bookmark_borderThe Carbon Cycle

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The-Carbon-Cycle-0.mp4
The-Carbon-Cycle-00.mp3
The-Carbon-Cycle-00.mp4
The-Carbon-Cycle-I.mp3
The-Carbon-Cycle-I.mp4
The-Carbon-Cycle-II.mp3
The-Carbon-Cycle-II.mp4
The-Carbon-Cycle-intro.mp3

[Verse 1]
Chemical weathering
(Carbon sequestration)
Survival tethering
(Man’s frustration)

[Chorus]
The carbon cycle
(Consumption’s radical)
The more we make
… the more we take

[Verse 2]
Carbonate weathering
(CO₂ recycling)
Survival tethering
(Breathing’s stifling)

[Chorus]
The carbon cycle
(Consumption’s radical)
The more we make
… the more we take

[Bridge]
Reach for the ocean
(In perpetual motion)
Into the sea
(More permanently)
Doing quite well
(Turned into a shell)

[Chorus]
The carbon cycle
(Consumption’s radical)
The more we make
… the more we take

[Outro]
The more we make
… the more we take
(Is it time we live to give?)

A SCIENCE NOTE

Rocks play a crucial role in the carbon cycle, influencing how carbon moves between the atmosphere, oceans, and Earth’s crust over long timescales. The two main ways rocks interact with carbon are weathering and sedimentation, as well as volcanic activity.


1. Chemical Weathering (Carbon Sequestration)

Certain rocks, especially silicates and carbonates, pull CO₂ out of the atmosphere through chemical reactions. This process happens when rainwater (which absorbs CO₂ to form weak carbonic acid) reacts with minerals in rocks.

  • Silicate Weathering (Long-Term CO₂ Removal)

    • Rocks like basalt and granite contain silicate minerals (e.g., feldspar, olivine).

    • When these minerals break down, they react with CO₂ and water, forming dissolved bicarbonates.

    • These bicarbonates eventually wash into rivers and oceans, where they contribute to carbonate rock formation (e.g., limestone).

    Reaction Example:

    CaSiO3+2CO2+H2O→Ca2++2HCO3−+SiO2\text{CaSiO}_3 + 2CO_2 + H_2O → \text{Ca}^{2+} + 2HCO_3^- + \text{SiO}_2

    (Calcium silicate reacts with CO₂ and water to form dissolved calcium, bicarbonate, and silica.)

  • Carbonate Weathering (CO₂ Recycling)

    • Limestone (CaCO₃) and dolomite (CaMg(CO₃)₂) are carbonate rocks that store vast amounts of carbon.

    • When these rocks dissolve in acidic water, they release CO₂ back into the atmosphere.

    Reaction Example:

    CaCO3+CO2+H2O→Ca2++2HCO3−\text{CaCO}_3 + CO_2 + H_2O → \text{Ca}^{2+} + 2HCO_3^-

    (Limestone dissolves, releasing CO₂ into water, which can later be re-released into the atmosphere.)


2. Sedimentation and Carbon Storage

Once weathered minerals and bicarbonates reach the ocean, marine organisms like coral, shellfish, and plankton use the dissolved calcium and bicarbonate to build their shells and skeletons (CaCO₃).

  • Over time, these shells accumulate on the ocean floor, forming limestone and other carbonate rocks, which can store carbon for millions of years.


3. Subduction & Volcanic Outgassing (CO₂ Release)

Carbon stored in sedimentary rocks can return to the atmosphere through plate tectonics.

  • When tectonic plates subduct (sink) beneath one another, carbonate rocks are dragged into Earth’s mantle.

  • The heat and pressure cause these rocks to break down, releasing CO₂.

  • This CO₂ is then emitted into the atmosphere through volcanic eruptions.

    Reaction Example:

    CaCO3→CaO+CO2\text{CaCO}_3 → \text{CaO} + CO_2

    (Limestone decomposes under heat, releasing CO₂.)


