bookmark_borderRibbon

[Silence]

[Instrumental Intro: Bright Guitar Strums, Hand Claps, Bouncy Bassline, Organ Stabs]

[Intro]
[Upbeat Beat, Tambourine, Crowd Ambience]
Saw you laughing
(Across the room)
Lit the night
(Midnight blue)

Spinnin’ round
(Without a care)
Electric energy
(In the air)

[Verse]
Everybody talking
(But you just shine)
Moving like rhythm
(In perfect time)

Golden moments
(Come and go)
But your smile
(Steals the show)

[Chorus]
You won a blue ribbon
(For the best smile)
So what do you say… (Come on!)
Let’s dance for a while

Turn it up
(Feel the beat)
Happy hearts
(On dancing feet)

[Instrumental Break: Organ Solo, Funk Guitar, Hand Percussion]

[Verse]
Moonlight flashing
(On your shoes)
Nothing tonight
(We could lose)

Round and round
(The music swings)
Simple joy
(In little things)

[Refrain]
Hold on tight
(Don’t slow down)
Lost and found
(In the sound)

Laugh a little
(Stay awhile)
Life looks better
(When you smile)

[Bridge]
[Breakdown: Bass and Hand Claps Only]

No trophies matter
(Quite like this)
One true smile
(Brings the bliss)

Blue ribbon shining
(Bright and true)
Tonight the spotlight
(Belongs to you)

[Final Chorus]
You won a blue ribbon
(For the best smile)
So what do you say… (Come on!)
Let’s dance for a while

Spin around
(Under the light)
Blue ribbon magic
(Tonight)

[Outro]
[Instrumental Outro: Crowd Cheers, Guitar Fade, Organ Sustain]
Come on!
(I ain’t kiddin’…)
(Blue ribbon…)
(Dance awhile…)
(Best smile…)

About the Song
“Ribbon” is a playful, upbeat celebration of joy, charisma, and connection. Built around the image of a “blue ribbon” — traditionally awarded for first place — the song treats a genuine smile as something more valuable than competition or status.

Musically inspired by dance-floor energy, funk rhythms, and retro pop grooves, the song emphasizes simple human happiness: movement, laughter, music, and shared moments.

From the album Blue

bookmark_borderUnaligned (Line) Dance

[Silence]

[Instrumental, Synth Bass, Drum Machine, Claps, FX, Vocal Chops]

[Intro]
[Filtered Beat, Pulsing Kick, Hi-Hat Ticks]
[Synth Stabs Fade In, Crowd Murmur FX]
[Spoken Vocal, playful]
Don’t line up… just move…
(To the groove)

[Drop Cue]
[Snare Fill → Bass Hit]

[Refrain]
[Full Beat Drop, Bright Synth Hook, Claps on 2 & 4]
Unaligned Dance
(Dance at every chance)
It’s our circumstance
(Unaligned Dance!)
Dance!
(…in an unaligned line dance)

[Verse 1]
[Minimal Groove, Bouncy Bass, Vocal Chops]
Step to the side but not the same
Everyone’s out of sync in the frame
Left goes right and right goes wrong
But somehow it all fits in the song

No formation, no command
Freestyle rhythm, understand
If you miss it, that’s the plan
Lose the line and find the jam

[Pre-Chorus]
[Build: Rising Synth, Snare Rolls, Filter Opening]
Don’t wait—just break
Every move you never fake
Off-beat—heartbeat
Let it pull you from your seat

[Refrain]
[Beat Drops Harder, Added Harmony Vocals]
Unaligned Dance
(Dance at every chance)
It’s our circumstance
(Unaligned Dance!)
Dance!
(…in an unaligned line dance)

[Instrumental Break]
[Synth Lead Hook, Bass Bounce, Vocal Chop Loop: “Dance! Dance!”]
[Clap Build → Mini Drop]

