bookmark_borderHoping Hope

[Intro]
If hope would work
Likely would have seen it by now
The scope of lurk
Seems to foreshadow somehow

[Verse 1]
I was hoping hope
Would pull through
Feel like a dope
Now our time’s come due

[Bridge]
Like clockwork
We lurk

[Chorus]
On the edge of time
We grasp at the sand
Lost reason in rhyme
Don’t understand

[Verse 2]
I was rooting for hope
You could hear me cheer
Feeling like a dope
Now, obvious is clear

[Bridge]
Like clockwork
We lurk

[Chorus]
On the edge of time
We grasp at the sand
Lost reason in rhyme
Don’t understand

[Bridge]
Like clockwork
We lurk

[Chorus]
On the edge of time
We grasp at the sand
Lost reason in rhyme
Don’t understand

[Outro]
On the edge of time
Lost reason in rhyme

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderBullfight

[Verse 1]
Capote
Yellow and pink
Can you say
Don’t know what to think

[Chorus]
Exploit
(What we think is ours)
Can’t mine
(What we think is mine)
Finger point
(For hours)
For ours and hours

[Bridge]
Who is the matador
And who is bull
Who will endure
The push and pull

[Verse 2]
Banderillas
Into me or you?
Even guerillas
Have more love that’s true
(yes they do)

[Chorus]
Exploit
(What we think is ours)
Can’t mine
(What we think is mine)
Finger point
(For hours)
For ours and hours

[Outro]
Who is the matador
And who is bull
Who will endure
The push and pull

ABOUT THE SONG
This song uses the imagery of a bullfight to metaphorically explore the relationship between humans and Earth in the context of climate change.

In the first verse, the “Capote” symbolizes the initial phase of the bullfight, representing humanity’s early interactions with the environment. The colors “yellow and pink” may reflect the contrasting and often confusing signals we receive about environmental issues, leading to uncertainty (“Don’t know what to think”).

The chorus highlights the exploitation of Earth’s resources (“Exploit what we think is ours”) and the resulting conflicts (“Can’t mine what we think is mine”). The repeated “finger pointing for hours” signifies the blame game and lack of accountability that often hampers progress in addressing climate change.

In the bridge, the question “Who is the matador and who is bull?” symbolizes the roles humans and the Earth play in this struggle. The “push and pull” represents the ongoing battle between human exploitation and the Earth’s resilience.

The second verse introduces “Banderillas,” which are used in bullfighting to weaken the bull, symbolizing the harmful actions humans take against the Earth. The mention of “guerillas” having “more love that’s true” suggests that even those involved in conflict understand the importance of care and respect, unlike the destructive behavior towards the planet.

The outro reinforces the central question of the roles and resilience of humans and Earth in this ongoing struggle, emphasizing the uncertainty and complexity of the climate change battle.

Overall, the song uses the metaphor of a bullfight to depict the adversarial relationship between humanity and the environment, highlighting themes of exploitation, conflict, and the urgent need for accountability and action in addressing climate change.

ABOUT BULLFIGHTS
Items associated with a bullfight, also known as a corrida, include:

  1. Capote (Cape): A large, colorful cape used by the matador to maneuver the bull. It is typically pink on one side and yellow on the other.
  2. Muleta: A smaller red cape used during the final stage of the bullfight. The matador uses it to perform passes and prepare the bull for the kill.
  3. Montera: The traditional hat worn by the matador, usually made of black astrakhan fur.
  4. Traje de Luces (Suit of Lights): The ornate, embroidered costume worn by the matador. It includes tight pants, a jacket, and often gold or silver detailing.
  5. Estoque (Sword): The sword used by the matador to deliver the final blow to the bull. It is designed to penetrate the bull’s heart.
  6. Banderillas: Colorful, barbed sticks placed into the bull’s shoulders by the banderilleros. This is done to weaken the bull and provoke it.
  7. Picador’s Lance: A long spear used by the picadors (horse-mounted bullfighters) to stab the bull in the neck muscles. This is done to lower the bull’s head and tire it out.
  8. Capa: Another term for the capote, the larger cape used in the first stage of the bullfight.
  9. Muletilla: The wooden stick to which the muleta is attached, allowing the matador to manipulate the cape more effectively.
  10. Peto: The protective padding worn by the horses of the picadors, designed to shield them from the bull’s horns.

