bookmark_borderThresholds and Tripwires

[Intro]
Low and behold…
There’s a fine line…
A number is told
As the story unfolds…

[Verse 1]
One point four
Then one point five
Nothing magical
Keeps us alive

A threshold ain’t
A brick wall
It’s a place
Where the odds change “over all”

A warning line
In a moving game
The situation changes
But the stakes ain’t the same

[Pre-Chorus]
One more chance
One last glance
One more dance

The wire is waiting
Hidden from view
You don’t know exactly
What it will do to you

[Refrain]
Low and behold…
(… through…)
… the threshold…

Trip (trip) tripin’
(Over the wire)
Trippin’…
(Into the dire)

[Verse 2]
Surprisingly…
Ain’t a magic door
Where everything suddenly
Gets worse than before

It’s probability
Stacked in the air
Feedbacks awakening
Everywhere

[Refrain]
Low and behold…
(… through…)
… the threshold…

Trip (trip) tripin’
(Over the wire)
Trippin’…
(Into the dire)

[Bridge]
One tripwire…
slight time transpire…
… tripwire…
(Wrapped in barbwire)

You thought there’d be
A warning light
A siren
A flashing sign

Surprise?
(Open your eyes)

Nothing new (knew)
All your fears…
(Have been known for years)

[Instrumental]

So don’t ask me
(If you can see)
The scene (is seen)

[Refrain]
Low and behold…
(… through…)
… the threshold…

Trip (trip) tripin’
(Over the wire)
Trippin’…
(Into the dire)

[Outro]
Low and behold…
(… probability)
The threshold…

Trip (trip) tripin’
(Over the wire)
Trippin’…
(Into the dire)

One point five…
(Still alive)

One point five…
(Now try to survive…)

Trip (trip) trippin’
… the tripwire…
Tripwire…
… wire…
… wire…
… dire…


Climate Change: The 1.5C Tripwire

About the Song
The 1.5°C threshold identified in the Paris Agreement—and the roughly 2°C level generally regarded as an even more dangerous boundary—is not important because the difference between 1.4°C and 1.5°C is somehow magical. These numbers matter because increasing global temperatures raise the probability of triggering major climate tipping points.

And once tipping points begin to activate, the question of whether warming ultimately reaches 2°C, 3°C, or even 4–7°C becomes much less relevant for two fundamental reasons:

First, tipping points can initiate self-reinforcing feedbacks that continue driving change even after the original forcing changes.

Second, the impacts do not necessarily increase gradually with temperature. They can accelerate, compound, and cascade as interconnected systems begin to destabilize.

In other words, 1.5°C is not a destination. It is not merely a warning sign or an alarm. It is a tripwire.

From the album “Feedback Coupling“

bookmark_borderFeedback Network

[Intro]
Feedback loop and tipping-point network: it starts at the top of the world… and works its way down to Middle Earth, where our girth is actually slowing the planet’s rotation. Welcome to the present.

Starting at the top…
(Top of the world)
Place is changing…
(Things are rearranging)

Down from the poles…
(Into the whole)
A little change
(Becomes something strange)

[Verse 1]
Up where the cold wind blows
(Where the white world glows)
Ice is losing ground
(And the heat comes round)

Pole to pole
(Losing control)
The gradient weakens
(The system awakens)

Difference gets smaller
(The feedback gets taller)

[Pre-Chorus]
Move the mass
(Change the spin)
One more coupling
(Let it begin)

[Refrain]
Starting on top of the world
(Coming unfurled)
Working down to the middle
(Creating an existential riddle)

Are you slowing down
(Spinning round)
Down, down, down
(Hey! Hey! Hey!)
Changing the time of day

[Verse 2]
The equator
(The pole)
Used to have a different role
(For sure)

Hot and cold
(High and low)
Set the gradient
(Watch it go)

That old difference
(Doesn’t last)
Energy moves
(Into different grooves)

And down below
(Feel the water flow)

[Refrain]
Starting on top of the world
(Coming unfurled)
Working down to the middle
(Creating an existential riddle)

Are you slowing down
(Spinning round)
Down, down, down
(Hey! Hey! Hey!)
Changing the time of day

[Verse 3]
Welcome to Middle Earth
(What’s that really worth?)
Our girth
(Has some worth)

Shift the distribution
(Change the rotation)
Tiny little change
The system’s sure strange)

Begin!
(Spin!)
Mass!
(Fast!)
Move!
(Prove!)
Time!
(And time again!)

Top of the world!
(Down to the middle!)
Top of the world!
(Down to the middle!)

[Verse 4]
Atomic clocks
(Watch the rocks)
Earth rotation
(Observation)

A tiny variation
(In the rotation)
Becomes information
(About the whole system)

[Bridge]
One system…
(Many parts)
One pulse…
(Many hearts)

Mass…
(Spin…)
Time…
(Begin!)

A change up there
(Travels down here)
A change over there
(Alter what’s near)

Amplification!
(Redistribution!)
Mass!
(Rearrangement!)

Inertia!
(Yeah, yeah, yeah!)
Introspection
(Rotation!)

Hey!
(Hey!)

