bookmark_borderLive ‘N Learn

[Intro]

[lo-fi guitar loop, dusty vinyl crackle, mellow bass groove, soft organ swell]
Everybody’s got advice…
(Same mistake twice)
Everybody’s got a warning…
(Some may seem quite alarming)
But some roads only make sense…
(Once traveled by the dense)
Free-dumb wisdom

[Verse 1]
[steady groove, muted funk guitar, relaxed drums, warm synth textures]
You walk the line thinking you’re wise,
Reading danger through borrowed eyes,
But confidence can blur the sign,
And make disaster appear benign.

The flame looks small from far away,
Until it colors your whole day,
Some lessons stick beneath the skin,
Long after where they first begin.

[Pre-Chorus]
[rising keys, layered harmonies, subtle percussion lift]
The world keeps teaching in strange way,
Through mistakes day after day after day…

[Chorus]
[full groove, bright organ chords, melodic bass movement, layered vocals]
As they say…
(Ya live n’ learn)
Earn a foray
(Might might burn)

As they say…
(Ya crash n’ turn)
Push too far
(And watch it churn)

Free-dumb wisdom

[Verse 2]
[groove deepens, rhythmic guitar accents, punchier drums]
Wearin’ scars as a memory mapped,
Of moments where perception cracked,
You thought you knew, you thought you’d win,
Until reality stepped right in.

Sometimes pain becomes the guide,
That pride alone could never provide,
And wisdom rarely arrives clean,
It usually comes through extremes.

[Pre-Chorus 2]
[synth swell, tom fills, background vocal echoes]
Some hear warnings and walk away…
Others need the full display…

[Chorus]
[expanded instrumentation, bigger vocal stack, driving percussion]
As they say…
(Ya live n’ learn)
Earn a foray
(Might might burn)

As they say…
(Ya slip n’ turn)
Cross that line
(And feel concern)

Free-dumb wisdom

[Bridge]
[half-time breakdown, atmospheric piano, filtered drums]
Every generation thinks it knows…
Until the consequences show…

And every hand that touched the flame…
Believed somehow it changed the game…

But heat stays heat…
And truth stays truth…
Whether learned in youth…
(Wait, wait, wait)
… or “too late”…

[Instrumental Break]

[guitar solo with synth counter-melody, dynamic drum fills, warm analog textures]

[Final Chorus]
[maximal groove, layered choir harmonies, soaring lead guitar]
As they say…
(Ya live n’ learn)
Earn a foray
(Might might burn)

As they say…
(Ya rise n’ turn)
But every lesson
(Has to be earned)

Free-dumb wisdom

[Outro]
[slow fade, soft organ sustain, vinyl crackle returning]
Some lessons whisper…
Some lessons scar…
Free-dumb wisdom
Either way…
You remember them…

[fade into distant static and warm ambient hum]

From the album Nagatitan

bookmark_borderFollowing Bread Crumbs

[Intro – mysterious, wandering atmosphere, starting at 80–90 BPM]
[Begin with soft acoustic guitar picking and distant wind ambience]
[Add subtle electronic pulse underneath organic textures]
[Occasional reversed piano notes create uneasy motion]
[Footstep-like percussion slowly enters]

[Verse 1 – reflective, searching tone]
[Minimal instrumentation, spacious mix]
A trail appears then fades away
Small signs that never seem to stay
A hint, a mark, a fleeting trace
Leading somewhere without a face

The forest shifts with every turn
Each lesson something hard-earned
No map survives the changing ground
Still we follow what little’s found

[Pre-Chorus – gentle tension build]
[Add low synth drone and layered harmonies]
Every answer comes undone
The farther that we try to run
Yet every fragment left behind
Feels connected in the mind

[Chorus – emotional and hypnotic]
[Full rhythm enters: warm drums, pulsing bass, airy synths]
Following bread crumbs
(On the path to freedom)
Though not clear…
(… as they disappear)