[Verse 2]
[Groove Returns, Added Arp Synth]
Different steps in different time
Every body draws their line
No two moves are ever the same
Still we’re all inside the frame

Turn around or stand in place
Find your rhythm, set your pace
No wrong way, no straight advance
Just fall into the unaligned dance

[Pre-Chorus]
[Higher Energy Build, Snare Rolls, Rising Pitch FX]
No rules—just groove
Every way you wanna move
Off-grid—no script
Let the pattern start to slip

[Refrain]
[Big Drop, Full Energy, Crowd Chant Layer]
Unaligned Dance
(Dance at every chance)
It’s our circumstance
(Unaligned Dance!)
Dance!
(…in an unaligned line dance)

[Bridge]
[Breakdown: Kick + Bass Only, Filtered Vocals]
Out of line
(In time)
Off the track
(Don’t look back)

Lose control
(Feel the flow)
No design
(It’s all fine)

[Build-Up]
[Snare Roll Crescendo, Rising Synth, Crowd Chant “Dance! Dance!”]

[Final Drop / Refrain]
[Explosive Beat, Bright Synths, Full Vocal Stack]
Unaligned Dance
(Dance at every chance)
It’s our circumstance
(Unaligned Dance!)
Dance!
(…in an unaligned line dance)

[Outro]
[Beat Strips Down to Kick + Clap]
[Synth Hook Fades, Vocal Echo]
Dance…
(Unaligned…)
Dance…

[End → Echo Fade]

About the Song
The new release of the day, “Unaligned (Line) Dance,” is both literal and figurative. It’s not really political—you don’t step left, you don’t step right—but it also resists the idea of conforming to nonconformity. Musically, I pair acoustic guitar with dub-influenced electronics to create a kind of sonic equivalence. In the end, success is simple: if it gets you to dance—together, but never the same way.

From the album Line

bookmark_borderSomething I Can Dance To

[Intro]
What do you say…
Can you play
(Something I can dance to)
Can you?

[Refrain]
That’s what I’m talking about
(Shout!)
Shout and get it out
(OK!)

[Bridge]
What do you say…
Can you play
(Something I can dance to)
Can you?
(And I’ll dance at the chance)

[Refrain]
[Bridge]
What do you say…
Can you play
(Something I can dance to)
Can you?
(And I’ll dance at the chance)
Brings on romance
(Dance, dance, dance)

[Outro]
That’s what I’m talking about
(Shout!)
Shout and get it out
(OK!)

From the album “Just for Fun

bookmark_borderA Different Song

A-Different-Song.mp3
A-Different-Song.mp4
A-Different-Song-Pt-2.mp3
A-Different-Song-Pt-2.mp4
A-Different-Song-intro.mp3

[Intro]
A different song
(It didn’t take long….)

[Verse 1]
Have you heard
(That one before)
Gettin’ bored….
(There must be more)

[Bridge]
More, more, more
(Soul to the core)
A different song!
(That didn’t take long)

[Chorus]
Shake up this place
(Stir up the race)
Make a movement
(Make your move meant)

[Verse 2]
Of all the nerve
(Throw us a curve)
So that we can swerve
(A dance all deserve)

[Bridge]
What’s the score
(We want more!)
More, more, more
(Soul to the core)
A different song!
(That didn’t take long)

[Chorus]
Shake up this place
(Stir up the race)
Make a movement
(Make your move meant)

[Outro]
What’s the score
(Have you had enough)
We want more
(We’re hangin’ tough)
More, more, more
(Soul to the core)
Just for reference
(In essence)
This song is original
(From the soul in all)

From the album “Porous

bookmark_borderRoom to Move

Room-to-Move.mp3
Room-to-Move.mp4
Room-to-Move-Pt-2.mp3
Room-to-Move-Pt-2.mp4
Room-to-Move-intro.mp3

[Intro]
What are we trying to prove
(I need some room to move)

[Verse 1]
Packed in like sardines
(Do you know what I mean?)
We’re packed in so tight
(I just might….)

