bookmark_borderA Haze

A-Haze-0.mp3
A-Haze-0.mp4
A-Haze-I.mp3
A-Haze-I.mp4
A-Haze-intro.wav

[Intro]
In a haze
(Day to days)

[Verse 1]
The setting of a fire
(The setting of the sun)
Our desire fuels us higher
(Until one has come undone)

[Chorus]
The world set ablaze
Does it cease to amaze
Ignoring all our ways
… does it even phase?

[Bridge]
In a haze
(Day to days)
The color fades
(Smoke’s gray shades)

[Verse 2]
Perpetuates and exacerbates
(Destined to set fates)
Our desire fuels us higher
(For fun we light it on fire)

[Chorus]
The world set ablaze
Does it cease to amaze
Ignoring all our ways
… does it even phase?

[Bridge]
In a haze
(Day to days)

[Chorus]
The world set ablaze
Will we seize to amaze
Ignoring all our ways
… does it even phase?

[Outro]
In a haze
(The End of Days)

ABOUT THE SONG

The song “A Haze” is a poetic, haunting reflection on the climate crisis and the global wildfire epidemic, drawing a literal picture of a planet shrouded in smoke while also offering a deeper figurative critique of human apathy, hubris, and denial.

Literal Interpretation – Wildfires and Climate Crisis

[Verse 1]

The setting of a fire / (The setting of the sun)
The dual imagery reflects the literal ignition of wildfires—either by nature or by humans—and how these fires now coincide with the symbolic “setting” or decline of the natural world. The sun setting also hints at smoke-darkened skies and days lost to haze.

Our desire fuels us higher / (Until one has come undone)
This references human overconsumption and the carbon economy, which drive climate change and intensify fire seasons. “Undone” signals collapse—of ecosystems, lives, and climate stability.

[Chorus]

The world set ablaze / Does it cease to amaze
A literal vision of wildfires ravaging continents (California, Australia, Canada). “Does it amaze?” asks: Why are we still shocked? Or worse—are we no longer shocked at all?

Ignoring all our ways / … does it even phase?
Despite knowing the causes—deforestation, fossil fuels, unchecked development—we remain largely indifferent. “Does it even phase?” challenges our emotional numbness and political inaction.

[Bridge]

In a haze / (Day to days) / The color fades / (Smoke’s gray shades)
This paints the visual and psychological toll of wildfire smoke—days blur, skies turn gray, colors and clarity disappear. The literal haze mirrors the mental fog of denial and helplessness that climate disruption brings.

Figurative Interpretation – Psychological & Moral Decay

[Verse 2]

Perpetuates and exacerbates / (Destined to set fates)
Our actions don’t just continue the crisis—they accelerate it. “Set fates” implies that we are writing a tragic future with full awareness, yet still failing to change.

Our desire fuels us higher / (For fun we light it on fire)
This line critiques the reckless, profit-driven motives behind carbon-heavy lifestyles and industries. “For fun” could also refer to luxury, consumption, and carelessness, as if Earth is burning for our amusement.

[Bridge & Chorus Refrain]

The repetition of “In a haze” and “set ablaze” emphasizes both environmental degradation and societal blindness. We’re living through catastrophe, but still carry on “day to days” as if nothing’s changed.

Outro – The Final Warning

In a haze / (The End of Days)
The final words bring the full weight of apocalypse. The haze becomes symbolic of collapse, extinction, and judgment. The climate crisis is no longer abstract—it’s here, and it’s terminal if we don’t act.

Summary:

“A Haze” is a stunning dual metaphor for both wildfires and the psychological smoke-screen we’ve built to avoid confronting our role in planetary collapse. It blends ecological horror with moral introspection, asking:

  • Why do we continue down this path when we see the world burning?

  • Have we become desensitized to destruction?

  • Can we still see clearly—or are we lost in the haze?

It’s a song of reckoning—a smoldering elegy wrapped in ash, asking us if we’ll ever wake up before it’s too late.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderOn Fire

On-Fire-0.mp3
On-Fire-0.mp4
On-Fire-I.mp3
On-Fire-I.mp4
On-Fire-intro.wav

[Intro]
I’m on fire!
(Better sound the alarm… warn of the harm)
Fire!

[Verse 1]
When you turn on on
You ain’t foolin’ around
Though our prime’s long gone
Our trace is still found

[Chorus]
I’m on fire!
(Due to your desire)
Fire!
Taking the temperature…
Higher
(Higher for hire)

[Bridge]
Don’t want to paint a picture
(Of doom and gloom)
Just look to the future
(To see what we’ll be)
Is that what you want to do?

[Verse 2]
When you resume to consume
You ain’t foolin’ around
All those second helpings…
Aren’t helping

[Verse 3]
Look out your siding…
From behind your hiding
The future’s bound to be found
Where you’re residing

[Chorus]
I’m on fire!
(Due to your desire)
Fire!
Taking the temperature…
Higher
(Higher for hire)

[Bridge]
Don’t want to paint a picture
(Of doom and gloom)
Just look to the future
(To see what we’ll be)
Is that what you want to do?

[Outro]
Know the future turned to now
(Now you know)

ABOUT THE SONG

The song “On Fire” is a powerful metaphorical expression of Earth speaking directly to humanity—a fiery elegy and warning wrapped in poetic reflection on the climate crisis. The voice of the planet is urgent, wounded, and deeply aware of what human behavior has ignited—literally and figuratively.

 [Verse 1]

When you turn on / You ain’t foolin’ around
This line represents humanity’s relentless activation of industry, consumption, and fossil fuel combustion. “Turning on” implies powering up systems that are destructive.

Though our prime’s long gone / Our trace is still found
Earth remembers a more balanced, thriving era. Yet even in its damaged state, nature’s memory and scars persist—evidence of beauty, and now, of what’s been lost.