These items are integral to the traditional structure and rituals of a bullfight, contributing to the matador’s performance and the spectacle of the event.

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderHouse of Horrors

[Intro]
In this house of horrors
Is it mine is it yours
Guess this house of horrors
Must be ours

[Verse 1]
We call this house
Our home
The evils we espouse
Roam

[Chorus]
We stake claim (insane)
To the far and wide (can’t hide)
What a shame (can’t sustain)
Nowhere to reside (we cried)
After our worldwide domicide
(Earthling genocide)

[Bridge]
In this house of horrors
Is it mine is it yours
Guess this house of horrors
Must be ours

[Verse 2]
Little to late to discover
We have taken over
Nowhere to hide
After our worldwide domicide

[Chorus]
We stake claim (insane)
To the far and wide (can’t hide)
What a shame (can’t sustain)
Nowhere to reside (we cried)
After our worldwide domicide
(Earthling genocide)

[Bridge]
In this house of horrors
Is it mine is it yours
Guess this house of horrors
Must be ours

[Chorus]
We stake claim (insane)
To the far and wide (can’t hide)
What a shame (can’t sustain)
Nowhere to reside (we cried)
After our worldwide domicide
(Earthling genocide)

[Outro]
Nowhere to hide
After our worldwide domicide
Nowhere to reside
Worldwide domicide
Ends in genocide

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderPretense

[Intro]
In the presence
Of pretense
Passed in the present
(False) Pretense

[Verse 1]
Liar (liar)
The world’s on fire (fire)
Pumping gases higher
(Higher and higher)

[Bridge]
In the presence
Of pretense
Passed in the present
(False) Pretense

[Chorus]
Does the future look bleak
Due to your last tweak
Have you no care for us all
Do you know you’re our fall

[Verse 2]
Con-man (understand)
Sold on damned (demand)
Spewing gases higher
(supplier of dire)

[Bridge]
In the presence
Of pretense
Passed in the present
(False) Pretense

[Chorus]
Does the future look bleak
Due to your last tweak
Have you no care for us all
Do you know you’re our fall

[Bridge]
In the presence
Of pretense
Passed in the present
Future? (are you sure?)
A cure to endure (for more)

[Chorus]
Does the future look bleak
Due to your last tweak

[Outro]
Have you no care for us all
Know you’re now the fall
(False) Pretense

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderThe Finale

[Intro]
Definitely
The finale
Will be….

[Verse 1]
Is this the ending
Or just mind bending
It’s really hard to tell
If things are going well

[Chorus]
Take me to the place
Where loves the taste
There’s no time to waste
Ask the human race

[Bridge]
Definitely
The finale
Will be….

[Verse 2]
Is this coming to a close
As if anybody knows
It’s really hard to tell
Or the ringing of the iron bell

[Chorus]
Take me to the place
Where loves the taste
There’s no time to waste
Ask the human race

[Bridge]
Definitely
The finale
Will be….

[Chorus]
Take me to the place
Where loves the taste
There’s no time to waste
Ask the human race

[Outro]
Definitely
The finale
Will be….

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

bookmark_borderLife

[Intro]
Life
Is it a sentence
Or transcendence
Are you rife with life

[Verse 1]
How do you consider
Your existence
Are you bitter
Or prefer persistence

[Bridge]
Life
Is it a sentence
Or transcendence
Are you rife with life

[Chorus]
I’ll take the giving
Love the living
I have long said
Who wants to wake-up dead?

