bookmark_borderAcceleration and Inertia

[Silence]
[Instrumental Intro: Driving psychedelic groove, pulsing bass, swirling synth, chiming electric guitar]

[Intro]
Something’s moving
(Feel it now)
Something’s growing
(Oh, and how)

Hold on tight
(To the ride)
Acceleration
(On every side)

[Verse 1]
More energy
(Coming in)
Less escaping
(That’s the thing)

Inertia
(There’s your clue)
What was started
(Coming on through)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Verse 2]
See the risk
(Up it goes)
Tisk, tisk, tisk
(And danger grows)

Feedback calls
(One by one)
Then they couple
(Here they come!)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Psychedelic Jam I]
[Wah-wah guitar / pulsing bass / swirling synth]

Accelerate!
(At a rapid rate)
[Bridge]
Acceleration
(In the change)
Coupling
(Rearrange)

Inertia
(Holds the past)
Momentum
(Makes it last)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Psychedelic Jam II]
[Drums drop out / bass pulse / guitar feedback]

Accelerating…
(Exacerbating…)

Coupling…
(Doubling…)

[Final Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Outro]
Acceleration
(Accelerating)
Coupling’s generating
(Feedback’s activating)

Inertia’s momentum
(Nature’s agendum)

[Instrumental Fade]

[Silence]
[End]


Climate Change, Acceleration, and Inertia: 4–7°C of Warming

About the Song
Climate Change, Acceleration, and Inertia: 4–7°C of Warming

Climate change is not simply a matter of temperatures gradually rising.

It is an energy problem.

More energy is entering the climate system than leaving it—and most of that excess energy is being absorbed by the oceans.

That creates INERTIA.

But something else is happening.

As warming crosses critical thresholds, self-reinforcing feedbacks become increasingly active:

🔥 Warming → 💧 More Water Vapor → 🔥 More Warming ↺

☁️ Fewer Low Clouds → ☀️ More Energy Absorbed → 🔥 More Warming

🟠 More Tropospheric Ozone → 🌎 Stronger Greenhouse Effect → Faster Carbon-Cycle Response

These feedbacks don’t operate independently. They interact, couple, and reinforce one another.

That changes the mathematics of climate change.

The 1.5°C threshold is not simply a number on a thermometer. It is a tripwire for a climate system increasingly dominated by feedbacks and nonlinear responses.

The result is a new climate reality:
ACCELERATION + COUPLING + INERTIA

The question is no longer simply how much greenhouse gas humans emit. It is how quickly the climate system begins amplifying the warming we have already created.

Having tripped the 1.5°C tripwire, both the acceleration and inertia of climate change have created a new reality. The most likely scenario is global warming of approximately 4°C this century. If humanity does not reach net zero by 2035, approximately 4–7°C of warming by 2150 becomes the most likely scenario.

The Times They Are a-Changing: Climate Change, Acceleration, and Inertia 4–7°C

From the album “Present Tense“

bookmark_borderObfuscation, Suppression and Normalization

[Silence]
[Instrumental Intro: dark psychedelic groove, pulsing bass, distant siren-like synth]

[Intro]
Denial…
(It’s not real)
Obfuscation…
(It’s no big deal)

Suppression…
(Don’t show the proof)
Normalization…
(What’s the use?)

[Verse 1]
First you say
(It’s going away)
Nothing to see
(Nothing to say)

Just another cycle
(Just another phase)
Nothing to worry
(Nothing to raise)

Turn down the warning
(Turn down the sound)
Turn down the evidence
(Bury it underground)

If nobody sees it
(Did it happen?)
If nobody says it
(Keep it hidden)

[Refrain]
Obfuscation
(Suppression)
Normalization
(Regression)
Devolution

There’s no denying
(Your denying is lying)
Causing harm
(Turning off the alarm)

The situation’s dire
(Fire! Fire! Fire!)
Temperatures going higher
(Fire! Fire! Fire!)

[Verse 2]
Obfuscation
(Make it complicated)
Fragment the pieces
(Keep ’em separated)

Is the signal clear?
(Well… maybe not)
Is the danger near?
(We forgot!)

Move the goalpost
(Move it again)
Call it uncertainty
(Call it a trend)

When the pieces don’t connect
(Nothing seems wrong)
When the warning gets diluted
(It doesn’t belong)

[Refrain]
Obfuscation
(Suppression)
Normalization
(Regression)
Devolution

There’s no denying
(Your denying is lying)
Causing harm
(Turning off the alarm)

The situation’s dire
(Fire! Fire! Fire!)
Temperatures going higher
(Fire! Fire! Fire!)

[Verse 3]
Suppression
(Don’t show the evidence)
Cut the connection
(Between cause and consequence)

Climate shock
(Food disruption)
Food disruption
(Economic destruction)

Economic shock
(Migration)
Migration
(Political instability)

Political instability
(Conflict)
Conflict
(Adaptive capacity… gone!)

