bookmark_borderHomeward?

[Intro]
We once were one…
(With the river)
Breath for breath
(With the giver)

[Verse 1]
Fields to flame
(Forests fall)
Profit’s claim
(Takes it all)
Concrete veins
(Cross the land)
Empty gains
(Shifting sand)

[Chorus]
Drifted farther
(From the garden)
Burned the barter
(Beg no pardon)
Cut the cord
(From the source)
Turned toward
(A darker course)

[Bridge]
How did we stray?
(Wayward)
What did we trade?
(For steel and shade?)
[Instrumental Break]

[Verse 2]
Sky once clear
(Now it cries)
Plastic tears
(Ocean sighs)
Roots undone
(Topsoil blown)
Chasing sun
(Alone… alone)

[Chorus]
Drifted farther
(From the garden)
Burned the barter
(Beg no pardon)
Played the lord
(Over clay)
Struck the chord
(Of decay)

[Bridge]
Hear the ground
(It’s calling)
Feel the sound
(Of falling)
Headin’ back?
(Homeward?)
Or still off track?
(Wayward…)

[Outro]
Wayward
(Wavered)
Wayward
(Can we turn?)
Wayward
(The forests burn)
Homeward
(Remember when)
Homeward
(Begin again)

From the album “Wayward“

bookmark_borderCracked Fractals

[Verse 1]
A pebble hit the windshield
(It was only a nick)
But the physics did yield
(The bubble’s prick)

[Bridge]
Crystal ball
(Cracked fractal)

[Chorus]
Why it matters:
(Fracture lines spread)
Find out about branching
(Dread – the glass shatters)

[Verse 2]
What do you know…
(The crack will grow, grow, grow)
What was just a little stress
(Is now a significant mess)

[Bridge]
[Chorus]
[Bridge]
[Outro]
After all
(Watch the fall)
Crystal ball
(Cracked fractal)
Like a broken glass
(Fell on our….)

ABOUT THE SONG
Cracked Fractals: Climate Thermodynamics, Insurance Instability, and Sovereign Debt Transmission in Late-Stage Capitalism

The relationships between climate physics and modern financial structure are complex, dynamic, and fundamentally non-linear. This paper examines the transmission mechanisms linking climate destabilization to structural fragility within advanced capitalist economies. Drawing on thermodynamics, actuarial science, and sovereign debt dynamics, it argues that the insurance sector functions as the primary systemic tripwire between physical climate risk and financial abstraction. Evidence from Florida and California demonstrates how accelerating climate losses are already migrating from private balance sheets to public backstops. As these liabilities propagate through municipal bonds, mortgage-backed securities, and ultimately federal debt, the system begins to exhibit the instability patterns characteristic of complex systems nearing critical thresholds—what I describe as “cracked fractals.” In physics, this phenomenon is analogous to a small crack appearing in a pane of glass, where the fracture lines progressively spread and branch out until the entire glass ultimately shatters. The convergence of climate acceleration and fiscal overextension suggests not isolated sectoral stress, but the emergence of systemic collapse dynamics.

The Human Induced Climate Change Experiment

From the album “North Flew South“

bookmark_borderSisyphus (Album)

The Times
Downloads / Streams

Lyrics and Liner Notes

Sisyphus

[Verse 1]
Do you wanna rock
(And roll)
Or rather your rock
(Hold still)

[Bridge]
Freewill?
All the while
(Laborious and futile)

[Refrain]
Sisyphus
(Push, push)
Sisyphus
(Push bein’)
Bein’
(Sisyphean)

[Verse 2]
Come on let’s roll
(Down the hill)
Just let ‘er roll
(Until until)

[Bridge]
Freewill
All the while
(Laborious and futile)

[Refrain]
Sisyphus
(Push, push)
Sisyphus
(Push bein’)
Bein’
(Sisyphean)

[Bridge]
Freewill
All the while
(Laborious and futile)

[Outro]
We will instill
(Freewill)
But will until
(Roll up hill)

ABOUT THE SONG
In Greek mythology, Sisyphus was the cunning founder and first king of Ephyra (now Corinth). He is famously remembered for his eternal punishment in Tartarus: he must push a massive boulder up a steep hill, only for it to roll back down just as it nears the summit, forcing him to repeat the task forever.

The founder and king of Ephyra (now known as Corinth). He reveals Zeus’s abduction of Aegina to the river god Asopus, thereby incurring Zeus’s wrath. His subsequent cheating of death earns him eternal punishment in the underworld, once he dies of old age. The gods forced him to roll an immense boulder up a hill only for it to roll back down every time it neared the top, repeating this action for eternity. Through the classical influence on contemporary culture, tasks that are both laborious and futile are therefore described as Sisyphean

Zeus’s Wrath

[Verse 1]
About the god’s daughter
(The nymph Aegina)
Perhaps you’d have not, a…
(Done what you aught, a…)

[Bridge]
God Zeus!
(Set your wrath loose)

[Chorus]
The wrath
(For chained death)
Do the math
(Mortal’s total)

[Verse 2]
The reign of divine rules
(Rain on all the fools)
The death wish…
(Of your hubris)

[Bridge]
Such is this
God Zeus!
(Set your wrath loose)

[Chorus]
The wrath
(For chained death)
Do the math
(Mortal’s total)

[Outro]
Such is this
(A bath) in wrath
To infinity
(For all eternity)
God Zeus!
(Ties your own noose)
Zeus’s wrath
(I wouldn’t laugh)

ABOUT THE SONG
Sisyphus reveals Zeus’s abduction of Aegina to the river god Asopus, thereby incurring Zeus’s wrath.

Sisyphus betrayed Zeus by revealing that the king of gods had abducted the nymph Aegina, daughter of the river god Asopus. In exchange for this information, which Sisyphus witnessed, he secured an eternal spring for his city, Corinth. This act of betrayal against Zeus contributed to Sisyphus’, ultimate, eternal punishment.

