bookmark_borderDubious

[Silence]
[Instrumental Intro: Skanking Electric Guitar, Deep Dub Bass, Organ, Piano, Drums, Percussion, Saxophone]

[Intro]
What’s that you say?
(Dubious!)
To all of us?
(Dubious!)

You don’t believe it?
(Nope!)
You need more evidence?
(Asking at the end of your rope)

Well…

Look around!
(Found to abound)

[Verse 1]
Somebody’s standing
With their fingers in their ears
Lack of understanding
(Building on their fears)

Saying:
“It’s all coincidence!”
(For fifty years?)

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Verse 2]
“Maybe it’s the sun”
(Well… some)
“Maybe it’s the clouds”
(Less sum)

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Verse 3]
You move the goalpost
(Again and again)
Ask for more proof
(Back to “Begin.”)

When the proof arrives
(You change the claim)
When the claim falls apart
(… rename the game)

“It’s too complicated!”
(So I’ll just berate it.)

“Models can’t predict!”
(Models aren’t perfect!)

“Scientists disagree!”
(No. Not really.)

“No!”

(“Know!”)

[Bridge]
Is doubt the same
As disbelief?
(No!)

Is uncertainty
The same as nothing?
(No!)

Does not knowing
Everything…

Mean we know
Nothing?

(Know!)

[Break]
[Dub Bass Drops — Organ Chords and Echoing Guitar]

Dubious…

(Dubious…)

To the obvious…
(Obviously)

Dubiously

(Due to cluelessness)

Obvious…

(… to all of us.)

[Drums return]

End of oblivious

[Band Hit]

OBVIOUS!

[Instrumental]
[Extended Dub-Reggae Groove — Echo Guitar, Organ Bubble, Saxophone and Deep Bass]

[Verse 4]
Vanity says:
“I know better”

Reality says:
“You’re getting wetter”

Vanity says:
“Don’t tell me”

Reality says:
“Look and sea”

Vanity says:
“I’m more mighty”

Reality says:
“Meet reality!”

[Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Bridge 2]
Maybe tomorrow
We’ll know more

(More likely tomorrow the rain will poor)

Maybe the models
Will improve

(Maybe to prove…)
POOF!

The present
(Is the proof!)

[Final Refrain]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

Dubious!
(Dubious!)

To the obvious!

Doubtful!
(Doubtful!)

But after all…
(reality calls!)

[Outro]
Dubious
(To the obvious)
Doubtful
(Of it all)

Suspicious
(Due to cluelessness)
Vanity
(Versus reality)

[Silence]

“Present Tense“

bookmark_borderBelieve It or Naught

[Silence]
[Instrumental Intro: Bouncy synth bass, four-on-the-floor beat, handclaps]

[Intro]
Believe it or not…
(What?)
Believe it or naught…
(Oh, that.)

[Verse 1]
You can close your eyes
(And count to three)
You can tell yourself
(It’s not reality)

You can dance around
(The obvious)
But reality
(Still dances with us)

[Pre-Chorus]
Think it through
(Or don’t!)
Question why
(Or won’t!)
What you see
(May be)
More than what
(You want to be!)

[Refrain]
Believe it
(Or naught)
Conceive
(Reality)

Believe
(Beyond naive)
Believe it
(Or naught)

[Verse 2]
Facts don’t need
(A wedding ring)
Truth won’t care
(What songs you sing)

You can shake your head
(And say “Nope!”)
Reality
(Still has hope!)

[Break]
Believe it!
(Or not!)
Conceive!
(Reality!)

Believe it!
(Or naught!)
Naught!
(Nothing!)

[Verse 3]
If you doubt the ground
(Then don’t look down)
Can’t doubt the beat
(When you move your feet!)

You don’t have to know
(The whole damn plot)
Just don’t confuse
(What is with what is not!)

[Final Refrain]
Believe it
(Or naught)
Conceive
(Reality)

Believe
(Beyond naive)
Believe it…
(Or naught…)
… is all ya got.

[Outro]
Believe it…
(Or not…)
Reality…
(Dance it out!)

Believe it…
(Or naught…)
… is all ya got.
(Naught is all you’ve got)
[Fade out]
Naught is all you’ve got
(Naught is all you’ve got)

[Silence]

“Present Tense“

bookmark_borderSee Level Sinking

[Intro]
See the level…
(Of the land and the sand)
Are you thinking…
(It is sinking?)

(Sinking!)

Wait a minute…

What’s rising?

(See… the sea!)

[Verse 1]
Beach Road by the ocean
(What’s going on?)
Sand is disappearing
(Where has it gone?)

Dunes are getting smaller
(Buffer wearing thin)
Southern swell is pounding
(Here it comes again!)

Big waves rolling
(Full of energy)
Higher water underneath
(That’s the synergy!)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

[Verse 2]
Multimillion-dollar houses
(Standing by the shore)
Pacific Ocean knocking
(Pounding at the door!)

One loses its foundation
(Another takes a hit)
The shoreline keeps retreating
(That’s the nature of it)

Sand absorbs the pounding
(Dunes absorb the flow)
Take away the buffer
(Where’s the energy go?)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

Wave energy pounding
(Shoreline confounding!)