[Break]
One domino
(Falls)
Then another
(Calls)

Climate shock!
(All fall)

[Verse 4]
Normalization
(The new abnormal)
Every record
(Becomes ordinary)

Another flood
(That’s just weather)
Another fire
(That’s just summer)

Another storm
(That’s just the season)
Another warning
(That’s just a reason)

Yesterday’s extreme
(Becomes today’s baseline)
Today’s emergency
(Becomes tomorrow’s headline)

Until the extraordinary
(Feels ordinary)
And the impossible
(Feels necessary)

[Bridge]
That’s the trick
(You see?)

Not making the danger disappear
Just making the danger
(Disappear from here)

Out of sight
(Out of mind)
Out of time
(Out of line)

The future…
(Keeps calling)
And the dominoes…
(Keep falling)

[Instrumental: escalating drums, distorted guitar, pulsing synth]

[Refrain]
Obfuscation
(Suppression)
Normalization
(Regression)
Devolution

There’s no denying
(Your denying is lying)
Causing harm
(Turning off the alarm)

[Outro]
The situation’s dire
(Fire! Fire! Fire!)
Temperatures going higher
(Fire! Fire! Fire!)

Domino…
(After domino)
Down we go
(Down below)

[Silence]
[End]


Climate Denialism, Obfuscation, Suppression and Normalization

About the Song
UK Climate Security: From Suppression to the Domino Effect

Climate change is increasingly moving from the category of environmental problem into the category of systemic risk.

A recently reported UK national-security assessment warned that climate and ecological disruption can cascade across borders—affecting food security, economies, migration, and political stability.

The problem is not simply the initial climate shock.

It is what happens afterward:

Climate shock → food disruption → economic shock → migration → political instability → conflict → reduced adaptive capacity

That is the Domino Effect. Denialism has become part of the feedback loop—delaying recognition, obstructing action, weakening resilience, and ultimately amplifying the consequences and accelerating the climate crisis.

The four stages of climate information failure are also important:

Denial — “The risk isn’t real.”
Obfuscation — “The risk isn’t clear.”
Suppression — “The evidence isn’t shown.”
Normalization — “The risk is real, but nothing fundamentally changes.”

When systemic risks are fragmented, delayed, or hidden from public discussion, society loses valuable time to prepare.

Climate risk is no longer just about what happens to the climate.
It is about what climate disruption does to everything connected to it.

🌎 Climate change → systemic risk → cascading consequences

Climate Denialism, Obfuscation, Suppression and Normalization

“Present Tense“

bookmark_borderHidden in Plain Sight

[Silence]
[Instrumental Intro: sly psychedelic guitar, bouncing bass, dry snare, playful organ]

[Verse 1]
There it is
(There it was)
Nothing hidden
(Our “because”)

Standing right there
(In the light)
The plight of might
(In plain sight)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Verse 2]
Read the writing
(On the wall)
Hear the warning
(Watch the fall)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Bridge]
Feedback calling
(Back again)
Round and round
(Where does it end?)

No conspiracy
(No disguise)
Just consequences
(Before our eyes)

And the strangest part…
(Deep in our heart…)

We already knew.
(No, there’s nothing new.)
Know we already knew!

[Instrumental Break: psychedelic guitar riff, organ stabs, handclaps]

What was shocking
(Becomes normal)
What was abnormal
(Becomes formal)

And we wonder
(How’d we get here?)
While the answer
(Is perfectly clear)

[Pre-Chorus]
No surprise
(Right before our eyes)
No mystery
(Just reality)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Verse 5]
Maybe splendid
(Is the word)
For the clever
(And absurd)

Build it higher
(Build it fast)
Make tomorrow
(Look like past)

Take the warning
(Shake it loose)
Make the future
(Our excuse)

Then when consequences
(come around)
Ask who made
(The awful sound?)

Was it nature?
(Was it fate?)
Was it someone
(Too damn late?)

Or was it us
(Me and you)
Doing what we
(Always do?)

[Final Chorus]
In broad daylight
(Hidden in plain sight)
No surprise
(Right before our eyes)

What we choose
(What we lose)
What we make
(What we break)

All the things
(We can’t undo)
All the things
(Me and you)

[Final Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
Is what we do
(Me and you)
What we did…

(Would you call it:)

Splendid?

[Outro]
Hidden…

(In plain sight)

Nothing hidden…

(Just our slight)

Look again…

(No more “begin”…)

[Silence]

[End]

“Present Tense“

bookmark_borderIn the Air

[Silence]
[Instrumental Intro: airy synth, shimmering guitar, slow pulsing bass]

[Verse 1]
Something’s floating
(All around)
Something’s moving
(Without a sound)

Can’t quite see it
(But it’s there)
Can’t quite touch it
(In the air)

… just breathe
(You’ll believe)

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Verse 2]
Look around you
(What do you see?)
Look beyond you
(What could it be?)

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Bridge]
Can you feel it?
(Can you?)
Can you see it?
(See through?)