Freedom
(Free dumb)
Calling somewhere just beyond
What we think we understand

[Post-Chorus – echoing refrain]
[Drop percussion slightly, emphasize vocal delays]
Bread crumbs…
(Following…)
Freedom…
(Free dumb…)

[Verse 2 – more philosophical and observational]
[Introduce rhythmic guitar strums and subtle percussion layers]
We search for meaning in the signs
In fractured roads and broken lines
But every path that feels complete
Eventually dissolves beneath our feet

The farther out, the less we know
Yet still we choose a way to go
Some chase certainty for years
Some disappear inside their fears

[Pre-Chorus – stronger lift, increasing to 140 BPM]
[Add wider harmonies and rising synth textures]
Maybe freedom isn’t found
In standing safely on known ground
Maybe wisdom starts to come
When certainty itself is proven
(1+1)
… one plus one… equals two
(It’s true)

[Chorus – expanded, more layered vocals]
[Fuller arrangement with wider stereo field]
Following bread crumbs
(On the path to freedom)
Though not clear…
(… as they disappear)

Freedom
(Free dumb)
Every answer leads to more
Than we were searching for before

[Bridge – stripped-down introspection]
[Reduce to piano, bass pulse, and ambient textures]
What if the trail that we meant
Is eaten by our own detriment
(Birds of a feather flock together)
What if the point was learning how…
To move without the “me” somehow?

[Gradual rhythmic rebuild begins]
The crumbs may fade, the winds may shift
But still we move through every drift

[Final Chorus – uplifting yet unresolved, increasing to 160 BPM]
[Full cinematic arrangement with layered harmonies]
Following bread crumbs
(On the path to freedom)
Though not clear…
(… as they disappear)

Freedom
(Free dumb)
Every step a leap of faith
Through the unknown we create

Where are the bread crumbs
(They are no longer… none)
Free dumb
(Doesn’t add up sum)

[Outro – drifting disappearance, decreasing to 60 BPM]
[Instrumentation slowly strips away to acoustic guitar and ambient wind]
[Footstep percussion fades into silence]
Bread crumbs…
(For the birds)
Freedom…
(So absurd)
[Long atmospheric fade-out]

From the album Sign

bookmark_borderDouble Lifetime Guarantee

[Silence]

[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]

[Intro]
[Instrumental Intro: Pulsing Bass, Organ Swell, Muted Guitar Chops, Rising Synth Filter]
[Minimal Beat, Sub Bass, Spoken Vocal]

Geee!
Is it a “Double Lifetime Guarantee”?

[Instrumental]
[Bass Solo]
[Organ Stabs, Driving Bass, Snare March]

[Verse 1]
You sold it shiny new
(Factory sealed)
Promises wrapped in blue
(A crooked deal)

Said it would last forever
(No need to fear)
But forever keeps getting shorter
(Year by year)

[Pre-Chorus]
I ain’t got that many lifetimes
(To count your mistakes)
Corruption, vice, and crimes
(Until man’s will awakes)

[Bridge]
Or everything breaks

[Build: Synth Arpeggio Rising]

[Chorus]
A billion seconds
(Work twice my life)
For your record reckons
(The fate of hate and strife)

A billion seconds gone
(Just like that)
Your crooked ledger drawn
(In the aftermath)

[Breakdown]
[Percussion, Sub Bass, Spoken Vocal]

Now we know…
(This sh, sh, sha… it) show
(Has ga, gotta…) Go!

Truth leaks out slow
(Through every crack)
The longer you run it
(The harder the smack)

[Instrumental – Synth and Organ Jam]
[Synth Solo – spiraling upward]
[Organ Solo – gritty and driving]
[Guitar Solo]
[Organ Stabs, Driving Bass, Snare March]

[Verse 2]
You stamped it “guaranteed”
(For life and more)
But whose life you mean
(Is the hidden score)

Double the promise
(Double the lie)
Stacked to the heavens
(High in the sky)

[Pre-Chorus]
I ain’t got that many lifetimes
(To watch the decay)
Counting your headlines
(Day after day)