4. Human Influence on the Carbon Cycle

Human activities have disrupted the natural carbon cycle by:

  • Burning fossil fuels (coal, oil, and natural gas), which releases ancient, stored carbon into the air.

  • Mining and land use changes, which expose more rock to weathering, altering natural CO₂ exchange.

  • Geoengineering proposals, such as enhanced weathering, suggest spreading crushed silicate rocks (like olivine) on land or in oceans to accelerate CO₂ removal.


Summary of Rock-Carbon Interactions

Process Effect on CO₂ Example
Silicate weathering Removes CO₂ Basalt, granite
Carbonate weathering Releases CO₂ Limestone, dolomite
Sedimentation Stores carbon Coral reefs, limestone formation
Subduction & volcanism Releases CO₂ Tectonic plate movement, eruptions
Human activity Disrupts cycle Fossil fuel burning, mining

From the album “Rocked

The Human Induced Climate Change Experiment

bookmark_borderAlbedo Effect

Albedo-Effect-0.mp3
Albedo-Effect-0.mp4
Albedo-Effect-I.mp3
Albedo-Effect-I.mp4
Albedo-Effect-II-R.mp3
Albedo-Effect-II-R.mp4
Albedo-Effect-Reggae.mp3
Albedo-Effect-Reggae.mp4
Albedo-Effect-intro.mp3

[Intro]
(Yo, yo)
Albedo
(Hello)
New know

[Verse 1]
Surface reflectivity
Affecting the ability
Of heat to be absorbed
Or ignored

[Bridge]
(Yo, yo)
Albedo
(Hello)
New know

[Chorus]
You’re getting warm
(It’s time to warn)
The temperatures getting hot
(To the point we’re not)

[Verse 2]
Are you dark
Are you light
Start the spark
For insight

[Bridge]
(Yo, yo)
Albedo
(Hello)
New know

[Chorus]
You’re getting warm
(It’s time to warn)
The temperatures getting hot
(To the point we’re not)

[Outro]
(Yo, yo)
Albedo
(Soooo)
Now you know

A SCIENCE NOTE

Rocks influence climate change and the albedo effect in several ways, depending on their composition, color, and how they interact with Earth’s surface processes.

1. The Albedo Effect

Albedo refers to how much sunlight a surface reflects versus absorbs. Lighter-colored surfaces (like snow, ice, or light-colored rocks such as limestone) reflect more sunlight, helping to keep the planet cool. Darker surfaces (like basalt or asphalt) absorb more heat, warming the environment.

  • Light-colored rocks (high albedo) – Reflect more sunlight, contributing to cooling.

  • Dark-colored rocks (low albedo) – Absorb more sunlight, increasing local and global temperatures.

Examples:

  • Volcanic rock like basalt, which is dark, absorbs more solar radiation and can contribute to localized warming.

  • Deserts with high exposure of light-colored sandstones or quartz-rich rocks reflect more sunlight, reducing heat absorption.

2. Carbon Sequestration and Chemical Weathering

Some rocks, particularly silicate and carbonate rocks, play a role in the carbon cycle by naturally pulling CO₂ from the atmosphere through weathering.

  • Silicate rocks (like basalt and granite): These react with atmospheric CO₂ and rainwater to form dissolved ions, eventually leading to carbonate deposition in oceans.

  • Carbonate rocks (like limestone and dolomite): Store large amounts of carbon but can also release CO₂ when dissolved or exposed to acid rain.

Enhanced weathering (crushing rocks like olivine and spreading them over land or oceans) has been proposed as a geoengineering method to absorb CO₂ more quickly.

3. Volcanic Activity and Aerosols

Volcanic eruptions release gases and particles that can temporarily cool the climate by increasing atmospheric albedo. Sulfur dioxide (SO₂) from eruptions forms sulfate aerosols that reflect sunlight, causing short-term cooling.

Conversely, volcanic outgassing releases CO₂, which contributes to long-term warming.

