ABOUT THE SONG
Style: ExperiMental Music
Chords: E / A G
Recording: digital 1-track stereo
Frame-dragging is an effect on spacetime, predicted by Einstein’s general theory of relativity, that is due to non-static stationary distributions of mass–energy. A stationary field is one that is in a steady state, but the masses causing that field may be non-static, rotating for instance.
Rotational frame-dragging (the Lense–Thirring effect) appears in the general principle of relativity and similar theories in the vicinity of rotating massive objects. Under the Lense–Thirring effect, the frame of reference in which a clock ticks the fastest is one which is revolving around the object as viewed by a distant observer. This also means that light traveling in the direction of rotation of the object will move past the massive object faster than light moving against the rotation, as seen by a distant observer.
LYRICS
And I don’t even know what it means
… so it seems
Adani… and I don’t even know what it means
If it’s all the same, I can play that game
You talk the waltz
You walk the waltz
You waltz the waltz
Just like peppers go with salts
The movement feels so good like it should
Keeps you warm and comfortable
And… when you’re comfortable, it’s more comfortable for all
I don’t even know what it means… so it seems
ABOUT THE SONG
Style: ExperiMental Music
Chords: Em E7sus4
Rhythm: 118 BPM / Adani and Waltz
Recording: digital 1-track stereo
“Adani Or عدني عدنيات Arabic Said, refers to a kind of music that comes from Yemen across to Hejaz and Najd in the early 1970s by some Yemani artists.”
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
ABOUT THE SONG
Style: ExperiMental Music
Chords: F FM7 Dm7 F9
Rhythm: 120 BPM / Reggae 2 and Pop Reggae
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
Your acting sleazy is making me feel queasy
You’re crazy
When you make the things you do come true it’s a reflection of you
Same with me. I can see.
That’s why I try not to be sleazy
Don’t want to make everyone everywhere queasy
Feeling queasy
Don’t wanna hurl all over the girl
She might not be use to it
The smell of your bull$hit
Acting sleazy getting queasy
Everywhere
Just trying to breath through my nose
Smell the stench
Wish I could make it went
I can’t breath through my nose
Heaven knows
It’s making me queasy
Acting sleazy making me queasy
Gonna hurl all over that girl
Get a whiff gonna raise stiff
It’s been said you could raise the dead with your stench
Sure nothing heaven sent
Feeling queasy from your sleazy
You are so so sleazy
ABOUT THE SONG
Style: ExperiMental Music
Chords: Dm Dm7 Dm9
Rhythm: 124 BPM / Reggae 1 and 8 Beat 1
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
You call this art? Need a blood flowchart
The art of warfare is everywhere
I could sure start with a blood flowchart
Beware of the blood-flow over there
I wouldn’t want you to step in it
It’s worse than stepping in… worse than stepping in… stepping in $hit
The art of warfare is everywhere
A picture’s worth a thousands words
A million words can’t describe the toll of a sole soul
The art of warfare is everywhere
Ya know this ain’t Vincent Van Gogh
We make Picasso look less absurd
The risk to every art critic… you’re gonna get hit
There’s a fan… and, when the $hit gets to it… you’re gonna get hit
The art of warfare is everywhere
LYRICS
May I say, happy holiday? Can you tell me, “How do you like your turkey?”
Our recipe for catastrophe:
Now, somehow Moscow resides on both sides
In France, they’re doing the (anti)terror dance
Invoking the Kremlin gremlin
The Kremlin gremlin provoking a turkey basting
Are you telling me I am the delicacy? Noooo… I don’t wanna be in the recipe!
Too many cooks in the kitchen… too many kooks in the kitchen
And, here I am sayin’, “I need a die-a-gram”
All the while up to their ears in Syria diarrhea
Some sick Islamic
Don’t ya think that’ll stink?
Leave it up to their fears in Syria diarrhea
You ISIS? I is not ISIS
No Boca Raton killing marathon
While Al-Shabaab rape n’ rob
Run as fast as you can from the Taliban
Oh my gawd! No Jihad
Please read the Qur’an agin’
Is that what is meant? The Qur’an is based on the New Testament… which is based on the Old Testament. We’re all on top of the same base-meant.
And, here I am, “I need a die-a-gram”
The Saudi’s out of Yemen
Can I get an Amen?
They ran from Iran
More than a crack in Iraq
Now who’s gettin’ in
Na, na, na not China
And, here I am, “I need a die-a-gram”
What’s left of the leftovers? What’s the deal with this holiday meal? I’ve been rooked… the turkey’s over-cooked! What else can I say on Thanksgiving Day?
Die-a-gram for Over-cooked Turkey
ABOUT THE SONG
Style: ExperiMental Music
Chords: Ab Bb Bbsus4 Bbaug
Rhythm: 174 BPM / Reggae x2 machines
Recording: digital 1-track stereo
A song about what is going on in the world for Thanksgiving 2015.