Reality doesn’t need
(Your permission)
To become
(A condition)

[Instrumental: atmospheric guitar delay, pulsing electronic rhythm]

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Final Chorus]
Aware!
(Is in the air!)
See!
(Reality!)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Outro]
Aware
(Is in the air)
Beware
(It’s everywhere)

See
(Reality)
Breathe
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Silence]

[End]

“Present Tense“

bookmark_borderGather the Pieces

[Silence]
[Instrumental Intro: Bright psychedelic guitar, bouncing bass, handclaps, sudden drum fills]

[Verse 1]
Something broke
(There she goes)
Another crack
(Off the track)

Pieces flying
(Through the air)
Who’s collecting?
(Who’s aware?)

[Pre-Chorus]
Hold on tight
(Do what’s right)
Find the thread
(Before it’s dead)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Verse 2]
Storm comes in
(Here we go)
Takes a turn
(Watch it flow)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Instrumental Jam I]
[Wah-wah guitar / funky bass / psychedelic organ]

Gather!
(The pieces!)
Scatter!
(The peaces!)

Peace!
(The peaces!)
Piece!
(The pieces!)

[Bridge]
Inflow
(Outflow)
Push and pull
(Watch know grow)

Shine what’s fine
(Down the line)
Let ‘er flow
(And let it go)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Psychedelic Jam II]
[Drums drop out / bass and guitar pulse]

[Final Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Outro]
Extreme scream
(Never ceases)
Aware of the pieces
(Share the peaces!)

Shine what’s fine…
(Down the line…)

And let ‘er know…
(See the show…)

[Silence]

From the album “Full Blown“

“Present Tense“

bookmark_borderDangerous Surf

[Silence]
[Instrumental Intro: Bright ’60s surf-rock guitar, spring reverb, driving bass, snappy drums]

[Spoken]
Down at the Jersey Shore…
(For sure!)

The waves are rockin’…
(Rollin’!)

The wind is blowin’…
(Howlin’!)

[Big Yell]
SURF’S UP!

[Instrumental Hit]
[Instrumental, Driving psychedelic surf-rock guitar, pounding drums, rolling bass, distant wave sounds]

[Verse 1]
Down the shore
(The water roars)
Barrier island
(Takes the score)

Sand gets thin
(The tide comes in)
Hold that line
(One more time)

[Refrain]
Dangerous surf
(Down the shore)
That’s for sure

Changing Earth
(Man’s demand)
Mother be dammed!

Surf’s up!

[Verse 2]
Nor’easter’s coming
(Here tonight)
Winds will be humming
(What a fright)

Flood warning
(Coast to coast)
High tide rising
(That’s no boast)

[Pre-Chorus]
Full moon
(Coming soon)
Pulling on
(The and on and on)

[Refrain]
Dangerous surf
(Down the shore)
That’s for sure

Changing Earth
(Man’s demand)
Mother be dammed!

Surf’s up!
(Down to earth)
Surf, surf, surf!
(Yup…)
Surf’s up!

[Instrumental Jam I]
[Surf guitar / crashing drums / bass rumble]
Wave!
(Wave!)
Wave!
(Crash!)
Sand!
(Gone!)
Shore!
(More!)

[Verse 3]
Federal money
(Going down)
Who’s gonna pay
(For this town?)

[Refrain]
Dangerous surf
(Down the shore)
That’s for sure

Changing Earth
(Man’s demand)
Mother be dammed!

Surf’s up!
(Down to earth)
Surf, surf, surf!
(Yup…)
Surf’s up!

[Bridge]
How much
(Can we spend?)
How long
(Can we pretend?)

How high
(Can we build?)
How far
(Will we yield?)

The question changes
(Year by year)
From saving beaches
(To staying here)

[Psychedelic Surf Jam]
[Extended guitar feedback / ocean sounds / tom-tom rolls]
Keep pumping!
(Pump! Pump!)
Keep building!
(Pump! Pump!)
Keep fighting!
(Lump upon lump)

But the ocean
(She doesn’t care)
Comin’ in again
(To lay your beach bare)

[Verse 4]
You can improve
(A mountain of sand)
But you can’t move
(The sinking land)

You can build
(Another wall)
But the waves
(Still bring on the fall)

[Refrain]
Dangerous surf
(Down the shore)
That’s for sure

Changing Earth
(Man’s demand)
Mother be dammed!

[Outro]
Surf’s up!
(Down to earth)
Surf, surf, surf!
(Yup…)
Surf’s up!

[Silence]
[End]

About the Song
Climate change and coastal impacts are becoming a big problem along the Southern Jersey Shore, with the barrier-island towns taking the brunt of the punishment. Federal funding for beach nourishment has also become much more limited, and sand itself is becoming a finite commodity.

The next couple of days should be an interesting experiment. A powerful, rare September nor’easter is hitting the Jersey Shore tonight, bringing widespread coastal flood warnings, dangerous surf, and wind gusts up to 50 mph. The National Weather Service has issued a Coastal Flood Warning for Atlantic, Cape May, Ocean, and southeastern Burlington counties from Wednesday afternoon through early Saturday morning. The system is also coinciding with an approaching full moon, which can significantly exacerbate tidal flooding across vulnerable shorelines, coastal roadways, and back bays.

