bookmark_borderSublimation

[Style: Psychedelic Science-Rock / Progressive Surf-Rock / Spacey Synth-Rock / Full Blown]

[Intro]
Solid…
(Time so sublime)
No liquid in between…
(You know what I mean)

Change is coming…
(Watch it pass)

From frozen…
(… to gas!)

[Verse 1]
Ice crystals dancing in the cold
A transformation to behold
No melting puddle left behind
A different pathway, a different kind

[Chorus]
Sublime…
(Sublimation)
Evaporation…
(Fast…)
… pass to gas

Confirmation:
(Sublimation)

[Verse 2]
Dry ice fades into the air
Transforms out of nowhere
Solid vanishes… the air so dry
Without a drop nearby

[Chorus]
Sublime…
(Sublimation)
Evaporation…
(Fast…)
… pass to gas

Confirmation:
(Sublimation)

Solid to gas…
(Pass)
Insta-vape
(Direct escape)

Phase change…
(… so strange)

[Final Chorus]
Sublime…
(Sublimation)
Evaporation…
(Fast…)
… pass to gas

[Outro]
Confirmation:
(Sublimation)

Solid to vapor
(No liquid in between)
A phase transition
(Like you’ve never seen)

Sublime…
(Sublimation)
Now you know the name
(Matter changes state, but the substance stays the same)

(No hesitation)
Direct transition…
(Sublimation!)

About the Song
The process of a solid turning directly into a gas without becoming a liquid first is called sublimation.

From the album “Feedback Coupling“

bookmark_borderThin Oxygen

[Silence]

[Intro]
Breathe in…
(Breathe out…)
Something’s changing
(All about)

[Verse 1]
Strike the match and feed the flame
Burn the ancient, shift the game
Once was buried out of sight
Brought to light… reactions ignite

[Chorus]
Thin oxygen
(Once again)
Thin oxygen

Assume to consume
(Make it hard to breathe)
Resume to consume
(Sure is hard to believe)

You take my breath away
(More and more day-by-day)

Thin oxygen
(Once again)
Thin oxygen

[Verse 2]
See… oh, oh climbing in the air
Oh, oh falling — there’s the pair
Chemistry tells another tale
A lighter signature in the gale

[Chorus]
Thin oxygen
(Once again)
Thin oxygen

Assume to consume
(Make it hard to breathe)
Resume to consume
(Sure is hard to believe)

You take my breath away
(More and more day-by-day)

Thin oxygen
(Once again)
Thin oxygen

[Bridge]

Follow the signal
(Back to the source)
Not just a cycle
(But a changing force)

[Instrumental]

Breathe in…
(Breathe out…)
Begin…
(… to wonder about)

Probe!
(Read the isotope)

[Final Chorus]
Thin oxygen
(Once again)
Thin oxygen

Assume to consume
(Make it hard to breathe)
Resume to consume
(Sure is hard to believe)

[Outro]
You take my breath away
(More and more day-by-day)

Thin oxygen
(Once again)
Thin oxygen

Our refrain…
(Leaves a stain)

Thin oxygen…
(Once again…)

Thin oxygen…

About the Song
When fossil fuels are burned, carbon combines with atmospheric oxygen:
C + O2 → CO2

The process consumes O2 and produces CO2. Because the additional atmospheric CO2 is accompanied by a measurable decline in atmospheric O2, the observations are consistent with large-scale combustion of carbon rather than simply a redistribution of carbon through the natural carbon cycle.

This is especially important because the ocean, vegetation, and atmosphere continuously exchange carbon and oxygen. Natural processes can move carbon between reservoirs, but they do not explain the simultaneous long-term pattern of rising CO2, falling O2, declining 13C/12C, and declining radiocarbon.

The four observations reinforce one another:
Rising atmospheric CO2
↓
Declining 13C/12C
↓
Declining 14C
↓
Declining atmospheric O2

From the album “Feedback Coupling“

bookmark_border¹⁴C

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Three isotopes.
The clue.
Go and probe…
What does it tell you?