 [Chorus]

I’m on fire! (Due to your desire)
Earth is literally burning—through rising temperatures, wildfires, and ecological breakdown—as a direct consequence of human greed and overconsumption.

Taking the temperature… Higher (Higher for hire)
The phrase “for hire” skewers the corporate and political systems that profit from environmental exploitation. Earth’s pain is commodified—sold for short-term gain.

[Bridge]

Don’t want to paint a picture (of doom and gloom)
Earth resists sounding like a prophet of despair—this isn’t just alarmism.
Just look to the future (to see what we’ll be)
The consequences are inevitable and observable—unless change happens now.

Is that what you want to do?
This is the central ethical question: Is this truly the legacy humans want—to push the biosphere past its limits?

[Verse 2]

When you resume to consume / You ain’t foolin’ around
A critique of unsustainable consumption, especially post-crisis or during recovery efforts (e.g., after COVID or disasters), when we resume “normal” without reconsidering what normal caused.

All those second helpings / Aren’t helping
This brilliant wordplay addresses overconsumption and excess—the myth of unlimited growth, indulgence, and unchecked capitalism. We’re not just full—we’re sick.

 [Verse 3]

Look out your siding / From behind your hiding
A call for humanity to stop avoiding the truth. The crisis is right outside our homes—in the heatwaves, the floods, the fires. Denial is no longer protection.

The future’s bound to be found / Where you’re residing
Climate change is not abstract or far away—it’s local, intimate, happening in your backyard.

 [Chorus Repeats]

The repetition reinforces the planet’s condition—set ablaze by desire, denial, and delay.

[Outro]

Know the future turned to now / (Now you know)
There’s no more time to wait. The once-distant climate future is already here, already burning. It’s no longer a question of prevention—it’s a question of how we respond.

Summary:

“On Fire” is a devastating confession from a planet in pain, forced to confront the species it nurtured. It’s not just a warning—it’s a demand for reckoning, responsibility, and reversal. Earth doesn’t want to burn, but it can’t help it if we keep fueling the flames.

The song’s clever mix of irony, rhythm, and stark imagery makes it ideal for performance or adaptation into a climate-awareness video or spoken word.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderThese Days

These-Days-I.mp3
These-Days-I.mp4
These-Days-II.mp3
These-Days-II.mp4
These-Days-intro.wav

[Intro]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Verse 1]
What’s the price of convenience
Compared to the nuance of nuisance
In human consciousness
Can we bear to stare
The devil in the I

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Bridge]
Just a taste (of our waste)

[Verse 2]
What’s the cost of generations lost
To ignorance and arrogance
Last chance….
To maintain sane through insanity
(To regain humane in humanity)

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Bridge]
Just a taste (of our waste)
Time we face (our race)
The pace of the human race
Biggest crime (of all time)
Yet we claim no responsibility
(For our part in society)

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Outro]
Last chance (at a last dance)
Regain humane (in humanity)
Will you dance with me?

ABOUT THE SONG

The song “These Days” is a layered, poetic lament that reflects the escalating urgency of the climate crisis—a raw reckoning with the moral, existential, and generational costs of humanity’s actions. It’s a plea for awakening, responsibility, and reunion with the empathy we’ve lost.

[Verse 1]:

What’s the price of convenience / Compared to the nuance of nuisance…

This opening reflects the central dilemma of climate inaction: we’ve traded long-term sustainability for short-term convenience. The “nuance of nuisance” speaks to our refusal to tolerate discomfort—like policy change, consumption limits, or lifestyle shifts—even when these are necessary.

Can we bear to stare the devil in the I

A powerful twist—“eye” becomes “I,” pointing inward. The “devil” isn’t some external force—it’s ourselves, our denial, our choices. It asks: Can we face our role in this crisis honestly?

[Chorus]:

These days (these days) / Are getting hot

Both literal and metaphorical:

  • Literally, the Earth is getting hotter—heatwaves, wildfires, rising global temperatures.

  • Figuratively, tension is rising—socially, politically, ecologically.

We pay for what we’ve got

This line punches hard. Our gains—industrialization, consumption, comfort—carry hidden costs: biodiversity loss, sea-level rise, atmospheric instability. The bill is due.

[Bridge 1]:

Just a taste (of our waste)

This haunting line suggests we’re only beginning to see the consequences. The floods, fires, and famines today are just previews of what unchecked emissions and environmental degradation will bring.

[Verse 2]:

What’s the cost of generations lost / To ignorance and arrogance

Here, the song widens its lens to intergenerational justice. It condemns the systemic failure to act despite overwhelming evidence. Arrogance = thinking we’re immune. Ignorance = choosing not to know.

Last chance… to maintain sane through insanity / To regain humane in humanity

This is the heart of the message. Amid ecological collapse and political chaos, it begs us to anchor ourselves in compassion, reason, and unity. There’s still a choice to reclaim our humanity before it’s too late.

[Bridge 2]:

Time we face (our race) / The pace of the human race

This wordplay is rich. It’s time to confront:

  • Our species (“race”)

  • Our obsession with speed and growth (“pace”)
    We’ve raced toward profit, consumption, and expansion—at the expense of the planet.

Biggest crime (of all time) / Yet we claim no responsibility

It calls out our collective climate denial and the failure of leadership. Despite knowing the science, we act as if we bear no blame—letting ecosystems collapse while we debate semantics.

[Chorus – repeated]:

These days… are getting hot / We pay for what we’ve got

Repetition reinforces inevitability. These aren’t isolated events; this is the new normal. And it’s directly tied to what we’ve built, bought, and burned.

[Outro]:

Last chance (at a last dance) / Regain humane in humanity / Will you dance with me?

A beautiful, final appeal. The “last dance” could be collapse or redemption. It’s an invitation—to act, to care, to change. It doesn’t end in blame but with a call to collective hope and courage, asking if we’ll step into the solution together.