Sisyphus incurred Zeus’s wrath by violating “divine rules.” Sisyphus acted with extreme hubris, thinking himself smarter than the gods. He not only betrayed Zeus’s secrets but also chained Thanatos (Death), causing a period where no mortals could die.

The Eternal Punishment: Zeus sentenced him to a “Sisyphean task” in Tartarus—a repetitive, pointless, and exhausting labor of rolling a rock up a hill for eternity.

Nymph Aegina

[Verse 1]
Zeus and Epstein on an island
(While in command)
Doing deeds with evil seeds
(Soon to be damned)

[Bridge]
Nymph Aegina
(Enough agita)

[Chorus]
Morals are steadfast
(Throughout time)
Ethic rules forever last
(No doubt… still a crime)

[Verse 2]
Taking underage girls
(For your thrills)
Racking up dues and bills
(Gives the spine chills)

[Bridge]
[Chorus]
[Outro]
Leave those kids alone
(All of us moan)
Leave those kids alone
(In the pedo zone)

ABOUT THE SONG
Zeus abducted the nymph Aegina, daughter of the river god Asopus, by transforming into an eagle (or flame) and carrying her to the island of Oenone. Desiring her, Zeus took her to this secluded location to escape Hera’s jealousy. Aegina gave birth to their son, Aeacus, who later renamed the island Aegina.

Avarice

[Intro]
Some advice
(… on avarice)

[Verse 1]
The need to exceed
(Desire on fire)
To feed to bleed
(Greed, greed, greed)

[Bridge]
Some advice
(… on avarice)
Cheating immortals and men
(Doing it over and over again)

[Chorus]
Self-aggrandizing
(Wealth vandalizing)
Daft grandstanding
(Stealth corruption)

[Verse 2]
In a mess of excess
(Desire for dire)
To bleed to feed
(Greed, greed, greed)

[Bridge]
[Chorus]
[Bridge]
[Outro]
Cheating mortals and gods
(Doing it over and over again)
… come on… what are your odds
(Of a divine sin?)

ABOUT THE SONG
Sisyphus founded Ephyra (later Corinth) and was known for his extreme cleverness and avarice. As a ruler, he used ruthless, self-aggrandizing methods to boost his wealth, while frequently cheating both mortals and gods. His actions were motivated by a desire to maintain power and wealth, which directly opposed the, often hubristic, authority of the gods. His greed-driven, treacherous nature led to his eternal punishment.

Thanatos

[Intro]
After all (we’ll fall)
… into a deep sleep
(A deep, deep, deep)
… sleep….

[Verse 1]
Thanatos
(… than he knows)
How man comes and goes
(Will your scene be serene)
Thanatos
(… than he knows)

[Bridge]
Do you know what I mean
At the very least
… if I’m gonna cease…
(Bring on the peace)

[Chorus]
After all (we’ll fall)
… into a deep sleep
(A deep, deep, deep)
… sleep….

[Verse 2]
Thanatos
(… the rest he knows)
As man’s to n’ fro’s
(Are deemed seen)
Thanatos
(… head to toes)

[Bridge]
[Chorus]
[Outro]
It’s not a lie
(Everybody’s gonna die)
Sooner or later
A deeper layer
(A deep, deep, deep)
… sleep….

ABOUT THE SONG
In Greek mythology, Thanatos (Ancient Greek: Θάνατος, “Death”) is the personification of death. He is typically distinguished from Hades, who is the ruler of the Underworld, and instead represents the actual transition from life to death.

Key Characteristics and Mythology
Family: He is the son of Nyx (Night) and sometimes Erebus (Darkness). He is the twin brother of Hypnos (Sleep), which reflects the ancient Greek view of death as a permanent sleep.

Role: While his sisters, the Keres, personify violent or painful deaths, Thanatos is often characterized as the bringer of peaceful, non-violent death.

Depiction: In ancient art, he was originally shown as a bearded, winged man or a winged youth carrying a sword. Later Roman depictions often showed him as a beautiful boy (much like Eros) holding an inverted torch, representing a life extinguished.

Myths
Sisyphus: King Sisyphus famously outwitted Thanatos by tricking him into his own shackles. This caused death to cease across the world until the god of war, Ares, intervened to free him.

Heracles: In the play Alcestis by Euripides, the hero Heracles wrestles Thanatos and defeats him to save the life of Alcestis.

Demonstrate?

[Intro]
Can you demonstrate
(How to participate)

[Verse 1]
Locked in a closet
(Dying to get out)
Death is no closer
(To winning this bout)

[Bridge]
Shout!
(But you can’t get out)

[Chorus]
A demonstration
(Of incarceration)
There’s no fun in winning war
(Any more)

[Bridge]
Can you demonstrate
(How to participate)

[Verse 2]
When wars can’t be won
(It’s no longer fun)
What is the use
(Of being obtuse)

[Bridge]
[Chorus]
[Outro]
Can you demonstrate
(How to participate)
Tackled and shackled
(Can’t figure it out)
’till the god of war
(Said no more)

ABOUT THE SONG
In Greek mythology, King Sisyphus outwitted Thanatos (Death) by asking him to demonstrate how his own shackles worked, subsequently trapping him. This trick, performed to avoid being taken to the underworld, caused a period where no mortals died, forcing Ares to intervene.

The Trick: When Thanatos arrived to take Sisyphus to the Underworld, Sisyphus pretended to be honored but asked to see how the chains functioned first.

The Imprisonment: Thanatos willingly demonstrated, and Sisyphus quickly snapped the shackles shut, trapping him.

Consequences: As a result of Death being locked in a closet/cell, nobody on Earth could die, causing chaos.

Release: The god of war, Ares, angry that his battles were meaningless because people wouldn’t die, intervened and released Thanatos.

Final Fate: Sisyphus was eventually taken to the underworld and punished with the endless, futile task of rolling a boulder up a hill.

Cheating Death

[Verse 1]
Cheating death
(May have consequences)
Your health and wealth
(May lose your senses)

[Chorus]
Seven, Eleven
(You can go to heaven)
Snake eyes…
(Everybody dies)

[Bridge]
Heads (I win)
Tails (You lose)
Will you choose
(To play again?)

