bookmark_borderBenefits’ Cost

[Intro]
The costs of your benefits
(Rights come with responsibilities)
Why bother with tizzy fits
(Chill all your hostilities)

[Verse 1]
Everything doesn’t come for free
Takes some work, naturally
Yet, part of the thrill still
Is to strive to stay alive

[Chorus]
The costs of your benefits
(Rights come with responsibilities)
Why bother with tizzy fits
(Chill all your hostilities)

[Bridge]
[Instrumental]
Time for fiscal discipline
(Once again)
Sooner or later dues come due
(Payment will ensue)

[Verse 2]
Money doesn’t grow on trees
Gotta pay for heat or freeze
Yes, part of the thrill still
Is to strive to stay alive

[Chorus]
The costs of your benefits
(Rights come with responsibilities)
Why bother with tizzy fits
(Chill all your hostilities)

[Bridge]
Time for fiscal discipline
(Once again)
Sooner or later dues come due
(Payment will ensue)

[Chorus]
The costs of your benefits
(Rights come with responsibilities)
Why bother with tizzy fits
(Chill all your hostilities)

[Bridge]
Time for fiscal discipline
(Once again)
Sooner or later dues come due
(Payment will ensue)

[Outro]
Rights come with responsibilities
(Chill out your hostilities)

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderWould Wide Web

[Intro]
Deep, deep down
(Way down under)
Word gets ’round
(What a wonder)

[Verse 1]
Penetrating
(Or wrapping around)
Cross relating
(The words are found)

[Chorus]
Wood wide web
Would flow and ebb
Communication
Fascination

[Bridge]
Deep, deep down
(Way down under)
Word gets ’round
(What a wonder)

[Verse 2]
Intercourse
(For shared resource)
Warn of danger
(From a stranger)

[Chorus]
Wood wide web
Would flow and ebb
Communication
Fascination

[Bridge]
Deep, deep down
(Way down under)
Word gets ’round
(What a wonder)

[Chorus]
Wood wide web
Would flow and ebb
Communication
Fascination

[Bridge]
Deep, deep down
(Way down under)
Word gets ’round
(What a wonder)

[Outro]
Hello! (Did you know)
Hello! (Flow and grow)

A SCIENCE NOTE
Plants communicate through fungi in a fascinating system often referred to as the “wood wide web.” This network is composed of mycorrhizal fungi, which form symbiotic relationships with the roots of most plant species. These fungi act as intermediaries, connecting individual plants into a vast underground network that enables the exchange of nutrients, information, and even chemical signals.

How the Communication Works:

  1. Formation of the Network:
    • Mycorrhizal fungi form physical connections with plant roots, penetrating the root cells or wrapping around them. The fungi extend thread-like structures called hyphae into the soil, creating a network that links multiple plants together.
  2. Nutrient Exchange:
    • The fungi help plants absorb water, phosphorus, and other nutrients from the soil. In return, the plants provide the fungi with carbohydrates produced through photosynthesis. This mutualistic relationship forms the foundation of the network.
  3. Chemical Messaging:
    • Plants release chemical signals into the fungal network, allowing them to communicate with other plants. These signals include:
      • Distress Signals: If a plant is under attack by pests, pathogens, or environmental stress, it can send chemical alerts through the fungi. Neighboring plants receiving these signals may increase their production of defensive compounds, such as toxins or enzymes, to prepare for similar threats.
      • Nutrient Sharing: Plants in nutrient-rich areas can “donate” resources to those in nutrient-poor areas via the fungal network. This often happens between related plants or in ecosystems where cooperation boosts the survival of the entire community.
  4. Selective Communication:
    • Plants can prioritize communication with certain neighbors over others. For example, parent plants may favor their offspring by directing more resources to them, a phenomenon observed in some forest ecosystems.
  5. Suppression and Competition:
    • The fungal network can also be used for competition. Some plants release allelopathic chemicals (compounds that inhibit the growth of other plants) through the network, potentially suppressing rivals while boosting their own growth.

