bookmark_borderHeroic

[Silence]
[Instrumental: Acoustic Guitar Solo]
[Instrumental: Organ responds]
[Instrumental: Piano, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
[Low Synth Drone, Spoken Vocal, Distant and Fragmented]
An amazing (epiphany)
The phasing (in and out of me)

[Instrumental: Acoustic Guitar Solo]
[Instrumental: Organ responds]
[Instrumental: Piano, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]
[Instrumental: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Harmonica, Tribal Percussion, Electric Slide Guitar]

I can see clearly
(My heart to infinity)
Mortality
(Always surrounds me)

[Instrumental: Organ Solo, Deep Sub-Bass Synth, Acoustic Guitar, Tribal Percussion, Electric Guitar]
[Instrumental: Drum Solo]

I can see clearly
(My heart to infinity)
Mortality
(Always astounds me)

An amazing (epiphany)
The phasing (in and out of me)

[Instrumental Outro: Deep Sub Bass, Saxophone Solo, Echoed Guitar Swells, Slow Tribal Percussion, Low-Frequency Drone Fading to Near-inaudible Rumble]

[Outro]
An amazing (epiphany)
The phasing (in and out of me)

[Instrumental: Whistle Solo]

[Fade out]
I can see clearly
(My heart to infinity)
Mortality
(May you elude me)

[Silence]

[End]

From the album “Full Blown“

bookmark_borderRaisin’

[Silence]
[Instrumental Intro: funky psychedelic guitar, bouncing bass, handclaps, bright synth]

[Intro]
[Low Synth Drone, Spoken Vocal, Distant and Fragmented]
Beam me down
(Down, down, down)

“Is there any intelligent life…”
… around
(Can any be found…)
Spinnin’
(Round n’ round n’ round)

[Verse 1]
Wake up
(Shake up)
Get outta bed
(Get that beat inside your head)

Sunrise
(Open eyes)
Another day
(Another chance to find a way)

No matter where
(You came from)
No matter who
(You are)

We’re breathing
(Underneath the same star)

[Refrain]
Raisin’ the roof
(Raisin’ the vibe)
Proof!
(We’re one tribe)

The human race
(All in one place)
Raise love above
(Love, love, love)

[Verse 2]
Raise your hand
(If you understand)
Raise your voice
(We all have a choice)

Raise the roof
(Raise the floor)
Raise some hell
(Then raise some more)

Raise your spirits
(Raise your eyes)
Raise your hopes
(And realize)

We don’t have
(To tear apart)
To make room
(Inside the heart)

[Chorus]
Raise it up
(Up, up, up!)
Raise it high
(High, high, high!)

Raise a little
(Harmony)
Raise a little
(Humanity)

Raise the roof
(Raise the vibe)
Raise the proof
(We’re one tribe)

[Verse 3]
Some are rich
(Some are poor)
Some have plenty
(Some need more)

Some have power
(Some have none)
All our hours
(Under one sun)

[Refrain]
Raisin’ the roof
(Raisin’ the vibe)
Proof!
(We’re one tribe)

The human race
(All in one place)
Raise love above
(Love, love, love)

[Verse 4]
Raise compassion
(Raise it up)
Raise forgiveness
(Fill the cup)

Raise awareness
(Raise your sight)
Raise a candle
(Be the light)

Raise the question
(Raise the bar)
How much better
(Could we be “our”?)

Raise the future
(Raise today)
Raise each other
(On the way)

[Bridge]
The folklore
(of “us and them”)
Is no more
(I think… therefore I am!)

[Break]
Raisin’!
(Praisin’!)

Raise it up!
(Up!)

Raise love!
(Love!)
… above…
Give flight…
… to the white winged dove
The light of love

[Final Refrain]
Raisin’ the roof
(Raisin’ the vibe)
Proof!
(We’re one tribe)

The human race
(All in one place)
Raise love above
(Love, love, love)

Raisin’ the roof
(Raisin’ the vibe)
Higher!
(We’re still alive)

The human race
(All in one place)
Raise love above
(Love, love, love)

Raise love…
(Above!)