[Verse 2]
Cheating death
(Is your dream come true?)
Remember Macbeth
(It could happen to you)

[Chorus]
[Bridge]
[Outro]
Go back to “begin”
Heads (I win)
Tails (You lose)
Will you choose
(To play again?)
Now you discover
(Should’ve been a lover)
Eternal hangover
(Game over)

ABOUT THE SONG
Sisyphus cheated death twice in Greek myth: first by tricking Thanatos (Death) into chaining himself, stopping all deaths on Earth, and second by persuading Persephone to let him return from the underworld to scold his wife for improper burial rites, only to refuse to go back. His eternal punishment for these acts of hubris, ordered by Zeus, was to eternally roll a boulder up a hill, only for it to roll back down each time he neared the top.

Macbeth portrays death as the ultimate, inevitable consequence of unchecked ambition and moral corruption, illustrating that violating natural and divine laws leads to madness, guilt, and destruction. Macbeth’s journey from a noble warrior to a tyrannical, isolated murderer culminates in his, and Lady Macbeth’s, deserved downfall, serving as a cautionary tale against greed.

Immortality

[Verse 1]
Futile labor
(The absurd)
Disregard thy neighbor
(Break your word)

[Bridge]
Humanity’s demanding for understanding
(The reverence of nature’s silence)

[Chorus]
So, you really want to live forever
(Well, we shall see)
… your endeavor
(In immortality)

[Verse 2]
Spending all your years
(In futile tears)
Pushing up your throne
(Sad… and all alone)

[Bridge]
Nothing but skin and bone
Humanity’s demanding for understanding
(The reverence of nature’s silence)

[Chorus]
[Outro]
Until the day you pay
(And cry to die)
Nothing but skin and bone
(Left all alone)
Humanity’s demanding for understanding
(The reverence of nature’s silence)

ABOUT THE SONG
Sisyphus, a cunning Greek king, defied the gods and cheated death twice in his pursuit of escaping mortality. His ultimate, ironic punishment was an eternal, futile task: rolling a boulder up a hill, only for it to roll back down, symbolizing the absurdity of life and the pitfalls of endless, meaningless struggle.

The Pursuit of Immortality and Defiance
* Trickery: Sisyphus was known for his extreme cunning, murdering guests and betraying secrets to defy the gods.
* Cheating Death: He tricked Thanatos (death) into shackles and later deceived Hades to return from the underworld, living for many years before finally dying.
* Hubris: His actions were driven by a desire to master his fate and avoid the natural conclusion of human life.

The Pitfalls: Eternal Struggle and Absurdity
* Futile Labor: As punishment, he was condemned to roll a boulder up a hill for eternity, an act that represents the meaningless, repetitive, and unrewarding nature of life’s struggles.
* The Absurd: Albert Camus described this as the “absurd”—the conflict between humanity’s desire for meaning and the universe’s silent, indifferent nature.
* No Finality: The boulder always falls back, meaning no permanent progress is ever made, mirroring the ultimate futility of human ambition.

Realization and Acceptance
* Consciousness of Fate: During his descent, Sisyphus realizes the hopelessness of his situation, which allows him to become superior to his fate.
* Rebellion: By accepting the futility and continuing to push, Sisyphus rebels against the gods, finding meaning in the struggle itself.
* Camus’ Conclusion: “One must imagine Sisyphus happy,” as the struggle toward the heights is enough to fill a man’s heart.

The myth serves as an allegory for human existence, where the struggle for meaning in a meaningless world is, in itself, the source of freedom and happiness.

Merope

[Verse 1]
After all
(She married a mortal)
Grace will fall
(Tartarus outrageous)

[Bridge]
Merope
(Give me enough rope)
To hang myself
(Void my health and wealth)

[Chorus]
The “Lost Pleiad”
(The dimmest star by far)
A hopeless plead
(A myth bizarre)

[Verse 2]
Illumination
(Of your constellation)
Can’t shine that bright
(After gaining insight)

[Bridge]
[Chorus]
[Outro]
Will you concede
Merope
(At the end of my rope)

ABOUT THE SONG
Sisyphus primary wife, Merope, was one of the seven Pleiades, the daughters of the Titan Atlas. She is often said to be the “faint” star in the constellation because she was ashamed of being married to a mortal.

The “Lost Pleiad”
Merope is famously called the “Lost Pleiad” because she is the faintest star in the Pleiades cluster. Two main legends explain her dimness:

Marriage to a Mortal: Unlike her sisters, who all consorted with gods (like Zeus or Poseidon), Merope was the only one to marry a mortal—Sisyphus. She is said to hide her face in heaven out of shame for this “lesser” union.
Shame for Her Husband: Some sources suggest she hid her face because she was mortified by Sisyphus’s legendary crimes and his subsequent eternal punishment in Tartarus.

Bellerophon

[Intro]
(This is hubris)
At odds…
(Of living with the gods)

[Verse 1]
To tame Pegasus
(Fly through the sky)
Above all of us
(Gonna give ‘er a try)

[Chorus]
Without a doubt
(Bellerophon will win)
Or he’ll find out
(How mortal’s sin)

[Bridge]
(This is hubris)
At odds…
(Of living with the gods)

[Verse 2]
A false idle
(The golden bridle)
The horse’s tale
(An ultimate fail)

[Chorus]
[Bridge]
[Outro]
Pegasus flew
(Pride grew)
This is hubris’s
(Nemesis)
At odds…
(Of living with the gods)

ABOUT THE SONG
Bellerophon was considered one of the greatest heroes of the generation before Heracles. Like his grandfather Sisyphus, his story is a famous “cautionary tale” about the dangers of hubris (extreme pride).