The Role of Fungi in Plant Behavior:

  • Defense: Plants connected to a mycorrhizal network exhibit stronger immune responses, as early warnings from neighbors allow them to preemptively activate defense mechanisms.
  • Growth Regulation: The fungal network can help distribute resources across an ecosystem, ensuring that weaker plants receive enough nutrients to survive.
  • Ecosystem Resilience: By linking plants of different species, the fungal network helps stabilize ecosystems, enabling plants to adapt collectively to environmental changes like drought or disease outbreaks.

How This Relates to Fractals and Networks:

The structure of the fungal network mirrors a fractal pattern, with hyphae branching repeatedly in a self-similar manner. This configuration maximizes the efficiency of resource distribution and signal transmission, much like neural networks or social networks.

Conclusion:

Through their partnerships with mycorrhizal fungi, plants have developed a highly sophisticated underground communication system. This “wood wide web” allows them to share resources, warn each other of danger, and interact with their environment in ways that are crucial for survival and ecosystem health. It is a remarkable example of cooperation in nature and highlights the interconnectedness of life beneath our feet.

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderSeasons

[Intro]
Back in the day
We had seasons
Evident reasons
Not going back that way

[Verse 1]
Winter turned to fall
Fall turned to summer
Though no surprise at all
Nevertheless, a bummer

[Chorus]
Back in the day
We had seasons
Evident reasons
Not going back that way

[Bridge]
Temperature change
(Makes nature strange)
How much more
(Can we endure)

[Verse 2]
Winter turned to spring
Spring turned to summer
Though not surprising
Nevertheless, a bummer

[Chorus]
Back in the day
We had seasons
Evident reasons
Not going back that way

[Bridge]
Temperature change
(Makes nature strange)
How much more
(Can we endure)

[Chorus]
Back in the day
We had seasons
Evident reasons
Not going back that way

[Outro]
Temperature change
(Makes nature strange)
How much more
(Can we endure)

Found on the album “Reggae Day” by Narley Marley

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderSkunked

[Intro]
Maybe should’ve thunk
Before eatin’ a skunk
Didn’t think
It would stink

[Verse 1]
You ain’t nothing but half hound dog
In hot pursuit of what’s on the loose
Yes, that half hound dog
Has got you in his noose

[Chorus]
You caught that rabbit (It’s a habit)
You’re sure a friend of mine
You caught that groundhog (What a dog!)
The best friend of all time

But….
[Bridge]
Maybe should’ve thunk
Before eatin’ a skunk
Didn’t think
It would stink
(The nose knows now)

[Verse 2]
Love everything ’bout that hound dog
Sure thing catching everything
Yes, that half hound dog
Never know just what he’ll bring

[Chorus]
You caught that rabbit (It’s a habit)
You’re sure a friend of mine
You caught that groundhog (What a dog!)
The best friend of all time

But….
[Bridge]
Maybe should’ve thunk
Before eatin’ a skunk
Didn’t think
It would stink
(The nose knows now)

(Come here, boy!)
Bring me some joy

[Chorus]
You caught that rabbit (It’s a habit)
You’re sure a friend of mine
You caught that groundhog (What a dog!)
The best friend of all time

[Break]
But….

Maybe should’ve thunk
Before eatin’ a skunk

[Outro]
Didn’t think
It would stink
(The nose knows now)

The Album: Canine Incisors

From the album “Lift” by Daniel

MegaEpix Enormous

bookmark_borderThe Claws of Passion

[Intro]
The claws of passion
Outlaws of ration

[Verse 1]
Is it possible to pay attention
When senses are at saturation
Can we take it all in…
Are we able to listen

[Chorus]
The claws of passion
(Digging into the heart)
Outlaws of ration
(Tearing it apart)

[Bridge]
Don’t hesitate
To be passionate
Body and mind
Cooperate
Without a toll
On the soul
(Your sole soul)

[Verse 2]
Is it possible to focus on us
If attention is elsewhere
Will it be disastrous
Does anybody care?