Love, love, love

[Instrumental Outro: funky guitar, handclaps, bass groove, crowd-style “one tribe!” chants fading out]

[Outro]
Can you see reality
(It’s coming into view)
A world moving rapidly
(What are we gonna do?)

Raise love…
(Above!)

Love, love, love

[Silence]

From the album “Full Blown“

bookmark_borderHum a Na

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
[Low Synth Drone, Spoken Vocal, Distant and Fragmented]
Hum a na, hum a na
(Da doi, da dum)

[Instrumental: Organ Solo, Deep Sub-Bass Synth, Acoustic Guitar, Psychedelic Percussion, Electric Slide Guitar]

Hey…
(What can I say?)

[Instrumental: Saxophone Solo, Deep Sub-Bass Synth, Acoustic Guitar, Organ Swells, Tribal Percussion, Electric Guitar]

[Refrain]
Hey…
(What can I say?)
Hum a na, hum a na
(Da doi, da dum)

0 + 0 = some
(Brain’s numb)
Da doo, da doi
(Ohhh… oh boy)

[Instrumental: Deep Sub Bass, Echoed Guitar Swells, Psychedelic Percussion Jam, Low-Frequency Drone Building From Near-inaudible Rumble]

[Refrain]
Hey…
(What can I say?)
Hum a na, hum a na
(Da doi, da dum)

[Outro]
Just a man
(Can’t understand)
My own damned demand
(Hey, hey, hey!)
What can I say…
(Maybe another day.)

[Fade out]

[Silence]

[End]

From the album “Present Tense“

bookmark_borderScapegoat

[Silence]
[Instrumental Intro: ominous guitar, marching drums, distant ship’s bell]

[Verse 1]
Ridin’ down the road
(He’s ridin’ his scapegoat)
Looking to blame
(Offload his shame)

Too many people
(Too many mouths)
Too many strangers
(From the south)

Point at the stranger
(Point and accuse)
Pick out an enemy
(Somebody to lose)

[Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

Who gets to survive
(Arrive alive)
After what you’ve said
(We’ll all be dead)

[Verse 2]
“Overpopulation!”
(That’s the refrain)
“Too many people!”
(Again and again)

But who consumes
(And who consumes more?)
Who burns the fuel
(And who owns the store?)

[Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

Who gets to survive
(Arrive alive)
After what you’ve said
(We’ll all be dead)

[Bridge]
This is the transformation
(Watch the meaning change)
Man’s devolution

From:
“What can we do?”
(To:)
“I’m blaming you”

[Break]
Scapegoat!
(Scape-goat!)

Ride it down
(Ride it out)

Shout it out!
(Scape-goat!)

What are you thinking…
(The ship is sinking)

[Final Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

[Outro]
Who gets to survive
(Arrive alive)
After what you’ve said
(We’re all going to be dead)

Who gets to survive
(Who gets to thrive)

[Fade out]
Who gets to survive?

[Silence]

[End]

About the Song
Ecofascism: Climate Change as a Scapegoating Narrative

Ecofascism represents a fundamentally different approach.

Rather than denying climate change, ecofascist narratives accept environmental collapse but attribute it to supposedly undesirable populations—particularly immigrants, refugees, or people in the Global South.
The “overpopulation” narrative

One recurring theme is the claim that environmental degradation is primarily caused by population growth among poorer or non-white populations.

This can obscure the enormous differences in consumption and greenhouse-gas emissions between populations. High-income populations have historically produced far greater per-capita emissions than the world’s poorest populations.

The political transformation occurs when legitimate concerns about ecological limits are converted into arguments about which people supposedly deserve access to resources.

Blaming immigrants for environmental degradation
A related narrative links immigration directly to pollution, resource depletion, or greenhouse-gas emissions.

This is sometimes described as eco-bordering: using environmental concerns to justify more restrictive borders.