Summary:

“These Days” is a soulful, unflinching song about the climate crisis. It blends urgency with introspection, critique with compassion. It acknowledges the gravity of what we face—our self-inflicted chaos—yet leaves the door open for connection, healing, and change. It’s not just a warning—it’s a last invitation to dance before the music stops.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderInfernal

Infernal-0.mp3
Infernal-0.mp4
Infernal-I.mp3
Infernal-I.mp4
Infernal-intro.wav

[Verse 1]
We present:
Intensely unpleasant
In the leading role —
Your soul

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Bridge]
(Burn, baby, burn)
Go to school, fool
(Learn!)

[Verse 2]
For what it’s worth…
Burnt you place of birth —
Earth
(You know, an inferno)

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Bridge]
(Burn, baby, burn)
Go to school, fool
(Learn!)

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Outro]
Not hard to tell…
(Living in hell)

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderTo the Touch

To-the-Touch-0.mp3
To-the-Touch-0.mp4
To-the-Touch-I.mp3
To-the-Touch-I.mp4
To-the-Touch-intro.wav

[Intro]
How does it feel
To the touch
(For real)
Hurt much?

[Verse 1]
Did you put your finger to it
And, if so… is it lit
Had you forgot…
It’s way too hot

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Verse 2]
Did you learn
How to burn
Did you earn
Your degree…
In degrees
(Oh, please)

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Bridge]
Ouch!
The third degree
(Is getting to me)
Beyond dead
(Skin’s dead)
I’m tellin’ ya sister
(It’s turned to blister)

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Outro]
Burnt black
(Ain’t no growing back)

A SCIENCE NOTE
Our latest climate model — now incorporating complex social-ecological feedback loops within a dynamic, non-linear system — projects that global temperatures could rise by up to 9°C (16.2°F) within this century. This far exceeds earlier estimates, which predicted a 4°C rise over the next thousand years, and signals a dramatic acceleration of warming.

At this level of heating, large regions of the planet will become uninhabitable due to extreme heat, sea level rise, agricultural collapse, and mass migration. Critically, parts of the U.S. are already experiencing wet-bulb temperatures approaching or exceeding 31°C (87.8°F) — a physiological limit beyond which the human body can no longer regulate its internal temperature, even in the shade with ample water.

This is no longer a distant threat. The climate system is entering a phase of compound risk and cascading collapse — and we are already seeing the early signs.

Immediate, radical mitigation and adaptation efforts are now essential to preserve habitable zones, food systems, and public health.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderHandle It

Handle-It-0.mp3
Handle-It-0.mp4
Handle-It-I.mp3
Handle-It-I.mp4
Handle-It-intro.mp3

[Intro]
Can you handle it
(For a bit)

[Verse 1]
The stove is red hot
(Why not)
Stick out your hand
(Do you understand)

[Chorus]
Can you handle it
(For a bit)
Lay your hands
(On who commands)

[Verse 2]
Walk into the fire
(If you so desire)
Who am I to doubt
(Your know about)

[Chorus]
Can you handle it
(For a bit)
Lay your hands
(On who commands)

[Bridge]
The laws… (in the jaws)
Of physics
(Face the music)
Physics
(Sick, sick, sick)
Face the music
(Physics)

[Chorus]
Can you handle it
(For a bit)
Come to understand
(Who’s in command)

[Outro]
Walk into the fire
(If you so desire)
Can you handle it
(For a bit)

ABOUT THE SONG

The song “Handle It” is a stark, symbolic confrontation with the climate crisis and humanity’s reckless defiance of natural limits. Through visceral metaphors and repetition, it paints a picture of a species arrogantly daring the inevitable—testing the heat, walking into the fire, ignoring the laws of physics—until consequences can no longer be denied.

Verse 1:

The stove is red hot (Why not) / Stick out your hand (Do you understand)

This verse bluntly sets the scene: Earth’s “stove” is heating—global temperatures rising, climate tipping points nearing—yet humanity acts as if pain won’t follow. The image of sticking out one’s hand toward a red-hot stove is a metaphor for our deliberate ignorance or denial, despite clear warnings.

Chorus:

Can you handle it (For a bit) / Lay your hands (On who commands)

The chorus challenges us: How long can we bear the heat before burning? And who really commands—humanity, or the laws of nature? It subtly mocks human arrogance, as we try to “handle” climate chaos with control and short-term thinking. But nature, not man, holds the final say.

Verse 2:

Walk into the fire (If you so desire) / Who am I to doubt (Your know about)

This verse speaks with sarcastic resignation—almost as if Earth (or a wiser voice) is watching us self-destruct, despite knowing better. The “fire” is both literal (wildfires, global heating) and metaphorical (crisis, collapse). The second line ironically nods to human overconfidence, as if our “knowing” is somehow greater than nature’s reality.

Bridge:

The laws… (in the jaws) / Of physics / (Face the music)
Physics / (Sick, sick, sick) / Face the music (Physics)

This is the heart of the message. Physics doesn’t negotiate. It doesn’t care about politics, denial, or optimism. Carbon traps heat. Ice melts. Oceans rise. Fires spread. The phrase “face the music” becomes literal: the “music” is the consequence of our emissions and inaction. The repetition of “sick” conveys moral and physical sickness—a planetary fever.

Final Chorus & Outro:

Come to understand (Who’s in command)
Walk into the fire (If you so desire) / Can you handle it (For a bit)

The ending circles back to the core question—can you truly handle what’s coming? There’s an eerie taunt here: “Go ahead, test the fire. But don’t pretend you weren’t warned.” It leaves us with the urgency of self-awareness, daring listeners to see that Earth is in command now, and if we continue this path, our willful ignorance will be fatal.