[Bridge]
Can you build a wall
(Wait and watch it fall)
Against the sea?
(Can’t tempt destiny)

Can you stop a wave
(Ha! Watch it behave)

Can you make tomorrow
Act like yesterday?

(No way!)

[Break]
See…
(Sea!)
Level…
(Devil!)
Sinking…
(Rising!)
Yess…

See…
(Sea!)
Level…
(Level!)
RISING!

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

Wave energy pounding
(Shoreline confounding!)

[Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

[Break]
What’s sinking?
(The sand! The land)
What’s rising?
(See! The sea!)
What’s coming?
(The energy!)
See! (The sea!)

[Final Refrain]
See the level sinking
(What were you thinking)
Is it at all surprising
(The sea level’s rising)

See the level sinking
(Sand is retreating)
Is it at all surprising
(The waves keep repeating)

See the level sinking!

(Sinking!)

Sea level rising!

(Rising!)

[Outro]
No. It ain’t surprising
(Know the sea is rising)


Sea Level vs. Private Property Rights

About the Song

How Is the Climate Energy Hitting You?
SoCal Coastal Armoring
Sea Level vs. Private Property Rights = Managed Retreat

🌊 Climate energy is hitting the coast.

When waves encounter a hard structure instead of dissipating their energy across a gradually sloping beach, some of that energy can be reflected back toward the ocean.

That can increase scour at the base of the structure and accelerate the loss of sand immediately in front of—and adjacent to—the armored shoreline.

A difficult feedback loop can develop:

Loss of sand → greater wave energy → erosion → emergency armoring → altered wave & sediment dynamics → further beach loss

The result is a fundamental conflict:

Protect individual properties — or preserve the beach as a public resource.

🌊 Climate Change Changes the Equation

This isn’t simply a dispute over seawalls.

It’s a preview of a much larger problem.

As sea levels rise, coastal storms and extreme-wave events interact with a progressively higher baseline ocean. More energy can reach vulnerable shorelines, while the loss of beaches and dunes removes natural buffers that once absorbed part of that energy.

The physical equation is changing.

🏖️ Managed Retreat

Managed retreat may ultimately become the long-term strategy for some coastal properties.

The fundamental physical reality is simple:

You can build a wall against the ocean.
You cannot build a wall against a changing climate.

The Beach Road conflict is therefore about much more than a temporary rock wall.

It is about what happens when accelerating climate change collides with private property rights, public resources, and the physical limits of coastal engineering.

The ocean doesn’t recognize property lines.

🌎 How Is the Climate Energy Hitting You?

SoCal Coastal Armoring: Sea Level vs. Private Property Rights

“Present Tense“

bookmark_borderEEI (The Energy Imbalance)

[Silence]
[Instrumental Intro: Deep Piano, Acoustic Guitar, Organ, Deep Sub-Bass, Electric Guitar Swells, Drums, Percussion, Saxophone]

[Intro]
Incoming…
(Incoming!)
Outgoing…
(Outgoing!)

What’s the difference?

(The imbalance!)

You’re getting warmer
(When we take in more)
… But can’t get out the door…
(Energy intensity)

[Verse 1]
Sunlight coming down
(Every single day)
Soaking it in…
(Can’t get away)

[Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will you die)

[Verse 2]
Back in the earlier days
(The balance held the line)
Then something started shifting
(A change in time)

Two thousand five
(Acceleration!)
Two thousand nineteen
(Accumulation!)

[Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will you die)

[Bridge]
And then…

Ice sheet
(Retreat)

Clouds thin
(An energy win)
The energy pours in
(Feedbacks begin)

[Break]
[Deep Bass Pulse — Sparse Piano]

Zero…
(Balance…)

Then…

A little more.

[Kick Drum]

A little more.
(Than before)

[Snare]

A little more!
(Starts to pour)

[Full Band Hit]

EEI!

[Instrumental]
[Extended Electric Guitar and Saxophone Duel Over Driving Piano, Organ and Deep Bass — Drums Build Into a Relentless Groove]

[Bridge 2]
Do we balance?
(Or imbalance?)

Do we adapt?
(Or collapse?)

Do we watch?
(Or act?)

Do we learn?
(Or burn?)

Oh, my, my…

[Final Refrain]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Or will we try)

[Outro]
Do we stand a chance?
(The energy imbalance)
Change in the exchange

Oh, my, my
(EEI)
Are you gonna cry
(Oh, we better try)
EEI
(EEI!)

[Whispered]
The energy imbalance…
(Don’t take the chance)
[Deep Bass Hit]

EEI!

[Silence]


ACCELERATING ENERGY IN − LESS ENERGY OUT = CLIMATE CRISIS

About the Song: The Energy Imbalance (EEI)

A simple way to understand climate change and global warming is through Earth’s energy balance—or, more precisely, the growing lack of balance known as Earth’s Energy Imbalance (EEI).

Earth’s climate is governed by a fundamental exchange: energy arrives primarily from the Sun, while Earth returns energy to space as reflected sunlight and outgoing infrared radiation. When incoming and outgoing energy are equal over the long term, the planet is approximately in energy balance. When more energy enters the Earth system than leaves it, the difference is stored within the climate system, producing warming.

2005–2019 (The First Acceleration)
The long-term EEI average effectively doubles compared to prior decades. Ocean heat content spikes dramatically as the oceans absorb roughly 90% of this excess energy.