The danger of this framing is not the discussion of the environmental consequences of population growth or migration itself. Those are legitimate subjects for analysis. The problem arises when immigrants are treated as the primary ecological threat while the much larger effects of industrial energy systems, fossil-fuel consumption, land use, and unequal resource consumption are displaced from the discussion.
“Lifeboat ethics”

At its most extreme, ecofascist thinking adopts a form of “lifeboat ethics”: the assumption that resources are becoming so scarce that societies must protect their own populations by excluding outsiders.

Climate disasters can intensify this mentality. As droughts, floods, heat waves, sea-level rise, and food insecurity increase displacement, refugees can be portrayed not as people affected by climate change but as the cause of further environmental decline.

In its most extreme forms, this worldview has intersected with white-supremacist and accelerationist movements. Researchers have documented cases in which perpetrators of mass violence invoked “Great Replacement” ideas alongside environmental or resource-based fears.

The resulting political question changes from:

How do we respond to climate change?
to:
Who gets to survive climate change?

That is a profound shift in the political meaning of climate change.

From the album “Present Tense“

bookmark_borderWoof

[Silence]
[Instrumental Intro: chunky electric guitar, barking saxophone, walking bass, loose drums]

[Intro]
Who’s that talking?
(Who’s that there?)
Making noise
(Everywhere)

Little growl
(Big idea)
Something’s coming
(Now it’s near)

[Verse 1]
You hear a bark
(You look around)
Lookin’ like a land shark
(Attack bound?)

Tail is wagging
(Teeth are showing)
Hard to tell
(Which way it’s going)

[Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Verse 2]
You can talk tough
(You can growl)
You can make a
(You can bark and howl)

[Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Bridge]
Woof!
(What’s that?)

Woof!
(Who’s that?)

Woof!
(Where you at?)

Woof proof!
(That’s that!)

[Break]
Bark!
(In the dark!)

Growl!
(See a moon… howl)

Howl!
(Howl!)

Bow-wow-wow!

[Instrumental: wild guitar solo with barking vocal ad-libs]

[Final Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Outro]
Woof!
(Woof!)

Barking up…
(The wrong tree!)
… obviously

[Fade out]
[Silence]
[End]

From the album “Full Blown“

bookmark_borderGo Get ‘Er

[Silence]
[Instrumental Intro: driving guitar riff, bouncing bass, bright piano, handclaps]

[Intro]
There she goes
(He thinks he knows)
A start of the heart
(Life glows)

Something shining
(Through the haze)
Pulls you in
(And sets ablaze)

Don’t just wonder
(Don’t just wait)
If you want it
(Change your fate)

[Verse 1]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Something happens
(When she’s near)
Suddenly
(The path is clear)

You can dream it
(You can see)
You can wonder
(What could be)

But a dream
(Is just a dream)
‘Til you step into
(The scene)

[Refrain]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

Grab hold of life!
(Relief from strife)
Come alive
(… and thrive…)

[Verse 2]
There’s a moment
(There’s a chance)
Life is calling
(Join the dance)

Don’t be waiting
(For a sign)
Anticipating
(Counting time)

Take the vision
(Make it real)
Take the thought
(Turn to feel)

From imagination
(To the street)
Put your dream
(Into the beat)

[Refrain]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

Go get ‘er!
(Grab hold of life!)
Dreams of rife (life!)

[Bridge]
Dream!
(Seen!)

Seen!
(Scene!)

Be
(Reality)

[Break]
You know…
(Go!)

Get!
(‘Er!)

Go!
(Get ‘er!)

[Instrumental: guitar solo, stomping drums, handclaps]

[Outro]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

[Fade out]
Go get ‘er!
(Go get ‘er!)

Go get ‘er!
(Go!)

Seen: the dream
(Scene: the dream)

[Silence]
[End]

From the album “Full Blown“

bookmark_borderOh, Now I Get…

[Silence]
[Instrumental Intro: 5 seconds of fast psychedelic guitar, fuzz bass, wah-wah, frantic drums]

[Verse 1]
Round and round
(What was that?)
Lost the thread
(Where’s it at?)

[Refrain]
Oh… so…
(Now I get…)
It

It took…
(A bit)
… but…
(Now I get it!)