Origin and the Taming of Pegasus
Double Parentage: He was the son of Eurynome and either King Glaucus of Corinth or the sea god Poseidon.
The Golden Bridle: After failing to catch the winged horse Pegasus, Bellerophon slept in the temple of Athena. He dreamt the goddess gave him a golden bridle, and upon waking, he found the physical object beside him.
The Capture: He used the magical bridle to tame Pegasus while the horse drank from the Fountain of Peirene in Corinth.

Slaying the Chimera

[Verse 1]
Lion, goat, serpent
(Snake for a tail)
How to circumvent
(Without a wail)

[Chorus]
Ah, ya (Slaying the chimera)
A fire-breathing monster
(Are you sure you wanna go that far)
Led to dead with lead

[Bridge]
(Fire-breathing monster)
Let it register

[Verse 2]
To avoid searing breath
(Fed with lead)
Mythical depth and breadth
(The moral said)

[Chorus]
[Bridge]
[Outro]
Monster enforcer
[Instrumental, Synth Solo]
Take to the sky
(… and fly)
[Instrumental, Organ Solo, Bass Solo]

ABOUT THE SONG
Slaying the Chimera
Bellerophon was exiled to the court of King Iobates of Lycia, who gave him the “impossible” task of killing the Chimera—a fire-breathing monster with the body of a goat, the head of a lion, and a snake for a tail.

The Chimera (or Khimaira) was one of the most terrifying female monsters in Greek mythology, described by the poet Homer as being of “divine stock, not of men”.

Anatomy and Abilities
While later interpretations sometimes add wings or multiple heads, the classical Greek description of the Chimera is highly specific:
* Physical Hybrid: She possessed the front of a lion, the middle of a she-goat, and the tail of a serpent (or dragon).
* Three Sources of Danger: Most myths describe a goat’s head sprouting from the middle of her back, which was the source of her devastating fire-breathing ability.
* Powers: Along with her searing breath, she had the strength and claws of a lion and a venomous snake tail.

* The Strategy: Because he could fly on Pegasus, Bellerophon avoided the monster’s flames from the air.
* The Kill: He attached a block of lead to his spear and jammed it into the Chimera’s mouth. The creature’s fiery breath melted the lead, which ran down its throat and suffocated it from the inside.

Styx

[Intro]
Flow to know
(Betwixt)
… on the River Styx

[Verse]
First time ’round
(Found the middle ground)
Namely…
(Mindlessness aimlessly)

[Bridge]
Passing through
(Asphodel Meadows)
How ’bout you
(Another shadow)

[Verse]
Found I was goin’ ’round
(Round and round and never found)
It was plain I was wondering
(Wandering the Plain of Wandering

[Bridge]
[Verse]
’til I got betwixt
(By the River Styx)
In that space….
(Between a rock n’ a hard place)

[Bridge]
[Outro]
Can’t cross the river
(Can’t seem to deliver)
Stuck in the muck
(Oh, what the funk)

ABOUT THE SONG
Asphodel Meadows: This is the neutral “middle ground” for ordinary souls who were neither exceptionally good nor evil. It is often described as a bleak, grey plain of mindlessness where souls wander aimlessly.

The Plain of Aleion (Plain of Wandering): Specifically for Bellerophon, this was the place on Earth where he fell after his failed flight to Olympus. He spent the rest of his life there blind and alone, essentially caught in a “living death” before he finally passed away.

The River Styx: This is the boundary between the world of the living and the dead. Sisyphus once tricked Persephone on the shores of the Styx into letting him return to life, temporarily existing in that “between” space.

The Road to Tartarus

[Intro]
Both of us
(With Tantalus)
Titillating Titans
(On the road to Tartarus)

[Bridge]
The deepest abyss of the Underworld
(Unfurled)

[Refrain]
Come join us…
(With Tantalus)
Titillating Titans
(On the road to Tartarus)

[Bridge]
The deepest abyss of the Underworld
(Unfurled)
Eternally teased
(Never pleased)

[Refrain]
No mess (no fuss)
… join us…
(With Tantalus)
Titillating Titans
(On the road to Tartarus)
In eternity, in well…
(Not quite hell)

[Outro]
Preached
(Never reached)
Every moment
(Every movement)
Torment
(Torment)
Meant

ABOUT THE SONG
Tartarus: This is the deepest abyss of the Underworld, used as a dungeon of torment for the wicked and a prison for the Titans. It is where Sisyphus serves his sentence of rolling the boulder and where Tantalus is eternally teased with food and water he can never reach.

Flight to Olympus

[Intro]
At odds with the gods
(Might take the next flight)
Pegasus to Olympus

[Bridge]
You know
Here we go

[Refrain]
At odds with the gods
(That’s right)
Take the next flight…
(Pegasus to Olympus)

[Bridge]
You know
(Here we go)
If we fly too high….

[Refrain]
At odds with the gods
(That’s right)
Took the last flight…
(Pegasus to Olympus)

[Bridge]
You know
(It was quite a show)
The flight that night….

[Outro]
The overly brash
(Had to crash)
The flight that night….
(Shone the light)
Insight into incite

ABOUT THE SONG
Flight to Olympus: He attempted to ride Pegasus to the peak of Mount Olympus.

The attempted flight to Mount Olympus was the climax of Bellerophon’s life, fueled by a series of impossible victories that transformed his initial desperation into delusions of divinity.

The Path to Hubris
The Deadly Setup: Bellerophon was sent to King Iobates with a sealed letter ordering his execution. Unwilling to kill a guest directly, Iobates instead sent him on “suicide missions” against the fire-breathing Chimera, the warlike Solymoi, and the Amazons.

Unrivaled Success: With the help of a golden bridle from Athena to tame Pegasus, Bellerophon succeeded in every task. Impressed and fearing divine favor, Iobates eventually gave Bellerophon his daughter in marriage and half his kingdom.

The Cognitive Shift: Now a wealthy king and world-renowned hero, Bellerophon’s perspective shifted. He began to believe his feats weren’t just the result of divine aid, but proof that he belonged among the gods themselves.

