Tag: future

bookmark_borderDancing With You

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LYRICS
A full view of dancing with you

Caught a glimpse out of the corner of my eye
And, I…
I had to get the full view of dancing with you

Full view of dancing with you
Dancing with you
You turned my head
Then I said
No matter how far or how near
As long as it’s clear
Full view of dancing with you
Dancing with you
Taking in the full view
Of dancing with you
Could be as far as across the dance floor
… maybe more
As long as it’s clear
The view of dancing with you
As long as it’s clear
It could be near
Next to me
Clearly
The view of dancing with you
If you can sense my scent like I can sense your scent
It’s like a present
Heaven sent
Don’t want to escape the nape
… of your neck
What the heck?
As long as it’s clear… clearly to see
The view of dancing with you

Dancing With You.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: Am7 Esus
Rhythm: 130 BPM / Sirtaki and Bossa Nova #2
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderOut Of Delight

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LYRICS
Boy! Boy, what are you doing over there?
Please move out of the light so we can see delight

Boy, what are you doing over there
Are you aware…
You’re standing in the light

Are you aware when you stand right there
You make a better door than window
Ya know it’s hard to see in your shadow

Boy, what are you doing over there?
Are you aware…
You cast a shadow. You know?
And, I can’t see clearly
Beyond a shadow of a doubt
I found out
Standing in your shadow

Boy, what are you doing over there
You’re casting a shadow on what we know
Ya know?
So, please, please, please if you might move so slight
To the left or the right
Let in the light

Out Of Delight.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: Em7 G
Rhythm: 132 BPM / Jive and Reggae
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderPlausible

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INSTRUMENTAL

Plausible.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: D# C# F#
Rhythm: 112 BPM / Pasodble and Swing Reggae
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderWay Down South

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INSTRUMENTAL

Way Down South.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: C Csus4 Gsus4
Rhythm: 112 BPM / Dixie and Salsa
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderOne-man Symphony

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INSTRUMENTAL

One-man Symphony.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: Em7 Esus4 Bm7
Recording: digital 1-track stereo

Daniel — Keyboards (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderRotational Frame-dragging

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Spacertime Curvature
Spacertime Curvature

LYRICS
Take a look at the sun, Son
Any mass you pass
Take a look at the Earth, girl
Watch it twirl

There’s curvature in spacetime for sure
Are you rotating round and round in the orbit you have found?

Rotational frame-drag
In you your spacetime sag
The plight of light slowing down
When opposing the going round and round

Rotational frame-dragging
All due to this spacetime thang

Rotational Frame-dragging Music Video.mp4

Rotational Frame-dragging.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: E / A G
Recording: digital 1-track stereo

Frame-dragging is an effect on spacetime, predicted by Einstein’s general theory of relativity, that is due to non-static stationary distributions of mass–energy. A stationary field is one that is in a steady state, but the masses causing that field may be non-static, rotating for instance.

Rotational frame-dragging (the Lense–Thirring effect) appears in the general principle of relativity and similar theories in the vicinity of rotating massive objects. Under the Lense–Thirring effect, the frame of reference in which a clock ticks the fastest is one which is revolving around the object as viewed by a distant observer. This also means that light traveling in the direction of rotation of the object will move past the massive object faster than light moving against the rotation, as seen by a distant observer.

Daniel — Vocals, Guitar

From the album From Fractals to Classic Rocks
by Daniel Brouse

bookmark_borderUnidentified

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Unidentified.mp3

LYRICS
And I don’t even know what it means
… so it seems

Adani… and I don’t even know what it means
If it’s all the same, I can play that game
You talk the waltz
You walk the waltz
You waltz the waltz
Just like peppers go with salts

The movement feels so good like it should
Keeps you warm and comfortable
And… when you’re comfortable, it’s more comfortable for all

I don’t even know what it means… so it seems

ABOUT THE SONG
Style: ExperiMental Music
Chords: Em E7sus4
Rhythm: 118 BPM / Adani and Waltz
Recording: digital 1-track stereo

“Adani Or عدني عدنيات Arabic Said, refers to a kind of music that comes from Yemen across to Hejaz and Najd in the early 1970s by some Yemani artists.”