Hey!
(Hey!)

HEY!

[Refrain]
Starting on top of the world
(Coming unfurled)
Working down to the middle
(Creating an existential riddle)

Are you slowing down
(Spinning round)
Down, down, down
(Hey! Hey! Hey!)
Changing the time of day

Starting on top of the world
(Coming unfurled)
Working down to the middle
(Find a piece of the riddle)

Are you slowing down
(Spinning round)
Down, down, down
(Hey! Hey! Hey!)
Changing the time of day

[Final Refrain]
Starting on top of the world
(Coming unfurled)
Working down to the middle
(Creating an existential riddle)

[Outro]
Are you slowing down
(Spinning round)
Down, down, down
(Hey! Hey! Hey!)
Changing the time of day

Starting at the top…
(Down to the middle)

Feedback coupling…
(It’s all connected)

Round and round…
(The network’s turning)

Day by day…
(Time keeps changing)

Round and round…
(Down, down, down…)

Hey! Hey! Hey!
(The time of day)


Climate feedbacks interact, couple, and amplify.

About the Song
Feedback loop and tipping-point network: it starts at the top of the world… and works its way down to Middle Earth, where our girth is actually slowing the planet’s rotation. Welcome to the present.

Polar amplification → weakened equator-to-pole temperature gradients → planetary mass redistribution → altered moment of inertia → rotational dynamics → slight rotational slowing → changes in length of day.

→ Feedback Loop and Tipping-Point Network

About the Song
Feedback loop and tipping-point network: it starts at the top of the world… and works its way down to Middle Earth, where our girth is actually slowing the planet’s rotation. Welcome to the present.

Polar amplification → weakened equator-to-pole temperature gradients → planetary mass redistribution → altered moment of inertia → rotational dynamics → slight rotational slowing → changes in length of day.


Today’s new release, “Feedback Network,” is also tonight’s homework assignment: create a theme-song sound for the next eco-rock album, “Feedback Coupling.”

The song is about a remarkably strange consequence of climate change: humanity is, in a very literal sense, changing the length of the day.

As polar ice melts and mass is redistributed through the Earth system, the planet’s rotation can change slightly. The effect is tiny—but measurable, and large enough to create challenges for keeping highly precise time in scientific and technical applications.

It’s a little like the Y2K problem of 1999. Y2K involved a seemingly tiny detail in computer code—the way years were represented—that became important because modern systems depended on precise timekeeping.

This is different, of course. Here, the problem isn’t a coding convention. It’s the Earth itself changing how it rotates.

And that matters for systems that depend on extremely precise timing and positioning—particularly GPS and other satellite-based technologies.

The irony is pretty remarkable:

We changed the climate.

The climate changed the planet.

And now we’re having to account for the change in the clock.

This song is my attempt to translate that feedback network into sound.

It’s experimental audio science.

The track begins with a clean acoustic/electric guitar signal, running through a digital delay and distortion pedal. The guitar starts relatively clean and acoustic. Then the distortion enters, followed by increasing digital-delay feedback.

Next, a live synthesizer joins the network.

Again, the signal begins clean.

Then it becomes distorted.

Then delayed.

Then the delay feeds back into itself.

And the guitar and synth begin interacting as a coupled system.

Clean signal → distortion → delay → feedback → synth → distortion → delay → feedback.

The musical system starts behaving a little like the climate system I’m trying to describe: one change feeds into another, which feeds back into the first, creating something larger and increasingly complex.

By the end, we’ve arrived at some serious feedback coupling.

Welcome to “Feedback Network.”

And welcome to “Feedback Coupling.”

From the album “Feedback Coupling“

bookmark_borderFinding

[Intro]
Looking…
(Looking around)
Searching…
(What can be found?)

Under the clouds
(Beneath the gray)
There’s still a little light
(That found a way)

[Verse 1]
Woke up this morning
(The sky was gray)
Didn’t stop the sunrise
(It found its way)

Through every crack
(Through every seam)
A little bit of brightness
(Like a waking dream)

[Refrain]
Finding light
(Beneath the cloud)
Feeling alright
(Shout out loud:)

Find the kind light
(Shine, shine, shine)
And, you’ll feel fine
(Shine, shine, shine)

Be the light
(Be delight)
Shine

[Verse 2]
Why are you’re waiting
(For someone to care)
Why bother hoping
(That somebody’s there)

Give a little comfort
(Give a little grace)
Put a little kindness
(Into every place)

A smile in the doorway
(A hand in the rain)
A word that shows a way
(Out of their pain)

[Refrain]
Finding light
(Beneath the cloud)
Feeling alright
(Shout out loud:)

Find the kind light
(Shine, shine, shine)
And, you’ll feel fine
(Shine, shine, shine)

Be the light
(Be delight)
Shine

Shine!
(Shine!)
Shine!
(Shine!)
Shine!
(Shine, shine, shine!)

[Bridge]
You give me yours
(I give you mine)
A little more
(A little more shine)

Find it!
(Find it!)
Feel it!
(Feel it!)

Give it!
(Give it!)
Be it!
(Be it!)