At some point, we’re going to reach a hard physical and economic limit. You can keep pumping sand onto a beach, but you can’t manufacture an unlimited supply of sediment or indefinitely out-engineer rising seas and increasingly energetic storms.

The question may eventually stop being, “How much will it cost to save the beach?” and become, “How long can we realistically keep trying?”

“Present Tense“

bookmark_borderHurricaneless

[Silence]
[Instrumental Intro: ’60s surf guitar, spring reverb, pulsing bass, psychedelic organ]

[Intro]
Where’s the hurricane?
(None yet found)
Where’s the hurricane?
(None spinnin’ round)
Round (and round) and…

[Verse 1]
No hurricane
(But don’t yawn)
Climate energy
(Movin’ on!)

Pacific heat
(Coming strong)
‘lantic Niña
(What’s going on?)

[Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What the amuck)
Run amuck
(A-mock)
AMOC

Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)

[Verse 2]
These degrees
(Above the norm)
Eastern Pacific
(Heat is born)

Across the ocean
(What a ride)
Atmosphere
(Along for the tide)

[Pre-Chorus]
Wind shear
(Near!)

Hurricane fuel
(Don’t be a fool)

[Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What the amuck)
Run amuck
(A-mock)
AMOC

Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)

[Psychedelic Jam I]
[Surf guitar / wah-wah / swirling organ]

No hurricane…
(Instead nor’easter pain!)
No hurricane?
(Feel it in the coastal strain)

Where’s it going?
(Pounding sand)
What’s connected?
(Man’s dammed demand)

AMOC!
(A-mock!)
AMOC!
(A-muck!)

[Instrumental, Whistle Solo]
A little change
(Here and there)
Can travel farther
(Than you dare!)

[Bridge]
Butterfly!
(Flap!)
Across the sky!
(Flap!)

One basin
(Talks to another)
One pattern
(Becomes its brother)

Teleconnection!
(What’s the connection?)
Feedback!
(Feed back! Way back!)

Round and round
(The energy goes)
From where it starts
(To who knows?)

[Psychedelic Jam II]
[Extended instrumental — frantic surf guitar, bass, organ, handclaps]

Hurricaneless!
(Nevertheless!)
Hurricaneless!
(Don’t be impressed!)

Quiet?
(No!)
Calm?
(No!)

Redistributed!
(World absurd!)

[Verse 4]
So don’t mistake
(A quiet sea)
For a lack of…
(Calamity)

[Final Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What Fffff… stuck)
Run amuck
(A-mock)
AMOC

[Outro]
Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)
Feedin’ back
(Way back, back, back)
[Fade out]
Feedin’ back
(Way back, back, back)

Ride that tide…
(See ya on the flipside)

[Surf Guitar Fade]

[Silence]
[End]


Climate Energy Is Being Redistributed

About the Song: Why Hasn’t There Been a Hurricane?
Climate Energy Is Being Redistributed
The absence of hurricanes isn’t evidence that the climate system is becoming less energetic. It is the opposite: climate energy is being redistributed in ways that produce very different outcomes in different parts of the planet.

As of September 23, the Atlantic has produced six named storms but still has produced zero hurricanes—an exceptionally delayed first hurricane. NOAA’s current summary shows Atlantic ACE about 92% below the 1991–2020 average at this point in the season.

The alarming part isn’t simply the lack of hurricanes. It’s the apparent coupling of climate patterns that historically operated more independently. I first warned about this Pacific El Niño–Atlantic Niña coupling back in May. Now, as we progress this far into the season, the observations are providing an unusually clear real-world example of how teleconnections can link distant parts of the climate system.

The simultaneous occurrence of an extreme Pacific El Niño and an anomalous Atlantic Niña represents a significant disruption of the historical baseline. NOAA reports that the El Niño is strengthening, with eastern equatorial Pacific sea-surface temperatures already more than 3°C above average.

An Atlantic Niña can suppress Atlantic hurricane development through increased atmospheric stability and wind shear. So there is a relatively straightforward physical explanation for the quiet Atlantic. But I think the deeper question is why these large-scale ocean–atmosphere patterns are coupling so strongly in the first place.

That’s where climate-acceleration research comes in. I see this as evidence worth watching for increasingly interconnected feedbacks and teleconnections—changes in ocean circulation, atmospheric circulation, energy redistribution, and the hydrologic and carbon cycles that can influence one another across ocean basins.

In other words, the absence of hurricanes isn’t evidence that the climate system is becoming less energetic. It is the opposite: climate energy is being redistributed in ways that produce very different outcomes in different parts of the planet.

It may manifest as a powerful, rare September nor’easter hitting the Jersey Shore.

Why Hasn’t There Been a Hurricane? Climate Energy Is Being Redistributed

“Present Tense“

bookmark_borderA Ray of Light

[Silence]
[Instrumental Intro: Shimmering synth arpeggio, chiming guitar, pulsing bass]

[Verse 1]
Through the dark
(Do you see?)
A little spark
(Inside of me?)