[Verse 2]
How do you feel
About your situation
Is it for real
Or self-gratification

[Bridge]
Life
Is it a sentence
Or transcendence
Are you rife with life

[Chorus]
I’ll take the giving
Love the living
I have long said
Who wants to wake-up dead?

[Bridge]
Life
Is it a sentence
Or transcendence
Are you rife with life

[Outro]
I’ll take the giving
Love the living
I have long said
Who wants to wake-up dead?

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

bookmark_borderPostponed

[Intro]
Can you postpone The End
Or maybe start again

[Verse 1]
Hey, can we delay
The closing curtain
Say, do you think we may
Change what was certain?

[Chorus]
Can you postpone The End
Or maybe start again
A new message to send
We knew where we’ve been

[Bridge]
Put it off for a while
Adopt a sustainable style
Turning down the dial
For a while

[Verse 2]
Hey, by the way
What do you say we delay
The curtain call
The curtain’s fall

[Chorus]
Can you postpone The End
Or maybe start again
A new message to send
We knew where we’ve been

[Bridge]
Put it off for a while
Adopt a sustainable style
Turning down the dial
For a while

[Chorus]
Can you postpone The End
Or maybe start again
A new message to send
We knew where we’ve been

[Outro]
Postpone
The End zone
Postpone
Alone

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderWith or Without Knowing

[Intro]
Dragon’s breath
Close to death
Eye of newt
Never knew-it

[Verse 1]
Dragon’s breath
Close to death
Close enough
For the tough
[Bridge]
To get going
With or without knowing

[Chorus]
Think again
All the chagrin
Think, thank, thunk
Sunk as skunk

[Verse 2]
Dragon’s breath of fire
Closer to death your sire
Close enough
For the tough
[Bridge]
To get going
With or without knowing

[Chorus]
Think again
All the chagrin
Think, thank, thunk
Sunk as skunk

[Bridge]
Where are they going
With or without knowing
Arrogance showing
Ignorance — not knowing

[Outro]
Think again
All the chagrin
Think, thank, thunk
Sunk as skunk

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderEverything You’ve Thought

[Intro]
Throw away everything you’ve thought
’cause believe it or not
… it’s gone to rot

[Verse 1]
You thought you knew
Well, guess what’s new
There’s much more change
But will it rearrange

[Bridge]
Are we headed
Down a one-way street
Imposed dreaded
On every one we meet

[Chorus]
Do you think the shake-up
Will wake-up
Or those asleep
Asleep too deep?

[Verse 2]
Did what I know
Have to go
There’s much more change
But will it rearrange?

[Bridge]
Are we headed
Down a one-way street
Imposed dreaded
On every one we meet

[Chorus]
Do you think the shake-up
Will wake-up
Or those asleep
Asleep too deep?

[Bridge]
Are we headed
Down a one-way street
Imposed dreaded
On every one we meet

[Outro]
Do you think the shake-up
Will wake-up
Or those asleep
Asleep too deep?

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_border186k

[Intro]
I’m not sure
If things are going just right
As things are changing
At the speed of light

[Verse 1]
Did you hear about…
Oh forget about it
It’s too late
Changing at a rapid rate

[Bridge]
Hard to keep up with the news
No time to get the blues

[Chorus]
I’m not sure
If things are going just right
As things are changing
At the speed of light

[Verse 2]
As Dorthy once said,
My! People come and go so quickly here!
The wicked witch is dead
Yet, there’s plenty to fear

[Bridge]
Hard to keep up with the news
No time to get the blues

[Chorus]
I’m not sure
If things are going just right
As things are changing
At the speed of light

[Bridge]
Hard to keep up with the news
No time to get the blues
Forget what you knew
And, learn what to do

[Outro]
I’m not sure
If things are going just right
As things are changing
At the speed of light

A SCIENCE NOTE
The phrase “all the world is a flux” is often attributed to the ancient Greek philosopher Heraclitus, although his exact wording may have varied as it has been interpreted and translated over time. Heraclitus is known for his doctrine that change is central to the universe. One of his most famous sayings is “πάντα ῥεῖ” (panta rhei), which translates to “everything flows” or “all things are in flux.”