The Flight of No Return
Bellerophon’s motivation for the flight is often debated in classical texts:
The Quest for Honor: Some versions suggest he simply wanted the gods to personally honor him for his exploits.

Challenging the Gods: In darker interpretations, like the fragments of Euripides’ lost play Bellerophontes, he may have been flying to Olympus to prove the gods didn’t exist because of the injustices he witnessed on Earth.

The Downfall

[Verse 1]
Slaya’ of the Chimera
(On to defeat the Amazon)
Bigger than the cinema
(You go on and on and on)

[Bridge]
After it all
(The downfall)

[Chorus]
Just like grandfather
(Pushed it further and further)
Oh my, grounded by a gadfly
(The horse bucked… you’re….)
Fa, fa, fa

[Verse 2]
They jumped for joy
(When you defeated the Solymoi)
But when hubris got outta check
(You hadda hit the deck)

[Bridge]
[Chorus]
[Bridge]
(Fa, fa, fa)
[Instrumental, Synth Solo]
After it all
(The downfall)

[Outro]
La, la, la
(Fa, fa, fa)
After it all
(The downfall)

ABOUT THE SONG
The Downfall
After succeeding in several other legendary labors (defeating the Amazons and the Solymoi), Bellerophon’s pride grew until he believed he deserved to live among the gods.

Flight to Olympus: He attempted to ride Pegasus to the peak of Mount Olympus.
Zeus’s Retribution: Angered by this arrogance, Zeus sent a gadfly to sting Pegasus. The horse bucked, throwing Bellerophon back to earth.
Tragic End: Bellerophon survived the fall but was blinded or crippled. He spent his remaining days wandering the Aleian Plain alone, avoided by both gods and men until his death.

All Uphill

[Verse 1]
Does your rock roll
(Is it all downhill)
Unfortunate goal
(Not to stop ’till the top)

[Bridge]
An eternity
Spent mistaking motion
… for momentum

[Chorus]
Freewill?
It was all uphill
(The downhill part came faster every time)
Faster and faster
(Toward disaster)
Humanity’s crime (I’mmm….)

[Verse 2]
Does your rock roll
(Despite negativity for gravity)
This is no rock n’ roll stroll
(Repet, repet, repetitivity)

[Bridge]
… stupidity
An eternity
Spent mistaking motion
… for momentum

[Chorus]

[Outro]
Is it still
(All up hill)
Why I ask
(The futile task)
Lost your freewill?

ABOUT THE SONG / MORAL OF THE STORY
Because of his chronic deceit and bottomless greed, Sisyphus was condemned for all eternity to roll a massive boulder up a hill—only to watch it thunder back down again. Over and over. It was all uphill.

The tragedy wasn’t just the rock. It was the promise. Each ascent began with a speech about how this time would be different, how the incline was actually leveling off, how the summit had never looked more attainable. The boulder was rebranded as “tremendous.” The slope was declared “the greatest hill in history.” And gravity, of course, was dismissed as a hoax.

But physics is stubborn. So is truth. The rock kept rolling back.

In The End, the punishment wasn’t the labor. It was the repetition—the endless cycle of hype, strain, collapse, and denial. A masterclass in exertion without progress. An eternity spent mistaking motion for momentum.

It was all uphill. And the downhill part came faster every time.

Endless Loop

[Verse 1]
Our situation…
Where to begin?
Human ambition
(Is at it again)

[Chorus]
Is that the goal
Spending the rest of eternity
Wandering in misery
(“Devouring your own soul.”)

[Bridge]
The scoop: (an endless loop)
Loop (loop) loop
Walk the walk
(Push that rock)

[Verse 2]
Make the same mistake
(Twice n’ thrice)
Our final hour
(Seeking power)

[Chorus]
[Bridge]
[Outro]
Jumping through hoops
(and endless loops)
Loop (loop) loop
(Endless loop)
Loop (loop) loop

ABOUT THE SONG
Because of his chronic deceit and greed, Zeus eventually condemned Sisyphus to Tartarus. His punishment—rolling a massive boulder up a hill only for it to roll back down again for all eternity. This is often interpreted as a metaphor for the futility of human ambition and the hollow nature of seeking power for its own sake.

Sisyphus grandson, Bellerophon, fell from grace due to excessive pride and spent the rest of his life wandering in misery and “devouring his own soul.”

bookmark_borderChange Position

[Intro]
Is there any opposition
(To a change in position)

[Verse]
Haven’t you been on top
(Long enough)
Perhaps you should stop
(Long enough)

[Bridge]
Is there any opposition
(To a change in position)

[Verse]
Haven’t you been on the bottom
(Rollin’ in the rough)
Perhaps you should succumb
(Start gettin’ tough)

[Bridge]
Is there any opposition
(To a change in position)

[Verse]
So here we are
(Really not that far)
From where we started from
(Perhaps a little less dumb)

[Bridge]
So here we come!
Juxtaposition
(Reposition)

[Outro]
So there we go
(From to to fro)
Changed position
(Found solution)

From the album “The Times“

Also found on the album “Reggae Getaway“

bookmark_borderThread the Needle

Thread-the-Needle.mp3
Thread-the-Needle.mp4
Thread-the-Needle-Unplugged-Underground-XXIX.mp3
Thread-the-Needle-Unplugged-Underground-XXIX.mp4
Thread-the-Needle-intro.mp3

[Intro]
“I need, need, need!”
(Thread the needle)
She said,
As she made her bed

[Bridge]
Through the eye of a camel
(The straw to break her back)
It’s not normal
(Whack, whack, whack!)

[Verse]
“I need, need, need!”
(Thread the needle)
Yet to concede
Now she made her bed
(In which to sleep, indeed)

[Bridge]
Through the eye of a camel
(The straw to break her back)
It’s not normal
(Whack, whack, whack!)