4. Permafrost and Rock Weathering Feedback

In Arctic regions, permafrost contains frozen organic matter trapped in rock and soil. As permafrost melts, it releases methane (CH₄) and CO₂, accelerating warming.

Overall Impact on Climate Change

  • Rocks influence Earth’s temperature by affecting surface reflectivity (albedo) and interacting with the carbon cycle.

  • Human activities, like mining, deforestation, and urbanization, expose different types of rocks, potentially altering local climate conditions.

The evidence is clear: climate change is rapidly accelerating, and the costs—both economic and human—are growing exponentially. The future demands decisive and immediate action to curb greenhouse gas emissions and prevent further environmental and societal collapse. Our updated climate model, now integrating complex social-ecological factors as part of a dynamic and non-linear system, shows that global temperatures could rise by up to 9°C within this century—far beyond previous predictions of a 4°C rise over the next thousand years. This level of warming will render much of the world uninhabitable within this century.

From the album “Rocked

The Human Induced Climate Change Experiment

bookmark_borderMumbo Jumbo

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Mumbo-Jumbo-0.mp4
Mumbo-Jumbo-I.mp3
Mumbo-Jumbo-I.mp4
Mumbo-Jumbo-intro.mp3

[Refrain]
Liberation Day…
(We haven’t been treated well)
Hell, we’re a piggy bank
(I’m the pig to thank)
Hey! Hey! Say:

[Verse 1]
New tariffs (to be announced)
Though not sure (how to pronounce)
Rigidity (of stupidity)
Shall I ramble on (on pharmaceuticals)
Tax one and all!
Forget about permits
(What my tizzy fits)

[Bridge]
Mumbo jumbo
(Wish I had ears)
Dumbo
(Mumbo jumbo)

[Chorus]
And, sooo…
(The sewage will flow)
You know… (oh, oh)
That’s all that there is
(Having failed the quiz)
That’s show biz! (is, is, is)

[Bridge]
Mumbo jumbo
(Mass ass dumbo)
Más Houthis Hoax
(Which) witch hunt
Drop kick! (punt)

[Verse 2]
Subsidies for you and me
“new, clean, beautiful coal”
Can’t you see… and we’re going to open coal mines
As I say, “clean, beautiful coal”
Wind energy is bad (so sad)
Looks bad on our prairies… (see)
and kills whales (carcass debris)

[Bridge]
Mumbo jumbo
(Mass ass dumbo)
Más Houthis Hoax
(Which) witch hunt
Drop kick! (punt)

[Chorus]
And, sooo…
(The sewage will flow)
You know… (oh, oh)
That’s all that there is
(Having failed the quiz)
That’s show biz! (is, is, is)

[Outro]
Liberation Day…
(We haven’t been treated well)
Hell, we’re a piggy bank
(I’m the pig to thank)

ABOUT THE SONG
This song is based on President Trump’s tariff announcement on March 27, 2025.

I’m having a hard time understanding what he’s talking about.
Here’s what I think he said:
25% tariffs on all autos and light trucks
145% tariff on EVs from China
New tariffs on pharmaceuticals to be announced
U.S. government subsidies for “new, clean, beautiful coal” and assistance to open coal mines
Wind energy is bad—looks bad and kills whales
Big day… Liberation Day… We haven’t been treated well. We’re a piggy bank, but we won’t let that continue. See you on April 2nd.
During the press conference, he continued discussing more tariffs—this time on lumber—saying it will be “amazing” and that “the market loves it.” He emphasized that these tariffs are permanent.
When asked about Tesla’s tariffs, he claimed, “Elon’s never asked me for a favor.”
Regarding the security “signal”-gate controversy, he dismissed it as a hoax, adding, “I don’t know if it was classified.”
On the Houthis, he stated, “They’ve been terrible to the world… the ships. They have to say ‘No Más.’ The attacks have been very successful, and we’re going to keep it going for a long time.” Then, shifting blame, he speculated, “Maybe it’s Signal’s fault. I don’t know. The attack was successful. You should be talking about that.”
He further insisted, “This is Biden’s fault. I was told it was Mike, and you should be talking about the attack. It’s all a witch hunt. I think Signal could be defective.”
“Every point in tariffs is worth a lot for TikTok.
You’re wearing a mask—I haven’t seen anyone wear one in a long time. Does that make you feel better?
So many states are pushing to bring education back. They can’t wait.”