Got!
(Not forgot)

[Verse 2]
Aha!
(Oh!)
There it is
(Whoa!)

Pieces click
(Into place)
Suddenly
(I know the face)

[Break]
Wait…
(What?)

What?
(Weight!)

Oh!
(Now!)

I…
(Get…)

Got!
(Not: forgot)

[Instrumental: 10-second psychedelic jam — rapid guitar riff, organ swirl, bass dive, drum break]

[Verse 3]
Didn’t see it
(At the start)
Now it’s beating
(In my heart)

Mystery
(Becomes clear)
Funny how
(It disappears)

[Refrain]
Oh… so…
(Now I get…)
It

It took…
(A bit)
… but…
(Now I get it!)

Got!
(Not forgot)

[Final Jam]
Oh!
(Now I get it!)

So!
(Now I see!)

In and out
(… of me!)

Get!
(Got!)

[Outro]
Oh…
(Oh!)

Now I get…

…it!

Got!
(Not forgot)

From the album “Full Blown“

bookmark_borderZoot

[Silence]
[Instrumental Intro: funky psychedelic bass, clipped guitar, Farfisa organ, handclaps, loose drums]

[Intro]
What are we chasing?
(What is the pursuit?)
Something elusive
(Calling it zoot)

Round and around
(We go)
Looking for answers
(… does anybody know?)

Too much!
(Too little!)
Too far!
(Too brittle!)

Somewhere between it all
(There’s a middle)

[Verse 1]
One side says
(Go all the way!)
The other side says
(Stay where you stay!)

[Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

[Verse 2]
Know the answer
(Is not extreme)
The reality
(Is somewhere between)

[Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

[Bridge]
Come on over
(Just a little)
Take a breath
(Meet me in the middle)

You bring your answer
(I’ll bring mine)
Maybe together
(We’ll define time)

[Break]
Zoot!
(Does it suit?)

Root, root, root
(Zoot!)

[Instrumental: psychedelic guitar solo, funky bass, organ stabs, rhythmic vocal chants]

[Final Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

[Outro]
Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

Zoot…
(At the root)

[Fade out]
Zoot, zoot, zoot

[Silence]
[End]

From the album “Full Blown“

bookmark_borderFloating On

[Silence]
[Instrumental Intro: dreamy acoustic guitar, soft electric guitar harmonics, airy synth pad, brushed drums]

[Intro]
Up above
(Where the clouds roll by)
Looking down
(From a changing sky)

No direction
(No destination)
Just a little
(Levitation)

[Verse 1]
Caught a breeze
(And away I went)
Didn’t ask
(Where the wind was sent)

Over rooftops
(Over trees)
Drifting with
(The passing breeze)

Clouds below me
(Clouds above)
Floating through
(The things I love)

[Refrain]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

[Verse 2]
There’s a river
(Far below)
Where it’s headed
(I don’t know)

Birds are flying
(They know why)
We keep drifting
(Through the sky)

[Refrain]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

[Bridge]
Am I drifting
(Or am I free?)

Will the wind
(Just carrying me?)

Do I choose
(The direction?)

Or surrender
(To convection?)

[Break]
Floating…
(Whoa…)

Drifting…
(Yeah…)

Turning…
(Around…)

Never quite
(Touching the ground)

[Instrumental: flowing guitar melody, swirling synth, light percussion]

[Final Chorus]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)

Floating through
(The atmosphere)
Floating far
(And floating near)

Floating on
(Through thick and thin)
Lose my way
(And find it again)

[Outro]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

Floating on…
(Again)

Floating on…
(And on…)

[Silence]
[End]

From the album “Full Blown“

bookmark_borderOut of Touch

[Silence]
[Instrumental Intro: funky psychedelic guitar, bouncing bass, handclaps, electric piano]

[Intro]
Are we connected?
(Or disconnected?)
Are we listening?
(Or just predicting?)

Just more talking
(Out loud)
But who’s really reaching
(Through the crowd?)