[Bridge]
Explode
(From the load)

[Chorus[
What are we trying to prove
(I need some room to move)
Please give me a chance
(To dance!)

[Verse 2]
Stuffed and crammed
(Damned I am)
Packed so tight together
(Don’t know whether)

[Bridge]
We’ll explode
(From the load)

[Chorus[
What are we trying to prove
(I need some room to move)
Please give me a chance
(To dance!)

[Outro]
Shout:
(Spread out)
Resume
(Makin’ room)
Race
(For space)
Please give me a chance
(To dance!)

From the album “Dense

bookmark_borderWhitecap Dancing

Whitecap-Dancing-Best-Of.mp3
Whitecap-Dancing-Best-Of.mp4
Whitecap-Dancing.mp3
Whitecap-Dancing.mp4
Whitecap-Dancing-intro.mp3

[Intro]
Dancing (on the tips)
… of the waves
(On the froth)

[Bridge]
The foamy crest
(You can guess the rest)

[Refrain]
Dancing (on the tips)
… of the waves
(On the froth)
Dancing (and she rips)
… oh, behaves
(Of the broth)

[Bridge]
The foamy crest
(You can guess the rest)
Ohh, ohh, ohh, ohh
(Here we go)

[Refrain]
Dancing (on the tips)
… of the waves
(On the froth)
Dancing (She sure rips)
… oh, behaves
(Of the broth)

[Bridge]
The foamy crest
… maybe best…
(… if you guess the rest)
Ohh, ohh, ohh, ohh
(Here we go)

[Refrain]
Dancing (on the tips)
… of the waves
(On the froth)
Dancing (She sure rips)
… oh, behaves
(Of the broth)
She sure (at the sea shore)
Dancing (on the whitecaps)
Hand claps
Dancing (on the whitecaps)
Toe taps
Dancing (on the whitecaps)
She sure (at the sea shore)
Dancing (on the whitecaps)

From the album “In the Throes

bookmark_borderFrom the Rooftop

From-the-Rooftop.mp3
From-the-Rooftop.mp4
From-the-Rooftop-Reggae.mp3
From-the-Rooftop-Reggae.mp4
From-the-Rooftop-intro.mp3

[Intro]
Singing (and swinging)
From he rooftop
(Never stop)

[Verse 1]
Can you hear the beat
(Draws me to my feet)
Dance… shall we
(Set ourselves free)

[Chorus]
Singing (and swinging)
From the rooftop
(Never stop)
Swinging (and singing)
In stereo
(Here we go!)

[Bridge]
Back, back
(To and fro)
Jump… hop
[Break, The Drop]
(Drop)
No, no, no
Don’t stop

[Verse 2]
Oh, yeah! We feel the beat
(Feet dancin’ in the street)
Dance! Naturally,
(Set ourselves free)

[Chorus]
Singing (and swinging)
From the rooftop
(Never stop)
Swinging (and singing)
In stereo
(Here we go!)

[Bridge]
Back, back
(To and fro)
Jump… hop
[Break, The Drop]
(Drop)
No, no, no
Don’t stop

[Outro]
Back, back
(To and fro)
Jump… hop
[Break, The Drop]
(Drop)
No, no, no
Don’t stop

From the album “Unfazed

Also found on the album “Reggae Segue

bookmark_borderAnother Dance?

Another-Dance-Best-Of.mp3
Another-Dance-Best-Of.mp4
Another-Dance.mp3
Another-Dance.mp4
Another-Dance-Pt-2.mp3
Another-Dance-Pt-2.mp4
Another-Dance-intro.mp3

[Intro]
Well, that was fun…
(Wanna dance to another one?)

[Verse 1]
Is it still today?
(Well, then…)
OK!
(We’ve time to sway}

[Chorus]
(Oh, yeah) That was fun
(Wanna dance to another one?)
Quick, play that music (Swish)
Our dreams come true (just wish)

[Bridge]
Dance all night
(Till dawn’s twilight)
No, I’m not done…
(Wanna dance to another one?)

