[Silence]
[Instrumental, Guitar, Piano, Organ, Synth, Bass, Percussion, Drums]
[Intro]
[Instrumental Intro: Pulsing Bass, Organ Swell, Muted Guitar Chops, Rising Synth Filter]
[Minimal Beat, Sub Bass, Spoken Vocal]
Never a word that’s true
(Ya know, so…)
It’s funny coming from a guy like you
[Instrumental]
[Bass Solo]
[Organ Stabs, Driving Bass, Snare March]
[Verse 1]
As a matter of fact
The fact is…
Your mass has no matter
Just an ass,
In wolves’ clothing
[Instrumental]
[Guitar Solo — sharper, angular]
[Organ Stabs, Driving Bass, Snare March]
[Refrain]
Never a word that’s true
(So… ya know…)
[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
It’s funny coming from a guy like you
[Instrumental, Saxophone Solo]
[Verse 2]
Not a word of it true
(Not ignorance, all arrogance)
You know what you do
But time’s comin’ due
(The fall of prominence)
Runnin’ you through
[Instrumental]
[Guitar Solo — sharper, angular]
[Organ Stabs, Driving Bass, Snare March]
[Refrain]
Never a word that’s true
(So… ya know…)
[Bridge – Breakdown]
[Percussion, Sub Bass, Spoken Vocal]
It’s funny coming from a guy like you
[Refrain]
Never a word that’s true
(So… ya know…)
[Outro]
[Instrumental, Whistle Solo]
It’s funny coming from a guy like you
ABOUT THE SONG
Investigative Reporting in Real Time:
Trump, Chris Wright, the CO2 Coalition, Epstein Elite, and Crimes Against Humanity
It’s always fascinating to watch how investigative reporting unfolds in real time. This latest investigation — involving Trump, Chris Wright, the CO₂ Coalition, Epstein, and potential crimes against humanity — is already producing revealing patterns. One thing you can measure almost immediately is the intensity of the backlash. The more evidence presented, the louder the reaction.
It’s also interesting how certain individuals seem compelled to insert themselves into the story — almost volunteering to become part of the record. If you’re following along, this is where things tend to get very revealing. For example:
Rob Bradley commented on my post in the Facebook group Climate Change Debate.
Rob Bradley:
* The American Institute for Economic Research (AIER) educates people on the value of freedom, property rights, limited government and sound money.
* The Institute for Energy Research
Founder and CEO
He wrote:
“Political science instead of real science also…”
I replied:
Funny, coming from a guy like you. At least you admit your politics isn’t real science, that’s a start.
Now, please explain this: Human Contribution via CO₂
Humans have increased atmospheric CO₂ from ~280 ppm (pre-industrial) to ~420 ppm today. This increase is not from natural sources but primarily from burning fossil fuels (coal, oil, gas) and land-use changes.
The isotopic signature of carbon identifies the source:
¹²C, ¹³C, ¹⁴C isotopes are key:
* Fossil fuels are depleted in ¹³C because plants preferentially absorb ¹²C during photosynthesis.
* Fossil fuels contain no ¹⁴C (radiocarbon), as it decays over millions of years.
* The observed decline in ¹³C/¹²C ratio and ¹⁴C content confirms that the excess CO₂ comes from fossil carbon, not volcanoes or oceans.
Radiative Forcing
Radiative forcing (ΔF\Delta FΔF) quantifies how much a GHG changes the balance between incoming and outgoing radiation:
ΔF=5.35ln(C0C)[W/m² for CO₂]
Explanation:
ΔF\Delta FΔF = radiative forcing (in watts per square meter, W/m²)
CCC = current atmospheric CO₂ concentration (ppm)
C0C_0C0 = reference (pre-industrial) CO₂ concentration (ppm)
ln\lnln = natural logarithm
Where:
CCC = current CO₂ concentration (ppm)
C0C_0C0 = pre-industrial CO₂ concentration (~280 ppm)
The constant 5.35 comes from line-by-line radiative transfer calculations
This formula captures the logarithmic relationship: each doubling of CO₂ produces roughly the same increase in radiative forcing (~3.7 W/m² per doubling).
Other gases:
CH₄ (methane): short-lived but ~25× more potent than CO₂ over 100 years.
N₂O (nitrous oxide): ~298× more potent than CO₂ over 100 years.
The total forcing is the sum of all anthropogenic contributions:
ΔFtotal=ΔFCO₂+ΔFCH₄+ΔFN₂O+…
From the album “Account“