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderTake You In

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LYRICS
Just trying to take you in
Don’t know where to begin

I’d love to take you in just don’t know where to begin
Deny satin his grin
Thus my dilemma
Just love to take you in
Don’t know where to begin

Lovin’ takin’ you in

Take You In.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: F FM7 Dm7 F9
Rhythm: 120 BPM / Reggae 2 and Pop Reggae
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderSleazy Queasy

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Sleazy Queasy.mp3

LYRICS
Your acting sleazy is making me feel queasy
You’re crazy
When you make the things you do come true it’s a reflection of you
Same with me. I can see.
That’s why I try not to be sleazy
Don’t want to make everyone everywhere queasy
Feeling queasy

Don’t wanna hurl all over the girl
She might not be use to it
The smell of your bull$hit

Acting sleazy getting queasy
Everywhere
Just trying to breath through my nose
Smell the stench
Wish I could make it went
I can’t breath through my nose
Heaven knows
It’s making me queasy

Acting sleazy making me queasy
Gonna hurl all over that girl

Get a whiff gonna raise stiff
It’s been said you could raise the dead with your stench
Sure nothing heaven sent

Feeling queasy from your sleazy
You are so so sleazy

ABOUT THE SONG
Style: ExperiMental Music
Chords: Dm Dm7 Dm9
Rhythm: 124 BPM / Reggae 1 and 8 Beat 1
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderFlowchart

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LYRICS
You call this art? Need a blood flowchart
The art of warfare is everywhere
I could sure start with a blood flowchart
Beware of the blood-flow over there
I wouldn’t want you to step in it
It’s worse than stepping in… worse than stepping in… stepping in $hit
The art of warfare is everywhere

A picture’s worth a thousands words
A million words can’t describe the toll of a sole soul
The art of warfare is everywhere
Ya know this ain’t Vincent Van Gogh
We make Picasso look less absurd

The risk to every art critic… you’re gonna get hit
There’s a fan… and, when the $hit gets to it… you’re gonna get hit
The art of warfare is everywhere

Flowchart.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: D7 D6 E6 AM7 A7 / B7 E7sus4
Recording: digital 1-track stereo

See Die-a-gram for Over-cooked Turkey

Daniel — Vocals, Guitar

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderDie-a-gram for Over-cooked Turkey

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Die-a-gram for Over-cooked Turkey.mp3

LYRICS
May I say, happy holiday? Can you tell me, “How do you like your turkey?”
Our recipe for catastrophe:
Now, somehow Moscow resides on both sides
In France, they’re doing the (anti)terror dance
Invoking the Kremlin gremlin
The Kremlin gremlin provoking a turkey basting
Are you telling me I am the delicacy? Noooo… I don’t wanna be in the recipe!
Too many cooks in the kitchen… too many kooks in the kitchen
And, here I am sayin’, “I need a die-a-gram”

All the while up to their ears in Syria diarrhea
Some sick Islamic
Don’t ya think that’ll stink?
Leave it up to their fears in Syria diarrhea
You ISIS? I is not ISIS
No Boca Raton killing marathon
While Al-Shabaab rape n’ rob
Run as fast as you can from the Taliban
Oh my gawd! No Jihad
Please read the Qur’an agin’
Is that what is meant? The Qur’an is based on the New Testament… which is based on the Old Testament. We’re all on top of the same base-meant.
And, here I am, “I need a die-a-gram”

The Saudi’s out of Yemen
Can I get an Amen?
They ran from Iran
More than a crack in Iraq
Now who’s gettin’ in
Na, na, na not China
And, here I am, “I need a die-a-gram”

What’s left of the leftovers? What’s the deal with this holiday meal? I’ve been rooked… the turkey’s over-cooked! What else can I say on Thanksgiving Day?

Die-a-gram for Over-cooked Turkey
Die-a-gram for Over-cooked Turkey

ABOUT THE SONG
Style: ExperiMental Music
Chords: Ab Bb Bbsus4 Bbaug
Rhythm: 174 BPM / Reggae x2 machines
Recording: digital 1-track stereo

A song about what is going on in the world for Thanksgiving 2015.