Through the noise
(Hear that sound?)
Make a choice
(Turn it around)

[Pre-Chorus]
One little beam
(Can wake a dream)
One little thought
(Can change the plot)

[Refrain]
Do you see
(A ray of light)
We can be
(Let’s set it right)

Shine on
(And on and on)
Shine bright
(Be the light)
Incite
(Insight)
Alright!

Light up
Shine on
(And on and on)

[Psychedelic Jam I]
[Swirling guitar / synth / handclaps]

Light…
(Light…)
Light…
(Insight…)
See it…
(Feel it…)
Be it…
(Alright!)

[Verse 2]
When the shadows
(Stretch too long)
Find the rhythm
(Find the song)

When the road
(Goes out of sight)
Keep on moving
(Toward the light)

[Refrain]
Do you see
(A ray of light)
We can be
(Let’s set it right)

Shine on
(And on and on)
Shine bright
(Be the light)
Incite
(Insight)
Alright!

Light up
Shine on
(And on and on)

[Bridge]
Don’t wait
(For the dawn)
Make light
(And carry on)

Don’t hide
(What you know)
Let insight
(Glow!)

[Psychedelic Jam II]
[Extended instrumental — bass groove, wah-wah guitar, sparkling synth]

Incite!
(Insight!)
Ignite!
(The night!)
Alright!
(Alright!)
Shine!

[Final Refrain]
Do you see
(A ray of light)
We can be
(Let’s set it right)

Shine on
(And on and on)
Shine bright
(Be the light)
Incite
(Insight)
Alright!

Light up
Shine on
(And on and on)

[Outro]
Light up…
(Shine on…)
And on…
(And on and on…)

We just might…
(Be the light…)

Alright!

[Silence]
[End]

From the album “Full Blown“

bookmark_borderSo Long

[Silence]
[Instrumental Intro: Bouncy acoustic guitar, light bass, handclaps]

[Verse 1]
Here we are
(And here we go)
Another song
(Another show)

Just in time
(To sing a rhyme)
Pick-up a beat
(To move your feet)

[Refrain]
This song…
(Is not so long)
No, not so long
(Not goodbye)
Not see you later
(Why not try)
A lover… not a hater
(And sing along:)
This song…
(Is not so long)

[Verse 2]
So long
(So wrong!)
Don’t make it sad
(It ain’t that bad)

A wave goodbye
(Can still be high)
A smile can say
(Come back someday)

[Pre-Chorus]
Don’t close the door
(We want some more)
Don’t turn away
(Just press replay)

[Refrain]
This song…
(Is not so long)
No, not so long
(Not goodbye)
Not see you later
(Why not try)
A lover… not a hater
(And sing along:)
This song…
(Is not so long)

[Bridge]
So…
(Long?)
So long!
(How long?)
Not very long!
(How long?)
Long enough
(To sing this song!)

[Break]
Not goodbye!
(No!)
Not farewell!
(Still dwell)
Not see you later!
(We here to cater)
We’re doing well!

[Instrumental Jam]
[Acoustic guitar / bass / handclaps]

So long!
(So long!)
So long!
(Not too long!)
So long!
(Along!)
Sing along!

[Final Refrain]
This song…
(Is not so long)
No, not so long
(Not goodbye)
Not see you later
(Why not try)
A lover… not a hater
(And sing along:)
This song…
(Is not so long)

[Outro]
So long…
Not goodbye…
(And, here’s why…)

One more song!
Sing along…
(And carry on…)

One more song!
(To sing along)

[Silence]

From the album “Full Blown“

bookmark_borderRosemary

[Silence]
[Instrumental Intro: Dreamy acoustic guitar, soft electric shimmer, gentle hand percussion]

[Verse 1]
Walk through the garden
(What do you see?)
A little bit of heaven
(Growing wild and free)

Purple in the twilight
(Green beside the stone)
The scents taking flight
(With a mind of their own)

[Refrain]
Lavender
(And rosemary)
The splendor
(Scents carry)

(The scene:)
The dream
(Serene)
… know what I mean?

[Verse 2]
Rosemary remembers
(That’s what they say)
Old forgotten moments
(Drifting back your way)

Lavender is floating
(Through the evening air)
Close your eyes and breathe it
(There’s a dream right there)

[Pre-Chorus]
One breath
(Takes you there)
One scent
(Anywhere)

[Refrain]
Lavender
(And rosemary)
The splendor
(Scents carry)

(The scene:)
The dream
(Serene)
… know what I mean?

[Instrumental Jam]
[Psychedelic guitar / flute / swirling organ]

Rosemary…
(Remember me…)
Lavender…
(What a memory…)

[Verse 3]
No need for a picture
(No need for a word)
Some things aren’t explained
(They’re simply heard)

[Bridge]
Scents carry
(Through time)
Dreams wander
(Through mind)

A little bit of yesterday
(A little bit of now)
A little bit of tomorrow
(And we don’t know how)

[Final Refrain]
Lavender
(And rosemary)
The splendor
(Scents carry)

(The scene:)
The dream
(Serene)
… know what I mean?