Summary:

“Handle It” is a fierce, minimalist allegory about humanity’s dangerous dance with climate disaster. It exposes our arrogance, denial, and flirtation with irreversible consequences, daring us to finally recognize that physics—not politics, not profit—sets the rules. The question “Can you handle it?” becomes not just rhetorical, but existential.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderOn the Road

On-the-Road-0.mp3
On-the-Road-0.mp4
On-the-Road-I.mp3
On-the-Road-I.mp4
On-the-Road-intro.mp3

[Intro]
On the road to nowhere
[Instrumental, Guitar Solo]
Are we aware…
(We’re already there]

[Verse 1]
Headed off (bound for determination)
Some may scoff (at our misconception)
In search of the puzzle piece
Instead of the unpuzzled peace

[Chorus]
On the road to nowhere
[Instrumental, Guitar Solo]
Setting the pace
(Leading the race)
On the road to nowhere
Are we aware…
(We’re already there]

[Verse 2]
On our way (the blind leading the blind)
Another day (forgetting the kind kind)
We say, “hope and pray”
That everything will be OK

[Chorus]
On the road to nowhere
Setting the pace
(Leading the race)
On the road to nowhere
Are we aware…
(We’re already there]

[Bridge]
Unaware
(Without a care)
Friends beware
(Know not their share)

[Outro]
On the road to nowhere
Are we aware…
(We’re already there]

ABOUT THE SONG

The song “On the Road” serves as a somber, poetic reflection on humanity’s misguided journey through the climate crisis. It critiques our collective delusion of progress while warning that our current path—driven by denial, consumerism, and false hope—is not leading to a solution, but rather to environmental collapse. Here’s a detailed interpretation:

Verse 1:

Headed off (bound for determination) / Some may scoff (at our misconception) / In search of the puzzle piece / Instead of the unpuzzled peace

This verse critiques the misdirected determination of humanity. We pursue technological or political “solutions” (“the puzzle piece”) without addressing the underlying truth—that peace with nature (the “unpuzzled peace”) requires humility and restraint. The “misconception” could point to the belief that growth and innovation alone will save us.

Chorus:

On the road to nowhere
Setting the pace / (Leading the race)
On the road to nowhere / Are we aware… / (We’re already there)

This chorus is the song’s core warning. We are racing to be first in progress, industry, or GDP, but we’re headed toward ecological oblivion—”nowhere.” The chilling realization—”We’re already there”—says we may have already passed key climate tipping points while still pretending there’s time to spare.

Verse 2:

On our way (the blind leading the blind) / Another day (forgetting the kind kind) / We say, ‘hope and pray’ / That everything will be OK

Here, the song speaks to passivity and denial. Leaders (and followers) are blind to the climate consequences, and we forget to show compassion (“the kind kind”)—to the Earth, to future generations, even to each other. “Hope and pray” reflects the danger of wishful thinking without action.

Bridge:

Unaware / (Without a care) / Friends beware / (Know not their share)

This bridge reveals a society unaware of its role and responsibility in the crisis. “Friends beware” is a call to action: even well-meaning people are complicit if they don’t recognize “their share” of the problem—be it carbon footprint, consumption, or silence.

Outro:

On the road to nowhere / Are we aware… / (We’re already there)

The repetition drives home the central idea: we are already deep into the consequences of climate change. The question of awareness isn’t rhetorical—it’s a challenge to the listener. Are we really paying attention? Or are we still speeding ahead, confident in our direction, while the world unravels?

Summary:

“On the Road” is a metaphorical, melancholic anthem about climate inertia and spiritual disorientation. It exposes how humanity continues to charge forward—blinded by ambition, false hope, and distraction—on a road that leads not to salvation, but to collapse already unfolding. The song invites reflection on whether we’re willing to turn around, or whether we’ll keep “leading the race” to nowhere.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderGoing Up

Going-Up-I.mp3
Going-Up-I.mp4
Going-Up-Unplugged-Underground-XVIII.mp3
Going-Up-Unplugged-Underground-XVIII.mp4
Going-Up-intro.mp3

[Intro]
Hold on! (This lift is going up)
Is that right? (Yup, going up)
To the top (might never stop)

[Verse 1]
1 point 1
(And we’re not done)
I’ll see you
(at 1 point 2)

[Bridge]
Hold on! (This lift is going up)
To the top (might never stop)
Is that right? (Yup, going up)
Hold tight!!

[Chorus]
You can depend
On the demand
Of man
He’ll come to know
How far to go
Below

[Verse 2]
Pushed right through
(1 point 2)
Didn’t pause to see
(1 point 3)

[Bridge]
Hold on! (This lift is going up)
We’re rollin’ on by (headed high)
(Is that right?) Yup, going up
(Hold tight!)

[Verse 3]
1 point 4
(No, no more)
Past 1 point 5
(Can no longer thrive)

[Bridge]
Hold on! (This lift is going up)
To the top (might never stop)
(Is that right?) Yup, going up
(Hold tight!)

[Chorus]
You can depend
On the demand
Of man
He’ll come to know
How far to go
(…. so)

[Outro]
Hold on! (This lift is going up)
(Is that right?) Yup, going up
(Hold tight!)
To the top (might never stop)

ABOUT THE SONG

The song “Going Up” uses the metaphor of an unstoppable elevator ride to capture the terrifying escalation of global temperatures due to human-driven climate change. It’s a stark, cleverly minimalist narrative about humanity’s relentless pursuit of growth and consumption—even as the climate “lift” speeds toward collapse.

Verse 1:

1 point 1 / (And we’re not done) / I’ll see you / (at 1 point 2)

This introduces global temperature rise in degrees Celsius above pre-industrial levels. At 1.1°C, we’ve already seen devastating effects—but the line “we’re not done” underscores our inertia. “I’ll see you at 1.2” suggests we’re on track to go higher, almost passively.