[Chorus]
A billion seconds
(Work twice my life)
For your record reckons
(The fate of hate and strife)

A billion seconds burn
(Into the night)
Every page we turn
(Reveals the fight)

[Final Breakdown]
[Percussion, Sub Bass, Spoken Vocal]

Lifetime promise
(Printed in gold)
But the truth behind it
(Is already sold)

Double lifetime guarantee?
(We’ll see…)

[Outro]
[Minimal Beat, Organ Pad, Slow Bass Pulse]

Tick… tick… tick…
(Time keeps score)

You can promise forever
(But never more)

End of the endeavor

[Double drum hit]
[Instrumental Fade]

ABOUT THE SONG
If you spent 40 hours a week counting at an average rate of one number per second, it would take approximately 133.5 years to reach one billion.

Realistic speech rates: Some estimates suggest that because large numbers take several seconds to pronounce, the actual time spent counting (even non-stop) could exceed 100 to 200 years.

The Million vs. Billion difference: At one number per second, you can count to a million in just 11.5 days.

From the album “Billions

bookmark_borderCollateral Cry

[Silence]

[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]

[Intro]
[Instrumental Intro: Low Organ Drone, Distant Snare, Slow Pulsing Bass]
[Minimal Beat, Sub Bass, Spoken Vocal]

Did you hear that cry…
(From the other side of the sky)
Smoke in the sun
(What have we done)

[Instrumental]
[Slow Bass Walk]
[Organ Swell, Snare March]

[Verse 1]
Sirens in the morning light
(Broken classroom floor)
Little shoes in scattered lines
(They won’t run no more)

Paper dreams and chalkboard dust
(Falling with the roof)
Someone said it must be war
(But where is the proof)

[Chorus]
Hear the collateral cry
(Rising to the sky)
No reason why
(No alibi)

Hear the collateral cry
(Another lullaby)
History sighs
(While innocence dies)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]

Who gave the command
(To bury the sand)
Hide the shame
(And change the name)

Collateral damage
(That’s what they say)

[Instrumental]
[Guitar Solo – slow, mournful bends]
[Organ Stabs, Driving Bass, Snare March]

[Verse 2]
Newsprint stains the evening air
(Statistics on a page)
But numbers never show the face
(Or measure up the rage)

Someone’s daughter
(Someone’s friend)
Someone’s story
(At the end)

[Chorus]
Hear the collateral cry
(Rising to the sky)
No reason why
(No alibi)

Hear the collateral cry
(Another lullaby)
History sighs
(While innocence dies)

[Instrumental – Extended Jam]
[Saxophone Solo — lamenting, bluesy]
[Synth Pad — dark, atmospheric]
[Driving Bass, Snare March]

[Bridge – Spoken Breakdown]
[Percussion, Sub Bass]

Tell me now
(What was won)
When the smoke
(Hides the sun)

Freedom falling
(From the sky)

[Final Chorus]
Hear the collateral cry
(Rising to the sky)
No reason why
(No alibi)

Hear the collateral cry
(Another lullaby)
History sighs
(While innocence dies)

[Outro]
[Organ Fade, Soft Piano Notes]

Did you hear that cry…
(From the other side of the sky)

Whatever happened to freedom?
(We still ask why)

[Instrumental Fade]

From the album “Billions

bookmark_borderBombing Babies

[Silence]

[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]

[Intro]
[Instrumental Intro: Pulsing Bass, Organ Swell, Muted Guitar Chops, Rising Synth Filter]
[Minimal Beat, Sub Bass, Spoken Vocal]
Has the ending just begun…
(Whatever happened to freedom?)
[Instrumental]
[Bass Solo]
[Organ Stabs, Driving Bass, Snare March]

[Verse 1]
Did you hear him say
(“We’re bombing babies today”)
Better get out of the way
(The Reaper’s here to stay)

[Chorus]
Billions of dollars a day
(Blowing babies away)
Billions in debt to pay
(Blowing babies away)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
When all’s said and done
(Whatever happened to freedom?)
[Instrumental]
[Guitar Solo]
[Organ Stabs, Driving Bass, Snare March]
[Saxophone Solo]