[Verse 1]
Phone in my hand
(World in my face)
Messages flying
(All over the place)

[Refrain]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

[Verse 2]
Touch the screen
(Feel the glass)
Touch the future
(Watch it pass)

Touch the numbers
(Touch the chart)
Touch the data
(Forgot the heart)

[Refrain]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

[Verse 3]
Out of touch
(Out of mind)
Out of sight
(Undefined)
[Bridge]
Reach out!
(Find out!)

Look around!
(Look around!)

Touch the ground!
(Hear the sound!)

Hear it here

[Break]
Touch!
(Much!)

Shout Out!
(Reach out!)

Touch and such…
(Find out!)

[Instrumental: funky guitar and bass groove, call-and-response vocals]

[Outro]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

(Shout:)
Reach out!

[Fade out]
[Silence]
[End]

From the album “Full Blown“

bookmark_borderNever Mind

[Silence]
[Instrumental Intro: jangly acoustic guitar, playful bass, handclaps, whimsical piano]

[Intro]
Never say never
(Never mind)
Maybe forever
(Is hard to find)

Words can wander
(Left and right)
Thoughts can wander
(Out of sight)

… or… into the light

[Verse 1]
You said never
(I said mind)
Somewhere in between
(The being we’ll find)

[Refrain]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind
(Is never in mind)
You’ll find…
(Nevermind)
Far, far behind

Oh, never mind
(The kind kind…)
Find the kind
(Bind)

[Verse 2]
Let’s go
(Let’s ride)
Put the ego
(To the side)

[Pre-Chorus]
Mind your manners
(Mind your mind)
Leave a little kindness
(For mankind)

Escape the tomb
(Find the space)
Leave a little room
(For some grace)

[Refrain]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind
(Is never in mind)
You’ll find…
(Nevermind)
Far, far behind

Oh, never mind
(The kind kind…)
Find the kind
(Bind)

[Verse 3]
A word can cut
(A word can heal)
A thought can hide
(What you really feel)

A little kindness
(Costs so little)
But somehow kindness
(Can solve the riddle)

If you’re looking
(For a sign)
… look for
(Some kind)

If you’re searching
(For a way)
Give a little
(Away each day)

[Bridge]
Never mind!
(Never mind!)

Mind the kind!
(The kind kind!)

Kind the mind!
(Mind the kind!)

Find the bind!
(Leavin’ troubles behind!)

What connects us?
(Kindness!)

What protects us?
(Kindness!)

[Break]
Never…
(Never!)

Mind…
(Mind!)

Never mind!
(Kind!)

Kind!
(Kind!)

[Instrumental: upbeat psychedelic guitar, bouncing bass, piano fills]

[Outro]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind…
(Is never in mind)

You’ll find…
(The kind kind…)
In the light
(Alright?)

You’ll find…
(Delight…)
In the light
(All right!)

[Fade out]
[Silence]

[End]

From the album “Full Blown“

bookmark_borderHidden in Plain Sight

[Silence]
[Instrumental Intro: sly psychedelic guitar, bouncing bass, dry snare, playful organ]

[Verse 1]
There it is
(There it was)
Nothing hidden
(Our “because”)

Standing right there
(In the light)
The plight of might
(In plain sight)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Verse 2]
Read the writing
(On the wall)
Hear the warning
(Watch the fall)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Bridge]
Feedback calling
(Back again)
Round and round
(Where does it end?)

No conspiracy
(No disguise)
Just consequences
(Before our eyes)

And the strangest part…
(Deep in our heart…)

We already knew.
(No, there’s nothing new.)
Know we already knew!

[Instrumental Break: psychedelic guitar riff, organ stabs, handclaps]

What was shocking
(Becomes normal)
What was abnormal
(Becomes formal)

And we wonder
(How’d we get here?)
While the answer
(Is perfectly clear)

[Pre-Chorus]
No surprise
(Right before our eyes)
No mystery
(Just reality)

[Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
It’s what we do
(Me and you)
What we did…
(Would you call it:)
Splendid?

[Verse 5]
Maybe splendid
(Is the word)
For the clever
(And absurd)

Build it higher
(Build it fast)
Make tomorrow
(Look like past)

Take the warning
(Shake it loose)
Make the future
(Our excuse)

Then when consequences
(come around)
Ask who made
(The awful sound?)