Bridge:

Hold on! (This lift is going up) / To the top (might never stop)

The lift represents the climate trajectory—an industrial, mechanical metaphor for a world getting hotter. The repeated “might never stop” is ominous: we are on an upward trajectory that, without drastic intervention, could spiral out of control.

Chorus:

You can depend / On the demand / Of man / He’ll come to know / How far to go / Below

This is a powerful indictment of human consumption and economic systems. The “demand of man” is driving climate change, and while “you can depend” on this relentless drive, it will ultimately bring humanity “below”—suggesting collapse, death, or moral and ecological ruin. It plays on the irony that “going up” in temperature means “going down” in survivability.

Verse 2:

Pushed right through / (1 point 2) / Didn’t pause to see / (1 point 3)

Here, the temperature climb continues—we skip past thresholds without heeding their warning signs. The lines emphasize recklessness and acceleration—we don’t stop to reflect or redirect.

Verse 3:

1 point 4 / (No, no more) / Past 1 point 5 / (Can no longer thrive)

This is the heart of the warning. 1.5°C is the widely accepted upper limit to avoid the worst impacts of climate change. Going beyond it risks triggering irreversible tipping points—melting ice sheets, dying coral reefs, mass displacement. “Can no longer thrive” implies the breakdown of ecological and social systems.

Outro:

Hold on! (This lift is going up) / (Is that right?) Yup, going up / (Hold tight!) / To the top (might never stop)

The song ends as it began: still climbing, still accelerating. The repetition of “Yup, going up” becomes chilling—a robotic affirmation of our trajectory, devoid of accountability or alarm.

Summary:

“Going Up” is a climate alarm bell in musical form. The imagery of rising temperature milestones—1.1, 1.2, 1.3, 1.4, 1.5°C—acts as both mile markers and warnings, and the “lift” captures how quickly, and thoughtlessly, we’re rising toward catastrophe. It critiques the faith in endless growth and technological progress while warning that this path leads to collapse below.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderSmokin’

Smokin-0.mp3
Smokin-0.mp4
Smokin-I.mp3
Smokin-I.mp4
Smokin-intro.mp3

[Intro]
(Wow-eee!)
Did you see?

[Verse 1]
She….
(Is hot)
In case you forgot
(She’s hot)
With all she’s got

[Bridge]
Is she too hot
(Too, too hot)

[Chorus]
I ain’t jokin’
When I say she’s smokin’
Her entire attire
(Is on fire!)

[Bridge]
(Wow-eee!)
Did you see?

[Verse 2]
She is hot
(She’s on fire)
In case you forgot
(Take her higher)
With all you’ve got

[Bridge]
Is she too hot
(Too, too hot)

[Chorus]
I ain’t jokin’
When I say she’s smokin’
Her entire attire
(Is on fire!)

[Outro]
Is she too hot
(Too, too hot)

ABOUT THE SONG
The song “Smokin’” uses double entendre and wordplay to deliver a sharp allegory for the climate crisis, portraying Mother Nature (“She”) as both alluring and burning, quite literally. Beneath its catchy, flirtatious tone lies a warning about planetary overheating, and humanity’s dangerously passive or admiring gaze as the planet ignites.

Verse 1:

She… (Is hot) / In case you forgot / (She’s hot) / With all she’s got

“Hot” serves a dual meaning—on the surface, it’s sensual; deeper down, it signals dangerous temperature rise. “In case you forgot” hints at willful ignorance of nature’s current state. “With all she’s got” reflects both her abundance and the fury now unleashed as a result of environmental abuse.

Bridge:

Is she too hot (Too, too hot)

A rhetorical question—inviting the listener to reconsider whether we’ve crossed the climatic point of no return. Repetition of “too” drives the idea of excess, suggesting that nature’s rising heat is no longer a metaphor, but a physical, global threat.

Chorus:

I ain’t jokin’ / When I say she’s smokin’ / Her entire attire / (Is on fire!)

The cheeky tone contrasts with a deadly message: “smokin’” is literal. Wildfires, rising global temperatures, and burning landscapes are her “attire.” The phrase “I ain’t jokin’” cuts through the flirtatious language, reminding listeners that this is real—she’s burning, and it’s no joke.

Verse 2:

She is hot / (She’s on fire) / In case you forgot / (Take her higher) / With all you’ve got

This verse is even more pointed. “She’s on fire” is no longer metaphor—it evokes climate extremes, wildfires, heatwaves. “Take her higher / with all you’ve got” is darkly ironic, showing how our relentless consumption is pushing temperatures—and the crisis—even further.

Outro:

Is she too hot (Too, too hot)

Repeating this question leaves the listener with a moral reckoning. It echoes the question: have we pushed nature past the limit?

Summary:

“Smokin’” disguises a climate crisis dirge beneath a stylized, playful surface. Mother Nature is depicted as a beautiful woman whose beauty has turned lethal due to human carelessness. The song cleverly critiques how society objectifies and romanticizes nature, even as it burns her alive. It exposes our tendency to admire the disaster instead of averting it.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderTo Too Hot

To-Too-Hot-0.mp3
To-Too-Hot-0.mp4
To-Too-Hot-I.mp3
To-Too-Hot-I.mp4
To-Too-Hot-II.mp3
To-Too-Hot-II.mp4
To-Too-Hot-intro.mp3

[Intro]
Hey, about today
Are we on our way
To too hot
If no… why not?

[Bridge]
(On our way… today)

[Verse 1]
Another record year is here
Yet, humanity shows no fear
Our self-inflicted end nears
To resounding cheers

[Chorus]
(Hey!) …about today
Are we on our way
To too hot
(If no… why not?)