2020–2023 (The Post-2020 Surge)
Slashed marine shipping pollution (IMO 2020 regulations) rapidly clears atmospheric haze over the oceans, forcing a massive, sudden spike in absorbed solar energy.

2024–Present (Nonlinear Feedback Phase)
EEI hits unprecedented, record-breaking territory. Strong climate feedbacks—such as collapsing Antarctic sea ice and thinning cloud decks—darken the planet, causing it to absorb immense amounts of solar radiation.

From ~0.0 to ~1.4 W/m²+

Read the full report Earth’s Energy Imbalance: The Climate System Out of Balance

“Present Tense“

bookmark_borderCrude Costs

[Silence]
[Instrumental Intro: Deep Sub-Bass, Swampy Electric Guitar, Low Piano, Organ, Drums, Percussion, Saxophone]

[Intro]
Crude…
(Screwed!)

Costs…
(Loss!)

How much?
Well…
(Bloody hell!)

[Verse 1]
Down at the dock
(What’s that shock?)
Tanker in the water
(Sinking like a rock?)

[Pre-Chorus]
The tank didn’t sink
(The price did rise)
Look at that number
(Before your eyes!)

Surprise
(Surprise)

[Refrain]
Ya woulda thought
(The tank sank)
You’d be at loss…
(Crude costs)

[Verse 2]
Time-charter earnings
(That’s the score)
One point two million
(Dollars a day or more!)

[Refrain]
Ya woulda thought
(The tank sank)
You’d be at loss…
(Crude costs)

[Bridge]
Did the ship sink?
(What do you think?)

It’s just the cost
(That’s lost)

[Break]
[Drums Drop to Half-Time]
Sixteen…
Thousand…

[Pause]

One-point-two…
Million!

[Band Hit]

A DAY!
(In pay)

[Instrumental]
[Extended Swampy Guitar Solo Over Deep Bass, Organ and Driving Piano — Saxophone Answers With Short Bursts]

[Final Refrain]
Ya woulda thought
(The tank sank)
You’d be at loss…
(Crude costs)

Noo…
It was the cost
(That was lost)

[Outro]
Ya woulda thought
(The tank sank)
You’d be at loss…
(Crude costs)

Noo…
It was the cost
(That was lost)
[Deep Bass Hit]

Crude costs!

[Bass Hit]

[Silence]
[End]

About the Song
Oil Shipping Costs Explode: From ~$16,000 to More Than $1.2 Million a Day

The cost of transporting crude oil by the world’s largest oil tankers has reached extraordinary levels.

On the benchmark TD3C route — a 270,000-metric-ton Very Large Crude Carrier (VLCC) traveling from the Middle East Gulf to China — daily time-charter-equivalent (TCE) earnings have surged from roughly $16,000/day in 2020 to more than $1.2 million/day in September 2026.

That is not simply a large increase. It represents an extraordinary transformation in the economics of moving oil by sea.

“Present Tense“

bookmark_borderRage Age

[Silence]
[Instrumental Intro: Driving Piano, Distorted Electric Guitar, Deep Sub-Bass, Organ, Drums, Percussion, Saxophone]

[Intro]
Enter in…
(Enterin’)

Comin’ through…
(What’s it gonna do?)

Step right up!
(Watch it erupt!)

Welcome to…
(The Rage Age!)

[Verse 1]
See the river rise
(No surprise!)
Rolling fast…
(Watch it blast!)

The wind starts howling
(The roof is growling)
Clouds are churning
The whole sky’s burning

[Refrain]
Enter in
(Begin)
Entering…
(The Rage Age)

Raging river
(Does deliver)
Raging storm
(Is the norm)

The world stage
(It’s all the rage)
The Rage Age

[Verse 2]
Heat keeps climbing
(Time’s unwinding)
Rain comes sideways
(Flooding highways)

Thunder cracking
(No time backing)
Lightning flashing
Power crashing

[Refrain]
Enter in
(Begin)
Entering…
(The Rage Age)

Raging river
(Does deliver)
Raging storm
(Is the norm)

The world stage
(It’s all the rage)
The Rage Age

[Bridge]
Turn the page
(All the rage)

Is it whether?
(No, its weather)

Is it fate?
(No, too late)

It is us
(No need to discuss!)

[Break]
[Drums Drop to Half-Time]
Rage…
(Stage…)

River…
(Deliver…)

Storm…
(Norm…)

Norm…
(Warm…)

[Deep Bass Pulse]

Rage!
(Age!)

Rage!
(Stage!)

[Instrumental]
[Extended Electric Guitar Solo Over Driving Piano, Organ, Saxophone and Heavy Percussion]

[Final Refrain]
Enter in
(Begin)
Entering…
(The Rage Age)

Raging river
(Does deliver)
Raging storm
(Is the norm)

The world stage
(It’s all the rage)
The Rage Age

Enter in!
(Begin!)

Entering…
(The Rage Age!)

[Outro]
The Rage Age…
(All the world’s the stage)

Is it coming?

(Beyond near….)

It’s here

[Distorted Guitar Feedback]

[Silence]

“Present Tense“

bookmark_borderWild Ass Ride

[Silence]

[Instrumental Intro: Twangy Electric Guitar, Acoustic Guitar, Honky-Tonk Piano, Deep Sub-Bass, Organ, Drums, Percussion, Harmonica]

[Intro]
Whoa there, boy!
(Whoa!)
Easy now…
(Easy!)