[Verse]
“I need, need, need!”
(Thread the needle)
Pricked finger bleeds
To know wants instead of needs
(She finds the will to succeed)

[Outro]
Through the eye of a camel
(The straw to break her back)
In The End, did lack.
(Luck, luck, luck)
Combined in time
(Love starts from our hearts)

From the album “Cut Through the Noise“
by Industrial Noize Pollution

bookmark_borderCut Through the Noise

Cut Through the Noise .mp3
Cut Through the Noise .mp4
Cut Through the Noise Pt 2.mp3
Cut Through the Noise Pt 2.mp4
Cutting-Through-the-Noise-saw-intro.mp3

[Intro]
[Instrumental, Synth Solo]
The rhetoric is so thick
(So sick)
Cut through the noise
(With poise)
[Instrumental, Guitar Solo]

[Verse 1]
Pull the cord
(Start your engine)
Hear the word
(Ready, set, begin)

[Bridge]
[Instrumental, Synth Solo]
No but, but, but
(Cut)
[Instrumental, Guitar Solo]

[Chorus]
The rhetoric is so thick
(So sick)
Cut through the noise
(With poise)

[Instrumental, Saxophone Solo]

[Verse 2]
Turn the key
(Push the button)
Hear clearly
(Once we’re done cuttin’)

[Bridge]
[Instrumental, Synth Solo]
No but, but, but
(Cut)
[Instrumental, Guitar Solo]

[Chorus]
The rhetoric is so thick
(So sick)
Cut through the noise
(With poise)

[Outro]
Hut, hut, hut
(Cut)
[Instrumental, Synth Solo]
Cutting through
(To hear you)
Cutting through
(The best I can do)
[Instrumental, Guitar Solo]

From the album “Cut Through the Noise“
by Industrial Noize Pollution

bookmark_borderWe Came to a….

We-Came-to-a-___.mp3
We-Came-to-a-___.mp4
We-Came-to-a-___-Reggae.mp3
We-Came-to-a-___-Reggae.mp4
We-Came-to-a-___-intro.mp3

[Intro]
We came to a….
Stop!
(A sudden stop)
[Break]
No it wasn’t the fall
(… wasn’t that at all)
It was the sudden stop

[Refrain]
Make no mistake
(No but… abrupt)
What’vr it’ll take
(Default to halt)

[Bridge]
We came to a….
Stop!
(A sudden stop)
[Break]
No it wasn’t the fall
(… wasn’t that at all)
It was the sudden stop

[Refrain]
Make no mistake
(No but… abrupt)
What’vr it’ll take
(Default to halt)

[Bridge]
We came to a….
Stop!
(A sudden stop)
[Break]
No it wasn’t the fall
(… wasn’t that at all)
It was the sudden stop

[Outro]
Make no mistake
(There where no)
Ifs ands or…
(But, but, but)
Abrupt!
So whatever it takes
(To make)
… default to halt

From the album “Sudden“
Also found on the album “Reggae Getaway“

bookmark_borderWell Done

Well-Done-Best-Of.mp3
Well-Done-Best-Of.mp4
Well-Done.mp3
Well-Done.mp4
Well-Done-Pt-2.mp3
Well-Done-Pt-2.mp4
Well-Done-intro.mp3

[Intro]
How would you care
To be served
Is it rare
You’re unnerved

[Verse 1]
Waiter!
(There’s a fly in my soup)
Thanks, I’ve been looking for him all day
(Don’t let him swim away!)

[Chorus]
How would you care
(To be served)
Is it rare
(You’re unnerved)

[Bridge]
Undeserved
(Or well done)
How come?

[Verse 2]
Waiter!
(There’s a fly in my soup)
Ahh, yes… the butterfly
(Much better form than I)

[Chorus]
How would you care
(To be served)
Is it rare
(You’re unnerved)

[Bridge]
Well, hell…
(Job well done)
Which is rare these days
(In so many ways)

From the album “Rarity“

bookmark_borderA Rare Minute

A-Rare-Minute-Best-Of.mp3
A-Rare-Minute-Best-Of.mp4
A-Rare-Minute.mp3
A-Rare-Minute.mp4
A-Rare-Minute-intro.mp3

[Intro]
A rare minute
(Of solitude)
To declare it:
(Gratitude)

[Refrain]
Thank you for this opportunity
(To “be”… really…)
Thank you for being you
(And, for you, too, to)
Give the opportunity to me

[Bridge]
A rare minute
(Of solitude)
To declare it:
(Gratitude)
For the love in you
(In all that you do)
… the love in you
(The love in you)
Now shout:
(Let it out!)

[Refrain]
Thank you for this opportunity
(To “be”… really…)
Thank you for being you
(And, for you, too, …to)
Give the opportunity to me

[Refrain]
Thank you for this opportunity
(To “be”… really…)
Thank you for being you
(And, for you, too, …to)
Give the opportunity to me

[Bridge]
To be free!
(Free, free, free)
A rare minute
(Of solitude)
To declare it:
(Gratitude)
For the love in you
(In all that you do)
… the love in you
(The love in you)

[Outro]
Now shout:
(Let it out!)
Thank you
(For the opportunity)
And, you and you and you
(In your entirety)
Sincerely,
Me

From the album “Rarity“

bookmark_borderProbabilistic

Probabilistic.mp3
Probabilistic.mp4
Probabilistic-Pt-2.mp3
Probabilistic-Pt-2.mp4
Probabilistic-intro.mp3

[Intro]
Problematic
(Probabilistic)

[Verse 1]
If left to the gods
(What are the odds)
With man in command
(Where will we land)

[Bridge]
Problematic
(Probabilistic)

[Chorus]
There is no debating
(Accelerating)
Exponentially
(Could end tragically)

[Verse 2]
What are the chances
(Of funeral march dances)
On the verge of a dirge
(A funeral parade made)

[Bridge]
Problematic
(Probabilistic)

[Chorus]
There is no debating
(Accelerating)
Exponentially
(Could end tragically)

[Bridge]
Our ability…
(To create inevitability)
Problematic
(Probabilistic)

[Outro]
Our ability…
(To create inevitability)
There is no debating
(Accelerating)
Exponentially
(Could end tragically)
Human’s legacy

ABOUT THE SONG AND THE SCIENCE

Probabilistic, Ensemble-Based Climate Model

Earth’s climate is a nonlinear, chaotic system — meaning its long-term trajectory cannot be captured by a single deterministic forecast. Instead, scientists use probabilistic models: large ensembles of simulations that explore thousands of possible futures by varying physical parameters, emissions pathways, socio-economic assumptions, and internal chaotic variability. These ensembles reveal not just what might happen, but how likely each outcome is — and how close the Earth system is to crossing irreversible thresholds.