[Bridge]
Look at what we’ve brought
(With all the crap we bought)
Watching souls rot
What you paid for… (you got)

[Verse 2]
The temperature’s going higher
Set the whole wide world on fire
Now there’s no place to hide
Guess we’re along for the ride

[Chorus]
(Hey!) …about today
We are on our way
To too hot
(In case you forgot)

[Bridge]
Look at what we’ve brought
(With all the crap we bought)
Watching souls rot
What you paid for… (you got)

[Chorus]
(Hey!) …about today
We are on our way
To too hot
(In case you forgot)

[Outro]
The ultimate goal
(Rotting of the soul)

A SCIENCE NOTE
The song “To Too Hot” is a biting and urgent commentary on the climate crisis, portraying humanity as willfully marching toward environmental catastrophe while celebrating its own destruction.

Verse 1:

Another record year is here / Yet, humanity shows no fear / Our self-inflicted end nears / To resounding cheers

This verse highlights climate denial and complacency. Despite consecutive record-breaking years of heat (a clear consequence of global warming), humanity remains indifferent—even celebratory. The “resounding cheers” may symbolize consumerist pride or blind optimism, ignoring the grim reality.

Chorus:

(Hey!) …about today / Are we on our way / To too hot / (If no… why not?)

The chorus is a call to consciousness. The phrasing “To too hot” implies an irreversible tipping point—a world made unlivable by heat. The parenthetical “If no… why not?” suggests sarcasm, confronting listeners who dismiss the crisis with a challenge: why aren’t we taking action if we’re not headed there?

Bridge:

Look at what we’ve brought / (With all the crap we bought) / Watching souls rot / What you paid for… (you got)

This section condemns consumer culture as a key driver of environmental destruction. The line “souls rot” connects spiritual decay with material excess. “What you paid for… you got” emphasizes that the climate consequences are the direct result of our choices.

Verse 2:

The temperature’s going higher / Set the whole wide world on fire / Now there’s no place to hide / Guess we’re along for the ride

A bleak update: things are worsening rapidly, with climate disasters becoming inescapable. The fire metaphor evokes literal wildfires and a planet in peril. The resignation in “along for the ride” hints at fatalism—a passive acceptance of doom.

Chorus (Reprise):

(Hey!) …about today / We are on our way / To too hot / (In case you forgot)

Repetition of the chorus drives home the urgency. The added line “In case you forgot” suggests society’s short attention span and repeated failure to act meaningfully on climate warnings.

Outro:

The ultimate goal / (Rotting of the soul)

A final, haunting note that ties it all together. It implies that the true cost of ignoring the crisis is not just ecological collapse but moral and spiritual ruin. The “goal” could be sarcastic—a reflection of how our systems prioritize short-term profit over long-term survival, leading to ethical and existential decay.

Summary:

To Too Hot” is a scathing critique of climate apathy, consumerism, and moral decay in the face of escalating global heating. It warns of an impending environmental collapse caused by our own hands—and our refusal to change. The song calls out the disconnect between the gravity of the crisis and the banality of our behavior, urging a wake-up before it’s too late.

From the album “To Too Hot

The Human Induced Climate Change Experiment

bookmark_borderThe Commander

The-Commander-0.mp3
The-Commander-0.mp4
The-Commander-I.mp3
The-Commander-I.mp4
The-Commander-Unplugged-Underground-XVIII.mp3
The-Commander-Unplugged-Underground-XVIII.mp4
The-Commander-Unplugged.mp3
The-Commander-Unplugged.mp4
The-Commander-intro.mp3

[Verse 1]
Under the command (of man)
The commander in chief
Offers no relief (just grief)
From what I can understand
(He can’t command)

[Bridge]
Oh (no!) He doesn’t understand

[Chorus]
So our going gets tough
As he makes it rough
Uncle! (Sam) We’ve had enough
(Oh) Please let go
(Set me free! Let us be!)

[Verse 2]
The damned do demand
The commander in chief
Remove faith in belief
(Oh) The message they send…
They can’t comprehend
Bringing on The End

[Bridge]
Oh (no!) Man doesn’t understand

[Chorus]
So our going gets tough
As he makes it rough
Uncle! (Sam) We’ve had enough
(Oh) Please let go
(Set me free! Let us be!)

[Outro]
Oh (no!) Man doesn’t understand
They can’t comprehend
Bringing on The End

ABOUT THE SONG

  • Verse 1 (“Under the command of man,” “commander in chief offers no relief”) suggests that while Trump holds the title of Commander in Chief, he provides no real leadership, comfort, or solutions — only grief and hardship. The line “He can’t command” underlines a view that he lacks the ability or competence needed for serious leadership.

  • Bridge (“Oh no! He doesn’t understand”) bluntly states that Trump does not grasp the gravity or complexity of his responsibilities, leaving the country rudderless.

  • Chorus (“our going gets tough as he makes it rough,” “Uncle Sam, we’ve had enough”) captures a sense of national exhaustion — the harder things get for Americans, the more Trump’s actions exacerbate the suffering. The call to “let go” and “set me free” reflects a desperate public desire to break free from his control and failures.

  • Verse 2 (“the damned do demand,” “remove faith in belief”) implies that Trump’s leadership is so corrosive that it leads people to lose faith not just in him, but in the very institutions and ideals he represents. The “message they send” — though urgent — “can’t comprehend” the full consequences of their own actions, meaning both Trump and his supporters may be unknowingly hastening national decline.

  • Bridge and Outro (“bringing on The End”) reinforce that Trump’s inability to understand or lead is portrayed as not just damaging — but potentially apocalyptic, accelerating America’s collapse.

From the album “Under Control

Trumpenomics: The Decline of the US

The Human Induced Climate Change Experiment

bookmark_borderTo What Degree?