I said he ain’t lame!
(More like insane!)

Look out…
You cannot pass…
(He’s a wild ass!)

[Verse 1]
Found him standing by the fence
(Lookin’ mighty innocent)
Big brown eyes
(Full of surprise)

Thought he’d take a little hay
(Thought he’d calmly walk away)
Put the saddle on
(And then he was gone!)

Dust came flying
(Cowboy crying)
Boots went left
(Hat went right)

I grabbed the reins
(He grabbed incite!)

[Pre-Chorus]
Round the corral
Round the bend
Thought this ride
Would never end

Kickin’ dust
Shakin’ hide
Hang on tight
For the wild ass ride!

[Refrain]
Can’t you see
(That donkey)
Is not tame
(No, h’s not the same)

… wild ass
(Can’t pass)
Get on that hide
(And, ride, cowboy, ride!)

Hold on strong!
(It’s a wild ass ride!)
Hold on long!
(You’re on a wild ass ride!)

[Verse 2]
He took off like a rocket
(No one could stop it!)
Through the gate
(Too late!)

No, can’t retain…
(Like a freight train)
Over the hill
(What a thrill!)

Past the barn
(Alarm! Alarm!)
Through the creek
(What a streak!)

I yelled, “Whoa!”
(He replied, “No!”)

He had a mind
Of his own
And apparently
A destination unknown!

[Refrain]
Can’t you see
(That donkey)
Is not tame
(No, he’s not the same)

… wild ass
(Can’t pass)
Get on that hide
(And, ride, cowboy, ride!)

Hold on strong!
(It’s a wild ass ride!)
Hold on long!
(You’re on a wild ass ride!)

[Verse 3]
He jumped a log
(I lost my shoe)
He crossed a bog
(I lost two!)

He spun around
(I saw the ground)
Then bucked up high
(I kissed the sky!)

I grabbed his mane
(He grabbed my pride)
We both went flying
Side by side

I landed soft
(Well… relatively)
He looked at me
(Quite disrespectfully)

[Bridge]
Is he wild?
(All the way!)

Is he tame?
(Not today!)

Does he know
(Who’s the boss?)

Well… I’m at a loss

He said…
(“Hay!”)

I said…
Hey! Hey! Hey!
(On a runaway)

[Break]
[Drums and Bass Stop]

Whoa…
(Ohhh…)

Easy…
(Easy…)

Good donkey…
(Good donkey…)

Good—

[Sudden Full-Band Hit]

ASS!

[Instrumental]
[Extended Honky-Tonk Piano and Twangy Electric Guitar Solo — Harmonica and Saxophone Join, Drums Building to a Galloping Groove]

[Verse 4]
Now the sun is going down
(Still no saddle on the ground)
Dust is settling
(Heart is rattling)

Finally he slows
(Thank the Lord!)
Looks at me
(Like he’s bored!)

I slide down
(What a sight!)
Both my legs
(Are not right!)

He gives a snort
(Then turns away)
Like tomorrow
Is another day

[Refrain]
Can’t you see
(That donkey)
Is not tame
(No, he’s not the same)

… wild ass
(Can’t pass)
Get on that hide
(And, ride, cowboy, ride!)

Hold on strong!
(It’s a wild ass ride!)
Hold on long!
(You’re on a wild ass ride!)

[Outro]
And I know…
(Oh, I know…)
Oh, no, no, no
(Alas)
Wild ass!

[Silence]

The new release of the day, “Wild Ass Ride,” is a song about life in the modern day… accidentally set to a retro-futuristic cowboy hootenanny.

Written and recorded with the same acoustic/electric Ibanez guitar. The honky-tonk piano is a Kurzweil, and the synth is a miniNova.

So grab hold of those extreme scenes in your own backyard—and ride, cowboy, ride!

“Present Tense“

bookmark_borderGone Berserk

[Silence]
[Instrumental Intro: Distorted Electric Guitar, Deep Sub-Bass, Organ, Piano, Drums, Percussion, Saxophone]

[Intro]
Something’s itchin’
(Twitchin’?)

Something’s wrong
(For how long?)

[Verse 1]
Started with a little
A little out of place
A tiny little glitch
With a smile on her face

[Refrain]
More than a quirk
(Gone berserk)
Filling the role
(… out of control)

[Verse 2]
The wheels keep turning
Faster every day
Somebody says
“It’s nothing…”
Then it gets away

The feedback starts feeding
The feedback again
A little acceleration
Becomes a violent trend

Round and round
And back around
The signal gets louder
Till it shakes the ground

[Refrain]
More than a quirk
(Gone berserk)
Filling the role
(… out of control)

[Verse 3]
Building up of pressure
Add more heat
Put into motion
Underneath your feet

The system finds a pathway
The pathway finds a groove
The groove becomes a highway
And everything starts to move

[Bridge]
Is it a quirk?
(Climate jerk!)
Is it a glitch
(Sure ain’t music)

[Break]
Quirk!
(Jerk!)

Berserk!
(BERSERK!)