[Outro]
Lavender…
(Rosemary…)
Carry me…
(Serene…)

The scene…
(The dream…)

… know what I mean?

[Silence]
[End]

From the album “Full Blown“

bookmark_borderGrigori Rasputin

[Silence]

[Instrumental Intro: Psychedelic bass groove, wah-wah guitar, swirling organ]

[Verse 1]
Who commands man
(What a fuss, hey!)
A holy man
(Or so they say)

Into the court
(He made his way)
With mystic eyes
(And things to say)

[Refrain]
Hey! We’re disputin’
(Grigori Rasputin)
He’s no friend of the family
(No, no friend to humanity)

Is the ill
(Hard to kill)
Is that it
(He just won’t quit)

[Psychedelic Jam I]
[Wah-wah guitar spirals]
Rasputin…
(Rasputin…)
Who let him in?
(Who let him in?)
Holy man…
(Holy mess!)
Confess…
(Toxic pest!)

[Verse 2]
He had a gift
(Or so it seemed)
To calm the boy
(Or so they dreamed)

[Refrain]
Hey! We’re disputin’
(Grigori Rasputin)
He’s no friend of the family
(No, no friend to humanity)

Is the ill
(Hard to kill)
Is that it
(He just won’t quit)

[Break]
Poison!
(Still alive!)
Bullets!
(He’ll survive!)
Thrown in the water!
(But won’t dive!)

Is he dead?
(Not quite yet!)
Is he dead?
(You can bet!)

[Psychedelic Jam II]
[Organ swells / bass drops / guitar feedback]
Dead?
(Alive?)
Dead?
(Alive?)

[Final Refrain]
Hey! We’re disputin’
(Grigori Rasputin)
He’s no friend to reality
(No, no friend to humanity)

Is the ill
(Hard to kill)
Is that it
(He just won’t quit)

[Psychedelic Jam III]
[Extended freak-out]
Hey!
(Who?)
Hey!
(What?)
Rasputin!
(What a spin!)

[Outro]
Hard to kill…
(Hard to tell…)
No saint, all sinner…
(Time does tell…)
… on the way to hell

Can’t you see
(You don’t wanna be)
Grigori…
(Rasputin…)
There’s no disputin’…
(Rasputin…)

[Silence]
[End]

About the Song
This anti-science ideology is a growing problem in the US. One distinction that is particularly important is the difference between scientific knowledge and scientific power. The current administration is undermining scientific knowledge by promoting a false narrative about scientific power and expertise. That is particularly damaging and dangerous when it comes to dismissing climate change as a hoax and undermining confidence in vaccines and medical science.

Calling someone a “Rasputin” means they have a hidden, corrupting, or powerful influence over a leader or ruling group—usually through personal access, charm, manipulation, or secrecy.

What is particularly disturbing today is the overlap between greed and eliminationist logic. The greed component is partly reflected in the effort to portray climate change as a hoax, because acknowledging the full implications of climate science threatens enormous amounts of existing capital and economic interests.

The eliminationist component is even more disturbing. It appears in the way both climate change and public health can be viewed through a “survival of the fittest” framework—where the consequences are not treated as problems to solve, but as mechanisms for eliminating people considered weak, old, sick, or otherwise expendable.

The Epstein files provide some extraordinary evidence of this mindset. Epstein wrote:

“Maybe climate change is a good way of dealing with overpopulation—the earth’s forest fire. Potentially a good thing for the species.”

He also wrote that “executions of the elderly and infirm make sense.”

And his statement that “more CO₂ is good for plants” echoes an argument long promoted by the CO₂ Coalition: that increasing atmospheric CO₂ should be viewed primarily as beneficial because plants use it.

Taken together with the explicitly eugenic statements in the files, this goes far beyond an ordinary disagreement over climate policy. It represents what eliminationist logic: where traditional denial protects existing capital, while ecofascist or eugenic reasoning can rationalize unequal human survival.

That is why the Rasputin comparison is worth exploring. The question isn’t simply who holds power. It is also what ideas are circulating among the people who have access to that power—and what happens when enormous wealth, political influence, scientific denial, eugenics, and eliminationist thinking begin to overlap.

Ecofascism and Denialism 101

“Present Tense“

bookmark_borderDubious

[Silence]
[Instrumental Intro: Skanking Electric Guitar, Deep Dub Bass, Organ, Piano, Drums, Percussion, Saxophone]

[Intro]
What’s that you say?
(Dubious!)
To all of us?
(Dubious!)

You don’t believe it?
(Nope!)
You need more evidence?
(Asking at the end of your rope)

Well…

Look around!
(Found to abound)

[Verse 1]
Somebody’s standing
With their fingers in their ears
Lack of understanding
(Building on their fears)

Saying:
“It’s all coincidence!”
(For fifty years?)

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Verse 2]
“Maybe it’s the sun”
(Well… some)
“Maybe it’s the clouds”
(Less sum)

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Verse 3]
You move the goalpost
(Again and again)
Ask for more proof
(Back to “Begin.”)