[Verse 1]
Did you hear him say
(“We’re bombing babies today”)
Better get out of the way
(The Reaper’s here to stay)

[Chorus]
Billions of dollars a day
(Blowing babies away)
Billions in debt to pay
(Blowing babies away)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
When all’s said and done
(Whatever happened to freedom?)
[Instrumental – Synth Jam]
[Guitar Solo — sharper, angular]
[Organ Stabs, Driving Bass, Snare March]
[Saxophone Solo]

[Verse 2]
Did you hear him say
(“We’re bombing babies today”)
No, that ain’t O.K.
(The Reaper’s here to stay)

[Chorus]
Billions of dollars a day
(Blowing babies away)
Billions in debt to pay
(Blowing babies away)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
When all’s said and done
(Whatever happened to freedom?)
[Instrumental – Saxophone Jam]
[Organ Stabs, Driving Bass, Snare March]
[Piano Solo]

[Outro]
So…
Do you know
(Whatever happened to freedom?)
Is that the show
(Oh, no, no)
Whatever happened to freedom?
(Blown to kingdom come)

ABOUT THE SONG: “More Winning?” Trump’s Record Baby Bombing
The US has been spending a billion dollars a day bombing babies for days and days.

The 2026 escalation of hostilities in the Middle East has produced an unprecedented spike in civilian casualties, particularly among children. Modern conflicts involving the United States have not seen child casualty figures of this magnitude in such a short timeframe.

Child Casualties in the Middle East
According to recent UNICEF reports, over 1,100 children have been killed or injured in the Middle East since the start of the Iran conflict on February 28, 2026.

This figure represents a concentrated 10-day spike, which is unprecedented in modern U.S. military engagements. While U.S. forces have historically been involved in conflicts with high cumulative child casualties, the speed and intensity of this recent spike are unmatched.

From the album “Billions

bookmark_borderEpstein

[Silence]

[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]

[Intro]
[Instrumental Intro: Pulsing Bass, Organ Swell, Muted Guitar Chops, Rising Synth Filter]
[Minimal Beat, Sub Bass, Spoken Vocal]
Epstein
(No what I mean?)
[Instrumental]
[Bass Solo]
[Organ Stabs, Driving Bass, Snare March]

[Verse 1]
It’s all about
(Dirty business)
The kids shout:
(This is your mess)

[Chorus]
When you’re thick
(In the sick)
Squeals louder
(In the sounder)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
Epstein
(No what I mean?)
Time to come clean

[Instrumental]
[Saxophone Solo]
[Organ Stabs, Driving Bass, Snare March]

[Verse 2]
Come to find out
(Feed on dirty deeds)
The kids shout:
(As hearts bleed)

[Chorus]
When you’re thick
(In the sick)
Squeals louder
(In the sounder)

[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
Epstein
(No what I mean?)
Time to come clean

[Outro]
[Instrumental, Whistle Solo]
When you’re thick
(In the sick)
Squeals louder
(In the sounder)
Squeal like a pig
(In the mud… dig)
Come to found…
(In the sound)

ABOUT THE SONG
Epstein’s Network, Climate Denialism, and the Rise of Ecofascist Ideology

The DOE Climate Working Group: Legal Violations, Ideological Networks, and Ecofascist Connections

“As someone who has spent decades analyzing economic systems and their ethical failures, I view this convergence of ideology and environmental risk as one of the most dangerous feedback loops currently unfolding.”

When I began examining links between Jeffrey Epstein’s elite network and climate change denial, my initial working hypothesis was straightforward: profit. The fossil fuel industry has long funded campaigns designed to cast doubt on the scientific consensus that climate change is anthropogenic. If wealthy financiers and political actors were aligned with denialist narratives, the motive seemed obvious—protect existing investments, extend fossil fuel dependence, and delay regulatory action.

That motive exists. But it is not the whole story.