[Instrumental]
[Distorted Guitar Riff]
[Deep Bass Pulse]
[Organ Stabs]
[Saxophone Screams]
[Drums Accelerate]
[Percussion Builds]

[Verse 4]
Now everybody’s running
But nobody knows where
The signal’s getting stronger
It’s hanging in the air

[Final Chorus]
Gone berserk!
(Gone berserk!)

Out of control!
(Out of control!)

Filling the role
(Filling the role!)

Taking its toll!

Gone berserk!
(Gone berserk!)

[Final Refrain]
More than a quirk
(Gone berserk)
Filling the role
(Out of control)

More than a quirk!
(More than a quirk!)

Gone berserk!
(GONE BERSERK!)

Filling the role…
(Out of control!)

[Outro]
Quirk…
(Shift…)

Jerk…
(Surge…)

Role…
(Control…)

More than a quirk…

Gone…

Berserk!

[Distorted guitar feedback]

[Silence]

Found on “Present Tense“
and
“Full Blown“

bookmark_borderRunaway Runaway

[Silence]
[Instrumental Intro: Driving Piano, Distorted Electric Guitar, Deep Sub-Bass, Organ, Drums, Percussion, Saxophone]

[Intro]
Hear that sound?
(It’s going down)

Was way off in the distance…
… now lacking resistance…
(Coming closer!)
… drawing near…
(Oh dear!)

Runaway!
(Run away!)

Oh, no…

[Verse 1]
Started with a little push
(Just a little shove)
Then it picked up speed
(That’s enough!)

Round and round
The wheels go faster
Little problem
(Becomes disaster)

Tried to stop it
(Tried to slow)
But the thing kept saying:
(No whoa, no!)

[Refrain]
Run away!
(It’s a runaway runaway)
Out of the way!
(It’s a runaway runaway)

Self-reinforcing
(History divorcing)
Oh, it’s coming this way…
(Today)

Runaway runaway
(Run away)

[Verse 2]
Yesterday was yesterday
(That’s what we say)
But yesterday’s momentum
(Is coming this way)

Cause and effect
(Effect and cause)
Round and round
(Without a pause)

What once seemed strange
(Becomes the norm)
What once was calm
(Becomes the storm)

[Refrain]
Run away!
(It’s a runaway runaway)
Out of the way!
(It’s a runaway runaway)

Self-reinforcing
(History divorcing)
Oh, it’s coming this way…
(Today)

Runaway runaway
(Run away)

[Bridge]
Is it runaway?

(Run away!)

Does it self-reinforce?
(Of course!)
… and much worse

Will tomorrow
Still follow?

(Not today!)

[Break]
[Drums Stop — Deep Bass Pulse]

Run…
(Run…)
Run away…

(Away…)

(Missed the starting gun?)
Run…
(Run…)

Run away…

(Away…)

[Whispered]
One thing…

(Begets another.)

[Drums Explode]

RUNAWAY!

[Instrumental]
[Extended Distorted Guitar Solo — Driving Piano, Organ, Saxophone, Galloping Drums and Deep Bass]

[Final Refrain]
Run away!
(It’s a runaway runaway)
Out of the way!
(It’s a runaway runaway)

Change of course?
(… much worse)
(Better call a hearse)

[Outro]
Oh, it’s coming this way…
(Today)

[Fade out]
Runaway runaway
(Run away)

[Distorted Guitar Feedback]

[End]

[Silence]


Is the climate on a runaway train?

About the Song
Is Climate Change Runaway? Maybe.

Unfortunately, the underlying science increasingly points in that direction. More importantly, it highlights what may be the most critical issue facing society today: not whether climate change is occurring, but whether we are approaching thresholds beyond which many impacts become effectively irreversible on human timescales.

None of us are arguing that the entire Earth system is in a fully runaway state today. However, observations accumulated over the past four decades suggest that multiple climate indicators are accelerating faster than many earlier projections anticipated. We are also observing increasing evidence of self-reinforcing feedback loops emerging across interconnected climate, ecological, and economic systems.

The central question is no longer whether runaway behavior is possible in principle. The question is how we recognize the transition if and when enough individual subsystems enter self-reinforcing states that the larger coupled system begins exhibiting runaway characteristics of its own.

Feedback Loops

“Present Tense“

bookmark_borderWhether Forecast

[Silence]
[Instrumental Intro: Driving Piano, Twangy Electric Guitar, Deep Sub-Bass, Organ, Drums, Percussion, Saxophone]

[Intro]
What’s the forecast?
(Will it last?)
Rain?
(Or pain?)
… pouring on the brain

[Verse 1]
Lookin’ out the window
(What do I see?)
Clouds on the horizon
(Comin’ after me)

Sun was shining
(Just a minute ago)
Now the rain is falling
(Whoa, whoa, whoa!)

[Pre-Chorus]
Could be sunny
Could be rain
Could be calm
Could be insane

Could be mild
Could be wild
Could be something
We haven’t compiled

[Refrain]
The weather forecast
(Forevermore uncertain)
The whether forecast
(Nevermore… for certain)

Know what I mean?
(Extreme!)
Whether or not
(We’ve got…)
EXTREME!

(Know what I mean)
The scene:
(Extreme)

Real lean…
(On serene)
… know what I mean?

EXTREME!

[Verse 2]
Forecast says a sprinkle
(Grab your coat!)
Then the sky comes crashing
(Grab your boat!)