When the proof arrives
(You change the claim)
When the claim falls apart
(… rename the game)

“It’s too complicated!”
(So I’ll just berate it.)

“Models can’t predict!”
(Models aren’t perfect!)

“Scientists disagree!”
(No. Not really.)

“No!”

(“Know!”)

[Bridge]
Is doubt the same
As disbelief?
(No!)

Is uncertainty
The same as nothing?
(No!)

Does not knowing
Everything…

Mean we know
Nothing?

(Know!)

[Break]
[Dub Bass Drops — Organ Chords and Echoing Guitar]

Dubious…

(Dubious…)

To the obvious…
(Obviously)

Dubiously

(Due to cluelessness)

Obvious…

(… to all of us.)

[Drums return]

End of oblivious

[Band Hit]

OBVIOUS!

[Instrumental]
[Extended Dub-Reggae Groove — Echo Guitar, Organ Bubble, Saxophone and Deep Bass]

[Verse 4]
Vanity says:
“I know better”

Reality says:
“You’re getting wetter”

Vanity says:
“Don’t tell me”

Reality says:
“Look and sea”

Vanity says:
“I’m more mighty”

Reality says:
“Meet reality!”

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Bridge 2]
Maybe tomorrow
We’ll know more

(More likely tomorrow the rain will poor)

Maybe the models
Will improve

(Maybe to prove…)
POOF!

The present
(Is the proof!)

[Final Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

Dubious!
(Dubious!)

To the obvious!

Doubtful!
(Doubtful!)

But after all…
(reality calls!)

[Outro]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Silence]

“Present Tense“

bookmark_borderBelieve It or Naught

[Silence]
[Instrumental Intro: Bouncy synth bass, four-on-the-floor beat, handclaps]

[Intro]
Believe it or not…
(What?)
Believe it or naught…
(Oh, that.)

[Verse 1]
You can close your eyes
(And count to three)
You can tell yourself
(It’s not reality)

You can dance around
(The obvious)
But reality
(Still dances with us)

[Pre-Chorus]
Think it through
(Or don’t!)
Question why
(Or won’t!)
What you see
(May be)
More than what
(You want to be!)

[Refrain]
Believe it
(Or naught)
Conceive
(Reality)

Believe
(Beyond naive)
Believe it
(Or naught)

[Verse 2]
Facts don’t need
(A wedding ring)
Truth won’t care
(What songs you sing)

You can shake your head
(And say “Nope!”)
Reality
(Still has hope!)

[Break]
Believe it!
(Or not!)
Conceive!
(Reality!)

Believe it!
(Or naught!)
Naught!
(Nothing!)

[Verse 3]
If you doubt the ground
(Then don’t look down)
Can’t doubt the beat
(When you move your feet!)

You don’t have to know
(The whole damn plot)
Just don’t confuse
(What is with what is not!)

[Final Refrain]
Believe it
(Or naught)
Conceive
(Reality)

Believe
(Beyond naive)
Believe it…
(Or naught…)
… is all ya got.

[Outro]
Believe it…
(Or not…)
Reality…
(Dance it out!)

Believe it…
(Or naught…)
… is all ya got.
(Naught is all you’ve got)
[Fade out]
Naught is all you’ve got
(Naught is all you’ve got)

[Silence]

“Present Tense“

bookmark_borderSee Level Sinking

[Intro]
See the level…
(Of the land and the sand)
Are you thinking…
(It is sinking?)

(Sinking!)

Wait a minute…

What’s rising?

(See… the sea!)

[Verse 1]
Beach Road by the ocean
(What’s going on?)
Sand is disappearing
(Where has it gone?)

Dunes are getting smaller
(Buffer wearing thin)
Southern swell is pounding
(Here it comes again!)

Big waves rolling
(Full of energy)
Higher water underneath
(That’s the synergy!)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

[Verse 2]
Multimillion-dollar houses
(Standing by the shore)
Pacific Ocean knocking
(Pounding at the door!)

One loses its foundation
(Another takes a hit)
The shoreline keeps retreating
(That’s the nature of it)

Sand absorbs the pounding
(Dunes absorb the flow)
Take away the buffer
(Where’s the energy go?)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

Wave energy pounding
(Shoreline confounding!)

[Bridge]
Can you build a wall
(Wait and watch it fall)
Against the sea?
(Can’t tempt destiny)

Can you stop a wave
(Ha! Watch it behave)

Can you make tomorrow
Act like yesterday?

(No way!)

[Break]
See…
(Sea!)
Level…
(Devil!)
Sinking…
(Rising!)
Yess…

See…
(Sea!)
Level…
(Level!)
RISING!

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

Wave energy pounding
(Shoreline confounding!)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

[Break]
What’s sinking?
(The sand! The land)
What’s rising?
(See! The sea!)
What’s coming?
(The energy!)
See! (The sea!)

[Final Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

See the level sinking
(Sand is retreating)
Is it at all surprising
(The waves keep repeating)

See the level sinking!