Find the light!
(Beneath the cloud!)
Find the kind light!
(Shout it out!)

[Final Refrain]
Finding light
(Beneath the cloud)
Feeling alright
(Shout out loud:)

[Outro]
Find the kind light
(Shine, shine, shine)
And, you’ll feel fine
(Shine, shine, shine)

Be the light
(Be delight)
Shine!

Finding light
(Beneath the cloud)
Raise above
(Shout it loud!)
Shine the love!

Find the kind light
(Shine, shine, shine)
And, you’ll feel fine
(Shine, shine, shine)

Be the light
(Be delight)
Shine!
Shine!
Shine!

Give it…
(Live it…)
Shine…
(Shine, shine, shine)

Shine…
(Shine, shine, shine)

Shine!

From the album “Full Blown“

bookmark_borderNo You Turn

[Intro]
Where ya goin’?
(Where ya been?)
Missed the sign?
(Here we go again!)

Left turn…
(Right turn…)
Round and round
(Watch that burn!)

No…
(No!)
You…
(You!)
Turn!

[Verse 1]
Cruisin’ down the highway
(What a beautiful day)
Wind’s blowin’ through
(What ya gonna do?)

There’s a sign up ahead
(Read what it said)
But you blew right by
(Why, oh why?)

[Refrain]
Did you read the sign?
(No you turn)
Guess you’re soon to learn
(You can’t go back in time)

No you turn!
(Know no!)
No you turn!
(Oh, whoa, whoa!)

Did you read the sign?
(Too late now)
Guess you’re soon to learn
(You can’t turn back nohow)

[Verse 2]
Maybe you thought
(You could make a U)
Turn around
(And start anew)

Yesterday
(Has gone away)
Tomorrow
(Is on its way)

Right here
(Right now)
Is where you are
(And that’s how)

U-turn!
(No you turn!)
U-turn!
(Live and learn!)

Left!
(Right!)
Forward!
(Outta sight!)

[Refrain]
Did you read the sign?
(No you turn)
Guess you’re soon to learn
(You can’t go back in time)

[Outro]
No you turn!
(Know no!)
No you turn!
(Return to “go”!)

Did you read the sign?
(See the warning)
Guess you’re soon to learn
(There’s no reverse this morning)

From the album “Full Blown“

bookmark_borderSo the Story Goes…

[Silence]
[Instrumental: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Harmonica, Tribal Percussion, Electric Slide Guitar]

[Intro]
And, so the story goes…
(Among friends and foes)

Posing….
(Oh, I don’t know)
Supposing
(To and fro)

And, so the story goes…
(Among friends and foes)

The vanity
(The insanity)

Posing….
(Oh, I don’t know)
Supposing
(To and fro)

Forsaking (humanity)
The vain (are insane)

And, so the story goes…
(Among friends and foes)

Pretending… (no one knows)

And, so the story goes…
(Among friends and foes)
Came to? (No, froze)
Doze (with those)

[Outro]
The vanity
(The insanity)

Posing….
(Oh, I don’t know)
Supposing
(To and fro)

Came to? (No, froze)
Forsaking (humanity)
The vain (are insane)

Does doze (…with those)

And, so the story goes…
(Among friends and foes)

From the album “Present Tense“

bookmark_borderWavy

[Intro]
[Surf Guitar Riff, Tremolo, Wavy Synth]
Waa-a-a-a-vy…
(Wave after wave)
Up and down
(That’s how we behave)

[Sine Sweep]
Round and round
(Back again)
Crest and trough
(Where does it end?)
… where does it begin?

[Verse 1]
Something’s moving
(Through the air)
Something’s grooving
(Everywhere)

Push and pull
(High and low)
Here it comes
(There it goes)

Cresting high
(Dropping low)
Feel the rhythm
(Watch it flow)

[Pre-Chorus]
Is it matter?
(Is it motion?)
Is it energy?
(In the ocean?)

Oscillation
(Back and forth)
Frequency
(From south to north)

[Refrain]
Wavy…
(From what I can see)
Wavy…
(Coming to be)

There’s a sign
(In the sine)
The amplitude
(Of the attitude)

In a wave haze
(Wave haze)

[Verse 2]
Sine of time
(Sine of space)
Phase it out
(Find our place)

Positive
(Negative)
Relative
(Subjective)

Rise and fall
(Curve and bend)
Does a wave
(Have an end?)

[Instrumental]
[Surf Guitar, Synth Arpeggio, Theremin-Like Lead]
Waa-a-a-a-vy…
[Crest!]
[Trough!]
[Crest!]
[Trough!]

[Verse 3]
Amplitude’s attitude
(How high? How low?)
Energy in motion
(Watch it go)

Long wavelength
(Laid back)
Short wavelength
(Quick attack)

High frequency
(Run it fast)
Low frequency
(Make it last)

[Pre-Chorus]
Can you hear it?
(Can you feel?)
Can you measure
(What is real?)

[Refrain]
Wavy…
(From what I can see)
Wavy…
(Coming to be)

There’s a sign
(In the sine)
The amplitude
(Of the attitude)

In a wave haze
(Wave haze)

[Bridge]
[Half-Time, Deep Bass, Swirling Synth]
What’s a wave
Without a motion?
(That’s a question!)