Little cloud
(Becomes a storm)
What’s unusual
(Becomes the norm)

Wind starts blowing
(Tree starts bending)
Rain starts pouring
(No pretending)

Temperature rising
(Then it drops)
Weather keeps on changing
(Never stops!)

[Refrain]
The weather forecast
(Forevermore uncertain)
The whether forecast
(Nevermore… for certain)

Know what I mean?
(Extreme!)
Whether or not
(We’ve got…)
EXTREME!

(Know what I mean)
The scene:
(Extreme)

Real lean…
(On serene)
… know what I mean?

EXTREME!

[Bridge]
Whether or not…
(We’ve got!)
One thing for sure
… the future

(Bringing on the mean extreme)
… we ensure.

[Break]
[Drums Drop Out — Bass and Piano Pulse]

What’s the weather?
(Extreme!)

What’s the whether?
(Extreme!)

What’s the scene?
(Extreme!)

[Band Explodes Back In]

EXTREME!

[Instrumental]
[Extended Piano and Electric Guitar Solo — Saxophone Answers Each Phrase, Drums Driving Like a Storm Front]

[Refrain]
The weather forecast
(Forevermore uncertain)
The whether forecast
(Nevermore… for certain)

Know what I mean?
(Extreme!)
Whether or not
(We’ve got…)
EXTREME!

(Know what I mean)
The scene:
(Extreme)

Real lean…
(On serene)
… know what I mean?

EXTREME!

[Instrumental, Psychedelic Jam, Percussion Break, Whistle Solo]

[Pre-Chorus]
Could be sunny
Could be rain
Could be calm
Could be insane

But when extremes
Keep coming through
The forecast changes
Me and you

[Final Refrain]
The weather forecast
(Forevermore uncertain)
The whether forecast
(Nevermore… for certain)

Know what I mean?
(Extreme!)
Whether or not
(We’ve got…)
EXTREME!

(Know what I mean)
The scene:
(Extreme)

Real lean…
(On serene)
… know what I mean?

EXTREME!

[Outro]
(Know what I mean)
The scene:
(Extreme)

Our dream…
(Unseen)
… know what I mean?

EXTREME!

Know what I mean?

(You know what I mean!)

The scene…

(EXTREME!)

[Instrumental Storm Surge — Guitar, Piano, Saxophone, Drums]

Weather…

(Whether…)

Weather…

(Whether…)

EXTREME!

[Silence]

About the Song
The distinction between weather and climate has not disappeared. Weather remains the day-to-day state of the atmosphere, while climate describes long-term averages and the underlying behavior of the Earth system. What has changed is the degree to which climate is now shaping weather in real time.

As greenhouse gases accumulate and the planet stores more heat, every component of the climate system contains more energy. Warmer oceans evaporate more water, the atmosphere holds more moisture, and circulation patterns are increasingly disrupted by changes in temperature gradients between the tropics and the poles. These changes alter not only the intensity of individual weather events but also the persistence and interaction of entire weather patterns.

The result is a network of reinforcing feedbacks. A warming ocean fuels stronger atmospheric rivers and hurricanes. Droughts increase wildfire activity, while wildfire smoke alters atmospheric chemistry and solar radiation. Reduced snow and ice decrease Earth’s reflectivity, allowing additional warming. Permafrost thaw releases greenhouse gases that contribute to further warming. Each process influences others, producing cascading effects across the Earth system.

Climate Change Today: When Weather Becomes Climate
Meteorologists’ New Vocabulary: How Climate Change Is Changing the Language of Weather

“Present Tense“

bookmark_borderOblivious

[Silence]
[Instrumental Intro: Dark Piano, Deep Sub-Bass, Organ, Electric Guitar, Drums, Percussion, Saxophone]

[Intro]
Look around…
(And around and around!)
Anybody home?
(Hello?)
… do you know?

Anybody listening?
(Suggesting…)

Anybody seein’ this?
(Seein’ what?)

Exactly…
(It’s time we see)

[Verse 1]
The warning light is flashing
But nobody looks
The pages keep on turning
But nobody reads the books

The smoke is in the distance
The sirens start to sound
Everybody keeps on asking:
“What’s that noise?”
(As it’s all around!)

[Pre-Chorus]
Eyes wide open
(Mind asleep)
Standing at the edge
(The water’s deep)

Something’s happening
Right before our eyes
But somehow everybody
Seems surprised

[Refrain]
Is it just me… or are all of us
(Oblivious)
I mean… get serious
(About the oblivious)

… they’re dangerous
(To all of us!)
Oblivious

[Verse 2]
The scientist says, “Look!”
(We look away)
The numbers say, “Now!”
(We say, “Some other day”)

All in all declining
The carbon think is weak
The trouble keeps accumulating
While nobody wants to speak

“Everything’s fine!”
(Everything?)

Meanwhile the present
Becomes the future
One day at a time

[Refrain]
Is it just me… or are all of us
(Oblivious)
I mean… get serious
(About the oblivious)

… they’re dangerous
(To all of us!)
Oblivious

[Bridge]
Oblivious…
(To the obvious)

Are we?
(We are)
… oh how bizarre

Could it be…
(Certainly)

[Refrain]
Is it just me… or are all of us
(Oblivious)
I mean… get serious
(About the oblivious)

… they’re dangerous
(To all of us!)
Oblivious

Oblivious…
(To the obvious)

[Break]
Wake up!
(WAKE UP!)

