These-Days-I.mp3
These-Days-I.mp4
These-Days-II.mp3
These-Days-II.mp4
These-Days-intro.wav

[Intro]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Verse 1]
What’s the price of convenience
Compared to the nuance of nuisance
In human consciousness
Can we bear to stare
The devil in the I

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Bridge]
Just a taste (of our waste)

[Verse 2]
What’s the cost of generations lost
To ignorance and arrogance
Last chance….
To maintain sane through insanity
(To regain humane in humanity)

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Bridge]
Just a taste (of our waste)
Time we face (our race)
The pace of the human race
Biggest crime (of all time)
Yet we claim no responsibility
(For our part in society)

[Chorus]
These days (these days)
Are getting hot
These days (we pay)
For what we’ve got

[Outro]
Last chance (at a last dance)
Regain humane (in humanity)
Will you dance with me?

ABOUT THE SONG

The song “These Days” is a layered, poetic lament that reflects the escalating urgency of the climate crisis—a raw reckoning with the moral, existential, and generational costs of humanity’s actions. It’s a plea for awakening, responsibility, and reunion with the empathy we’ve lost.

[Verse 1]:

What’s the price of convenience / Compared to the nuance of nuisance…

This opening reflects the central dilemma of climate inaction: we’ve traded long-term sustainability for short-term convenience. The “nuance of nuisance” speaks to our refusal to tolerate discomfort—like policy change, consumption limits, or lifestyle shifts—even when these are necessary.

Can we bear to stare the devil in the I

A powerful twist—“eye” becomes “I,” pointing inward. The “devil” isn’t some external force—it’s ourselves, our denial, our choices. It asks: Can we face our role in this crisis honestly?

[Chorus]:

These days (these days) / Are getting hot

Both literal and metaphorical:

• Literally, the Earth is getting hotter—heatwaves, wildfires, rising global temperatures.

• Figuratively, tension is rising—socially, politically, ecologically.

We pay for what we’ve got

This line punches hard. Our gains—industrialization, consumption, comfort—carry hidden costs: biodiversity loss, sea-level rise, atmospheric instability. The bill is due.

[Bridge 1]:

Just a taste (of our waste)

This haunting line suggests we’re only beginning to see the consequences. The floods, fires, and famines today are just previews of what unchecked emissions and environmental degradation will bring.

[Verse 2]:

What’s the cost of generations lost / To ignorance and arrogance

Here, the song widens its lens to intergenerational justice. It condemns the systemic failure to act despite overwhelming evidence. Arrogance = thinking we’re immune. Ignorance = choosing not to know.

Last chance… to maintain sane through insanity / To regain humane in humanity

This is the heart of the message. Amid ecological collapse and political chaos, it begs us to anchor ourselves in compassion, reason, and unity. There’s still a choice to reclaim our humanity before it’s too late.

[Bridge 2]:

Time we face (our race) / The pace of the human race

This wordplay is rich. It’s time to confront:

• Our species (“race”)

• Our obsession with speed and growth (“pace”)
  We’ve raced toward profit, consumption, and expansion—at the expense of the planet.

Biggest crime (of all time) / Yet we claim no responsibility

It calls out our collective climate denial and the failure of leadership. Despite knowing the science, we act as if we bear no blame—letting ecosystems collapse while we debate semantics.

[Chorus – repeated]:

These days… are getting hot / We pay for what we’ve got

Repetition reinforces inevitability. These aren’t isolated events; this is the new normal. And it’s directly tied to what we’ve built, bought, and burned.

[Outro]:

Last chance (at a last dance) / Regain humane in humanity / Will you dance with me?

A beautiful, final appeal. The “last dance” could be collapse or redemption. It’s an invitation—to act, to care, to change. It doesn’t end in blame but with a call to collective hope and courage, asking if we’ll step into the solution together.

Summary:

“These Days” is a soulful, unflinching song about the climate crisis. It blends urgency with introspection, critique with compassion. It acknowledges the gravity of what we face—our self-inflicted chaos—yet leaves the door open for connection, healing, and change. It’s not just a warning—it’s a last invitation to dance before the music stops.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

Infernal-0.mp3
Infernal-0.mp4
Infernal-I.mp3
Infernal-I.mp4
Infernal-intro.wav

[Verse 1]
We present:
Intensely unpleasant
In the leading role —
Your soul

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Bridge]
(Burn, baby, burn)
Go to school, fool
(Learn!)

[Verse 2]
For what it’s worth…
Burnt you place of birth —
Earth
(You know, an inferno)

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Bridge]
(Burn, baby, burn)
Go to school, fool
(Learn!)

[Chorus]
Rile your infantile?
(All is infernal)
Well, living in hell
(All is infernal)

[Outro]
Not hard to tell…
(Living in hell)

From the album “To Too Hot“

The Human Induced Climate Change Experiment

To-the-Touch-0.mp3
To-the-Touch-0.mp4
To-the-Touch-I.mp3
To-the-Touch-I.mp4
To-the-Touch-intro.wav

[Intro]
How does it feel
To the touch
(For real)
Hurt much?

[Verse 1]
Did you put your finger to it
And, if so… is it lit
Had you forgot…
It’s way too hot

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Verse 2]
Did you learn
How to burn
Did you earn
Your degree…
In degrees
(Oh, please)

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Bridge]
Ouch!
The third degree
(Is getting to me)
Beyond dead
(Skin’s dead)
I’m tellin’ ya sister
(It’s turned to blister)

[Chorus]
How does it feel
To the touch
(For real)
Hurt much?

[Outro]
Burnt black
(Ain’t no growing back)

A SCIENCE NOTE
Our latest climate model — now incorporating complex social-ecological feedback loops within a dynamic, non-linear system — projects that global temperatures could rise by up to 9°C (16.2°F) within this century. This far exceeds earlier estimates, which predicted a 4°C rise over the next thousand years, and signals a dramatic acceleration of warming.

At this level of heating, large regions of the planet will become uninhabitable due to extreme heat, sea level rise, agricultural collapse, and mass migration. Critically, parts of the U.S. are already experiencing wet-bulb temperatures approaching or exceeding 31°C (87.8°F) — a physiological limit beyond which the human body can no longer regulate its internal temperature, even in the shade with ample water.

This is no longer a distant threat. The climate system is entering a phase of compound risk and cascading collapse — and we are already seeing the early signs.

Immediate, radical mitigation and adaptation efforts are now essential to preserve habitable zones, food systems, and public health.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

Handle-It-0.mp3
Handle-It-0.mp4
Handle-It-I.mp3
Handle-It-I.mp4
Handle-It-intro.mp3

[Intro]
Can you handle it
(For a bit)

[Verse 1]
The stove is red hot
(Why not)
Stick out your hand
(Do you understand)

[Chorus]
Can you handle it
(For a bit)
Lay your hands
(On who commands)

[Verse 2]
Walk into the fire
(If you so desire)
Who am I to doubt
(Your know about)

[Chorus]
Can you handle it
(For a bit)
Lay your hands
(On who commands)

[Bridge]
The laws… (in the jaws)
Of physics
(Face the music)
Physics
(Sick, sick, sick)
Face the music
(Physics)

[Chorus]
Can you handle it
(For a bit)
Come to understand
(Who’s in command)

[Outro]
Walk into the fire
(If you so desire)
Can you handle it
(For a bit)

ABOUT THE SONG

The song “Handle It” is a stark, symbolic confrontation with the climate crisis and humanity’s reckless defiance of natural limits. Through visceral metaphors and repetition, it paints a picture of a species arrogantly daring the inevitable—testing the heat, walking into the fire, ignoring the laws of physics—until consequences can no longer be denied.

Verse 1:

The stove is red hot (Why not) / Stick out your hand (Do you understand)

This verse bluntly sets the scene: Earth’s “stove” is heating—global temperatures rising, climate tipping points nearing—yet humanity acts as if pain won’t follow. The image of sticking out one’s hand toward a red-hot stove is a metaphor for our deliberate ignorance or denial, despite clear warnings.

Chorus:

Can you handle it (For a bit) / Lay your hands (On who commands)

The chorus challenges us: How long can we bear the heat before burning? And who really commands—humanity, or the laws of nature? It subtly mocks human arrogance, as we try to “handle” climate chaos with control and short-term thinking. But nature, not man, holds the final say.

Verse 2:

Walk into the fire (If you so desire) / Who am I to doubt (Your know about)

This verse speaks with sarcastic resignation—almost as if Earth (or a wiser voice) is watching us self-destruct, despite knowing better. The “fire” is both literal (wildfires, global heating) and metaphorical (crisis, collapse). The second line ironically nods to human overconfidence, as if our “knowing” is somehow greater than nature’s reality.

Bridge:

The laws… (in the jaws) / Of physics / (Face the music)
Physics / (Sick, sick, sick) / Face the music (Physics)

This is the heart of the message. Physics doesn’t negotiate. It doesn’t care about politics, denial, or optimism. Carbon traps heat. Ice melts. Oceans rise. Fires spread. The phrase “face the music” becomes literal: the “music” is the consequence of our emissions and inaction. The repetition of “sick” conveys moral and physical sickness—a planetary fever.

Final Chorus & Outro:

Come to understand (Who’s in command)
Walk into the fire (If you so desire) / Can you handle it (For a bit)

The ending circles back to the core question—can you truly handle what’s coming? There’s an eerie taunt here: “Go ahead, test the fire. But don’t pretend you weren’t warned.” It leaves us with the urgency of self-awareness, daring listeners to see that Earth is in command now, and if we continue this path, our willful ignorance will be fatal.

Summary:

“Handle It” is a fierce, minimalist allegory about humanity’s dangerous dance with climate disaster. It exposes our arrogance, denial, and flirtation with irreversible consequences, daring us to finally recognize that physics—not politics, not profit—sets the rules. The question “Can you handle it?” becomes not just rhetorical, but existential.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

On-the-Road-0.mp3
On-the-Road-0.mp4
On-the-Road-I.mp3
On-the-Road-I.mp4
On-the-Road-intro.mp3

[Intro]
On the road to nowhere
[Instrumental, Guitar Solo]
Are we aware…
(We’re already there]

[Verse 1]
Headed off (bound for determination)
Some may scoff (at our misconception)
In search of the puzzle piece
Instead of the unpuzzled peace

[Chorus]
On the road to nowhere
[Instrumental, Guitar Solo]
Setting the pace
(Leading the race)
On the road to nowhere
Are we aware…
(We’re already there]

[Verse 2]
On our way (the blind leading the blind)
Another day (forgetting the kind kind)
We say, “hope and pray”
That everything will be OK

[Chorus]
On the road to nowhere
Setting the pace
(Leading the race)
On the road to nowhere
Are we aware…
(We’re already there]

[Bridge]
Unaware
(Without a care)
Friends beware
(Know not their share)

[Outro]
On the road to nowhere
Are we aware…
(We’re already there]

ABOUT THE SONG

The song “On the Road” serves as a somber, poetic reflection on humanity’s misguided journey through the climate crisis. It critiques our collective delusion of progress while warning that our current path—driven by denial, consumerism, and false hope—is not leading to a solution, but rather to environmental collapse. Here’s a detailed interpretation:

Verse 1:

Headed off (bound for determination) / Some may scoff (at our misconception) / In search of the puzzle piece / Instead of the unpuzzled peace

This verse critiques the misdirected determination of humanity. We pursue technological or political “solutions” (“the puzzle piece”) without addressing the underlying truth—that peace with nature (the “unpuzzled peace”) requires humility and restraint. The “misconception” could point to the belief that growth and innovation alone will save us.

Chorus:

On the road to nowhere
Setting the pace / (Leading the race)
On the road to nowhere / Are we aware… / (We’re already there)

This chorus is the song’s core warning. We are racing to be first in progress, industry, or GDP, but we’re headed toward ecological oblivion—”nowhere.” The chilling realization—”We’re already there”—says we may have already passed key climate tipping points while still pretending there’s time to spare.

Verse 2:

On our way (the blind leading the blind) / Another day (forgetting the kind kind) / We say, ‘hope and pray’ / That everything will be OK

Here, the song speaks to passivity and denial. Leaders (and followers) are blind to the climate consequences, and we forget to show compassion (“the kind kind”)—to the Earth, to future generations, even to each other. “Hope and pray” reflects the danger of wishful thinking without action.

Bridge:

Unaware / (Without a care) / Friends beware / (Know not their share)

This bridge reveals a society unaware of its role and responsibility in the crisis. “Friends beware” is a call to action: even well-meaning people are complicit if they don’t recognize “their share” of the problem—be it carbon footprint, consumption, or silence.

Outro:

On the road to nowhere / Are we aware… / (We’re already there)

The repetition drives home the central idea: we are already deep into the consequences of climate change. The question of awareness isn’t rhetorical—it’s a challenge to the listener. Are we really paying attention? Or are we still speeding ahead, confident in our direction, while the world unravels?

Summary:

“On the Road” is a metaphorical, melancholic anthem about climate inertia and spiritual disorientation. It exposes how humanity continues to charge forward—blinded by ambition, false hope, and distraction—on a road that leads not to salvation, but to collapse already unfolding. The song invites reflection on whether we’re willing to turn around, or whether we’ll keep “leading the race” to nowhere.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

Going-Up-I.mp3
Going-Up-I.mp4
Going-Up-Unplugged-Underground-XVIII.mp3
Going-Up-Unplugged-Underground-XVIII.mp4
Going-Up-intro.mp3

[Intro]
Hold on! (This lift is going up)
Is that right? (Yup, going up)
To the top (might never stop)

[Verse 1]
1 point 1
(And we’re not done)
I’ll see you
(at 1 point 2)

[Bridge]
Hold on! (This lift is going up)
To the top (might never stop)
Is that right? (Yup, going up)
Hold tight!!

[Chorus]
You can depend
On the demand
Of man
He’ll come to know
How far to go
Below

[Verse 2]
Pushed right through
(1 point 2)
Didn’t pause to see
(1 point 3)

[Bridge]
Hold on! (This lift is going up)
We’re rollin’ on by (headed high)
(Is that right?) Yup, going up
(Hold tight!)

[Verse 3]
1 point 4
(No, no more)
Past 1 point 5
(Can no longer thrive)

[Bridge]
Hold on! (This lift is going up)
To the top (might never stop)
(Is that right?) Yup, going up
(Hold tight!)

[Chorus]
You can depend
On the demand
Of man
He’ll come to know
How far to go
(…. so)

[Outro]
Hold on! (This lift is going up)
(Is that right?) Yup, going up
(Hold tight!)
To the top (might never stop)

ABOUT THE SONG

The song “Going Up” uses the metaphor of an unstoppable elevator ride to capture the terrifying escalation of global temperatures due to human-driven climate change. It’s a stark, cleverly minimalist narrative about humanity’s relentless pursuit of growth and consumption—even as the climate “lift” speeds toward collapse.

Verse 1:

1 point 1 / (And we’re not done) / I’ll see you / (at 1 point 2)

This introduces global temperature rise in degrees Celsius above pre-industrial levels. At 1.1°C, we’ve already seen devastating effects—but the line “we’re not done” underscores our inertia. “I’ll see you at 1.2” suggests we’re on track to go higher, almost passively.

Bridge:

Hold on! (This lift is going up) / To the top (might never stop)

The lift represents the climate trajectory—an industrial, mechanical metaphor for a world getting hotter. The repeated “might never stop” is ominous: we are on an upward trajectory that, without drastic intervention, could spiral out of control.

Chorus:

You can depend / On the demand / Of man / He’ll come to know / How far to go / Below

This is a powerful indictment of human consumption and economic systems. The “demand of man” is driving climate change, and while “you can depend” on this relentless drive, it will ultimately bring humanity “below”—suggesting collapse, death, or moral and ecological ruin. It plays on the irony that “going up” in temperature means “going down” in survivability.

Verse 2:

Pushed right through / (1 point 2) / Didn’t pause to see / (1 point 3)

Here, the temperature climb continues—we skip past thresholds without heeding their warning signs. The lines emphasize recklessness and acceleration—we don’t stop to reflect or redirect.

Verse 3:

1 point 4 / (No, no more) / Past 1 point 5 / (Can no longer thrive)

This is the heart of the warning. 1.5°C is the widely accepted upper limit to avoid the worst impacts of climate change. Going beyond it risks triggering irreversible tipping points—melting ice sheets, dying coral reefs, mass displacement. “Can no longer thrive” implies the breakdown of ecological and social systems.

Outro:

Hold on! (This lift is going up) / (Is that right?) Yup, going up / (Hold tight!) / To the top (might never stop)

The song ends as it began: still climbing, still accelerating. The repetition of “Yup, going up” becomes chilling—a robotic affirmation of our trajectory, devoid of accountability or alarm.

Summary:

“Going Up” is a climate alarm bell in musical form. The imagery of rising temperature milestones—1.1, 1.2, 1.3, 1.4, 1.5°C—acts as both mile markers and warnings, and the “lift” captures how quickly, and thoughtlessly, we’re rising toward catastrophe. It critiques the faith in endless growth and technological progress while warning that this path leads to collapse below.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

Smokin-0.mp3
Smokin-0.mp4
Smokin-I.mp3
Smokin-I.mp4
Smokin-intro.mp3

[Intro]
(Wow-eee!)
Did you see?

[Verse 1]
She….
(Is hot)
In case you forgot
(She’s hot)
With all she’s got

[Bridge]
Is she too hot
(Too, too hot)

[Chorus]
I ain’t jokin’
When I say she’s smokin’
Her entire attire
(Is on fire!)

[Bridge]
(Wow-eee!)
Did you see?

[Verse 2]
She is hot
(She’s on fire)
In case you forgot
(Take her higher)
With all you’ve got

[Bridge]
Is she too hot
(Too, too hot)

[Chorus]
I ain’t jokin’
When I say she’s smokin’
Her entire attire
(Is on fire!)

[Outro]
Is she too hot
(Too, too hot)

ABOUT THE SONG
The song “Smokin’” uses double entendre and wordplay to deliver a sharp allegory for the climate crisis, portraying Mother Nature (“She”) as both alluring and burning, quite literally. Beneath its catchy, flirtatious tone lies a warning about planetary overheating, and humanity’s dangerously passive or admiring gaze as the planet ignites.

Verse 1:

She… (Is hot) / In case you forgot / (She’s hot) / With all she’s got

“Hot” serves a dual meaning—on the surface, it’s sensual; deeper down, it signals dangerous temperature rise. “In case you forgot” hints at willful ignorance of nature’s current state. “With all she’s got” reflects both her abundance and the fury now unleashed as a result of environmental abuse.

Bridge:

Is she too hot (Too, too hot)

A rhetorical question—inviting the listener to reconsider whether we’ve crossed the climatic point of no return. Repetition of “too” drives the idea of excess, suggesting that nature’s rising heat is no longer a metaphor, but a physical, global threat.

Chorus:

I ain’t jokin’ / When I say she’s smokin’ / Her entire attire / (Is on fire!)

The cheeky tone contrasts with a deadly message: “smokin’” is literal. Wildfires, rising global temperatures, and burning landscapes are her “attire.” The phrase “I ain’t jokin’” cuts through the flirtatious language, reminding listeners that this is real—she’s burning, and it’s no joke.

Verse 2:

She is hot / (She’s on fire) / In case you forgot / (Take her higher) / With all you’ve got

This verse is even more pointed. “She’s on fire” is no longer metaphor—it evokes climate extremes, wildfires, heatwaves. “Take her higher / with all you’ve got” is darkly ironic, showing how our relentless consumption is pushing temperatures—and the crisis—even further.

Outro:

Is she too hot (Too, too hot)

Repeating this question leaves the listener with a moral reckoning. It echoes the question: have we pushed nature past the limit?

Summary:

“Smokin’” disguises a climate crisis dirge beneath a stylized, playful surface. Mother Nature is depicted as a beautiful woman whose beauty has turned lethal due to human carelessness. The song cleverly critiques how society objectifies and romanticizes nature, even as it burns her alive. It exposes our tendency to admire the disaster instead of averting it.

From the album “To Too Hot“

The Human Induced Climate Change Experiment

To-Too-Hot-0.mp3
To-Too-Hot-0.mp4
To-Too-Hot-I.mp3
To-Too-Hot-I.mp4
To-Too-Hot-II.mp3
To-Too-Hot-II.mp4
To-Too-Hot-intro.mp3

[Intro]
Hey, about today
Are we on our way
To too hot
If no… why not?

[Bridge]
(On our way… today)

[Verse 1]
Another record year is here
Yet, humanity shows no fear
Our self-inflicted end nears
To resounding cheers

[Chorus]
(Hey!) …about today
Are we on our way
To too hot
(If no… why not?)

[Bridge]
Look at what we’ve brought
(With all the crap we bought)
Watching souls rot
What you paid for… (you got)

[Verse 2]
The temperature’s going higher
Set the whole wide world on fire
Now there’s no place to hide
Guess we’re along for the ride

[Chorus]
(Hey!) …about today
We are on our way
To too hot
(In case you forgot)

[Bridge]
Look at what we’ve brought
(With all the crap we bought)
Watching souls rot
What you paid for… (you got)

[Chorus]
(Hey!) …about today
We are on our way
To too hot
(In case you forgot)

[Outro]
The ultimate goal
(Rotting of the soul)

A SCIENCE NOTE
The song “To Too Hot” is a biting and urgent commentary on the climate crisis, portraying humanity as willfully marching toward environmental catastrophe while celebrating its own destruction.

Verse 1:

Another record year is here / Yet, humanity shows no fear / Our self-inflicted end nears / To resounding cheers

This verse highlights climate denial and complacency. Despite consecutive record-breaking years of heat (a clear consequence of global warming), humanity remains indifferent—even celebratory. The “resounding cheers” may symbolize consumerist pride or blind optimism, ignoring the grim reality.

Chorus:

(Hey!) …about today / Are we on our way / To too hot / (If no… why not?)

The chorus is a call to consciousness. The phrasing “To too hot” implies an irreversible tipping point—a world made unlivable by heat. The parenthetical “If no… why not?” suggests sarcasm, confronting listeners who dismiss the crisis with a challenge: why aren’t we taking action if we’re not headed there?

Bridge:

Look at what we’ve brought / (With all the crap we bought) / Watching souls rot / What you paid for… (you got)

This section condemns consumer culture as a key driver of environmental destruction. The line “souls rot” connects spiritual decay with material excess. “What you paid for… you got” emphasizes that the climate consequences are the direct result of our choices.

Verse 2:

The temperature’s going higher / Set the whole wide world on fire / Now there’s no place to hide / Guess we’re along for the ride

A bleak update: things are worsening rapidly, with climate disasters becoming inescapable. The fire metaphor evokes literal wildfires and a planet in peril. The resignation in “along for the ride” hints at fatalism—a passive acceptance of doom.

Chorus (Reprise):

(Hey!) …about today / We are on our way / To too hot / (In case you forgot)

Repetition of the chorus drives home the urgency. The added line “In case you forgot” suggests society’s short attention span and repeated failure to act meaningfully on climate warnings.

Outro:

The ultimate goal / (Rotting of the soul)

A final, haunting note that ties it all together. It implies that the true cost of ignoring the crisis is not just ecological collapse but moral and spiritual ruin. The “goal” could be sarcastic—a reflection of how our systems prioritize short-term profit over long-term survival, leading to ethical and existential decay.

Summary:

“To Too Hot” is a scathing critique of climate apathy, consumerism, and moral decay in the face of escalating global heating. It warns of an impending environmental collapse caused by our own hands—and our refusal to change. The song calls out the disconnect between the gravity of the crisis and the banality of our behavior, urging a wake-up before it’s too late.

From the album “To Too Hot“

The Human Induced Climate Change Experiment