What’s a wave
Without energy?
(Can’t you see?)

It’s all around
(Up and down)
Moving through
(The here and now)

[Build]
Crest!
(Crest!)
Trough!
(Trough!)
Rise!
(Fall!)
Wave!
(Wave!)
All!

[Final Refrain]
Wavy…
(From what I can see)
Wavy…
(Coming to be)

There’s a sign
(In the sine)
The amplitude
(Of the attitude)

[Outro]
In a wave haze
(Wave haze)

Wavy…
(High and low)
Wavy…
(Here we go)

Cresting…
(Falling…)
Rolling…
(Calling…)

Wavy…
(From what I can see)
Wavy…
(Coming to be)

[Surf Guitar Fades, Wavy Synth Pulses]
Wavy…
(Wave after wave)

Wavy…
(That’s how we behave)

Wavy…
(Wave haze)

Wavy…
(Wave days…)

Waa-a-a-a-vy…

[Silence]

[End]

From the album “Full Blown“

bookmark_borderNuts!

[Intro]
Brazil…
(Hazel…)
Macadamia…

(NUTS!)

What’d you say?
(Nuts!)
I said…
(NUTS!)

[Verse 1]
Crack one open
(Look inside)
Hard outer shell
(Fragile on the inside)

[Refrain]
Brazil, Hazel, Macadamia
(Nuts!)
Brazil fill
(Macadamia mania)
Nuts!

Have you all gone…
(Nuts?!?!)

Nuts…
(No ifs, ands, or buts)
Insane in the membrane
(Crazy… void of reality)

[Verse 2]
One says, “I’m right!”
(Another says, “No!”)
One says, “See the light!”
(Neither wanna know)

Facts on the table
(Still can’t agree)
Reality knocking
(But nobody’s home… apparently)

[Refrain]
Brazil, Hazel, Macadamia
(Nuts!)
Brazil fill
(Macadamia mania)
Nuts!

Have you all gone…
(Nuts?!?!)

Nuts…
(No ifs, ands, or buts)
Insane in the membrane
(Crazy… void of reality)

[Instrumental]
[Fast Bass / Wah-Wah Guitar / Percussion / Crowd Chant]
[Bridge]
[Beat Drops / Deep Bass / Spoken Vocal]

Are you nuts?

(Less brains then guts?)

Are you crazy?

(Maybe.)

[Beat Returns]

[Refrain]
Brazil, Hazel, Macadamia
(Nuts!)
Brazil fill
(Macadamia mania)
Nuts!

Have you all gone…
(Nuts?!?!)

Nuts…
(No ifs, ands, or buts)
Insane in the membrane
(Crazy… void of reality)

[Breakdown]
[Half-Time / Bass / Finger Snaps]

Toys in the attic
(Sick, sick, sick)

Bats in the belfry
(Obviously)

[Final Refrain]
Brazil, Hazel, Macadamia
(Nuts!)
Brazil fill
(Macadamia mania)
Nuts!

Have you all gone…
(Nuts?!?!)

[Outro]
Nuts…
(No ifs, ands, or buts)
Insane in the membrane
(Crazy… void of reality)

… less vain…
(…more sane!)

[Wah-Wah Guitar / Handclaps / Laughter / Percussion]

[Final Guitar Riff]

[Silence]

From the album “Full Blown“

bookmark_borderIt’s All Fun and Games

[Style: Psychedelic Garage-Rock / Funk-Rock ]

[Intro]
Step right up!
(Come on in!)

Everybody’s playing!
(Begin)

Name that game!

[Verse 1]
It’s a game of chance
(A game of skill)
A game of circumstance
(And human will)

Cards on the table
(What’s the deal?)
Spinning the wheel
(How do you feel?)

[Refrain]
It’s all fun and games
(Until someone loses an eye)
When the whole world’s gone insane…
(Don’t lose an I)

I think…
(Therefore I am!)
Again and again

(Begin.)

[Verse 2]
I think therefore I am
(Descartes!)
I think spacetime
(That’s smart!)

I think therefore I wonder
(What’s going on?)
I think therefore I notice
(When something’s wrong)

[Pre-Chorus]
So open up your eyes
(Open up your mind)
Maybe there’s a little something
(That you left behind)

An “I” can be a person
(An eye can see)
An “I” can be an ego
(What’s it gonna be?)

[Refrain]
It’s all fun and games
(Until someone loses an eye)
When the whole world’s gone insane…
(Don’t lose an I)

I think…
(Therefore I am!)
Again and again

(Begin.)

[Bridge]
[Beat Drops / Distorted Guitar / Spoken Vocal]

It’s all fun and games…
(Until…)
The game becomes reality
(… and you can no longer see)

[Full Band Hit]

This is crisis!

[Instrumental]
[Wah-Wah Guitar / Organ / Cowbell / Crowd Chant]

I!

(Eye!)

I!

(Eye!)

I think!

(Therefore I am!)