To-What-Degree-0.mp3
To-What-Degree-0.mp4
To-What-Degree-I.mp3
To-What-Degree-I.mp4
To-What-Degree-intro.mp3

[Intro]
To what degree…
[Instrumental, Guitar Solo]
(Guess we’ll see)

[Verse 1]
What degree of reaction
To reach sanctification
To what height…
In Fahrenheit?

[Bridge]
To what degree…
(Guess we’ll see)
Apparently (to what degree)

[Chorus]
Fulfill (part of a circle)
Position (as notes transition)
Reaction to change
(Seem strange?)

[Verse 2]
What degree of education
Feel our saturation
Tell us…
In Celsius!

[Bridge]
To what degree…
Apparently (the degree)
To which (I’m free)

[Chorus]
Fulfill (part of a circle)
Position (as notes transition)
Reaction to change
(Seem strange?)

[Outro]
Now you see…
(To what degree)

A MATH AND SCIENCE NOTE

A “degree” can mean different things depending on the subject! Here’s a clear breakdown:

Degrees for Angles:

  • 1 degree (°) = 1/360th of a full circle.

  • Used in geometry, trigonometry, navigation, engineering, etc.

  • Example: A right angle = 90 degrees.

Degrees for Temperature:

  • Measures how hot or cold something is.

  • Different temperature scales:

    • Celsius (°C): Water freezes at 0°C, boils at 100°C.

    • Fahrenheit (°F): Water freezes at 32°F, boils at 212°F.

    • Kelvin (K): Absolute temperature scale used in science — no “degree” symbol for Kelvin, just “K.”

Degree in Education:

  • A degree is also an award given by a school or university (like a bachelor’s degree, master’s degree, doctorate).

Degree in Music:

  • Refers to the position of a note in a scale.

  • Example: In C major, C is the 1st degree, D is the 2nd degree, E is the 3rd degree, etc.

Degree of Reaction/Change (in chemistry and physics):

  • Sometimes “degree” means the extent or intensity of a reaction, transformation, or phase change.

  • Example: Degree of dissociation in a chemical reaction.

 Quick summary:

Field What “degree” measures
Angles Part of a full circle
Temperature Level of heat/cold
Education Level of academic achievement
Music Position of a note in a scale
Chemistry/Physics Extent of a reaction or change

From the album “Angle

The Human Induced Climate Change Experiment

bookmark_borderIsosceles and Icarus

Isosceles-and-Icarus-0.mp3
Isosceles-and-Icarus-0.mp4
Isosceles-and-Icarus-I.mp3
Isosceles-and-Icarus-I.mp4
Isosceles-and-Icarus-intro.mp3

[Intro]
Isosceles
(If you please)
Our angle’s the same
(In this game)

[Verse 1]
It’s not a matter of whether
We’re all in this together
Now it’s a matter of weather
Caused by human endeavor

[Chorus]
Opposite sides (of the same bird)
Along for the ride (though absurd)
Nowhere to hide (have you heard the word)
Too much pride

[Bridge]
Isosceles
(If you please)
Our angle’s the same
(In this game)
Don’t fly too close to the sun
(We might come undone)
Icarus is us

[Verse 2]
It’s not a matter of whether
Things are going to get hot
It’s baked into the weather
Thought’s the only hope we’ve got

[Chorus]
Opposite sides (of the same bird)
Along for the ride (though absurd)
Nowhere to hide (have you heard the word)
Too much pride

[Bridge]
Isosceles
(If you please)
Our angle’s the same
(In this game)
Don’t fly too close to the sun
(We might come undone)
Icarus is us

[Outro]
Opposite sides (of the same bird)
Along for the ride (though absurd)

A SCIENCE NOTE

Isosceles triangle:

  • Has two sides of equal length.

  • The angles opposite those two sides are equal too.

  • So:

    • Two angles are the same (acute or obtuse, depending on the triangle).

    • The third angle can be different — if the isosceles triangle is perfectly upright, the third angle is often different (usually at the top).

Examples:

  • If the two base angles are 70° each, the top angle is 40° (because all three must add to 180°).

  • In a right isosceles triangle, the two equal angles are 45°, and the third is 90°.

Icarus

In Greek mythology, Icarus was the son of the craftsman Daedalus. He tragically died after flying too close to the sun with wings made of wax and feathers, ignoring Daedalus’s warnings. The story of Icarus is often used as a metaphor for overreaching ambition or recklessness.

From the album “Angle

The Human Induced Climate Change Experiment

bookmark_borderAngle of Impact

Angle-of-Impact-0.mp3
Angle-of-Impact-0.mp4
Angle-of-Impact-I.mp3
Angle-of-Impact-I.mp4
Angle-of-Impact-intro.mp3

[Intro]
It’s a fact
(The angle of impact)
The force
(Can change course)
Of your train of thought
(Reign wrought)
Brain rot

[Verse 1]
Coming straight on for you
(Steeper and deeper)
Not a lot you can do
(My angle’s askew)

[Chorus]
It’s a fact
(The angle of impact)
The force
(Will change the course)

[Bridge]
Of your train of thought
(Reign wrought)
Rain brought
(Destiny upon me)

[Verse 2]
Kinetic energy
(Mass and velocity)
Frequency
(Intensity)

[Chorus]
It’s a fact
(The angle of impact)
The force
(Will change the course)

[Bridge]
Of your train of thought
(Reign wrought)
Rain brought
(Reign wrought)
Brain rot
(Destiny down on me)

[Outro]
It’s a matter of fact
(The angle of impact)
The damaging force
(Changed our course)

A SCIENCE NOTE: The Reign of Violent Rain

Physics of the angle of impact from precipitation (like rain or hail):

  • Steeper angles (close to 90°, falling almost straight down):

    • Higher force per unit area because gravity acts almost directly downward.

    • Droplets or hailstones hit surfaces harder.

    • Leads to more damage, like erosion of soil, denting of cars, breaking leaves, and even bruising fruits and crops.