The meaning behind this statement is that everything in the world is constantly changing and nothing remains the same. This idea reflects Heraclitus’ belief in the impermanence and ever-changing nature of the universe. He famously illustrated this concept by saying that one cannot step into the same river twice, as the water is always flowing and thus the river is always changing.

Heraclitus’ philosophy emphasized the unity of opposites and the constant state of becoming, rather than static being. This notion contrasts with the ideas of other pre-Socratic philosophers who believed in more permanent and unchanging substances at the foundation of reality.

The speed of light in a vacuum is approximately 186,282 (~186k) miles per second (mi/s)​. This is a fundamental constant in physics, often denoted by the symbol cc, and it is crucial in many areas of science and technology, including the theory of relativity and various applications in communication and measurement technologies.

Climate Change: Rate of Acceleration
How fast are humans causing the climate to change? When we started our experiments in the 1990’s, we thought the time scale was in millenniums. If climate change were happening on a linear basis, we would have been correct; however, by the late 90’s we were convinced climate change was non-linear.

At what rate is climate change accelerating?
A: Rapidly
As described above, we do not know the rate of acceleration other than to say it is more rapid than previously thought. In the summer of 2023, the extreme temperatures left most climate scientists shocked. The average earth surface temperature recorded record highs for months reaching over 3 degrees Celsius above pre-industrial levels. The Paris Agreement calls for keeping temperatures below 1.5 degrees. Scientists concur that a rise of 2 degrees will trigger feedback loops and tipping points. Triggering these tipping points results in the CO2 stored in nature to be released at an exponential growth rate. How extreme the acceleration will be depends on tipping points toppling other tipping points in what is known as The Domino Effect. Toppled tipping points will continue to shrink the doubling time and exponentially increase the rate of global warming. Though we do not know how much carbon is stored in nature, it would be reasonable to assume that the temperature could be pushed from 3 degrees to 6 degrees above pre-industrial levels. Humans can not thrive above a rise of 1.5 degrees. Humans can not survive if the temperature rises 6 degrees.

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderThe Rise of the Fall

[Intro]
The rise of the fall
Do you matter at all
I suppose… it’s your call

[Verse 1]
The temperature’s rising higher
The trees are on fire
Do you inquire
If our situation’s dire?

[Chorus]
It’s the rise of the fall
Happening to us all
It’s the End of your bliss
If that’s what you call this?

[Bridge]
[Instrumental, Guitar Solo]
Acceleration
Of degradation
Crumbling of the foundation

[Verse 2]
The oceans are rising higher
In spite of deniers and liars
Do you inquire
If our situation’s dire?

[Chorus]
It’s the rise of the fall
Happening to us all
It’s the End of your bliss
If that’s what you call this?

[Bridge]
Acceleration
Of degradation
Crumbling of the foundation

[Chorus]
It’s the rise of the fall
Happening to us all
It’s the End of your bliss
If that’s what you call this?

[Outro]
Acceleration
Of degradation
Self-fulfilling damnation

A song about The Human Induced Climate Change Experiment

From the album “The Rise of the Fall” by The End

MegaEpix Enormous

bookmark_borderSure Thing

[Intro]
How to begin?
Benjamin Franklin
Nothing is certain except death and tax
Check your facts

[Verse 1]
An object in motion
Stays in motion
The rising ocean
More than a notion

[Chorus]
A sure thing is happening
A kind of change you can’t rearrange
With certainty grappling
This kind of change is too strange

[Bridge]
Just to be clear…
“I woke up in morning and I got myself a beer
The future’s uncertain and The End is always near”

[Verse 2]
An object at rest
Will remain at rest
Do you think it best
Clean what we’ve messed?