(Sinking!)

Sea level rising!

(Rising!)

[Outro]
No. It ain’t surprising
(Know the sea is rising)


Sea Level vs. Private Property Rights

About the Song

How Is the Climate Energy Hitting You?
SoCal Coastal Armoring
Sea Level vs. Private Property Rights = Managed Retreat

🌊 Climate energy is hitting the coast.

When waves encounter a hard structure instead of dissipating their energy across a gradually sloping beach, some of that energy can be reflected back toward the ocean.

That can increase scour at the base of the structure and accelerate the loss of sand immediately in front of—and adjacent to—the armored shoreline.

A difficult feedback loop can develop:

Loss of sand → greater wave energy → erosion → emergency armoring → altered wave & sediment dynamics → further beach loss

The result is a fundamental conflict:

Protect individual properties — or preserve the beach as a public resource.

🌊 Climate Change Changes the Equation

This isn’t simply a dispute over seawalls.

It’s a preview of a much larger problem.

As sea levels rise, coastal storms and extreme-wave events interact with a progressively higher baseline ocean. More energy can reach vulnerable shorelines, while the loss of beaches and dunes removes natural buffers that once absorbed part of that energy.

The physical equation is changing.

🏖️ Managed Retreat

Managed retreat may ultimately become the long-term strategy for some coastal properties.

The fundamental physical reality is simple:

You can build a wall against the ocean.
You cannot build a wall against a changing climate.

The Beach Road conflict is therefore about much more than a temporary rock wall.

It is about what happens when accelerating climate change collides with private property rights, public resources, and the physical limits of coastal engineering.

The ocean doesn’t recognize property lines.

🌎 How Is the Climate Energy Hitting You?

SoCal Coastal Armoring: Sea Level vs. Private Property Rights

“Present Tense“

bookmark_borderEEI (The Energy Imbalance)

[Silence]
[Instrumental Intro: Deep Piano, Acoustic Guitar, Organ, Deep Sub-Bass, Electric Guitar Swells, Drums, Percussion, Saxophone]

[Intro]
Incoming…
(Incoming!)
Outgoing…
(Outgoing!)

What’s the difference?

(The imbalance!)

You’re getting warmer
(When we take in more)
… But can’t get out the door…
(Energy intensity)

[Verse 1]
Sunlight coming down
(Every single day)
Soaking it in…
(Can’t get away)

[Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will you die)

[Verse 2]
Back in the earlier days
(The balance held the line)
Then something started shifting
(A change in time)

Two thousand five
(Acceleration!)
Two thousand nineteen
(Accumulation!)

[Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will you die)

[Bridge]
And then…

Ice sheet
(Retreat)

Clouds thin
(An energy win)
The energy pours in
(Feedbacks begin)

[Break]
[Deep Bass Pulse — Sparse Piano]

Zero…
(Balance…)

Then…

A little more.

[Kick Drum]

A little more.
(Than before)

[Snare]

A little more!
(Starts to pour)

[Full Band Hit]

EEI!

[Instrumental]
[Extended Electric Guitar and Saxophone Duel Over Driving Piano, Organ and Deep Bass — Drums Build Into a Relentless Groove]

[Bridge 2]
Do we balance?
(Or imbalance?)

Do we adapt?
(Or collapse?)

Do we watch?
(Or act?)

Do we learn?
(Or burn?)

Oh, my, my…

[Final Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will we try)

[Outro]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Oh, we better try)
EEI
(EEI!)

[Whispered]
The energy imbalance…
(Don’t take the chance)
[Deep Bass Hit]

EEI!

[Silence]


ACCELERATING ENERGY IN − LESS ENERGY OUT = CLIMATE CRISIS

About the Song: The Energy Imbalance (EEI)

A simple way to understand climate change and global warming is through Earth’s energy balance—or, more precisely, the growing lack of balance known as Earth’s Energy Imbalance (EEI).

Earth’s climate is governed by a fundamental exchange: energy arrives primarily from the Sun, while Earth returns energy to space as reflected sunlight and outgoing infrared radiation. When incoming and outgoing energy are equal over the long term, the planet is approximately in energy balance. When more energy enters the Earth system than leaves it, the difference is stored within the climate system, producing warming.

2005–2019 (The First Acceleration)
The long-term EEI average effectively doubles compared to prior decades. Ocean heat content spikes dramatically as the oceans absorb roughly 90% of this excess energy.

2020–2023 (The Post-2020 Surge)
Slashed marine shipping pollution (IMO 2020 regulations) rapidly clears atmospheric haze over the oceans, forcing a massive, sudden spike in absorbed solar energy.

2024–Present (Nonlinear Feedback Phase)
EEI hits unprecedented, record-breaking territory. Strong climate feedbacks—such as collapsing Antarctic sea ice and thinning cloud decks—darken the planet, causing it to absorb immense amounts of solar radiation.

From ~0.0 to ~1.4 W/m²+

Read the full report Earth’s Energy Imbalance: The Climate System Out of Balance

“Present Tense“