[Chorus]
The claws of passion
(Digging into the heart)
Outlaws of ration
(Tearing us apart)

[Bridge]
Don’t hesitate
To be passionate
Body and mind
Cooperate
Without a toll
On the soul

[Chorus]
The claws of passion
(Digging into the heart)
Outlaws of ration
(Tearing us apart)

[Bridge]
Don’t hesitate
(To be passionate)
Body and mind
(Cooperate)
Without a toll
(On the soul)

[Outro]
Happen upon
Minds open
Hearts open

The Science of Chaos Theory, String Theory, and Music

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderOld School

[Intro]
The old school of hard knocks
Wonder if it still rocks

[Verse 1]
Thought you were too cool
To go to school
Turned out to be a fool
Gawd! What a tool

[Bridge]
The old school of hard knocks
Wonder if it still rocks

[Chorus]
Will you ever learn
(How to learn)
An acquired gift
(Help others lift)

[Verse 2]
Flunked another course
On the universe
Failed the pop quiz
Time he analyses

[Bridge]
The old school of hard knocks
Wonder if it still rocks

[Chorus]
Will you ever learn
(How to learn)
An acquired gift
(Help others lift)

[Bridge]
The old school of hard knocks
(Built your cage, proves it locks)
The old school of hard knocks
(Sell your bonds, sell your stocks)

[Outro]
Admire how to acquire
(The gift… uplift)

The Science of Chaos Theory, String Theory, and Music

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderOn the Fly

[Verse 1]
D.I.Y
(On the fly)
Do or die
(On the fly)
By the seat of the pants
(Come on dance!)
Dance, dance

To the sky
(On the fly)
Wonder why?
(On the fly)
By the seat of the pants
(Come on dance!)
Dance, dance

[Chorus]
One of my quirks
(How the thing works)
Some of my quarks
(The curve of our arc)

[Bridge]
Guided by physics
Intertwined with music
Extemporaneous
(Less extraneous)

[Verse 2]
See how high
(On the fly)
A fly by
(On the fly)
By the seat of the pants
(Come on dance!)
Dance, dance

Why not try
(On the fly)
It’s no lie
(On the fly)
By the seat of the pants
(Come on dance!)
Dance, dance

[Chorus]
One of my quirks
(How the thing works)
Some of my quarks
(The curve of our arc)

[Bridge]
Guided by physics
Intertwined with music
Extemporaneous
(Less extraneous)

[Outro]
On the fly (aiming high)
On the fly (try, try, try)

A SCIENCE NOTE

  • Chaos theory is a branch of mathematics that studies complex systems whose behavior is highly sensitive to initial conditions. It deals with deterministic systems that can exhibit unpredictable, chaotic behavior.
  • Chaos theory studies unordered systems. Being in a hurricane is an example of visualizing chaos theory. If you are in the hurricane, the weather appears chaotic; however, if you pull back to a satellite view, you can see a spiraling weather system.
  • Some musicians and composers have incorporated chaos theory principles into their compositions, using mathematical algorithms to generate music that exhibits chaotic or unpredictable patterns. This can result in unique and non-traditional musical structures. Similar to a hurricane, some musical compositions sound chaotic when you are in the middle of it; however, when you pull back and listen to the combined elements, a structure can be heard.
  • In order to focus on their individual parts, members of bands and orchestras tend to isolate their part in their head. In order to make sense of the combined chaos, engineers, producers, and conductors need to “pull back” and listen to all the parts together.
  • Extemporaneous, spontaneous, improvisation, jamming, freestyle, and impromptu music are most closely related to pure chaos. The music and lyrics evolve from the “sensitive initial conditions” similar to “a butterfly flapping its wings in China causing a hurricane in the Atlantic.”