[Verse 2]
Say… by the way
(Is it still today?)
OK!
(More time to play}

[Chorus]
(Oh, yeah) That was fun
(Wanna dance to another one?)
Quick, play that music (Swish)
Our dreams come true (just wish)

[Bridge]
Dance all night
(Till dawn’s twilight)
No, I’m not done…
(Wanna dance to another one?)

[Chorus]
(Oh, yeah) That was fun
(Wanna dance to another one?)
Quick, play that music (Swish)
Our dreams come true (just wish)

[Outro]
Dance all night
(Till dawn’s daylight)
No, We’re not done…
(We’ll dance to another one)
Dance all day
(Dance all night)
Let it play
(In delight)

From the album “Discombobulated

bookmark_borderDisco-M-Bob-Ulate

Disco-M-Bob-Ulate-Best-Of.mp3
Disco-M-Bob-Ulate-Best-Of.mp4
Disco-M-Bob-Ulate.mp3
Disco-M-Bob-Ulate.mp4
Disco-M-Bob-Ulate-intro.mp3

[Intro]
Inferno!
(You know…)
Disco
(M-Bob-Ulate)
It’s not too late
(M-Bob-Ulate)

[Verse 1]
Play that funky music
Like it’s nineteen seventy nine
Or are you sick of it
Maybe some other time

[Bridge]
You know
(Play that disco)

[Chorus 1]
Disco (M-Bob-Ulate)
A bit overrated
(It ain’t rock n’ roll)
Does it have any soul?

[Verse 2]
At first your were afraid
(You were petrified)
Not knowing if you could slide
(Won’t know left untried)
Sooooo…

[Bridge]
You know
(Play that disco)

[Chorus 2]
Disco (M-Bob-Ulate)
Dance (Shake, shake, shake)
Let’s go (M-Bob-Ulate)
Makin’ the earth quake

[Chorus 3]
Disco (M-Bob-Ulate)
Dance (Participate)
Let’s go (M-Bob-Ulate)
Your soul’s on a roll

[Outro]
Inferno!
(You know…)
Disco
(M-Bob-Ulate)
It’s not too late
(M-Bob-Ulate)

From the album “Discombobulated

bookmark_borderCondensate

Condensate-Best-Of.mp3
Condensate-Best-Of.mp4
Condensate.mp3
Condensate.mp4
Condensate-intro.mp3

[Intro]
Condensate (state)

[Verse 1]
Am I stupid
… it’s not gas, solid, or liquid?
What the atoms did
As one in unison

[Bridge]
Just for fun
(Dance as one)
The thrill
(Of chill)

[Chorus]
Condensate (state)
Cold (cold) cold
Radically different
(Can’t be indifferent)

[Bridge]
Just for fun
(Dance as one)

[Verse 2]
Absolute zero
(Absolutely)
A scientist’s hero
(Astutely)

[Bridge]
Just for fun
(Dance as one)
The thrill
(Of chill)

[Chorus]
Condensate (state)
Cold (cold) cold
Radically different
(Can’t be indifferent)

[Outro]
Just for fun
(Dance as one)
The thrill
(Of chill)

A SCIENCE NOTE

A condensate is a state of matter that appears under extremely low temperatures and/or specific quantum conditions. There are several types, but most fall under quantum states—radically different from solids, liquids, or gases.

Main Types of Condensates and Their States:

1. Bose-Einstein Condensate (BEC)

  • State: Quantum, ultra-cold superfluid

  • Temperature: Just above absolute zero

  • Behavior: Atoms “collapse” into the same lowest energy state and behave like a single quantum entity—like a wave more than a particle.

  • Properties: Zero viscosity, can flow up walls, exhibits quantum weirdness at macroscopic scales.