[Chorus]
A sure thing is happening
A kind of change you can’t rearrange
With certainty grappling
This kind of change is too strange

[Bridge]
Just to be clear…
“I woke up in morning and I got myself a beer
The future’s uncertain and The End is always near”

[Chorus]
A sure thing is happening
A kind of change you can’t rearrange
With certainty grappling
This kind of change is too strange

[Outro]
Just to be clear…
“I woke up in morning and I got myself a beer
The future’s uncertain and The End is always near”

From the album “She’s Gonna Give!” by Daniel

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderSpend (Bring on the End)

[Intro]
All in favor, say “Aye.”
No, not I

[Verse 1]
The right is wrong
The left has left
All in favor, say “Aye.”
No, not I

[Chorus]
All in favor, say “Aye.”
No, not I
No time to cry
We’re all gonna die

[Bridge]
Why not try
To get by?

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
The right ain’t bright
What’s left lost sight
All in favor, say “Aye.”
No, not I

[Chorus]
All in favor, say “Aye.”
No, not I
No time to cry
We’re all gonna die

[Bridge]
Why not try
To get by?

[Instrumental, Saxophone Solo, Bass]

[Bridge]
Spend, spend, spend
Bring on The End
Borrow, if they’ll lend
Spend
Bring on The End

[Instrumental, Guitar Solo, Drum Fills]

[Outro]
Spend, spend, spend
Bring on The End
Borrow, if they’ll lend
Spend
Bring on The End

A SCIENCE NOTE
Both political parties have concurred to allocate unlimited emergency funding for climate disasters instead of proactively preventing them. This approach highlights a reactive stance towards climate change rather than a proactive one. The decision to focus on emergency funding underscores a tendency to address the immediate aftermath of climate-related disasters, such as hurricanes, wildfires, and floods, which often result in substantial loss of life, property damage, and economic disruption.

Emergency funding is crucial for disaster relief and recovery efforts, ensuring that affected communities receive the necessary support to rebuild and recover. However, this strategy can be seen as shortsighted because it does not address the root causes of climate change or invest in measures to mitigate its impacts. Proactive measures, such as investing in renewable energy, enhancing infrastructure resilience, implementing stricter environmental regulations, and promoting sustainable practices, can significantly reduce the frequency and severity of climate disasters.

The reliance on emergency funding also strains public resources and can lead to higher long-term costs. By not investing in preventative measures, the government may face escalating expenses as climate change continues to intensify and increase the occurrence of extreme weather events.

In summary, while both political parties recognize the need for immediate relief in the face of climate disasters, there is a critical need for a more balanced approach that includes significant investments in preventative measures. This dual strategy would help mitigate the impacts of climate change and reduce the need for emergency funding over time, leading to a more sustainable and resilient future.

From the album “Free Democracy” by The Beatless Sense Mongers

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

bookmark_borderCirrus Circus

[Intro]
Look! There’s a clown
Only upside down
And, a bear
Over there

[Verse 1]
A cirrus circus
Overhead
Wisp of uplift
Giving shape
[Bridge]
A world absurd
A whirled escape

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
A cirrus circus
Ice crystal palace
Beyond the bird
Changing shape
[Bridge]
A world absurd
A whirled escape

[Instrumental, Saxophone Solo, Synthesizers]

[Bridge]
Look! There’s a clown
Only upside down
And, a bear
Over there

[Chorus]
A swan singing her song
“The End”… can’t be long
But another interesting thing
The fat lady didn’t sing

[Rest]
[Breakdown]
Am I to discover
It ain’t over
’till it’s over?

[Instrumental, Whistle, Bells, Synthesizers, Bass, Percussion]

[Chorus]
A swan singing her song
“The End”… can’t be long
But another interesting thing
The fat lady didn’t sing

[Instrumental, Piano]

[Outro]
Am I to discover
It ain’t over
’till it’s over?