As the investigation deepened, a far more disturbing ideological thread emerged: the normalization of ecofascist rhetoric within segments of elite discourse. This worldview frames climate change not as a crisis to prevent, but as a selective corrective—an event that could reduce global population pressures, particularly in the Global South. In this framing, environmental catastrophe becomes less a shared human emergency and more a demographic filter.

Documented Intersections
Publicly released materials from the U.S. Department of Justice and congressional oversight records indicate that Jeffrey Epstein expressed views consistent with ecofascist ideology. According to those documents:

Epstein discussed overpopulation as a central global problem.
He questioned elements of the scientific consensus on climate change.
He interacted with climate skeptics and individuals promoting continued fossil fuel dependence.
His associations were distinct from, but sometimes rhetorically adjacent to, other figures in climate and energy debates.
The records do not portray Epstein as a climate scientist or policy architect. Rather, they show a financier with influence, access, and a demonstrated interest in shaping elite conversations around science, demography, and environmental futures.

The distinction matters. Influence in elite networks often operates indirectly—through funding, convening power, intellectual patronage, and agenda-setting rather than formal authorship of policy.

From Profit Motive to Ideological Motive
The profit motive behind climate denial is well documented across decades of fossil fuel industry strategy. However, ecofascism represents something structurally different.

Traditional denialism seeks to:
* Delay regulation.
* Preserve market share.
* Undermine scientific credibility.
* Protect capital investments.

Ecofascist reasoning, by contrast, reframes environmental collapse as:
* An inevitable outcome.
* A selective survival mechanism.
* A tool for demographic reduction.
* A geopolitical rebalancing that disproportionately impacts vulnerable populations.

Where denialism protects profits, ecofascism rationalizes harm.

This ideological shift is critical. It suggests that for some actors, climate inaction may not simply be negligence or greed—but strategic indifference to who suffers first and worst.

The Global South as a Targeted Casualty
Climate models consistently show that warming impacts—extreme heat, crop failure, sea-level rise, water stress—fall disproportionately on lower-income nations and equatorial regions. These are also regions with higher population growth rates.

The convergence of:
* Climate vulnerability
* Population growth rhetoric
* Elite indifference
* Fossil fuel dependence

creates a morally volatile mixture.

If climate destabilization is privately perceived as a “solution” to overpopulation, then policy paralysis is no longer accidental—it becomes aligned with a worldview that treats human suffering as an acceptable externality.

Why This Matters Now
The climate crisis is accelerating. Extreme weather events are intensifying. Migration pressures are rising. Food systems are destabilizing. As someone who has spent decades analyzing economic systems and their ethical failures, I view this convergence of ideology and environmental risk as one of the most dangerous feedback loops currently unfolding.

Climate denialism is not merely a scientific dispute. It is a political strategy. When fused with ecofascist undertones, it becomes something darker: a tacit endorsement of unequal survival.

The Epstein case illustrates how elite influence networks can intersect with scientific discourse in subtle but consequential ways. The concern is not that one financier alone shaped global climate policy. The concern is that certain narratives—about population, scarcity, and expendability—circulated within powerful circles without sufficient public scrutiny.

Conclusion
The investigation began with a question about greed. It evolved into a warning about ideology.

Climate denial protects capital.
Ecofascism rationalizes collapse.

Understanding the difference is essential.

The future of climate policy is not just a debate over carbon emissions. It is a debate over whose lives are treated as negotiable.

When policy actions knowingly contradict established scientific risk assessments — especially when such actions foreseeably harm vulnerable populations and future generations — the issue moves beyond scientific consensus. It becomes a matter of legal and ethical responsibility under both domestic and international law. Individuals implicated in such decisions include Rob Bradley Jr., Roy Spencer, John Christy, Chris Wright, and Donald J. Trump.