The Science of Chaos Theory, String Theory, and Music

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderLift

[Intro]
Pick me up
(Fill my cup)
Raise me high
(I want to fly)

[Verse 1]
Why the hesitation
In taking flight
Lift generation
Come see the light

[Chorus]
Aerodynamics
(To my ears — music)
Giving me a lift
(Science’s gift)

[Bridge]
Pick me up
(Fill my cup)
Raise me high
(I want to fly)

[Verse 2]
Defy gravitation
I’m taking flight
Lift generation
Gonna see the light

[Chorus]
Aerodynamics
(To my ears — music)
Giving me a lift
(Science’s gift)

[Bridge]
Pick me up
(Fill my cup)
Raise me high
(I want to fly)

[Bridge]
Lift generation
(Come see the light)
Lift generation
(Gonna see the light)
Taking flight
(Into the light)
Light, light, light

[Outro]
Taking flight
(Into the light)
Flight, flight, flight

A SCIENCE NOTE
The physics of lift and flight is rooted in aerodynamics, the study of how air interacts with solid objects like wings (airfoils). Here’s a breakdown of how lift is generated and the principles that enable flight:


1. Lift Generation

Lift is the upward force that opposes gravity, allowing an object to fly. It’s primarily caused by the difference in air pressure on the top and bottom of an airfoil (e.g., an airplane wing).

Key Concepts:

  • Bernoulli’s Principle:
    Faster-moving air has lower pressure. The airfoil is designed so that air moves faster over the curved top surface and slower underneath. This creates higher pressure below the wing and lower pressure above it, generating lift.
  • Newton’s Third Law:
    Lift can also be explained by the deflection of air downward. The wing pushes air downward (action), and the air pushes the wing upward (reaction). This contributes to the lifting force.

2. Forces Acting on an Aircraft

Four main forces determine flight:

  1. Lift (upward): Generated by the wings.
  2. Weight (downward): Gravity acting on the aircraft.
  3. Thrust (forward): Produced by engines or propellers to move the aircraft.
  4. Drag (backward): Air resistance opposing the aircraft’s motion.

For sustained flight, lift must equal weight, and thrust must overcome drag.


3. Factors Influencing Lift

  • Wing Shape (Airfoil):
    Curved tops and flat bottoms optimize airflow for pressure differences.
  • Angle of Attack:
    The angle between the wing and the oncoming air. A slight upward tilt increases lift but too steep an angle can cause air to separate from the wing, leading to a stall.
  • Air Density:
    Lift is greater in denser air. At higher altitudes where air is thinner, lift decreases.
  • Velocity:
    Faster air movement increases lift, which is why planes need to reach a certain speed to take off.

4. How Flight Is Maintained

To achieve and sustain flight:

  1. The engines generate thrust to propel the aircraft forward.
  2. The forward motion increases airflow over the wings, generating lift.
  3. Lift counteracts the aircraft’s weight (gravity), and thrust overcomes drag (air resistance).

5. Role of Friction and Turbulence

  • Friction between the air and the aircraft contributes to drag.
  • Turbulence disrupts smooth airflow, reducing lift and increasing drag. Modern wings and control surfaces are designed to minimize these effects.

Applications of Physics in Flight

  1. Streamlined Shapes: Reduce drag for efficient motion.
  2. Control Surfaces (e.g., ailerons, rudders, elevators): Adjust the angle of attack and control direction.
  3. Wing Design: Different designs suit different speeds and uses (e.g., wide wings for gliders, swept-back wings for jets).

By understanding and applying these principles, engineers have created vehicles capable of everything from gliding silently to breaking the sound barrier.

From the album “Lift” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderMad!

[Intro]
When I say mean…
I mean mean.
When I say unkind…
He’s out of his mind

[Verse 1]
Mad!
(As in angry.)
Mad!
(As in crazy.)
His chosen destiny

[Chorus]
When I say mean…
I mean mean.
When I say unkind…
He’s out of his mind
Mad! (That’s too bad)
Mad! (Oh, so sad)

[Bridge]
That boy’s gone nuts
(His brain went lame)
No “if’s, and’s, or but’s)
(Lame in the membrane)

[Verse 2]
Mad!
(As in angry.)
Mad!
(As in crazy.)
His chosen destiny

[Chorus]
When I say mean…
I mean mean.
When I say unkind…
He’s out of his mind
Mad! (That’s too bad)
Mad! (Oh, so sad)

[Bridge]
That boy’s gone nuts
(His brain went lame)
No “if’s, and’s, or but’s)
(Lame in the membrane)

[Outro]
Mad! (That’s too bad)
Mad! (Oh, so sad)

Found on the album “Reggae Day” by Narley Marley

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous

bookmark_borderOuch!

[Intro]
(Ouch!)
Why do you enjoy inflicting pain…
Have you gone completely insane?
(What a slouch)

[Verse 1]
Stick a needle in your eye
Hoping that you will die (Ouch!)
Squish a puppy don’t even cry
All of us wondering… why? (Ouch!)

[Chorus]
Mad!
(As in angry. Grrrrr!)
Mad!
(As in crazy. Ahhhhh!)

[Bridge]
(Ouch!)
Why do you enjoy inflicting pain…
Have you gone completely insane?
(What a slouch)

[Verse 2]
After all the strain to gain
Just self-inflicted, self-pity, n’ pain (Ouch!)
Bang your head against a wall
Then blame it on others… that’s some gall (Ouch!)

[Chorus]
Mad!
(As in angry. Grrrrr!_
Mad!
(As in crazy. Ahhhhh!)

[Bridge]
(Ouch!)
Why do you enjoy inflicting pain…
Have you gone completely insane?
(What a slouch)

[Chorus]
Mad!
(As in angry. Grrrrr!_
Mad!
(As in crazy. Ahhhhh!)

[Break]
Ouch, ouch, ouch
(Don’t touch)

[Bridge]
(Ouch!)
Why do you enjoy inflicting pain…
Have you gone completely insane?
(What a slouch)

[Outro]
Why do you enjoy inflicting pain…
Have you gone completely insane?
Ouch!

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous

bookmark_borderLost in the Foray

[Intro]
(Hey!)
Can you say
If it’s been lost in the foray?

[Verse 1]
It seemed like it was just today
For a moment, I looked away
Now, it’s getting hard to say
If it’s been lost in the foray

[Chorus]
Lost the love
(Looked below. Looked above.)
Somewhere along the line
(Lost the love. Lost the time)

[Bridge]
(Hey!)
Can you say
If it’s been lost in the foray?
(Hey!)
What do you say
Have we been lost in the foray?

[Verse 2]
What good are all your yesterdays
When you’ve lost your means… lost your ways
Now, day after day after day
It’s been lost in the foray

[Chorus]
Lost the love
(Looked below. Looked above.)
Somewhere along the line
(Lost the love. Lost the time)

[Bridge]
I’m cryin’, “Lost the love”
(Lost the love)
Love, love, love
(Hey!)
Can you say
If it’s been lost in the foray?
(Hey!)
What do you say
Have we been lost in the foray?

[Outro]
I’m cryin’, “Lost the love”
(Lost the love)
Love, love, love

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous

bookmark_borderAll Night Fight

[Intro]
Looks like it’s gonna be
(Much too startling)
Oh, no… it’s not quite right
[Break]
All night fight!

[Verse 1]
Don’t know what I did
Certainly must have been something
I tell you I do not kid…
Must have been a dumb thing

[Chorus]
You can hear her screamin’
(At the top of her lungs)
Surely, can’t be dreamin’
(Speaking in tongues)

[Bridge]
Looks like it’s gonna be
(Much too startling)
Oh, no… it’s not quite right (Tragedy)
What’s happened to my darling?
[Break]
All night fight!
[Rest}
What?
(All night fight!)
Is that right?
(All night fight!)

[Verse 2]
What could I have done
To bring upon this wrath
This kinda war ain’t won
Everyone takes a bath

[Chorus]
You can hear her screamin’
(At the top of her lungs)
Surely, can’t be dreamin’
(Speaking in tongues)

[Bridge]
Looks like it’s gonna be
(Much too startling)
Oh, no… it’s not quite right (Tragedy)
What’s happened to my darling?
[Break]
All night fight!
[Rest}
What?
(All night fight!)
Is that right?

Way too startling
What’s happened to my darling?
It’s never be the same
Everyone loses this game

[Break]
All night fight!
What?
(All night fight!)
Is that right?
(All night fight!)