  • Shallow angles (smaller than 90°, more sideways rain):

    • Spread out over more area.

    • Less direct force per point — but wider impact.

    • Can cause sideways rain damage to walls, windows, and exposed structures that normally don’t get direct rainfall.

Force and damage from precipitation depends on:

  1. Mass of the droplet or hailstone (bigger = more force).

  2. Velocity (speed falling — increases with height and wind help).

  3. Angle of impact (straighter = harder hit; sideways = spread hit).

  4. Surface (hard vs soft material receiving the impact).

In physics terms, the momentum and kinetic energy of a raindrop or hailstone are key:

  • Kinetic Energy (KE) = ½ * mass * velocity²

  • The angle affects how much of that energy is transferred directly vs spread sideways.

Now: Does climate change play a role?

YES — and a big one. Climate change increases both intensity and frequency of extreme precipitation events:

  • Warmer air holds more water vapor (about 7% more per 1°C rise).

  • Stronger storms (like supercell thunderstorms, hurricanes) form more often.

  • More intense rainfall → faster, heavier, and larger raindrops and hailstones.

  • Higher wind speeds during storms → causes sharper, more damaging impact angles (not just vertical — but violent, sideways rain and hail).

Result:

  • More erosion (even from “regular” storms).

  • More flooding from heavy rainbursts.

  • More structural damage — roofs, windows, crops, soil, buildings.

  • More inland damage from hurricanes and tropical storms that carry powerful rain farther than they used to.

In short:

  • The physics of impact angles explains how rain and hail cause damage.

  • Climate change makes the rain and hail bigger, faster, and sometimes hit at worse angles, massively boosting damage.

The Reign of Violent Rain

From the album “Angle

The Human Induced Climate Change Experiment

bookmark_borderRadiation

Radiation-0.mp3
Radiation-0.mp4
Radiation-I.mp3
Radiation-I.mp4
Radiation-intro.mp3

[Intro]
(Holler:)
“Solar!”
(☢️ Radiation)
Say it again
(☢️ Radiation)

[Bridge]
Shine
(Shine on our time)

[Verse 1]
Travelin’ through space
Toward the human race
Where they increase the pace
Of disgrace

[Chorus]
(Radiation)
Red alert
(Radiation)
Gonna get hurt

It’s our time to shine
[Bridge]
(Shine)
Shine on our time
(Shine)
Shine the light on insight

(Shine on our time)

[Verse 2]
Once it gets past
Trapped in our gas
Changing things fast
(Holler solar!)
… but alass

[Chorus]
(Radiation)
Red alert
(Radiation)
Gonna get hurt

It’s our time to shine
(Shine)

[Outro]
Shine on our time
(Shine)
Shine the light on insight

A SCIENCE NOTE: Earth’s climate system and energy transfer

1. Solar Radiation: How Energy Reaches Earth

Incoming Energy

  • The Sun emits electromagnetic radiation, mostly in visible light, UV, and near-infrared.

  • This radiation travels through space and reaches Earth — about 1,361 W/m² at the top of the atmosphere (called the solar constant).

 2. How That Energy Is Distributed

In the Atmosphere:

  • About 30% of solar energy is reflected back to space by clouds, aerosols, and Earth’s surface (called albedo).

  • About 20% is absorbed by the atmosphere, mostly by water vapor, ozone, and dust.

  • Some is scattered — especially shorter wavelengths (why the sky is blue).

On the Land:

  • Land surfaces absorb solar radiation and convert it into heat (thermal energy).

  • That energy is:

    • Re-radiated as infrared (longwave) radiation

    • Used in evaporation (latent heat transfer)

    • Conducted downward into soil or transferred to the air above

In the Oceans:

  • Water absorbs sunlight, especially in the upper few meters.

  • Oceans store huge amounts of thermal energy due to water’s high heat capacity.

  • Ocean currents (like the Gulf Stream) redistribute heat globally.

 3. Earth’s Energy Balance

To stay stable, Earth must re-radiate as much energy as it receives. This happens through:

  • Infrared radiation emitted back into space

  • Regulated by greenhouse gases like CO₂, CH₄, and water vapor, which trap some outgoing heat — keeping Earth habitable

This is called the greenhouse effectnatural and necessary, but…

4. How Human Activity Is Disrupting the Process

A. Enhanced Greenhouse Effect

  • Burning fossil fuels adds extra CO₂, CH₄, and N₂O — increasing the greenhouse gas layer.

  • This traps more heat and reduces the energy Earth sends back into space.

  • Result: global warming — land, oceans, and atmosphere all heat up.

B. Land Use Changes

  • Deforestation reduces the Earth’s albedo (dark forests absorb more than bright grass or snow) and limits carbon capture.

  • Urbanization adds heat-absorbing surfaces (asphalt, concrete), creating heat islands.

C. Aerosols and Air Pollution

  • Some aerosols reflect sunlight, causing temporary cooling.

  • Others, like black carbon (soot), absorb heat and settle on ice, accelerating melting and lowering albedo.

D. Ocean Disruption

  • Warmer water expands, raises sea levels, and disrupts currents (like the Atlantic Meridional Overturning Circulation).

  • Melting polar ice reduces reflection and increases absorption.

Summary Table

Region Natural Energy Transfer Human Impact
Atmosphere Absorbs, reflects, re-radiates More GHGs trap more heat (warming)
Land Absorbs sunlight, re-radiates Deforestation, urban heat islands
Oceans Absorbs & stores heat, moves it Warming, acidification, current disruption

 Bonus: Climate Feedback Loops

  • Melting ice → lower albedo → more absorption → more warming

  • Warming oceans → less CO₂ absorption → more GHGs in the air

  • Thawing permafrost → releases methane → even more warming

 

From the album “Zip-Zap

The Human Induced Climate Change Experiment