Was it nature?
(Was it fate?)
Was it someone
(Too damn late?)

Or was it us
(Me and you)
Doing what we
(Always do?)

[Final Chorus]
In broad daylight
(Hidden in plain sight)
No surprise
(Right before our eyes)

What we choose
(What we lose)
What we make
(What we break)

All the things
(We can’t undo)
All the things
(Me and you)

[Final Refrain]
In broad daylight
(Hidden in plain sight)
There’s no need
(To bleed to concede)

No surprise…
(Right before our eyes)
Is what we do
(Me and you)
What we did…

(Would you call it:)

Splendid?

[Outro]
Hidden…

(In plain sight)

Nothing hidden…

(Just our slight)

Look again…

(No more “begin”…)

[Silence]

[End]

“Present Tense“

bookmark_borderIn the Air

[Silence]
[Instrumental Intro: airy synth, shimmering guitar, slow pulsing bass]

[Verse 1]
Something’s floating
(All around)
Something’s moving
(Without a sound)

Can’t quite see it
(But it’s there)
Can’t quite touch it
(In the air)

… just breathe
(You’ll believe)

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Verse 2]
Look around you
(What do you see?)
Look beyond you
(What could it be?)

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Bridge]
Can you feel it?
(Can you?)
Can you see it?
(See through?)

Reality doesn’t need
(Your permission)
To become
(A condition)

[Instrumental: atmospheric guitar delay, pulsing electronic rhythm]

[Refrain]
Aware
(Is in the air)
See
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Final Chorus]
Aware!
(Is in the air!)
See!
(Reality!)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Outro]
Aware
(Is in the air)
Beware
(It’s everywhere)

See
(Reality)
Breathe
(Reality)

Is there
(Any fair)
There?

Well…
(Do tell…)
How did you fare?

[Silence]

[End]

“Present Tense“

bookmark_borderGather the Pieces

[Silence]
[Instrumental Intro: Bright psychedelic guitar, bouncing bass, handclaps, sudden drum fills]

[Verse 1]
Something broke
(There she goes)
Another crack
(Off the track)

Pieces flying
(Through the air)
Who’s collecting?
(Who’s aware?)

[Pre-Chorus]
Hold on tight
(Do what’s right)
Find the thread
(Before it’s dead)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Verse 2]
Storm comes in
(Here we go)
Takes a turn
(Watch it flow)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Instrumental Jam I]
[Wah-wah guitar / funky bass / psychedelic organ]

Gather!
(The pieces!)
Scatter!
(The peaces!)

Peace!
(The peaces!)
Piece!
(The pieces!)

[Bridge]
Inflow
(Outflow)
Push and pull
(Watch know grow)

Shine what’s fine
(Down the line)
Let ‘er flow
(And let it go)

[Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Psychedelic Jam II]
[Drums drop out / bass and guitar pulse]

[Final Refrain]
Extreme scream
(Never ceases)
Better gather the pieces
(Rather scatter the peaces)

You know
(An inflow)
And… let ‘er go
(Shine what’s fine)

[Outro]
Extreme scream
(Never ceases)
Aware of the pieces
(Share the peaces!)

Shine what’s fine…
(Down the line…)

And let ‘er know…
(See the show…)

[Silence]

From the album “Full Blown“

“Present Tense“

bookmark_borderHurricaneless

[Silence]
[Instrumental Intro: ’60s surf guitar, spring reverb, pulsing bass, psychedelic organ]

[Intro]
Where’s the hurricane?
(None yet found)
Where’s the hurricane?
(None spinnin’ round)
Round (and round) and…

[Verse 1]
No hurricane
(But don’t yawn)
Climate energy
(Movin’ on!)

Pacific heat
(Coming strong)
‘lantic Niña
(What’s going on?)

[Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What the amuck)
Run amuck
(A-mock)
AMOC

Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)

[Verse 2]
These degrees
(Above the norm)
Eastern Pacific
(Heat is born)

Across the ocean
(What a ride)
Atmosphere
(Along for the tide)

[Pre-Chorus]
Wind shear
(Near!)