From the album “Account

bookmark_borderThe Battles of Lexington and Concord

The-Battles-of-Lexington-and-Concord.mp3
The-Battles-of-Lexington-and-Concord.mp4
The-Battles-of-Lexington-and-Concord-Pt-2.mp3
The-Battles-of-Lexington-and-Concord-Pt-2.mp4
The-Battles-of-Lexington-and-Concord-Unplugged-Underground-XXVII.mp3
The-Battles-of-Lexington-and-Concord-Unplugged-Underground-XXVII.mp4
The-Battles-of-Lexington-and-Concord-intro.mp3

[Intro]
Ignited the revolution
(United a nation)

[Refrain]
A victory
(For all to see)
A victory
(We’ve come to be)

[Bridge]
Free (… eeeeee…)
The Battles of Lexington and Concord
(Shot heard round he world)
Our flag unfurled
Ignited the revolution
(United a nation)

[Refrain]
A victory
(For all to see)
A victory
(We’ve come to be)
We! (We, e, e, e)

[Bridge]
(Bang!)
Free (… eeeeee…)
Our flag unfurled
Shot!
(Shot heard round he world)
Ignited the revolution
(United a nation)

[Refrain]
A victory
(For all to see)
A victory
(We’ve come to be)
We! (We, e, e, e)
Dang!

[Outro]
(Bang!)
Free (… eeeeee…)
Have you heard the word
(Conquered “The Sword”)
Our flag unfurled
(The Battles of Lexington and Concord)
Shot!
(Shot heard round he world)
Ignited the revolution
(United a nation)
The story (of our history)
Never grows old
(Shot heard round he world)
The rebels sang:
(Bang!)

ABOUT THE SONG
The Battles of Lexington and Concord on April 19, 1775, were the first military engagements of the American Revolutionary War, starting when British troops marched to seize colonial arms in Concord, Massachusetts. Colonists, warned by riders like Paul Revere, mobilized their militias. After an initial skirmish at Lexington where eight militiamen were killed, the British faced heavy resistance at Concord’s North Bridge and were ambushed repeatedly by colonial forces during their retreat to Boston, suffering significant casualties and marking an American victory that ignited the revolution.

“The shot heard ’round the world” refers to the opening shot of the battles of Lexington and Concord. The phrase, coined by Ralph Waldo Emerson in his 1837 poem Concord Hymn, signifies that this event signaled the start of armed conflict against Great Britain and the beginning of the fight for American independence, which would spread globally.

From the album “In the Rough

bookmark_borderLiberty’s Liability

Libertys-Liability-Best-Of.mp3
Libertys-Liability-Best-Of.mp4
Libertys-Liability.mp3
Libertys-Liability.mp4
Libertys-Liability-intro.mp3

[Intro]
Right? (Right!)
Right? (Right!)
(He keeps putting up fights)
What about my rights!
Right? (Right!)
Right? (Right!)

[Refrain]
Ya (You’ve got that right)
You have to put up a fight
The responsibility
(… of you liberty)

[Bridge]
We’ll come to see
(Sea to shining sea)
Coming into sight
(The realities:)
You’ve got the right
(To your responsibilities)

[Refrain]
Ya (You’ve got that right)
You have to put up a fight
The responsibility
(… of you liberty)

[Bridge]
We’ll come to see
(Sea to shining sea)
Coming into sight
(The realities:)
You’ve got the right
(To your responsibilities)

[Outro]
Ya (You’ve got that right)
Right? (Right!)
Right? (Right!)
The responsibility
(… of you liberty)
To be free (it must be found)
Society (is all around)
Right? (Right!)
Right? (Right!)

From the album “Lulu

bookmark_borderToddler Tantrum

Toddler-Tantrum-Best-Of.mp3
Toddler-Tantrum-Best-Of.mp4
Toddler-Tantrum.mp3
Toddler-Tantrum.mp4
Toddler-Tantrum-Pt-2.mp3
Toddler-Tantrum-Pt-2.mp4
Toddler-Tantrum-intro.mp3

[Intro]
He’s at it again
(Another toddler tantrum)
Dum, dee, dum, dum
(There goes our freedom)

[Verse 1]
The oldest baby
(I’ve ever seen)
There’s no maybe
(He’s obscene)