From the album “Rocked

bookmark_borderFormation Process

Formation-Process-0.mp3
Formation-Process-0.mp4
Formation-Process-I.mp3
Formation-Process-I.mp4
Formation-Process-intro.mp3

[Verse 1]
Is your mind sedimentary
(Or to the contrary)
Does you mind meld
(In a metamorphosis)
Or quelled…
(Just like this)

[Bridge]
Heat and pressure
(Will you endure)
Whether you’ll weather
(Erosion pla plosion)

[Chorus]
Formation process
(Ingenious igneous)
Oh, oh the stress
(Metamorphic music)

[Verse 2]
Is your mind on fire
(Taken you higher)
Does you mind flow
(With all you know)
Ignition
(Of imagination)

[Bridge]
Heat and pressure
(Will you endure)
Whether you’ll weather
(Erosion pla plosion)

[Chorus]
Formation process
(Ingenious igneous)
Oh, oh the stress
(Metamorphic music)

[Chorus]
(Ingenious igneous)
Sedimentary sentiment
(Metamorphic music)

A SCIENCE NOTE

Rocks are categorized based on their formation process into three main types:

  1. Igneous Rocks – Formed from the cooling and solidification of molten rock (magma or lava).

    • Intrusive (Plutonic): Formed beneath the Earth’s surface (e.g., granite).

    • Extrusive (Volcanic): Formed when lava cools quickly on the surface (e.g., basalt, pumice).

  2. Sedimentary Rocks – Formed from the accumulation and compaction of mineral and organic particles.

    • Clastic: Made from fragments of other rocks (e.g., sandstone, shale).

    • Chemical: Formed from mineral precipitation from solutions (e.g., limestone, rock salt).

    • Organic: Composed of plant or animal remains (e.g., coal, some limestones).

  3. Metamorphic Rocks – Formed when existing rocks undergo heat, pressure, or chemical changes without melting.

    • Foliated: Have distinct layers or bands (e.g., schist, gneiss).

    • Non-foliated: Lack distinct layers (e.g., marble, quartzite).

Each type of rock can transform into another through the rock cycle, driven by geological processes like heat, pressure, weathering, and erosion.

From the album “Rocked

bookmark_borderMy World

My-World-0.mp3
My-World-0.mp4
My-World-I.mp3
My-World-I.mp4
My-World-II.mp3
My-World-Unplugged-Underground-XVII.mp3
My-World-Unplugged-Underground-XVII.mp4
My-World-intro.mp3

[Intro]
(You rocked!)
My world

[Bridge]
(Sssss so shocked!)
Dreams whirled

[Verse 1]
Crumbling at the foundation
Mumbling some insanity
Destroying a loved nation
Disabling humanity

[Break]
(You rocked!)
My world

[Bridge]
(Sssss so shocked!)
Dreams whirled

[Chorus]
Rocked (and rolled)
Blocked (from our goal)
Rocked (and rolled)
Docked (the payroll)

[Verse 2]
Blowing up and imploding
All our minds… exploding
Causing the earth to quake
Making the dead shake

[Break]
(You rocked!)
My world

[Bridge]
(Sssss so shocked!)
Dreams whirled

[Chorus]
Rocked (and rolled)
Blocked (from our goal)
Rocked (and rolled)
Docked (the payroll)