[Pre-Chorus]
Because an “I”
(Can be an eye)
And an eye
(Can finally see)

[Refrain]
It’s all fun and games
(Until someone loses an eye)
When the whole world’s gone insane…
(Don’t lose an I)

I think…
(Therefore I am!)
Again and again

[Breakdown]
[Minimal Bass / Finger Snaps]
[Final Bridge]
[Band Builds / Multiple Vocal Layers]

I think…
(Therefore I am!)
My place in spacetime

[Final Refrain]
It’s all fun and games
(Until someone loses an eye)
When the whole world’s gone insane…
(Don’t lose an I)

[Outro]
I think…
(Therefore I am!)
Again and again

It’s all fun and games
(But reality remains)
Keep your eye on the world
(And your I in the game!)

[Game Show Organ / Guitar Feedback / Laughter]

I!
(Eye!)

I!
(Eye!)

Think!

Again…

(And again…)

[Final Hit]

I think…

(Therefore I am!)

[Silence]

From the album “Full Blown“

bookmark_borderHumanity’s Greatest Threat

[Intro]
Look around…
(What do you see?)
What is found…
(Reality.)

[Verse 1]
We built our cities
(Out of the ground)
We built our highways
(All around)

We built our factories
(We built our machines)
We built our systems
(And all the in-betweens)

We thought we stood
(Outside the scene)
Looking down
(At the living machine)

But every breath
(Every bite)
Every drop
(Every night)

[Pre-Chorus]
We’re not visitors
(We’re participants)
Not observers
(… inhabitants)

[Refrain]
Humanity’s greatest threat
(You bet…)
Humanity

The insanity
(Of self-imposed destiny)
… I mean really..
(Reality)

[Verse 2]
More energy coming in
(Than going out)
That’s the imbalance
(Without a doubt)

Joules moving
(Here and there)
Heat accumulating
(Almost everywhere)

We call it climate
(We call it change)
But underneath it
(The energy rearranges)

[Pre-Chorus]
And when the system shifts
(The system responds)
Feedbacks start coupling
(They don’t ask our bonds)

[Refrain]
Humanity’s greatest threat
(You bet…)
Humanity

The insanity
(Of self-imposed destiny)
… I mean really..
(Reality)

[Verse 3]
We draw a boundary
(And call it mine)
Put up a fence
(Draw a line)

“This is private!”
(This is public!)
“This is ours!”
(This is subject!)

[Bridge]
Human…
(Humane?)
Nature…
(For sure.)

So why…
(Don’t we try…)
Why? Why? Why!

(Have we forgot…)
Separate…
(We’re not.)

Who are we?
(Humanity!)
Come on… really…
(Where are we?)
We had our birth on Earth!
(Nature!)
… For sure.

[Final Refrain]
Humanity’s greatest threat
(You bet…)
Humanity

The insanity
(Of self-imposed destiny)
… I mean really..
(Reality)

[Outro]
Humanity’s greatest threat
(Can become the solution)

Humanity…
(Through restoration)

The insanity
(Can become clarity)

Self-imposed destiny…
(Change the trajectory)

Energy imbalance…
(Find the balance.)

Climate change…
(Rearrange.)

Humanity…
(Seek clarity…)
We are nature.
We are nature…
(That’s for sure)


Energy Imbalance → Climate Change → The Solution = Balance

About the Song
Humanity’s Greatest Threat Is Humanity
Energy Imbalance → Climate Change
The Solution = Balance

Human beings are part of nature.

We cannot separate ourselves from the natural systems that sustain us.

Balance with nature requires understanding that human communities are participants in ecosystems—not observers standing outside them.

The goal is not to eliminate human interaction with nature.

It is to make that interaction sustainable.

We must restore the balance.

We are nature.

The Solution = Balance

From the album “Present Tense“

bookmark_borderPhenology


Disruption in Pennsylvania's Sylvania

[Intro]
Listen…
(What’s that?)

The forest is talking…
(What’s it saying?)

Timing…
(Timing?)

Everything’s in the timing…

[Verse 1]
Spring came early
(What did you say?)
Trees woke up
(Before the day)

Buds unfolding
(Birds take flight)
Roots are moving
(Into the light)

[Refrain]
A man-made
(Cascade)
… of ecological disruptions
(Biological interruptions)

Messin’ with the lifecycle
(Holding mankind liable)
… a phenology tragedy

[Verse 2]
Phenology
(What’s that?)
The study of timing
(That’s that!)

When leaves unfold
(When flowers bloom)
When insects emerge
(When birds resume)

When trees put out
(Their tender leaves)
When caterpillars hatch
(Before the freeze)

When pollinators arrive
(When food is there)
When everybody’s ready
(But nobody’s prepared)

[Refrain]
A man-made
(Cascade)
… of ecological disruptions
(Biological interruptions)

Messin’ with the lifecycle
(Holding mankind liable)
… a phenology tragedy

[Bridge]
It’s not just hot…
(That we’ve got.)
Things aren’t rhyming
(It’s the timing.)

Tick-tock…
(Tick-tock…)
Bud break!
(Break!)

Leaves
(Leaving)

Flower!
(Power!)

Tick-tock…
(Tick-tock…)

Who’s keeping time?