We examine how human activities — such as deforestation, fossil fuel combustion, mass consumption, industrial agriculture, and land development — interact with ecological processes like thermal energy redistribution, carbon cycling, hydrological flow, biodiversity loss, and the spread of disease vectors. These interactions do not follow linear cause-and-effect patterns. Instead, they form complex, self-reinforcing feedback loops that can trigger rapid, system-wide transformations — often abruptly and without warning. Grasping these dynamics is crucial for accurately assessing global risks and developing effective strategies for long-term survival.

Probabilistic modeling quantifies risk, not certainty. Our ensemble results indicate the following temperature ranges by 2100:

By emissions trajectory

  • Lower emissions: ~1.5-2°C global warming
  • Current emissions: ~3-4°C
  • With reinforcing feedbacks and tipping points: ~4-7°C

By physical behavior of the climate system

  • Linear physics: ~3-5°C this century
  • With full feedback participation: 6-9°C becomes plausible
  • Runaway (long-term Earth system shift): >10°C over centuries to millennia — a potential Hothouse Earth pathway

Most likely outcome under current global policy: ~3-7°C this century.

What these numbers mean:

  • +3°C: Globally catastrophic impacts
  • +4°C: System-wide destabilization across climate, food, water, health, and geopolitics
  • +5°C: High probability of civilizational collapse
  • +6-7°C: The Earth begins transitioning toward long-term Hothouse conditions lasting millennia

Preventing these outcomes requires an immediate, large-scale fossil fuel phase-out, rapid global carbon drawdown, and aggressive adaptation to unavoidable impacts.

Explore the fundamentals of chaos theory in Edge of Chaos — where order meets unpredictability.

Understand the fundamentals of Statistical Mechanics and Chaos Theory in Climate Science.

* Our probabilistic, ensemble-based climate model — which incorporates complex socio-economic and ecological feedback loops within a dynamic, nonlinear system — projects that global temperatures are becoming unsustainable this century. This far exceeds earlier estimates of a 4°C rise over the next thousand years, highlighting a dramatic acceleration in global warming. We are now entering a phase of compound, cascading collapse, where climate, ecological, and societal systems destabilize through interlinked, self-reinforcing feedback loops.

What Can I Do?
The single most important action you can take to help address the climate crisis is simple: stop burning fossil fuels. There are numerous actions you can take to contribute to saving the planet. Each person bears the responsibility to minimize pollution, discontinue the use of fossil fuels, reduce consumption, and foster a culture of love and care. The Butterfly Effect illustrates that a small change in one area can lead to significant alterations in conditions anywhere on the globe. Hence, the frequently heard statement that a fluttering butterfly in China can cause a hurricane in the Atlantic. Be a butterfly and affect the world.

→ “Solutions to the Fossil Fuel Economy and the Myths Accelerating Climate and Economic Collapse.“

 

Tipping points and feedback loops drive the acceleration of climate change. When one tipping point is toppled and triggers others, the cascading collapse is known as the Domino Effect.

The Human Induced Climate Change Experiment

From the album “Nonlinear“

bookmark_borderShady Business (Summit Roofing & Contracting, Schuylkill Haven, Reviews)

Shady-Business-Best-Of.mp3
Shady-Business-Best-Of.mp4
Shady-Business-Unplugged-Underground-XXVII.mp3
Shady-Business-Unplugged-Underground-XXVII.mp4
Shady-Business-Unplugged.mp3
Shady-Business-Unplugged.mp4
Shady-Business-intro.mp3
Shady-Business.mp3
Shady-Business.mp4

[Intro]
Time to confess
(Shady business)

[Verse 1]
Talk about a bad job
(I’m talkin’ fraud)
He’ll steal your money
(And think it’s funny)

[Bridge]
Time to confess
(Shady business)

[Chorus]
The roof is leaking
(There’s no sense seeking)
He’s nowhere to be found
(No, he’s not around)

[Verse 2]
He’ll rob you blind
(Oh, so unkind)
He’ll rip you off
(With a leaking roof)

[Bridge]
[Chorus]

[Verse 3]
He’ll fib and lie
(Until you cry)
He’ll cheat and steel
(The only deal)

[Bridge]

[Outro]
Oh, what a mess
(Failed the test)
Time to confess
(Shady business)
See you in court
(A civil tort)
Time to confess
(Shady business)

ABOUT THE SONG

Summit Roofing was hired to repair an active roof leak. Despite replacing the entire roof twice, the leak persisted. Inspections later confirmed that Summit failed to install basic required components, reused damaged materials, and left open holes and defects that directly caused ongoing water intrusion.

Their conduct wasn’t just negligent—it involved multiple counts of fraud, including misrepresentation of completed work, concealing defects, and accepting payment for repairs they never properly performed.

Fraud Alert: Summit Roofing & Contracting – Schuylkill Haven, PA

Consumers are advised to exercise extreme caution when dealing with Summit Roofing & Contracting of Schuylkill Haven, PA, operated by Skyler Shistle.

Customers have reported serious issues involving:

  • Incomplete or defective roofing work
  • Misrepresentation of services performed
  • Failure to repair leaks despite full payment
  • Reuse of old or damaged materials
  • Unprofessional and unsafe installation practices
  • Damage caused as a result of faulty workmanship

In addition, allegations have been raised regarding:

  • Fraudulent statements about completed work
  • Failure to correct known defects
  • Acceptance of payment for services not properly performed

A civil complaint has been filed in the Pennsylvania Court of Common Pleas outlining claims of fraud, misrepresentation, breach of contract, deceptive practices, and related violations.