Break]
(You rocked!)
My world

[Outro]
(Sssss so shocked!)
Dreams whirled

From the album “Rocked

bookmark_borderRocked

Rocked-0.mp3
Rocked-0.mp4
Rocked-I.mp3
Rocked-I.mp4
Rocked-II.mp3
Rocked-II.mp4
Rocked-Unplugged-Underground-XVII.mp3
Rocked-Unplugged-Underground-XVII.mp4
Rocked-intro.mp3

[Intro]
What’s under his lid
Turned solid
Taking stock
In solid rock

[Verse 1]
His brain (fossilized)
His hate (realized)
More than just a pig
Humanity he’ll rig

[Chorus]
What’s under his lid
Turned solid
Taking stock
In solid rock

[Bridge]
Rocked
(By ignorance)
Blocked
(By arrogance)

[Verse 2]
Insane (memorialized)
Too hate (we realized)
More than a fat cat
He’s a dirty rat

[Chorus]
What’s under his lid
Turned solid
Taking stock
In solid rock

[Bridge]
Rocked
(By ignorance)
Blocked
(By arrogance)

[Chorus]
What’s under his lid
Turned solid
Taking stock
In solid rock

[Outro]
Shocked! (ocked, ocked, ocked)
And (rocked, ocked, ocked, ocked)

From the album “Rocked

bookmark_borderTo and Fro

To-and-Fro-0.mp3
To-and-Fro-0.mp4
To-and-Fro-I.mp3
To-and-Fro-I.mp4
To-and-Fro-II-R.mp3
To-and-Fro-II-R.mp4
To-and-Fro-Reggae.mp3
To-and-Fro-Reggae.mp4
To-and-Fro-intro.mp3

[Intro]
(Whoa oh oh oh)
There we go
(Whoa oh oh oh)
To and Fro

[Bridge]
(Whoa oh oh oh)
There we go
(Whoa oh oh oh)
To and fro

[Verse 1]
Bouncing back and forth
Across the universe
For what it’s worth
We’ve flown off course

[Chorus]
(Whoa oh oh oh)
We must know…
(Whoa oh oh oh)
To from fro

[Bridge]
(Whoa oh oh oh)
There we go
(Whoa oh oh oh)
To and fro

[Verse 2]
Bouncing here and there
Seemingly unaware
For what it’s worth
We’ve flown off course

[Chorus]
(Whoa oh oh oh)
We must know…
(Whoa oh oh oh)
To from fro

[Outro]
(Whoa oh oh oh)
There we go
(Whoa oh oh oh)
To and fro

From the album “Moving Target

Also found on the album “Reggae Foray

bookmark_borderGetting Away

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Getting-Away-0.mp4
Getting-Away-I.mp3
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Getting-Away-II.mp3
Getting-Away-II.mp4
Getting-Away-Unplugged-Underground-XVI.mp3
Getting-Away-Unplugged-Un4erground-XVI.mp3
Getting-Away-intro.mp3

[Intro]
Hey! Hey!
(He’s getting away)
Hey! Hey!
(Don’t let you get in the way)

[Bridge]
He’s getting away
(A way away)

[Verse 1]
Has he gone astray
Has it ruined your day
Is he getting away
(Gone on holiday!)

[Chorus]
Hey! Hey!
(He’s getting away)
Hey! Hey!
(Don’t let you get in the way)

[Bridge]
He’s getting away
(A way away)

… getting away
(A way away)

[Verse 2]
Has he gone awry
You don’t know why
Don’t give up, try!
(Try, try, try)

[Chorus]
Hey! Hey!
(He’s getting away)
Hey! Hey!
(Don’t let you get in the way)

[Bridge]
He’s getting away
(A way away)

[Chorus]
Hey! Hey!
(He’s getting away)
Hey! Hey!
(Don’t let you get in the way)

[Outro]
Hey! Hey!
(He’s getting away)
Hey! Hey!
(No, not today)