[Refrain]
A man-made
(Cascade)
… of ecological disruptions
(Biological interruptions)

Messin’ with the lifecycle
(Holding mankind liable)
… a phenology tragedy

[Breakdown]
Phenology…
(Phenology…)

Messin’ with biology

[Final Refrain]
A man-made
(Cascade)
… of ecological disruptions
(Biological interruptions)

Messin’ with the lifecycle
(Holding mankind liable)
… a phenology tragedy

[Outro]
A man-made
(Cascade)
Changing the forest’s functions

Messin’ with the lifecycle
(Changing who’s viable)
… a phenology tragedy

Autumn came late…
(We changed the date.)

About the Song
Phenology: The Study of Biological Lifecycle Events

Disruption in Pennsylvania’s Sylvania
Pennsylvania’s forests are being disrupted by accelerating seasonal expansion—the lengthening of warm-season conditions into spring and autumn. The change is doing more than making individual days warmer. It is altering the timing of tree life cycles, increasing ecological vulnerabilities, and shifting which species can successfully survive and reproduce.

As summer-like conditions expand into early spring and late autumn, biological events known as phenology are increasingly occurring outside the historical weather conditions to which Pennsylvania’s forests evolved.

The result is a cascade of ecological disruptions.

Phenology: Disruption in Penn’s Sylvania

From the album “Present Tense“

bookmark_borderForever Summer

[Intro]
[Surf Guitar Tremolo / Beach Drums / Distant Seagulls]

Wake up…
(It’s still summer!)
Look outside…
(Autumn… can’t get some)

Check the calendar…
(Become aware)
Check it again…
(Still there!)

[Verse 1]
Spring came early
(Summer came sooner)
Warm air rolling
(Like a late-night rumor)

Flowers blooming
(Birds confused)
Everybody wondering
(What’s the news?)

[Refrain]
Accelerating
(Seasonal Expansion)
Exasperating
(Reason in suspension)

Forever summer…
(… a real bummer)

[Verse 2]
Scientists looked at records
(Years and years)
Found the summer stretching
(Beyond our fears)

Warm conditions arriving
(Earlier each year)
Warm conditions lingering
(Autumn won’t appear)

[Refrain]
Accelerating
(Seasonal Expansion)
Exasperating
(Reason in suspension)

Forever summer…
(… a real bummer)

[Bridge]
[Beat Drops / Psychedelic Organ / Echoed Vocals]

Forever…
(Summer…)

Forever…
(Bummer…)

Is it a vacation?
(No!)

Is it relaxation?
(No!)

It’s duration
(Know expansion!)

It’s intensity
(Reality!)

[Instrumental]
[Surf Guitar Solo / Wah-Wah / Drum Fills]

June…
July…
August…

September…

October?

(Wait…)

November?

(Seriously?)
… really!

[Refrain]
Accelerating
(Seasonal Expansion)
Exasperating
(Reason in suspension)

Forever summer…
(… a real bummer)

[Breakdown]
[Spoken / Half-Time Groove]

“Hey… what month is it?”
(October.)

“What’s the temperature?”
(Summer.)

“…Oh.”

[Final Refrain]
Accelerating
(Seasonal Expansion)
Exasperating
(Reason in suspension)

Forever summer…
(… a real bummer)

[Outro]
Accelerating
(Coming on strong)
Summer keeps expanding
(… and hanging on)

Forever summer…
(How long can it last?)

Forever summer…
(It’s growing fast…)


Summers Now Last 30 Days Longer

About the Song: Accelerating Seasonal Expansion
The seasons are not simply getting warmer. They are changing duration, timing, and intensity.

Summers Now Last 30 Days Longer

Summer is getting longer.

A study by researchers at the University of British Columbia found that, between 1990 and 2023, summer-like conditions across the regions between the tropics and the polar circles expanded by roughly six days per decade. That rate is substantially faster than earlier estimates.

The researchers did not define summer by the calendar. Instead, they identified summer as the period when temperatures rise above a location’s historically typical threshold for the warmest part of the year. Using this temperature-based definition, they found that summers across the midlatitudes now last roughly 30 days longer than they did in the 1960s.

The change is occurring at both ends of summer: warm conditions are arriving earlier in the year and lingering later into autumn. The result is not simply a longer calendar season, but a longer period of accumulated heat.

A Longer Summer
• Accelerating seasonal expansion — The UBC study, published in Environmental Research Letters, found that summer length increased by roughly six days per decade from 1990 to 2023. Across the midlatitudes, summer is now about 20 days longer than it was in 1990 and roughly 30 days longer than in the 1960s.

• Summer heat lingering into fall — Climate Central analyzed temperature records from 246 major U.S. cities and found that summer-like temperatures now extend an average of 10 days later into autumn in 227 cities—92% of those analyzed—compared with the early 1970s.

Accelerating Seasonal Expansion: Forever Summer

From the album “Present Tense“

bookmark_borderCognitive Ability

[Intro]
[Low Bass Drone / Organ / Sparse Electric Guitar]

Think…
(Before you blink)
What makes us believe…
(You can conceive?)