What?
(What’s up?)

What’s happening?

Right now!
(Pow and wow!)

Right here!
(It’s clear!)

Present tense!
(In intense!)

[Instrumental]
[Deep Bass Groove]
[Distorted Guitar Riff]
[Organ Swells]
[Saxophone Screams]
[Drums Build]

[Final Refrain]
Is it just me… or are all of us
(Oblivious)
I mean… get serious
(About the oblivious)

… they’re dangerous
(To all of us!)
Oblivious

… we’re dangerous
(To all of us!)
Oblivious
(To the obvious)

[Outro]
Oblivious
(To the obvious)

What’s that?
(What’s what?)

That…
(That what?)

Right there!

[Pause]

Unaware

[Whisper]
Oblivious
(To the obvious)

[Silence]

From the album “Present Tense“

bookmark_borderKnown Ozone

[Silence]
[Instrumental Intro: Driving Piano, Deep Sub-Bass, Organ, Electric Guitar, Drums, Percussion, Saxophone]

[Intro]
Hold the phone!
(Danger zone!)
What’s the hell?
(What’s that smell?)

You thought you knew
The greenhouse crew?

Well…
(Do you?)

Known ozone!

[Verse 1]
Under the sky… down below
Where the sunlight shines
There’s non-laughing gas
Waiting in the lines

But that’s not all…
(No, in a domino fall!)

[Refrain]
Hold the phone
(You’ve reached number one)
Known ozone
(No, you can’t be outdone)

[Verse 2]
Ozone hits the fan
And the shit flies
Man’s damned demand
Open your eyes…
(Realize!)

[Refrain]
Hold the phone
(You’ve reached number one)
Known ozone
(No, you can’t be outdone)

Not just warming
(There’s more to come!)

Atmospheric!
(Ecologic!)
Can we defy logic?

Forcing agent!
(That’s the one!)

[Refrain]
Hold the phone
(You’ve reached number one)
Known ozone
(No, you can’t be outdone)

[Bridge]
Atmospheric forcing!
(Logic divorcing!)
Ecological forcing!
(Logical divorcing!)

[Refrain]
Hold the phone
(You’ve reached number one)
Known ozone
(No, you can’t be outdone)

[Break]
Hold the phone!
(You’re in the winner’s zone!)

Who’s calling?
(Ozone!)

Number?
(Number one!)

In the OH ZONE!
(Ozone)

[Instrumental]
[Electric Guitar Riff]
[Organ Groove]
[Deep Bass]
[Saxophone Answers]
[Drums Build]

[Final Refrain]
Hold the phone
(You’ve reached number one)
Known ozone
(No, you can’t be outdone)

Hold the phone!
(You’ve reached number one!)

It’ well known!
(Oh ozone!)

[Outro]
Ozone…
(Oh, ozone…)

Known ozone…
(You should’ve known!)

[Whisper]
Atmospheric…
(Defyin’ logic)
No, you’re illogical
(And ecological…)
Spent
(Forcing agent.)

[Silence]


Ozone = atmospheric + ecological forcing agent

About the Song: Ozone = #1 Climate Gas
Ozone is usually overlooked as a greenhouse gas. Actually, tropospheric ozone sits atop the climate-change pyramid.

Why? Because ozone is both an:
ATMOSPHERIC FORCING AGENT
→ traps heat
→ drives additional warming
and an:
ECOLOGICAL FORCING AGENT
→ damages plants
→ reduces photosynthesis
→ weakens carbon sinks
→ leaves more CO₂ in the atmosphere
→ drives additional warming

FOREST DECLINE: 17%–40%
GREENHOUSE GAS: #3

Ozone doesn’t just warm the atmosphere. It can damage the biological systems that remove CO₂ from it.

OZONE = ATMOSPHERIC + ECOLOGICAL FORCING AGENT

That makes ozone one of the most important—and overlooked—climate-change agents.

Read Known Ozone: The #1 Climate Gas

From the album “Present Tense“

bookmark_borderPresent Tense

[Silence]
[Instrumental Intro: Driving Organ, Acoustic Guitar, Deep Sub-Bass, Piano, Electric Guitar, Drums, Percussion, Saxophone]

[Intro]
Right now…
(Right here!)
Somehow…
(Raises fear?)

Not yesterday…
(Not tomorrow…)
Today
(Hence:)
Present tense!

[Verse 1]
Yesterday’s gone
Tomorrow’s not here
All the while tomorrow
Draws near

[Refrain]
Is the present tense
(Tense)
Is the state of the state
(Irate)

Are you presently tense
(In the present tense?)

[Instrumental, Psychedelic Jam Interlude, Percussion Solo]

[Verse 2]
The present is tense
When the pressure is high
Everybody’s watchin’
The numbers fry

[Chorus]
Present tense!
(Tense!)

What’s the state of the state?
(Irate!)

Present tense!
(Tense!)

What’s the state of the state?

Are we presently tense?
(Presently tense!)

Or just pretending
(Everything’s fine?)

Forever defending
(Me, my, mine)

[Bridge]
Is it a grammar lesson?
(Is it?)

Is it a state of mind?
(Bad habit?)