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
A
Don't worry, about a thing
D A
Cause' every little thing, gonna be alright
A
Singin' don't worry, about a thing
D A
Cause' every little thing, gonna be alright
A
Rise up this mornin'
E
Smile with the rising sun
D A
three little birds pirch by my doorstep
A
Singin' sweet songs
E
of melodys pure and true
D A
sayin', this my message to you-oo-oo
Chorus
Verse
Chorus x3
Coversong originally made famous by Led Zeppelin
Written by Robert Plant and Jimmy Page
Intro: D (DDsus4DD9DDD9D)
D C G D
If the sun refused to shine, I would still be lovin’ you
D C G
When mountains crumble to the sea,
D
there will still be you and me
BmEBmEA
Kind woman I give you my all, kind woman, nothing more
CG
Little drops of rain, whisper of the pain,
D
Tears of loves lost in the days gone by
CG
My love is strong, with you there is no wrong,
DD4D
Together we shall go until we die, my, my, my,
BmE
An inspiration is what you are to me,
BmEA
inspiration look and see
SOLO (DCGD) 3x
DC
And so today, my world it smiles,
GD
your hand in mine we walk the miles
C
Thanks to you it will be done,
GD
for you to me are the only one (I have said)
BmEBmEA
Happiness no more be sad, happiness... I’m glad
Repeat First Verse
Recording: digital 2-track stereo
Daniel — Vocals, Guitar, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
What’s all this jazz
What are all these jabs
What’s all this rhetoric
Enough to make ya sick
What’s this modern jazz
These post-modern jabs
What’s all this rhetoric
It’s enough to make ya sick
Jazz Interlude
I hear you
You spit and spew
What’s all this jazz
What are all these jabs
What’s all this rhetoric
What’s all this jazz
What are all these jabs
What’s all this rhetoric
It’s getting to thick
I’m up to my ears
I’m up to my eyeballs
I’m up to here
Can’t risk getting near
I’m up to hear
Getting nearer
Well, I feel your fear
You fear is terrorizing me
What’s all this jazz?
What’s all this jazz?
What’s all this modern jazz?
ABOUT THE SONG
Style: ExperiMental Music
Chords: Em Edim Bsus4 and variations
Rhythm: 148 Beats Per Minute / Modern Jazz and Jazz Rock
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
Coversong originally made famous by Slade
Written by Jim Lea and Noddy Holder
A E D E
I like black and white dreaming black and white
A E D E A
You like black and white run runaway
A E D E
See chameleon lying there in the sun
A E D E A
All things to everyone run runaway hey
A E D E
If you're in the swing money ain't everything
A E D E A
If you're in the swing run runaway
(Chorus)
(Interlude) D B G B D B G B D (2x)
A E D E
If you got a crush don't beat about the bush
A E D E A
When I got a crush run runaway
(Chorus)
(Bridge) D A C# B A(2x) D F# E D(2x) A E D E A E D
A E D E
Oh now can't you wait love don't come on a plate
A E D E A
Oh now can't you wait run runaway
(Chorus)
Coversong originally made famous by The Rolling Stones
Written by Mick Jagger and Keith Richards
A G A A G
I was born in a cross-fire hurricane
A G A A G
And I howled at my ma in the driving rain
C G D A
But it's all right now, in fact it's a gas
C G D
But it's all right, I'm Jumpin' Jack Flash
A
It's a gas gas gas
I was raised by a toothless, bearded hag
I was schooled with a strap right across my back
But it's all right now, in fact it's a gas
But it's all right, I'm Jumpin' Jack Flash
It's a gas gas gas
I was drowned, I was washed up and left for dead
I fell down to my feet and I saw they bled
I frowned at the crumbs of a crust of bread, yeah, yeah, yeah
I was crowned with a spike right thru my head
But it's all right now, in fact it's a gas
But it's all right, I'm Jumpin' Jack Flash
It's a gas gas gas
Jumping Jack Flash, it's a gas 4x
ABOUT THE SONG
Style: ExperiMental Music
Chords: A D G A / C A
Recording: digital 1-track stereo
Daniel — Vocals, Guitar, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)
LYRICS
Quasi-synchronicity
Sure beats monotony
Oh the ecstasy
Of diversity
God bless me
Luke-warm milk-toast
Must warn… that ain’t “the most”
Thank the Lord for chaos theory
Quasi-synchronicity
The certainty of uncertainty
The un-ordered system I am
ABOUT THE SONG
Style: ExperiMental Music
Chords: C C4 G4 C9
Rhythm: 152 BPM / Slow Swing and Swing #2 with Groove
Recording: digital 1-track stereo
Daniel — Vocals, Keyboards, Synthesizers and an Alesis Vortex controller to Albeton software (microKorg, Yamaha PSR-740, Casio WK-3500, miniNova, and a couple pedals)