allowing me to “live another day.” The cries in “Flail! Woe, whoa woe,” mirror the grief I witness daily—the children in Gaza who are shot at, the families bombed, the journalists silenced—grounding my personal act of truth-telling within the collective suffering that demands my voice.

The instrumental outro offers a breath between chaos, representing the moment the world pauses to listen, holding the weight of what I have revealed.

In essence, “Unring” is my anthem of accountability and defiance:
Once I tell the truth, there is no taking it back, and that is precisely why it must be told.

THE TRUTH

We are witnessing a dangerous erosion of First Amendment rights in the United States, where the government aligns itself with genocide abroad while persecuting those who resist it at home. This moment demands clarity: opposing genocide is not antisemitism, and demanding an end to apartheid is not hate speech. The real danger lies in the authoritarian structures that criminalize truth-telling while facilitating war crimes with impunity.

My background on this is important to understand. I am an investigative journalist with decades of experience in publishing and litigation, including over a decade spent in court defending the First Amendment. I have faced threats to my life and the safety of my family many times because of my commitment to exposing the truth. In this particular moment, the danger is even more severe.

I am a descendant of the Tribe of Judah, which makes me a Semite. Even more significantly, I am part of a bloodline that includes Princess Diana, and some believe it traces back to Jesus himself. This lineage has been targeted for centuries by those in power, from the Vatican to the Freemasons, seeking to erase it. Despite these risks, I believe it is necessary to speak out. Silence in the face of genocide, apartheid, and the suppression of truth is not an option, no matter how significant the personal cost.

Perhaps most urgently, I want to share what I recently explained to a friend who asked whether it would be safer to discuss Gaza in person over coffee rather than here:

“I think both are important. It would be great to get together, and I’d enjoy seeing you again. At the same time, I know it’s best for me to discuss these things publicly. Once I publish the truth to millions of people, it actually makes me safer. My bigger concern is for those around me.

Have you seen my post about Ahmed Alkhateeb? Since I started sharing his situation, his children were shot at. I’m aware that Israeli intelligence knows everything going in and out, including his location, and that’s what truly worries me. So yes, I believe it’s important to keep saying these things here.”

I am sharing this here because it also relates to our friends in Gaza and the harsh reality of surveillance and risk tied to our activism. My main concern now is the “flow of money.” Anyone who donates to GoFundMe campaigns or other aid channels supporting Gaza is at risk of arrest or jail under the current U.S. crackdown on speech and activism. More critically, those funds can be traced to specific mobile phones in Gaza, putting recipients at extreme risk of being located and executed. This is something we need to consider carefully as we move forward, balancing our urgent desire to help with the grave dangers imposed by the systems we are fighting.

This is a moment that requires courage, clarity, and collective action. We cannot allow authoritarianism to dictate who lives and who dies, who speaks and who is silenced. If we believe in freedom, it must include the freedom to call out genocide—and the freedom to stand in solidarity with those who suffer under it.

Evangelical Christianity and Israel
If you’re curious about the driving force behind US support for Israel, it’s ironically rooted in Evangelical Christianity. Many Evangelical Christians believe they can hasten the “second coming of Christ” by bringing about the apocalypse. According to their interpretation of the Bible, this involves Israel reclaiming Jerusalem, Jesus returning, and ultimately eliminating all Jews. For numerous “Christian Zionists,” especially influential evangelists aligned with the Republican Party, support for Israel is less about political strategy and more about its supposed role in biblical prophecy. In this worldview, war is not something to be avoided but embraced as a divine necessity—an inevitable and even celebratory step toward Jesus’ rule from the Temple Mount in Jerusalem. The fate of Jews and Palestinians is, to put it mildly, seen as collateral damage.

From the album “Shot

Also found on the album “Reggae Modern Day

Trumpenomics: The Decline of the US

bookmark_borderShot!

Shot-Best-Of.mp3
Shot-Best-Of.mp4
Shot.mp3
Shot.mp4
Shot-intro.mp3

[Intro]
Shot!
(What’s the matter with you people)
Have you forgot?
(We’re under the same steeple)

[Verse 1]
Playing with your friend
When they meet their end
This is no way to be young
(Dirge done… requiem sung)

[Bridge]
Shot!
(What’s the matter with you people)
Have you forgot?
(We’re under the same steeple)

[Chorus]
God! (Of Moses)
God! (Of Jesus)
God! (Of Muhammad)
Have you all gone mad?

[Bridge]
Tragically sad

[Verse 2]
What once was a friend
Has met their tragic end
Man, do you understand…
(The message YOU send)

[Bridge]
Shot!
(What’s the matter with you people)
Have you forgot?
(We’re under the same steeple)

[Chorus]
God! (Of Moses)
God! (Of Jesus)
God! (Of Muhammad)
Have you all gone mad?