From the album “Tempered Response” by The Beatless Sense Mongers

MegaEpix Enormous

bookmark_borderSeen Sawn (Can’t Cant)

I’ve seen the sawn
I can’t cant

[verse 1]
The maple spoke to the oak:
“Seems ample here,
would we fear?” (Wood, we fear)
The evergreen considered the scene:
“Opine, the end is near” (pins and needles)

[Chorus]
(Knot now)
Not in the time of Man
Don’t think we can
No know-how
(Knot now)
Not in the spine of Man
[Bridge]
I’ve seen the sawn
I can’t cant

[Instrumental, Woodblock, Drum Fills, Guitar Solo]

[verse 2]
Asked the oak:
“We’re going to croak?
Maple, aren’t the woulds ample?”
The evergreen pondered the scene:
“Opine, the end of our dream” (pins and need-les)

[Chorus]
(Knot now)
Not in the time of Man
Don’t think we can
No know-how
(Knot now)
Not in the spine of Man
[Bridge]
I’ve seen the sawn
I can’t cant

[Instrumental, Woodblock, Drum Fills, Guitar Solo]

A SCIENCE NOTE(S)
A cant is a partially processed log, typically a large slab, that is sawn and sent to another machine for additional processing or sold for use as a building log. A cant sawmill specializes in the initial sawing of logs to create cants, which are then used for further manufacturing or construction purposes. The head saw, a key piece of machinery in this process, is responsible for the initial conversion of logs into cants. This machine is designed to make the primary cuts that transform raw logs into more manageable and uniform pieces, facilitating subsequent processing steps.

This song uses clever wordplay and metaphor to discuss deforestation and climate change. Here’s an interpretation of its lyrics:

[Intro]

“I’ve seen the sawn I can’t cant”

The speaker, a tree, has witnessed the cutting down of trees (“sawn”) and feels threatened. She can’t cant. A cant is a partially processed log.

[Verse 1]

“The maple spoke to the oak: ‘Seems ample here, would we fear?’ (Wood, we fear) The evergreen considered the scene: ‘Opine, the end is near’ (pins and needles)”

The conversation among the trees personifies them, giving them voices to express concerns about their survival. “Wood, we fear” is a play on words (“would we fear”), highlighting their anxiety about being cut down. The evergreen’s observation, “Opine, the end is near,” suggests a bleak outlook for the forest, evoking “pins and needles” as a metaphor for a tense, precarious situation.

[Chorus]

“(Knot now) Not in the time of Man Don’t think we can No know-how (Knot now) Not in the spine of Man”

The chorus plays with the homophones “knot” and “not.” “Knot now” indicates that the complex, intertwined issues of deforestation and climate change are not being addressed. “Not in the time of Man” suggests that humanity is failing to act within the necessary timeframe. “No know-how” implies a lack of knowledge or will to address these problems effectively. “Not in the spine of Man” implies a lack of courage or backbone in addressing these issues.

[Verse 2]

“Asked the oak: ‘We’re going to croak? Maple, aren’t the woulds ample?’ The evergreen pondered the scene: ‘Opine, the end of our dream’ (pins and need-les)”

The oak’s question “We’re going to croak?” directly addresses the threat of death facing the trees. “Aren’t the woulds ample?” (a play on “woods” and “woulds”) reflects a denial or hope that there’s still enough forest to survive, as well as suggest there are not enough “people that would help.” The evergreen’s response, “the end of our dream,” acknowledges the inevitable destruction, again playing on “pins and needles” to convey the fragility of their existence. The evergreen, a pine tree, also serves as wordplay with “opine” and pine “needles”. The use of “need-les” is double wordplay by the pine as she is making a commentary on the tendency for humans to be so needy, or a bunch of need-les.

The song uses wordplay and metaphors involving trees and woodworking to highlight the issues of deforestation and climate change. The trees personify nature’s plight, expressing fear and resignation. The chorus criticizes humanity’s failure to act, lacking the knowledge, courage, and urgency required to address these environmental crises. The repetition of the bridge underscores the speaker’s frustration and sense of helplessness.

From the album “Incoming” by The Beatless Sense Mongers

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment