ABOUT THE SONG
Style: ExperiMental Music
Chords: C Csus4 Gsus4
Rhythm: 112 BPM / Dixie and Salsa
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
Luke:
13 And suddenly there was with the angel a multitude of the heavenly host praising God and saying:
14 “Glory to God in the highest,
And on earth peace, goodwill toward men!”
Heavenly Bodies
LYRICS
On my back I lie
Gazing into the sky
Heard something absurd
Try to figure out why
Angels on high
Bring a tear to the eye
Angels on high
Make me cry…
Tears of joy
Enjoy and deploy
Rejoice in tears of happiness
To my feet I rise
An eager eye prise
Once I realize
The scope of surprise
(The hope in surprise)
To my knee I fall
Bowed head and all
Humbled by the Spirit
Pray tell… can you hear it?
ABOUT THE SONG
Style: ExperiMental Music
Chords: C Am Em / C G Am
Recording: 4-track digital stereo
Daniel — Vocals, Guitar, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
ABOUT THE SONG
Style: ExperiMental Music
Chords: E / A G
Recording: digital 1-track stereo
Frame-dragging is an effect on spacetime, predicted by Einstein’s general theory of relativity, that is due to non-static stationary distributions of mass–energy. A stationary field is one that is in a steady state, but the masses causing that field may be non-static, rotating for instance.
Rotational frame-dragging (the Lense–Thirring effect) appears in the general principle of relativity and similar theories in the vicinity of rotating massive objects. Under the Lense–Thirring effect, the frame of reference in which a clock ticks the fastest is one which is revolving around the object as viewed by a distant observer. This also means that light traveling in the direction of rotation of the object will move past the massive object faster than light moving against the rotation, as seen by a distant observer.
LYRICS
I’m on a long, cold, hard road to Bethlehem
Yes, I am
Cold all day in a winter desert way
Over the rough terrain
How to remain sane?
Long, cold, hard road
On a long, cold, hard road to Bethlehem
Yes, I am
At night, the ground will freeze
No such thing as a tropical breeze
Long, cold, hard road
Nazareth to Bethlehem
Not a splinter in winter
Not a splinter of sunlight
It’s cold in the rain at night
Cold in the rain
How to remain sane?
I’m on a long, cold, hard road to Bethlehem
Yes, I am
ABOUT THE SONG
Style: ExperiMental Music
Chords: C Csus4 G7
Rhythm: 110 BPM / Adani and Salsa
Recording: live 1-track digital stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
And I don’t even know what it means
… so it seems
Adani… and I don’t even know what it means
If it’s all the same, I can play that game
You talk the waltz
You walk the waltz
You waltz the waltz
Just like peppers go with salts
The movement feels so good like it should
Keeps you warm and comfortable
And… when you’re comfortable, it’s more comfortable for all
I don’t even know what it means… so it seems
ABOUT THE SONG
Style: ExperiMental Music
Chords: Em E7sus4
Rhythm: 118 BPM / Adani and Waltz
Recording: digital 1-track stereo
“Adani Or عدني عدنيات Arabic Said, refers to a kind of music that comes from Yemen across to Hejaz and Najd in the early 1970s by some Yemani artists.”
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
ABOUT THE SONG
Style: ExperiMental Music
Chords: C F / G F C
Rhythm: 118 BPM / Tango and Hulley Gulley
Recording: live 1-track digital stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
ABOUT THE SONG
Style: ExperiMental Music
Chords: F FM7 Dm7 F9
Rhythm: 120 BPM / Reggae 2 and Pop Reggae
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
Your acting sleazy is making me feel queasy
You’re crazy
When you make the things you do come true it’s a reflection of you
Same with me. I can see.
That’s why I try not to be sleazy
Don’t want to make everyone everywhere queasy
Feeling queasy
Don’t wanna hurl all over the girl
She might not be use to it
The smell of your bull$hit
Acting sleazy getting queasy
Everywhere
Just trying to breath through my nose
Smell the stench
Wish I could make it went
I can’t breath through my nose
Heaven knows
It’s making me queasy
Acting sleazy making me queasy
Gonna hurl all over that girl
Get a whiff gonna raise stiff
It’s been said you could raise the dead with your stench
Sure nothing heaven sent
Feeling queasy from your sleazy
You are so so sleazy
ABOUT THE SONG
Style: ExperiMental Music
Chords: Dm Dm7 Dm9
Rhythm: 124 BPM / Reggae 1 and 8 Beat 1
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
You call this art? Need a blood flowchart
The art of warfare is everywhere
I could sure start with a blood flowchart
Beware of the blood-flow over there
I wouldn’t want you to step in it
It’s worse than stepping in… worse than stepping in… stepping in $hit
The art of warfare is everywhere
A picture’s worth a thousands words
A million words can’t describe the toll of a sole soul
The art of warfare is everywhere
Ya know this ain’t Vincent Van Gogh
We make Picasso look less absurd
The risk to every art critic… you’re gonna get hit
There’s a fan… and, when the $hit gets to it… you’re gonna get hit
The art of warfare is everywhere