  • Discovered: 1995 (Cornell & Wieman, Nobel Prize)

2. Fermionic Condensate

  • State: Also a superfluid, but formed from fermions (like electrons, protons, neutrons).

  • Requires pairing of fermions (like Cooper pairs in superconductors).

  • Observed in ultra-cold lithium atoms.

3. Exciton-Polariton Condensate / Photon Condensate

  • Light-like particles (photons or quasi-particles) condense into a single coherent quantum state.

  • Extremely exotic, used in cutting-edge quantum optics.

So What Is the State?

Condensates:

  • Are not solids, liquids, or gases in the classical sense.

  • Often called superfluids or quantum fluids.

  • Represent a fifth state of matter (beyond solid, liquid, gas, plasma).

Simple Analogy:

Imagine millions of atoms at normal temperatures acting like a wild crowd at a concert (each doing its own thing). In a condensate, it’s like everyone stops moving and dances in perfect unison—as if they become one single “super-atom.”

From the album “States of Matter

bookmark_borderDance, Partner, Dance

Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>
Dance-Partner-Dance-..>

[Intro]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Verse 1]
Dance, partner, dance
(Bullets hit the floor)
Dance, partner, dance
(Better dance some more)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Bridge]
You will (dance against your will)
Until (you don’t stand still)

[Verse 2]
Dance, monkey, dance
(Metaphorical monkey)
Dance, monkey, dance
(Hysterical honky)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Bridge]
You will (dance against your will)
Until (you don’t stand still)

[Chorus]
Dancing feet
Keep on movin’ (movin’)
Why not
(Take your best shot)

[Outro]
You will (dance against your will)
Until (you don’t stand still)

ABOUT THE SONG

A common parody of the trope where a cowboy gets his feet shot at to make him dance is the idea of someone being forced into an awkward or absurd situation due to external pressure. Some variations include:

  • “Dance, Monkey, Dance!” – This swaps the cowboy with a literal or metaphorical “monkey,” suggesting someone is being forced to perform against their will.

  • Sci-Fi or Cyberpunk Versions – Instead of bullets, the character might have electrodes or mind-control devices making them move involuntarily.

  • Corporate or Political Parodies – The cowboy could be replaced by a politician, CEO, or public figure being pressured into embarrassing actions due to scandals or bribes.

  • Cartoonish Takes – Shows like Looney Tunes often exaggerate the trope, where characters dance wildly due to hot surfaces, explosions, or even music itself.

From the album “Moving Target

bookmark_borderThe Other Side of Midnight

The-Other-Side-of-Midnight-0.mp3
The-Other-Side-of-Midnight-0.mp4
The-Other-Side-of-Midnight-I.mp3
The-Other-Side-of-Midnight-I.mp4
The-Other-Side-of-Midnight-Uplugged-Underground-XVI.mp3
The-Other-Side-of-Midnight-Uplugged-Underground-XVI.mp4
The-Other-Side-of-Midnight-Uplugged.mp3
The-Other-Side-of-Midnight-Uplugged.mp3
The-Other-Side-of-Midnight-intro.mp3

[Intro]
Counting down
(Are you ready to dance)
To getting down
(Come give it a chance)

[Verse 1]
On the other side of midnight
Gonna see dawn’s daylight
On the other side of midnight
Every thing’s gonna be alright

[Bridge]
Counting down
(Are you ready to dance)
To getting down
(Come give it a chance)

[Chorus]
The other side of midnight
(Is alright!)
Dance into the light
(With insight!)
The other side of midnight
(Dance all night)

[Verse 2]
On the other side of midnight
We’re gonna dance and sing
On the other side of midnight
Loving everything

[Bridge]
Counting down
(Are you ready to dance)
To getting down
(Come give it a chance)

[Chorus]
The other side of midnight
(Is alright!)
Dance into the light
(With insight!)
The other side of midnight
(Dance all night)