[Bridge]
No what I mean…?
(Where have you been)
Time to come clean

[Chorus]
He’s at it again
(Another toddler tantrum)
Dum, dee, dum, dum
(There goes our freedom)

[Verse 2]
In a tizzy fit
(A regular habit)
Means to be mean
(He’s obscene)

[Bridge]
Or haven’t you seen…?
(Where have you been)
Time to come clean

[Chorus]
He’s at it again
(Another toddler tantrum)
Dum, dee, dum, dum
(There goes our freedom)

[Outro]
He’s at it again
(Another toddler tantrum)
Dum, dee, dum, dum
(There goes our freedom)
Cries and stomps his feet
(In utter defeat)
Causing all to fall

From the album “In the Throes

Trumpenomics: The Fall of the USA

bookmark_borderFor Granted

For-Granted-Best-Of.mp3
For-Granted-Best-Of.mp4
For-Granted.mp3
For-Granted.mp4
For-Granted-intro.mp3

[Intro]
For what reason
Was our freedom
(Taken for granted?)
Is the slippery slope
(Slanted)

[Verse 1]
Want my rights
(Without responsibility)
No more fights
(Or accountability)

[Bridge]
I suppose we choose…
(To succumb… to free dumb)

[Chorus]
For what reason
Was our freedom
(Taken for granted?)
Is the slippery slope
(Slanted)

[Verse 2]
I want everything
(For absolutely free)
More, more spending
(So frivolously)

[Bridge]
I suppose we choose…
(To succumb… to free dumb)

[Chorus]
For what reason
Was our freedom
(Taken for granted?)
Is the slippery slope
(Slanted)

[Outro]
I suppose we choose…
(To succumb… to free dumb)
Might be well passed time
(To pay for our crime)
Devastated the Earth
(Right from birth)

From the album “Taken

bookmark_borderEnsemble

Ensemble-Best-Of.mp3
Ensemble-Best-Of.mp4
Ensemble.mp3
Ensemble.mp4
Ensemble-intro.mp3

[Intro]
Before I ramble…
Please let me introduce:
(The Ensemble)

[Verse 1]
There’s the stars
(And the stripes)
The bizarre
(Hate and gripes)

[Chorus]
Together
(As a group)
Our responsibility
… to society
(Obviously)

[Bridge]
Includes you and me
(We?)
Oui
(To be free)
Obviously

[Verse 2]
So… Here we are
(Revolving around the same star)
Though we travel so far…
You hate to participate
(Why leave it to fate?)
It’s not too late

[Chorus]
[Bridge]
Includes you and me
(We?)
Oui
(To be free)
Obviously

[Outro]
How did you like that sample?
(Was it ample)
Please thank:
(The Ensemble)
We think
(And thank)

From the album “Sting

bookmark_borderZoo-arama

Zoo-arama.mp3
Zoo-arama.mp4
Zoo-arama-Reggae.mp3
Zoo-arama-Reggae.mp4
Zoo-arama-intro.mp3

[Intro]
Have you…
(Been captured for the zoo)

[Verse 1]
How free
(Do you claim to be)
Free to roam
(Free to leave your home)

[Bridge]
Have you…
(Been captured for the zoo)

[Chorus]
At this stage
(Livin’ in a cage)
Oh, how to break out
(Makes you want to shout)

[Verse 2]
Living mild
(Or in the wild)
Can you even roar
(Any more)

[Bridge]
Have you…
(Been captured for the zoo)

[Chorus]
At this stage
(Livin’ in a cage)
Oh, how to break out
(Makes you want to shout)

[Verse 2]
How free
(Do you claim to be)
Free to roam
(Free to leave your home)

[Bridge]
Have you…
(Been captured for the zoo)

[Chorus]
At this stage
(Livin’ in a cage)
Oh, how to break out
(Makes you want to shout)

[Outro]
Have you…
(Been captured for the zoo)
Well, have you?