Is it the state of the state?
(Irate!)

Or all of the above?
(Have we forgot love?)

[Break]
Right now!
(Not later!)

Not before!
(Once more!)

Right now!
(Hence:)
Present!
(Tense!)

[Instrumental]
[Driving Piano Groove]
[Deep Bass Locks In]
[Organ Chords]
[Electric Guitar Riff]
[Saxophone Call and Response]
[Drums Build to Full Groove]

[Final Refrain]
Is the present tense
(Tense)
Is the state of the state
(Irate)

Are you presently tense
(In the present tense?)

Is the present tense
(Tense)

Or is it just the debate
(We communicate?)

Are you presently tense
(In the present tense?)

[Outro]
[Instrumental, Saxophone and Organ]
Is the present tense
(Tense)
Is the state of the state
(Irate)

Are you presently tense
(In the present tense?)

[Whisper]
(Hence:)
Are you presently tense?

[Silence]

From the album “Present Tense“

bookmark_borderForked Tongue

[Silence]
[Instrumental Intro: Swampy Electric Guitar, Deep Sub-Bass, Organ, Piano, Drums, Percussion, Saxophone]

[Intro]
Hear that hiss?
(Hit or miss?)

Talkin’ smooth to you
(Sounds so true)

Careful what you do…

[Verse 1]
One tongue says
“The climate’s changin'”
The other says
“There’s nothin’ to fear”

One hand points
At the rising water
The other says
“The evidence ain’t clear”

Talkin’ out both sides
That mouth is tw0-faced
Both far and wide
Is disgraced

A promise in the daylight
A different one at night
Say whatever fits
To keep the story right

[Pre-Chorus]
A little truth
(A little lie)
Look ’em straight
(In the eye)

Say it loud
(Say it strong)
But which side
(Which side’s wrong?)

[Refrain]
That snake
(Speaks with a forked tongue)
When all is said and done…
(Careful what you make)

[Verse 2]
“Drill, baby, drill!”
(Still?)
“Nothing’s going wrong”
(… same ole song)

“Just one more flood”
(Is that what he meant?)
Meanwhile the basement
(Is filling up with mud)

[Chorus]
Forked tongue!
(Which way’s it goin’?)
Forked tongue!
(What are ya knowin’?)

Say one thing
(Do another)
Tell the voter
(Another blunder)

[Refrain]
That snake
(Speaks with a forked tongue)
When all is said and done…
(Careful what you make)

[Bridge]
One tongue says
“Believe in me”
The other says
“Your eyes deceive”

[Break]
Hiss!
(Hiss!)

Snake bite!
(Might…)
Cause fright

[Instrumental]
[Swampy Guitar Riff]
[Organ Stabs]
[Deep Bass Groove]
[Saxophone Call and Response]
[Drums Build]

[Final Refrain]
That snake
(Speaks with a forked tongue)
When all is said and done…
(Careful what you take)

That snake…
(Is on the make!)

[Outro]
That snake
(Speaks with a forked tongue)
When all is said and done…
(Careful what you make)

[Snake hiss fades]

[Silence]

From the album “Present Tense“

bookmark_borderChanging

[Silence]
[Instrumental Intro: Acoustic Guitar, Piano, Warm Organ, Deep Sub-Bass, Electric Guitar, Drums, Percussion, Saxophone]

[Intro]
Spring came early…
(Or was it late?)
Summer stayed longer…
(Changing our fate)

Leaves started fallin’
Before they were due
Winter came knockin’
But nobody knew

[Verse 1]
The calendar said
It was time for the change
But outside the window
Things looked kinda strange

[Refrain]
The seasons
(Are changing)
Rearranging
(For what reasons?)

Arrive early
(Alive… barely)
Stayed late
(At any rate…)
Changing

[Verse 2]
Summer said
“I’m gonna stay for a while”
Autumn was waiting
With a puzzled-up smile

Winter showed up
Then wandered away
Spring couldn’t figure
Which month was today

[Refrain]
The seasons
(Are changing)
Rearranging
(For what reasons?)

Arrive early
(Alive… barely)
Stayed late
(At any rate…)
Changing

[Bridge]
Is it the weather?
(Or is it whether)
… we can get together

Is it the climate…
(Caused by the primate?)

Is it time…
(We saw the sign?)

[Break]
Early!
(Early!)

Late!
(Late!)

Wait…
(Wait!)

Too late?

[Instrumental]
[Extended Groove — Piano and Organ Lock Into Deep Bass]
[Electric Guitar Swells]
[Saxophone Call and Response]
[Drums Build]
[Percussion Rolls]

[Pre-Chorus]
The Earth keeps spinning
The seasons keep turning
The patterns keep shifting
The questions keep burning

What once arrived
At a familiar time
Is showin’ up early
Then falling behind

[Final Refrain]
The seasons
(Are changing)
Rearranging
(For what reasons?)

Arrive early
(Alive… barely)
Stayed late
(At any rate…)
Changing

The seasons…
(Are changing…)

The reasons…
(Enraging…)

[Outro]
The seasons
(Are changing)
Rearranging
(For what reasons?)

Arrive early
(Alive… barely)
Stayed late
(At any rate…)
Changing

For what reasons?

[Whisper]
Changing…

[Silence]

From the album “Present Tense“