[Outro]
The other side of midnight
(Is alright!)
Dance into the light
(With insight!)
The other side of midnight
(Dance all night)

From the album “On the Edge

bookmark_borderUnusual

[Intro]
(Unusual)
Set of circumstances
(Unusual)
Ritual of the dances
Gyroscopic (stability)
Hypnotic (ability)

[Bridge]
(Whirling) dervishes
(Spinning) devilish
Sema ceremony
(In harmony)

[Verse 1]
Journey toward
(Spiritual enlightenment)
Moving forward
(In a circular movement)

[Chorus]
(Unusual)
Set of circumstances
(Unusual)
Ritual of the dances
Gyroscopic (stability)
Hypnotic (ability)

[Verse 2]
To Tantric music
(Dance move ecstatic)
Take a chance
(On a tribal dance)

[Chorus]
(Unusual)
Set of circumstances
(Unusual)
Ritual of the dances
Gyroscopic (stability)
Hypnotic (ability)

[Bridge]
(Whirling) dervishes
(Spinning) devilish
Sema ceremony
(In harmony)

[Chorus]
(Unusual)
Set of circumstances
(Unusual)
Ritual of the dances
Gyroscopic (stability)
Hypnotic (ability)

[Outro]
Unusual (in the natural)

A SCIENCE NOTE
The physics of spinning dances, such as those performed by whirling dervishes, involve several key concepts from mechanics, including angular momentum, centrifugal force, torque, and friction. Here’s a breakdown:


1. Angular Momentum

  • Definition: Angular momentum (L) is a measure of rotational motion, given by:
    • L = I * ω
      • I = moment of inertia (depends on how mass is distributed relative to the axis of rotation)
      • ω = angular velocity (rate of rotation).
  • Application:
    • When dancers spin, angular momentum is conserved unless an external torque acts on them. For instance, pulling arms in decreases I (moment of inertia) and increases ω (spin rate), while extending arms has the opposite effect.

2. Centrifugal Force

  • Definition: Centrifugal force is the apparent outward force experienced in a rotating frame, not a real force but a result of inertia. It is calculated as:
    • F_c = m * ω² * r
      • m = mass of the dancer
      • r = distance from the axis of rotation (radius of spin).
  • Application:
    • Dancers feel an outward pull as they spin. This force grows with the square of their spin rate (ω). To stay balanced, they stabilize their core and keep their weight centered over the pivot point.

3. Torque

  • Definition: Torque (τ) is the rotational equivalent of force, expressed as:
    • τ = r * F
      • r = lever arm (distance to the axis of rotation)
      • F = applied force.
  • Application:
    • Dancers apply torque by pushing against the ground to initiate a spin. The rotational motion begins when this torque is sufficient to overcome resistance.

4. Friction

  • Definition: Friction is the resistive force between the dancer’s feet and the ground.
  • Application:
    • Minimal friction at the pivot point (e.g., the ball of the foot) allows smooth spinning. Controlled friction from the other foot or adjustments in pressure help regulate speed and maintain balance.

5. Gyroscopic Stability

  • Definition: A spinning object resists changes to its axis of rotation due to gyroscopic effects.
  • Application:
    • The spinning body behaves like a gyroscope, maintaining balance and resisting external disturbances. Dancers use small adjustments in their arms or legs to stabilize the spin and maintain their axis.

6. Energy and Work

  • Definition: Energy is required to initiate and sustain spinning. Kinetic energy in rotation is given by:
    • KE = (1/2) * I * ω²
      • I = moment of inertia
      • ω = angular velocity.
  • Application:
    • Dancers expend energy to overcome friction and air resistance. By controlling their muscle tension and rotational speed, they manage their energy efficiently.

Practical Observations

  • Focus Point (Spotting): To reduce dizziness, dancers often fix their gaze on a single point and quickly snap their head around during each turn.
  • Balance: Core strength is critical for maintaining a stable axis of rotation and counteracting destabilizing effects like centrifugal force and uneven friction.