From the album “Zph

Also found on the album “Reggae Segue

bookmark_borderUpward Unbound

Upward-Unbound-Reggae.mp3
Upward-Unbound-Reggae.mp4
Upward-Unbound.mp3
Upward-Unbound.mp4
Upward-Unbound-intro.mp3

[Intro]
Upward
(Come unbound)
Upward bound

[Verse 1]
Gonna climb the mountain
(Again n’ again)
Climb up till I can see
(All eternity)

[Bridge]
(Oh) I have found

[Chorus]
Upward
(Come unbound)
Upward bound
(No, not coming down)
Upward
(Upward bound)
Try on high
(And look around)

[Verse 2]
Gonna climb to the other side
(n’ see what I can see)
Discover what’s inside
(And to infinity)

[Bridge]
(Oh) I have found

[Chorus]
Upward
(Come unbound)
Upward bound
(No, not coming down)
Upward
(Upward bound)
Try on high
(And look around)

[Chorus 2]
Onward
(And upward)
We’ve found unbound
(Gonna climb on high)
Do or die
(Found upward bound)
Fly on high
(Never comin’ down)

[Outro]
(Oh) We have found
(We’re unbound)
Just look around

From the album “Upward

Also found on the album “Reggae Modern Day

bookmark_borderEasy to Be Hard

Easy-to-Be-Hard-Best-Of.mp3
Easy-to-Be-Hard-Best-Of.mp4
Easy-to-Be-Hard.mp3
Easy-to-Be-Hard.mp4
Easy-to-Be-Hard-intro.mp3

[Intro]
Do you find it easy?
[Instrumental, Guitar Solo]
(To be heard hard)

[Verse 1]
Play that funky music
(Play it) Play it hard
Sing the word of wisdom
(Inspiring freedom)

[Bridge]
Do you find it easy?
Being heard hard
(Far and wide)

[Chorus]
Raising voices (higher)
Chasing dreams (desires)
Making choices (wiser)
Playing hard (harder and harder)

[Bridge]
Do you find it easy?
Being heard hard
(Far and wide)
Crossing…
(The divide)

[Verse 2]
1, 2, 3 (Rock n’ Roll!)
Set your soul free
(Take er’ for a stroll)
Come on, come on (Rock with me)

[Bridge]
Do you find it easy?
Being heard hard
(Far and wide)

[Chorus]
Raising voices (higher)
Chasing dreams (desires)
Making choices (wiser)
Playing hard (harder and harder)

[Outro]
You’ve found a speakeasy
(Now everything’s easy)
Being heard hard
(Far and wide)
Bearing the inside
(Baring the hide)

From the album “Upward

bookmark_borderThe Affect Effect

The-Affect-Effect-Best-Of.mp3
The-Affect-Effect-Best-Of.mp4
The-Affect-Effect.mp3
The-Affect-Effect.mp4
The-Affect-Effect-intro.mp3

[Intro]
Oh, yeah
(I eye)

[Verse 1]
Knock on (Knock on, knock on)
And on and on
Into view (what I do)
I can see (comes back to me)

[Bridge]
Oh, yeah
(I eye)
It’s coming back to me
(Now I see clearly)

[Chorus]
Influence the outcome
(The affect effect)
Make of freewill what we will
(Our kingdom or our freedom)

[Break]
How come…
(We stand still?)

[Verse 2]
Knock on (Knock on would)
What can — did (thus could)
All said and done (choose no one)
No won (know one)

[Bridge]
Oh, yeah
(I eye)
It’s coming back to me
(Now I see clearly)

[Chorus]
Influence the outcome
(The affect effect)
Make of freewill what we will
(Our kingdom or our freedom)

[Break]
How come…
(We stand still?)

[Chorus]
Influence the outcome
(The affect effect)
Make of freewill what we will
(Our kingdom or our freedom)

[Outro]
How come…
(We stand still?)

Tipping points and feedback loops drive the acceleration of climate change. When one tipping point is toppled and triggers others, the cascading collapse is known as the Domino Effect.

From the album “Edge of Chaos

The Human Induced Climate Change Experiment