Hurricane fuel
(Don’t be a fool)

[Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What the amuck)
Run amuck
(A-mock)
AMOC

Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)

[Psychedelic Jam I]
[Surf guitar / wah-wah / swirling organ]

No hurricane…
(Instead nor’easter pain!)
No hurricane?
(Feel it in the coastal strain)

Where’s it going?
(Pounding sand)
What’s connected?
(Man’s dammed demand)

AMOC!
(A-mock!)
AMOC!
(A-muck!)

[Instrumental, Whistle Solo]
A little change
(Here and there)
Can travel farther
(Than you dare!)

[Bridge]
Butterfly!
(Flap!)
Across the sky!
(Flap!)

One basin
(Talks to another)
One pattern
(Becomes its brother)

Teleconnection!
(What’s the connection?)
Feedback!
(Feed back! Way back!)

Round and round
(The energy goes)
From where it starts
(To who knows?)

[Psychedelic Jam II]
[Extended instrumental — frantic surf guitar, bass, organ, handclaps]

Hurricaneless!
(Nevertheless!)
Hurricaneless!
(Don’t be impressed!)

Quiet?
(No!)
Calm?
(No!)

Redistributed!
(World absurd!)

[Verse 4]
So don’t mistake
(A quiet sea)
For a lack of…
(Calamity)

[Final Refrain]
Hurricaneless
(Nevertheless)
No reason to yawn
(No, don’t be calm)
Awestruck
(What Fffff… stuck)
Run amuck
(A-mock)
AMOC

[Outro]
Chaos butterfly
(Flyin’ by)
Teleconnection
(Infection)
Feedin’ back
(Way back, back, back)

Ride that tide
(See ya on the flipside)
Feedin’ back
(Way back, back, back)
[Fade out]
Feedin’ back
(Way back, back, back)

Ride that tide…
(See ya on the flipside)

[Surf Guitar Fade]

[Silence]
[End]


Climate Energy Is Being Redistributed

About the Song: Why Hasn’t There Been a Hurricane?
Climate Energy Is Being Redistributed
The absence of hurricanes isn’t evidence that the climate system is becoming less energetic. It is the opposite: climate energy is being redistributed in ways that produce very different outcomes in different parts of the planet.

As of September 23, the Atlantic has produced six named storms but still has produced zero hurricanes—an exceptionally delayed first hurricane. NOAA’s current summary shows Atlantic ACE about 92% below the 1991–2020 average at this point in the season.

The alarming part isn’t simply the lack of hurricanes. It’s the apparent coupling of climate patterns that historically operated more independently. I first warned about this Pacific El Niño–Atlantic Niña coupling back in May. Now, as we progress this far into the season, the observations are providing an unusually clear real-world example of how teleconnections can link distant parts of the climate system.

The simultaneous occurrence of an extreme Pacific El Niño and an anomalous Atlantic Niña represents a significant disruption of the historical baseline. NOAA reports that the El Niño is strengthening, with eastern equatorial Pacific sea-surface temperatures already more than 3°C above average.

An Atlantic Niña can suppress Atlantic hurricane development through increased atmospheric stability and wind shear. So there is a relatively straightforward physical explanation for the quiet Atlantic. But I think the deeper question is why these large-scale ocean–atmosphere patterns are coupling so strongly in the first place.

That’s where climate-acceleration research comes in. I see this as evidence worth watching for increasingly interconnected feedbacks and teleconnections—changes in ocean circulation, atmospheric circulation, energy redistribution, and the hydrologic and carbon cycles that can influence one another across ocean basins.

In other words, the absence of hurricanes isn’t evidence that the climate system is becoming less energetic. It is the opposite: climate energy is being redistributed in ways that produce very different outcomes in different parts of the planet.

It may manifest as a powerful, rare September nor’easter hitting the Jersey Shore.

Why Hasn’t There Been a Hurricane? Climate Energy Is Being Redistributed

“Present Tense“