[Outro]
All night fight!
What?
(All night fight!)

Found on the album “Reggae Day” by Narley Marley

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous

bookmark_borderFisticuffs

[Intro]
Right hook, left jab
The experiment spilled
Out of the lab

[Verse 1]
Right jab, left hook
Not that different
Same look

[Chorus]
At it again
(Fisticuffs)
Where to begin
(Fisticuffs)

[Bridge]
Really not that tough
(Time to call their bluff)

[Verse 2]
Right hook, left jab
The experiment killed
Snatch and grab

Right jab, left hook
What’s the difference
The same crook

[Chorus]
At it again
(Fisticuffs)
Where to begin
(Fisticuffs)

[Bridge]
Really not that tough
(Time to call their bluff)

[Chorus]
At it again
(Fisticuffs)
Where to begin
(Fisticuffs)

[Outro]
Really not that tough
(Time to call their bluff)

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous

bookmark_borderDeadlock

[Intro]
It’s a drop down
And drag out fight
All end in frowns
(Should’ve taken flight)

[Verse 1]
At an impasse
(A standstill if you will)
Ill will does amass
(Yet, we carry on still….)

[Chorus]
It’s a drop down
And drag out fight
Round after round
(Should’ve taken flight)

[Bridge]
Deadlock
(Jaw drop)
Take stock
(And stop)

[Verse 2]
Found our fate
(In as stalemate)
Should we call it a draw
(After all?)

[Chorus]
It’s a drop down
And drag out fight
Round after round
(Should’ve taken flight)

[Bridge]
Deadlock
(Jaw drop)
Take stock
(And stop)

[Chorus]
It’s a drop down
And drag out fight
Round after round
(Should’ve taken flight)

[Outro]
Deadlock
(Let’s stop?)

From the album “Slugging It Out” by The Electric Slugs

Also found on the album “Reggae Day” by Narley Marley

MegaEpix Enormous

bookmark_borderThe Pride of Fools (A Dark Ballad of Temptation and Consequence)

[Intro]
Daunting
(Foreboding yet taunting)

[Verse 1]
Are you a chicken, no, you’re bold as steel,
The call of the forest, a forbidden ordeal.
A castle deep within, where shadows play,
The mythical Pocket Chicken takes its prey.

[Pre-Chorus]
Legends whispered, a grip of iron tight,
A kingdom of fear, shrouded in night.
The brave who wander, the lost who fall,
Answering pride’s foolish call.

[Chorus]
The pride of fools, it lures you in,
A dance of darkness where it all begins.
Sell your soul to the whispers deep,
And march with the herd, where the pigs do weep.

[Bridge]
The pride of fools
(Hard knocks’ schools)
March with the herd
(So absurd)

[Verse 2]
They beckon with chants, a klan’s cruel song,
Breaking the rights where the free belong.
The forest looms, its shadows grow,
A trail of lies where the foolish go.

[Pre-Chorus]
The castle waits, a sinister glow,
A throne of deceit, a place of woe.
The brave who enter never return,
Their pride consumed, their fates adjourned.

[Chorus]
The pride of fools, it lures you in,
A dance of darkness where it all begins.
Sell your soul to the whispers deep,
And march with the herd, where the pigs do weep.

[Bridge]
The Pocket Chicken rules with claw and beak,
(A false salvation for the proud and weak.)
They boast of freedom, but chains remain,
(Bound by lies in shadows’ domain.)

Daunting
(Foreboding and haunting)

[Chorus]
The pride of fools, it lures you in,
A dance of darkness where it all begins.
Sell your soul to the whispers deep,
And march with the herd, where the pigs do weep.

[Outro]
The forest whispers, the castle stands
(The pride of fools still claims its bands)
Will you step forth, or turn away?
(The price of pride is yours to pay)

By Jack Brouse and Daniel Brouse as part of the Adventures of Pocket Chicken

From the album “Slugging It Out” by The Electric Slugs

MegaEpix Enormous