From the album “Moving Target

bookmark_borderCatch It

Catch-It-0.mp3
Catch-It-0.mp4
Catch-It-I-Unplugged-Underground-XVI.mp3
Catch-It-I-Unplugged-Underground-XVI.mp4
Catch-It-I.mp3
Catch-It-I.mp4
Catch-It-II-Unplugged-Underground-XVI.mp3
Catch-It-II-Unplugged-Underground-XVI.mp4
Catch-It-III-Unplugged-Underground-XVI.mp3
Catch-It-III-Unplugged-Underground-XVI.mp4
Catch-It-Unplugged.mp3
Catch-It-Unplugged.mp4
Catch-It-intro.mp3

[Verse 1]
If at first you don’t succeed
Try n’ try until you bleed
(Dang it!)
When the going gets rough
Time to call their bluff
(Catch it!)

[Chorus)
Catch it!
(No, not the common cold)
Catch it!
(Your youth’s gettin’ old)

[Verse 2]
Round n’ round the mulberry bush
Always chasing the monkey’s tush
(Dang it!)
Ya, what fool let the dogs out
It’s time you found all about
(Catch it!)

[Chorus)
Catch it!
(No, not the common cold)
Catch it!
(Your youth’s gettin’ old)

[Bridge]
Fetch it!
(Before it gets away)
Wretched!
(Whoa, another day)
Catch it!
(The day’s last ray)
Snatch it!
(Hold past at bay)

[Outro]
Catch it!
(Everyday)

From the album “Moving Target

bookmark_borderSignal

Signal-0.mp3
Signal-0.mp4
Signal-I.mp3
Signal-I.mp4
Signal-intro.mp3

[Intro]
Sent you the signal
(One and all)
Thought everyone should know
(How this show will go)

[Verse 1]
Smoke signals
(And mirrors)
The fine line squiggles
(Into terrors)

[Chorus]
Sent you the signal
(One and all)
Thought everyone should know
(How this show will go)

[Bridge]
Top secret
(Information)
For clarification
(Damn nation)

[Verse 2]
Stop signals
(Light is red)
The truth squiggles
(Into the dead)

[Chorus]
Sent you the signal
(One and all)
Thought everyone should know
(How this show will go)

[Bridge]
Top secret
(Information)
For clarification
(Damn nation)

[Chorus]
Sent you the signal
(One and all)
Thought everyone should know
(How this show will go)

[Outro]
Sent you the signal
(One and all)

From the album “Moving Target

The Human Induced Climate Change Experiment

bookmark_borderDance, Partner, Dance

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[Intro]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Verse 1]
Dance, partner, dance
(Bullets hit the floor)
Dance, partner, dance
(Better dance some more)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Bridge]
You will (dance against your will)
Until (you don’t stand still)

[Verse 2]
Dance, monkey, dance
(Metaphorical monkey)
Dance, monkey, dance
(Hysterical honky)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Bridge]
You will (dance against your will)
Until (you don’t stand still)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Outro]
You will (dance against your will)
Until (you don’t stand still)

ABOUT THE SONG

A common parody of the trope where a cowboy gets his feet shot at to make him dance is the idea of someone being forced into an awkward or absurd situation due to external pressure. Some variations include:

  • “Dance, Monkey, Dance!” – This swaps the cowboy with a literal or metaphorical “monkey,” suggesting someone is being forced to perform against their will.

  • Sci-Fi or Cyberpunk Versions – Instead of bullets, the character might have electrodes or mind-control devices making them move involuntarily.

  • Corporate or Political Parodies – The cowboy could be replaced by a politician, CEO, or public figure being pressured into embarrassing actions due to scandals or bribes.

  • Cartoonish Takes – Shows like Looney Tunes often exaggerate the trope, where characters dance wildly due to hot surfaces, explosions, or even music itself.