[Outro]
Tragically sad

ABOUT THE SONG
Jews, Christians, and Muslims all believe in one God. They share a common ancestor in Abraham.

Shot” captures the stark, raw reality of children in Gaza, like Ayham and Adam, whose childhoods are shattered by bullets and bombs while they are simply playing with friends. The song begins with the haunting image of children playing, only to witness the death of their friends in an instant, emphasizing the unnatural cruelty of children growing up surrounded by violence and death, robbed of safety, innocence, and the right to simply be young.

The repeated “Shot!” in the bridge is a direct confrontation, demanding accountability: “What’s the matter with you people?” It challenges a world that turns away, including those claiming faith under the “same steeple.” It confronts religious hypocrisy among Jews, Christians, and Muslims, invoking “God of Moses, God of Jesus, God of Muhammad” to ask if we have all gone mad, allowing genocide and ethnic cleansing in the name of politics, nationalism, or false claims of security.

The guitar solo and instrumental sections are a moment of collective grief, representing the silence of the world punctuated by the piercing pain of each new child’s death, a requiem for the young lives lost in Gaza.

The second verse, “What once was a friend / Has met their tragic end,” is a personal reflection on the bonds shattered by violence, calling on listeners to understand the message that these deaths send: a world tolerating the systematic murder of children under siege is a world that has lost its moral compass.

The song’s “Tragically sad” outro leaves the listener in a space of reflection and discomfort, forcing us to sit with the reality of war crimes and collective punishment inflicted upon children and families in Gaza, demanding we not look away.

Shot” is a condemnation of the systematic, deliberate violence occurring in Gaza under Netanyahu and Trump’s genocidal policies, backed by U.S. complicity, and a cry for accountability, empathy, and a return to shared humanity across all faiths and nations.

Gaza Forced Displacement

Updates from Gaza: Ahmed Alkhateeb Speaks

July 7, 2025
Ahmed Alkhateeb reports:

“In a new example of this ongoing crime, they are now threatening us with displacement and eviction from our areas to locations near the beach, where there is no clean water or basic necessities for life—let alone enough space to accommodate all who will be forced to leave. Imagine, they want about 500,000 people to live near the beach now. This is madness and a profound injustice.”

July 9, 2025
Ahmed shared that his children, Ayham and Adam, were shot at while playing with their friends near their tent. Bullets struck a nearby car, narrowly missing them. The children ran back, shaking and pale with fear, traumatized by yet another moment of a childhood stolen by war. Ahmed thanked God they are still alive. Tragically, the friends they were playing with were shot, and we are awaiting an update on their condition.

This is yet another horrifying example of the war crimes being committed with impunity by Israel, backed by the United States. No child should live in fear of being shot while playing. No parent should have to watch their children’s innocence shattered by bullets and bombs. This is the daily reality under siege in Gaza, where systematic targeting and terrorizing of civilians, including children, is not collateral damage—it is the predictable outcome of policies rooted in collective punishment and ethnic cleansing. The world cannot look away or remain silent while these crimes continue.

July 10, 2025
Ahmed shared devastating news:

“Yesterday, my children were shot at, and today, my nephew was murdered.
Paradise has received Abu Muhammad.
The martyrdom of my nephew, Khaled Abu Hamra, who now joins his brother, the martyr Muhammad.
We belong to Allah, and to Him we shall return.”

This is the brutal reality families in Gaza are enduring each day under occupation and siege. It is a call for all who witness these crimes to speak out and demand accountability before more innocent lives are lost.

July 10, 2025

Ahmed said:

Thank you, my friend, for shedding light on this crime. I would also like to inform you that all of Abu Muhammad’s children have been injured. His son Muhammad has been paralyzed due to a spinal injury. His eldest daughter is in intensive care. His youngest daughter had her fingers amputated and her face burned. Their mother had her foot amputated. This is a calamity and a disaster that has befallen this family.
الملتقى الجنة أبو محمد
استشهاد إبن أختي خالد أبو حمرة
ليلتحق بأخيه الشهيد محمد
إنا لله و إنا إليه راجعون
Palestinian Murdered
Palestinian Murdered

Evangelical Christianity and Israel
If you’re curious about the driving force behind US support for Israel, it’s ironically rooted in Evangelical Christianity. Many Evangelical Christians believe they can hasten the “second coming of Christ” by bringing about the apocalypse. According to their interpretation of the Bible, this involves Israel reclaiming Jerusalem, Jesus returning, and ultimately eliminating all Jews. For numerous “Christian Zionists,” especially influential evangelists aligned with the Republican Party, support for Israel is less about political strategy and more about its supposed role in biblical prophecy. In this worldview, war is not something to be avoided but embraced as a divine necessity—an inevitable and even celebratory step toward Jesus’ rule from the Temple Mount in Jerusalem. The fate of Jews and Palestinians is, to put it mildly, seen as collateral damage.

Trumpenomics: The Decline of the US

From the album “Shot