Report Fraud: SummitRoofingSchuylkill.com

From the album “Lulu“

bookmark_borderThe Iceberg

The-Iceberg.mp3
The-Iceberg.mp4
The-Iceberg-Reggae.mp3
The-Iceberg-Reggae.mp4
The-Iceberg-intro.mp3

[Intro]
(Here’s a tip:)
It’s not the tip
(Of the iceberg)
[Instrumental, Synth Solo]
Titanic (Realization)
Gigantic (Rearrangement)

[Verse 1]
Is smooth sailing
(A thing of the past)
Or more wailing
(Will surely last)

[Chorus]
No, not the tip
(The iceberg)
Cancels your trip
(Not nice… for shore)

[Bridge]
Titanic (Realization)
Gigantic (Rearrangement)

[Verse 2]
Has our ship sailed
(We missed the boat)
Guess the wail failed
(Our chances remote)

[Chorus]
No, not the tip
(The iceberg)
Cancels our trip
(Not nice… for shore)

[Bridge]
Titanic (Realization)
Gigantic (Rearrangement)

[Chorus]
No, not the tip
(The iceberg)
Cancels our trip
(Not nice… for shore)

[Outro]
Into our baggage
(Drip, drip, drip)
The advice of a sage:
(Know no more)
Titanic (Realization)
Gigantic (Rearrangement)
Of all that’s meant
(Civilization)

From the album “Lulu“

Also found on the album “Reggae at Play“

bookmark_borderIf I Fall…

If-I-Fall-Best-Of.mp3
If-I-Fall-Best-Of.mp4
If-I-Fall.mp3
If-I-Fall.mp4
If-I-Fall-intro.mp3

[Intro]
If I fall down…
(Stand me up and turn me around)

[Bridge]
The sound
(Of the ground)
Bass turned up loud

[Refrain]
If I fall down…
(Stand me up and turn me around)
If I fall again…
(We’ll no where to begin)

[Bridge]
The sound
(Of the ground)
Bass turned up loud

[Refrain]
If you fall down…
(I’ll land a hand)
… I’ll help you stand
(Turn around your frown)

[Bridge]
The sound
(Of the ground)
Bass turned up loud
(Why not slide)
… why not glide
(As we flow)
… into the know

[Refrain]
If I fall down…
(Stand me up and turn me around)
If I fall again…
(We’ll no where to begin)

[Outro]
If you fall down…
(I’ll land a hand)
… I’ll help you stand
(Turn around your frown)
If we fall down…
(We’ll roll around)
Have fun (all the day)
Along our way
(Into the light)
… into delight

From the album “That’s Loud“

bookmark_borderVile!

Vile-Best-Of.mp3 Vile-Best-Of.mp4 Vile.mp3 Vile.mp4 Vile-intro.mp3

[Intro]
No…
(It’s not ambiguous)
Actually…
(It’s quite obvious)

[Bridge]
His style
(Pure vile)

[Refrain]
Here’s the thing
(Everything)
He says and does…
(Spews an evil stench)
He does it… does it just because
(He’s a rat bastard with a wench)

[Chorus]
No…
(It’s not ambiguous)
Actually…
(It’s quite obvious)

[Bridge]
His style
(Pure vile)

[Refrain]
Here’s the thing
(Everything)
He says and does…
(Spews an evil stench)
He does it… does it just because
(He’s a rat bastard with a wench)

[Bridge]
His style
(Pure vile)

[Chorus]
No…
(It’s not ambiguous)
Actually…
(It’s quite obvious)

[Bridge]
His style
(Pure vile)

[Refrain]
Here’s the thing
(Everything)
He says and does…
(Spews an evil stench)
He does it… does it just because
(He’s a rat bastard with a wench)

[Outro]
Here’s the thing
(Everything)
He says and does…
(Spews an evil stench)
He does it… does it just because
(He’s a rat bastard with a wench)
His style
(Pure vile)
Crocodile smile

ABOUT THE SONG

Trump continues to spew non-stop hate.  Admitting to supporting racism, sexism, bigotry, white nationalism, and even pedophilia — that’s truly sick. People who defend or enable such immorality often reveal the same kind of moral and psychological derangement themselves.

Trump has been implicated in pedophilia and multiple counts of sexual misconduct. The Epstein files are being withheld by Donald Trump—that’s not an accusation, it’s a fact. Trump himself admitted Epstein “stole” his underaged massage girl from Mar-a-Lago. The few files released show “a mock oversized $22,500 check that shows Trump was paying Epstein, followed by a caption that says: “Jeffrey showing early talents with money + women! Sells ‘fully depreciated’ [redacted woman’s name] to Donald Trump for $22,500.” Trump’s relationship with Epstein is well documented.

Repeatedly denied science—on climate change, on public health, and on issues with life-or-death consequences.

Lied pathologically about everything from crowd sizes to election results.

Promoted white supremacy and emboldened racially charged violence.

Been found liable for sexual assault in civil court.

Stoked division through bigotry, bullying, and fear-based politics.

Stood by as the U.S. Capitol was attacked, later praising or pardoning those responsible.

Attempted to overturn a lawful election, undermining democracy itself.

Engaged in financial fraud, including a judgment for falsifying business records.

Misused charity funds, leading to a lifetime ban from operating a charitable foundation in New York.

Implemented family separation policies at the border, losing track of children in the process.

Attacked the independence of the Federal Reserve, destabilizing global markets.

Attacked the First Amendment going so far as to threaten any television network critical of him.

Exploded the national debt by trillions while handing tax cuts to billionaires, worsening inequality.

Tried to weaponize the Justice Department as his personal shield and sword.

Floated the idea of “suspending” the Constitution to stay in power.

Been convicted of falsifying business records to hide damaging information from voters before an election.

The real question is: who, knowing all of this, still chooses to support or defend such behavior?

 

From the album “Ambiguous“