From the album “Moving Target

bookmark_borderRisk of Locking In

Risk-of-Locking-In-0.mp3
Risk-of-Locking-In-0.mp3<4a>
Risk-of-Locking-In-I.mp3
Risk-of-Locking-In-I.mp4
Risk-of-Locking-In-intro.mp3

[Intro]
(Begin…)
The risk of locking in

[Verse 1]
If we delay
Another day
We just may
Cause dismay

[Bridge]
(Begin…)
The risk of locking in

[Chorus]
Indeed we feed
(Feedback loops)
As if we need
(Two more scoops)

[Verse 2]
Yet we play
Another day
No change in way
Extreme forray

[Bridge]
(Begin…)
The risk of locking in

[Chorus]
Indeed we feed
(Feedback loops)
As if we need
(Two more scoops)

[Outro]
(Now what’s been)
Is locked in

A SCIENCE NOTE

Feedback Loops and the Risk of “Locking In” 1.5°C

  • If emissions stay high, we will permanently lock in warming beyond 1.5°C.

  • The real danger is that if we delay action, crossing 1.5°C even temporarily triggers irreversible climate feedbacks, making it impossible to return to safer levels.

Complex Feedback Loops:
Complex feedback loops in climate science refer to interactions between different components of the Earth’s climate system that can amplify or dampen the effects of initial changes, leading to non-linear and often unpredictable outcomes. These feedback loops play a crucial role in shaping the behavior of the climate system and can influence various climate phenomena, including temperature changes, ice melt, and precipitation patterns.

Tipping points are Critical Milestones that directly impact the rate of acceleration in climate change by multiplying the number and intensity of feedback loops. Identifying and understanding these tipping points is crucial for climate science and policymaking. Crossing multiple tipping points has led to a domino effect, resulting in a much more rapid and severe climate change than currently projected.

* Our climate model employs chaos theory to comprehensively consider human impacts and projects a potential global average temperature increase of 9°C above pre-industrial levels.

From the album “Moving Target

The Human Induced Climate Change Experiment

bookmark_borderShifting Goalposts

Shifting-Goalposts-I.mp3
Shifting-Goalposts-I.mp4
Shifting-Goalposts-II-R.mp3
Shifting-Goalposts-II-R.mp4
Shifting-Goalposts-Reggae.mp3
Shifting-Goalposts-Reggae.mp4
Shifting-Goalposts-Unplugged-Underground-XVI.mp3
Shifting-Goalposts-Unplugged-Underground-XVI.mp4;
SShifting-Goalposts-intro.mp3

[Intro]
Shifting goalposts
By Earth’s hosts
Past one point five
Can we survive

[Verse 1]
Uninterested interests shift
Their morals set adrift
The target unachievable
Are they believable

[Chorus]
Shifting goalposts
By Earth’s hosts
Past one point five
(Can we survive)

[Bridge]
Will we thrive
(As we dive)
Into the depths of despair
(Are we already there?)

[Verse 2]
Overshoot and return
Won’t we ever learn
Removal technology
Is mythology

[Chorus]
Shifting goalposts
By Earth’s hosts
Past one point five
(Can we survive)

[Bridge]
Will we thrive
(As we dive)
Into the depths of despair
(Are we already there?)

[Chorus]
Shifting goalposts
By Earth’s hosts
Past one point five
(Can we survive)

[Outro]
Can I stay alive
(If we drive)

A SCIENCE NOTE
The 1.5°C target in the Paris Agreement is a moving target due to the way global temperatures are measured and interpreted.

Feedback Loops and the Risk of “Locking In” 1.5°C

  • If emissions stay high, we will permanently lock in warming beyond 1.5°C.

  • The real danger is that if we delay action, crossing 1.5°C even temporarily triggers irreversible climate feedbacks, making it impossible to return to safer levels.

Shifting Goalposts

  • Some political and economic interests may reframe the target as unachievable, shifting focus to “keeping below 2°C” instead.

  • Others may push for “overshoot and return” scenarios, where we exceed 1.5°C but later try to bring temperatures back down with carbon removal technologies.

Bottom Line

  • The Paris 1.5°C target was never a strict “red line” but a long-term guideline.