Cognitive ability
(Showin’ off its fragility)

[Verse 1]
There’s a world of information
(Coming through the door)
But more information
(Doesn’t always mean more)

You can know the facts
(And still deny)
You can see the evidence
(And ask why?)

Simple little stories
(Can be easy to believe)
Complex little systems
(Are harder to perceive)

Feedback loops
(And probabilities)
Long-term trends
(And nonlinearities)

[Refrain]
Not simply ignorance
(Often it’s more)
Lacking any tolerance
(Preferring blood and gore)

Cognitive ability
(Lacking sensibility)
Christian nationalism
(Lacking humane vision)

[Verse 2]
A thermometer says one thing
(A politician says another)
A scientist shows the evidence
(Nature is our mother)

Trust becomes the battlefield
(Who do you believe?)
The institution gets rejected
(Because you don’t agree)

[Pre-Chorus]
If the story fits the identity
(The evidence can wait)
If the evidence threatens identity
(It becomes something to hate)

[Refrain]
Not simply ignorance
(Often it’s more)
Lacking any tolerance
(Preferring blood and gore)

Cognitive ability
(Lacking sensibility)
Christian nationalism
(Lacking humane vision)

[Bridge]
[Beat Drops / Distorted Organ / Whispered Vocals]

Less capacity…
(Complicates complexity)

Lacking cognition
(Void of any wisdom?)

[Instrumental]
[Fast Psychedelic Guitar / Bass Pulse / Drum Fills]

Think!
(Before you blink)

Question!
(Your education)
… or lack thereof

(And what about love?)

[Pre-Chorus]
And that’s where intuition
(Can lead you astray)
Because complicated systems
(Don’t always behave that way)

[Refrain]
Not simply ignorance
(Often it’s more)
Lacking any tolerance
(Preferring blood and gore)

Cognitive ability
(Lacking sensibility)
Christian nationalism
(Lacking humane vision)

[Breakdown]
[Half-Time / Spoken Vocal]

Cognition…
What can you process?
(More or less)

Recognition…
(Of what you possess)

Cognitive ability
(Showin’ off its fragility)

[Final Bridge]
[Band Builds / Crowd Vocals]

Think beyond the tribe!
(Think to what you proscribe!)

Think beyond the certainty
(… till you find clarity)

[Final Refrain]
Not simply ignorance
(Often it’s more)
Lacking any tolerance
(Preferring blood and gore)

Cognitive ability
(Lacking sensibility)
Christian nationalism
(Lacking humane vision)

[Outro]
Not simply ignorance
(If it’s on purpose)
Not simply intelligence
(If you choose to lose)

Cognitive ability
(Needs humility)
Reasoning without reflection
(Can become a weapon)

[Organ / Guitar Feedback / Fading Drum Beat]

Cognitive ability
(Showin’ off its fragility)

[Final Whisper]
Cognitive ability…
(Needs humane vision.)
Face-to-face reality
(Moral of the lesson)


Cognitive Ability, Christian Nationalism, and Climate Change Denial

About the Song
Cognitive Ability, Christian Nationalism & Climate Change Denial

A 2026 study by sociologist S. L. Perry finds a significant negative association between verbal cognitive ability and Christian nationalist beliefs in the United States.

That finding raises an important question:

What does cognition have to do with climate change denial?

Climate science is extraordinarily complex. Understanding it requires processing interconnected systems, probabilities, feedbacks, long-term trends, and evidence that cannot simply be evaluated through everyday experience.

This creates several pathways toward climate skepticism:

🧠 Intuitive thinking can favor simple narratives over complex scientific evidence.

✝️ Christian nationalist ideology can reinforce distrust of secular scientific and academic institutions.

🛡️ Motivated reasoning can allow people with substantial cognitive ability to construct sophisticated defenses of beliefs that are deeply connected to their political, religious, or cultural identity.

The result is a paradox: Less cognitive capacity can make complex science harder to process. Greater cognitive capacity can make existing beliefs harder to dislodge.

The problem is therefore not simply ignorance.

It is the interaction of cognition, ideology, identity, institutional trust, and reasoning.

Cognitive Ability, Christian Nationalism, and Climate Change Denial

From the album “Present Tense“

bookmark_borderReason and Rhyme

[Intro]
[Acoustic Guitar / Tambourine / Organ]
What’s the reason?
(What’s the rhyme?)
What’s the season?
(What’s the time?)

Looking for an answer
(Searching for a sign)
Find that there’s a reason
(And with will… will rhyme)

[Verse 1]
Woke up in the morning
With a question in my head
Chasing down a reason
For the things I never said

Looking for the pattern
In the middle of the noise
Trying to distinguish
All the signals from the toys

[Refrain]
Findin’ time
(For reason and rhyme)
Findin’ I’m…
(Feelin’ fine)

[Verse 2]
Reason says, “Consider”
(Rhyme’s puzzle… “Let it flow”)
Reason finds an answer
(Rhyme says, “You already know”)

Reason builds a ladder
(Rhyme can make you fly)
Reason asks you “Why?”
(Rhyme says, “Give it a try!”)