This interplay of physics allows dancers to achieve stable, graceful, and captivating spins.

ABOUT THE SONG
The ritualistic dancing where participants spin around and around is often associated with whirling dervishes, a form of spiritual dance performed in the Sufi tradition of Islam. This dance, known as the Sema ceremony, is a meditative practice aimed at achieving a state of spiritual ecstasy and connection with the divine.

Key Elements of Whirling Dervishes:

  1. Spiritual Significance:
    • The spinning symbolizes the motion of planets around the sun and the dervish’s journey toward spiritual enlightenment.
    • The ritual is deeply symbolic, representing the soul’s ascent toward perfection.
  2. Physical Movement:
    • Dancers wear long, flowing robes, which flare out as they spin.
    • The movement involves controlled, rhythmic spinning with one hand raised toward the sky (to receive blessings) and the other turned downward (to share blessings with the Earth).
  3. Accompaniment:
    • The ceremony is accompanied by traditional Sufi music, featuring instruments like the ney (a reed flute) and chanting.

Broader Context:

  • Spinning as a form of ritualistic dance can also be found in other traditions, such as:
    • Native American tribal dances, where spinning can symbolize connection to natural forces.
    • Tantric or ecstatic dance practices, which use spinning to enter trance-like states.

From the album “Snowball Effect” by Δ To Cause a Change

The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderA Black Part

[Intro]
Tit for tat
This and that
Where we’re at
(No lookin’ back)

[Verse 1]
Come to know
(Quid pro quo)
Scratch my back
(Ole kick-back)

[Chorus]
Tit for tat
This and that
Where we’re at
(No lookin’ back)

[Bridge]
On your breath
(The kiss of death)
’cause in your heart
(There’s a black part)

[Verse 2]
The bribe tribe
(Can’t subsribe)
Scratch my back
(I’m all done with that)

[Chorus]
Tit for tat
This and that
(Done with that)
No lookin’ back
(No, no lookin’ back)

[Bridge]
On my breath
(The kiss of life)
’cause in my heart
(Made nature my wife)

[Chorus]
Tit for tat
This and that
(Done with that)
No lookin’ back
(No, no lookin’ back)

[Bridge]
On my breath
(The kiss of life)
’cause in my heart
(Nature’s my wife)

[Outro]
On my breath
(Avoid death)

From the album “What The?” by The Beatless Sense Mongers

Reggae Sway” by Narley Marley

A song about The Human Induced Climate Change Experiment

MegaEpix Enormous

bookmark_borderIt’s Getting Dark?

[Intro]
It’s getting dark?
(And, darker still)
It’s getting dark

[Verse 1]
Is it getting dark
Too hard for me to see
Shine some light on reality

[Chorus]
It’s getting dark
(And, darker still)
It’s getting dark
(How long until?)

[Bridge]
Ironically
Foreboding
Tectonically
Astounding

[Verse 2]
Is there insight in sight
Oh, please…
Incite some light

[Chorus]
It’s getting dark
(And, darker still)
It’s getting dark
(How long until?)

[Bridge]
Ironically
Foreboding
Tectonically
Astounding

[Chorus]
It’s getting dark
(And, darker still)
It’s getting dark
(How long until?)

[Bridge]
Ironically
Foreboding

[Outro]
Tectonically
Astounding

A SCIENCE NOTE
Sidd remarked, “Every day in every way, things get worse and worse.” Sidd has been my lab partner for over 30 years, holds a doctorate in physics, and has supervised countless PhD candidates in the field. Together, we were the first team to hypothesize and later substantiate that climate change is non-linear. Here’s a paper we co-authored on the acceleration of climate change: Climate Change: Rate of Acceleration Brouse and Mukherjee (2023-2024)

A song about The Human Induced Climate Change Experiment

From the album “Rising” by Daniel

Ocho Rios Rendezvous” by Narley Marley

MegaEpix Enormous