  • Since 2024 has already passed that threshold in annual temperatures, the debate now shifts to whether this is temporary or permanent.

  • The more we delay cutting emissions, the more 1.5°C becomes truly impossible, moving us toward a 2°C+ world with severe consequences.

 

From the album “Moving Target

Also found on the album “Reggae Foray

The Human Induced Climate Change Experiment

bookmark_borderAmbushing

Ambushing-0.mp3
Ambushing-0.mp4
Ambushing-I.mp3
Ambushing-I.mp4
Ambushing-intro.mp3

[Verse 1]
Predict
Where the target will be
Direct
Before setting it free

[Chorus]
Push for an ambush
(Fire!)
For the outcome you desire
Their fate is dire

[Verse 2]
Anticipate
Where the target will be
Then wait
Till it’s reality

[Chorus]
Push for an ambush
(Fire!)
For the outcome you desire
Their fate is dire

[Bridge]
Pushing
(For ambushing)
Rushing
(Into surprise)
Realize
(The prize)

[Chorus]
Push for an ambush
(Fire!)
For the outcome you desire
Their fate is dire

[Outro]
Push for an ambush
(Fire!)

ABOUT THE SONG
Tracking vs. Ambushing
Tracking (Swing-Through): Follow the target with your sights and pull the trigger while continuing the motion.

Ambushing (Point Shooting): Predict where the target will be and fire when it reaches that point.

From the album “Moving Target

bookmark_borderAiming Ahead

Aiming-Ahead-I.mp3
Aiming-Ahead-I.mp4
Aiming-Ahead-Unplugged-Underground-XVI.mp3
Aiming-Ahead-Unplugged-Underground-XVI.mp4
Aiming-Ahead-intro.mp3

[Verse 1]
What’s going to come
Or come undone
Look into the future
To see the picture

[Chorus]
Aiming ahead
(Of your goal)
Needle and thread
(Plan comes whole)

[Bridge]
A bullet takes time
(To travel)
Opportunities prime
(Soon to unravel)

[Verse 2]
What’s lies ahead
Does the future hold
Avoiding the dread
While maintaining bold

[Chorus]
Aiming ahead
(Of your goal)
Needle and thread
(Plan comes whole)

[Bridge]
A bullet takes time
(To travel)
Opportunities prime
(Soon to unravel)

[Chorus]
Aiming ahead
(Of your goal)
Needle and thread
(Plan comes whole)

[Outro]
Aim that takes lead
(Is deadly indeed)

A SCIENCE NOTE

Shooting at a moving target requires adjusting for the target’s speed, direction, and distance while maintaining accuracy and precision. The process involves several key factors:

1. Assess Target Movement

  • Determine the speed of the target (slow, moderate, or fast).

  • Identify the direction of movement (toward, away, left to right, etc.).

  • Evaluate the distance to the target, as this affects bullet travel time and trajectory.

2. Lead Compensation (Aiming Ahead)

  • Since a bullet takes time to reach its target, aim ahead of the target’s movement.

  • The amount of lead (how far ahead you aim) depends on:

    • The target’s speed.

    • The distance to the target.

    • The bullet’s velocity.

  • Faster-moving targets require more lead.

3. Tracking vs. Ambushing

  • Tracking (Swing-Through): Follow the target with your sights and pull the trigger while continuing the motion.

  • Ambushing (Point Shooting): Predict where the target will be and fire when it reaches that point.

4. Adjust for Bullet Drop and Wind

  • At longer distances, bullets drop due to gravity, requiring adjustments.

  • Wind can push bullets off course, necessitating compensation.

5. Trigger Control & Follow-Through

  • Maintain smooth trigger pressure to avoid jerking.

  • Continue tracking after the shot to ensure accuracy and potential follow-up shots.

6. Practice & Adaptation

  • Training with moving targets improves instinctive adjustments.

  • Different firearms and calibers require varying lead estimations.

From the album “Moving Target