[Refrain]
Findin’ time
(For reason and rhyme)
Findin’ I’m…
(Feelin’ fine)

[Instrumental]
[Wah-Wah Guitar / Organ / Handclaps]

Reason and rhyme…

(Rhyme and reason…)

Just in time…

(To be in season…)

[Final Refrain]
Findin’ time
(For reason and rhyme)
Findin’ I’m…
(Feelin’ fine)

[Outro]
Findin’ time
(For reason and rhyme)
Findin’ I’m…
(Feelin’ fine)

Reason!
(And rhyme!)

Living!
(Our time!)

[Acoustic Guitar / Organ / Soft Tambourine]

What’s the reason?

(What’s the rhyme?)

What’s the answer?

(We’ll find it in time…)

Findin’ time…

(For reason and rhyme…)

Findin’ I’m…

(Feelin’ fine…)

[Final Guitar Chord]

[Silence]

From the album “Full Blown“

bookmark_borderOne and Done

[Style: Psychedelic Garage-Rock / Funky Surf-Rock]

[Intro]
[Count-In / Handclaps / Bouncy Bass / Electric Guitar]

One
(And done?)

Two, too.
(Wait… let’s see…)
Maybe three…
(Or four… or more….)

(Encore!)

[Verse 1]
You did one
(That’s pretty good)
You did one
(Just like you could)

But why stop there
(When there’s more to do?)
One more try
(Can turn into two)

Two turns to three
(Three turns to four)
Before you know it
(You’re asking for more)

One is a number
(But numbers can run)
So what’s the big hurry
(To call it done?)

[Refrain]
Is it one and done?
(Hey! Just for fun)
Why don’t you do two
(Or four… maybe more?)

[Verse 2]
A single note
(Can start a song)
A first step
(Can move you along)

[Refrain]
Is it one and done?
(Hey! Just for fun)
Why don’t you do two
(Or four… maybe more?)

[Verse 3]
One shot
(One chance)
One dance
(One glance)

[Bridge]
[Beat Drops / Funk Bass / Claps]

One…

(Two…)

Three…

(Four…)

For sure

[Instrumental]
[Wah-Wah Guitar / Organ Stabs / Percussion]

One and done…
(Better than none…)

Why stop now…
(That you know how…)

[Refrain]
Is it one and done?
(Hey! Just for fun)
Why don’t you do two
(Or four… maybe more?)

[Breakdown]
[Drums Stop / Bass and Handclaps]

(Begin:)
One!
(Again!)

One!
(Again!)

One!

(Again!)

What’s the definition
(Of insanity?)

Doing the same thing…

(And expecting something different!)

[Beat Returns]

[Final Refrain]
Is it one and done?
(Hey! Just for fun)
Why don’t you do two
(Or four… maybe more?)

[Outro]
One and done?
(That sounds like none!)
Try another one
(And then another one!)

Two or four
(Maybe more!)
Keep the door
(Open for more!)

[Fast Guitar Riff / Handclaps / Drum Fills]

One!

(Two!)

Three!

(Four!)

More!

(More!)

[Final Guitar Hit]

[Silence]

From the album “Full Blown“

bookmark_borderThrough the Curtains

[Intro]
Behind the curtain
(Beyond the room)
Something is shining
(Dispelling the gloom)

A little bit of daylight
(Slipping through)
A world beyond the window
(Waiting for you)

Through the curtains
(Life begins)

[Verse 1]
Heavy cloth is hanging
(Blocking out the sun)
Shadows on the ceiling
(Where the light has run)

Standing in the darkness
(Thinking that it’s night)
Never seeing clearly
(What is hiding in the light)

Pull a little closer
(Pull the fabric wide)
Look a little farther
(… to the other side)

[Pre-Chorus]
Turn your head
(Change the angle)
Lift from dread
(Greet an angel)

[Refrain]
Through the drapes…
(The view escapes)
Light beyond the veils
(The comparison pales)

What point of view…
(… have you?)

[Verse 2]
One window faces east
(Another faces west)
Same world outside
(Different light at best)

One sees the sunrise
(One sees the night)
One sees the storm clouds
(One sees the light)

Perspective is a prism
(Breaking up the beam)
Turn it in your fingers
(Watch the colors gleam)

[Pre-Chorus]
Look left
(Look right)
Step back
(See light)

Through the curtains
(Look out again)

[Refrain]
Through the drapes…
(The view escapes)
Light beyond the veils
(The comparison pales)

What point of view…
(… have you?)

[Bridge]
Step into view
(Feel what’s true)
Follow the angle
(Let the thought dangle)

Pull the drapes!
(Pull ’em wide!)

Let the daylight
(Inside!)

Look around!
(Look around!)
There’s a view to be found!

Through the curtains
(The scene is certain)

[Final Refrain]
Through the drapes…
(The view escapes)
Light beyond the veils
(The comparison pales)

[Outro]
What point of view…
(… have you?)

Through the drapes…
(The world awaits)
Pull back the veil
(And open the gates)

The point of view…
(… with you)

Through the curtains
(Life begins)

Look and see…
You n’ me
(… in reality)

From the album “Full Blown“