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_border3 Little Birds

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Coversong originally made famous by Bob Marley & The Wailers
Written by Bob Marley

3 Little Birds.mp3

A
Don't worry, about a thing
       D                              A 
Cause' every little thing, gonna be alright
A
Singin' don't worry, about a thing
       D                              A
Cause' every little thing, gonna be alright

A
Rise up this mornin'
               E
Smile with the rising sun
             D                 A
three little birds pirch by my doorstep
A
Singin' sweet songs
           E
of melodys pure and true
       D                   A
sayin', this my message to you-oo-oo

Chorus
Verse
Chorus x3

Recording: live digital 1-track stereo

Daniel — Vocals, Guitar

From the album Metamorphic Rocks
by Daniel Brouse

Part of The Beatless Sense Mongers’ Ultimate Coverband Project

bookmark_borderThank You

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Thank You Music Video.mp4

Thank You.mp3

Coversong originally made famous by Led Zeppelin
Written by Robert Plant and Jimmy Page

	  Intro: D (D Dsus4 D D9 D D D9 D)
D              C              G                    D      
  If the sun refused to shine,    I would still be lovin’ you
D                        C           G     
  When mountains crumble to the sea,        
                    D
there will still be you and me
Bm                         E    Bm             E       A
  Kind woman I give you my all,    kind woman, nothing more
C                        G   
   Little drops of rain,   whisper of the pain,
D
Tears of loves lost in the days gone by
C                    G
   My love is strong,  with you there is no wrong,
  D               D4                D
Together we shall go until we die, my, my, my,
Bm                        E 
   An inspiration is what you are to me,  
Bm              E       A
   inspiration look and see

SOLO (D C G D) 3x

D             C                  
And so today, my world it smiles,    
G                                      D 
   your hand in mine we walk the miles
                 C        
Thanks to you it will be done,      
G                                             D 
   for you to me are the only one (I have said)
Bm                 E      Bm              E   A
  Happiness no more be sad,   happiness... I’m glad

Repeat First Verse

Recording: digital 2-track stereo

Daniel — Vocals, Guitar, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

Part of The Beatless Sense Mongers’ Ultimate Coverband Project

bookmark_borderModern Jazz

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LYRICS
What’s all this jazz
What are all these jabs
What’s all this rhetoric
Enough to make ya sick

What’s this modern jazz
These post-modern jabs
What’s all this rhetoric
It’s enough to make ya sick

Jazz Interlude

I hear you
You spit and spew
What’s all this jazz
What are all these jabs
What’s all this rhetoric
What’s all this jazz
What are all these jabs
What’s all this rhetoric

It’s getting to thick
I’m up to my ears
I’m up to my eyeballs
I’m up to here
Can’t risk getting near
I’m up to hear
Getting nearer
Well, I feel your fear
You fear is terrorizing me

What’s all this jazz?
What’s all this jazz?
What’s all this modern jazz?

Modern Jazz.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: Em Edim Bsus4 and variations
Rhythm: 148 Beats Per Minute / Modern Jazz and Jazz Rock
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)

From the album Metamorphic Rocks
by Daniel Brouse

bookmark_borderRun Runaway

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Coversong originally made famous by Slade
Written by Jim Lea and Noddy Holder

A      E               D        E    
I like black and white dreaming black and white
A        E               D   E  A  
You like black and white run runaway

A      E      D           E             
See chameleon lying there in the sun
A             E        D   E  A
All things to everyone run runaway hey

A         E            D           E      
If you're in the swing money ain't everything
A         E            D   E  A
If you're in the swing run runaway
(Chorus)
(Interlude)  D B G B    D B G B D (2x)

A      E           D           E                                           
If you got a crush don't beat about the bush
A      E           D   E  A
When I got a crush run runaway
(Chorus)
(Bridge) D    A C# B A(2x) D F# E D(2x)  A  E  D  E  A  E  D

A      E              D               E    
Oh now can't you wait love don't come on a plate 
A      E              D   E  A
Oh now can't you wait run runaway 
(Chorus)

Run Runaway.mp3

Recording: digital 1-track stereo

Daniel — Vocals, Guitar

From the album Metamorphic Rocks
by Daniel Brouse

Part of The Beatless Sense Mongers’ Ultimate Coverband Project