[Verse 1]
Dig it up, burn it down
Send it ’round n’ ’round
Forever buried beneath the ground
Changing the signal all around

[Pre-Chorus]
You can measure, you can see
The changing chemistry
Not opinion, not a guess
Nature’s keeping score, no less

[Refrain]
Carbon (Fourteen)
Come on…
(Know what I mean)
Gone, gone, gone
(… long gone)

Define…
(By the decline)
… over time

[Verse 2]
¹²C, the common kind
¹³C leaves another sign
¹⁴C decays away
Thousands of years have had their say

Modern fools have none to spare
Add them in, dilute what’s there

[Refrain]
Carbon (Fourteen)
Come on…
(Know what I mean)
Gone, gone, gone
(… long gone)

Define…
(By the decline)
… over time

[Bridge]
¹³C/¹²C…
Declining in the air
¹⁴C…
Changing everywhere

[Instrumental]

(Delve!)
Twelve…
Thirteen…
Fourteen…

Can anthropogenic global warming be proven?
Yes.

(Come on:)
The isotope evidence identifies the source of the added carbon.
(The atmospheric chemistry tells the story.)
… the physics explains humanity’s glory.

[Final Refrain]
Carbon (Fourteen)
Come on…
(Know what I mean)
Gone, gone, gone
(… long gone)

Define…
(By the decline)
… over time

[Outro]
Gone, gone, gone
(… long gone)

Read the air
(It’s written there)

Twelve, thirteen, fourteen…
Twelve, thirteen, fourteen…
Gone, gone, gone…
(Long gone)

… it’s the same old song.

About the Song
Can Anthropogenic Global Warming Be Proven?
Yes.

The isotopic signature of atmospheric carbon dioxide provides direct evidence.

Fossil carbon is depleted in ¹³C and contains essentially no measurable ¹⁴C (radiocarbon), because ¹⁴C decays over thousands of years.

Observed atmospheric trends show:
A measurable decline in the ¹³C/¹²C ratio
A measurable decline in atmospheric ¹⁴C concentration
A measurable decline in atmospheric O2 concentration

These shifts form a remarkably consistent fingerprint.

The carbon isotopes tell us where the additional carbon is coming from. Fossil fuels were formed from ancient biological material and therefore have a characteristic isotopic signature: relatively little 13C and virtually no ¹⁴C. As fossil carbon is added to the atmosphere, the atmospheric CO2 isotope ratios shift in precisely the direction expected from fossil-fuel combustion.

From the album “Feedback Coupling“

bookmark_borderMar-a-Lago Face

[Silence]
[Instrumental: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Welcome to the land of the golden glow!
Where bigger is better…
And subtlety has got to go!

Pucker up!
(Chin up!)
Freeze that smile!
We’re going spastic
(… full on plastic…)
In presidential style!

[Verse 1]
Orange glow and porcelain teeth
Cheekbones climbing way beneath
Lips inflated, eyebrows high
Frozen smiles that could make ya cry

Spray-tan sunsets, lashes wide
A little more on either side
Mirror, mirror, tell me true…
Who’s that staring back at you?

[Pre-Chorus]
Smooth it out, pump it up
Fill the glass and fill the cup
Turn the dial, erase the trace
Everybody wants that face!

[Chorus]
Mar-a-Lago (Face)
What a (Disgrace)
Oh! (No no, no)
Mar-a-Lago (Go)

Gag me with a spoon
(Sure ain’t gonna swoon)
‘Cause this ain’t Halloween
(Do ya know what I mean?)

[Verse 2]
Bee-sting lips and sculpted cheeks
A brand-new look for every week
Botox brows that never bend
A frozen frown that won’t quite end

Porcelain veneers, a polished grin
How much more can you fit in?
Taut as strings and smooth as glass
Beauty’s running out of gas!

[Pre-Chorus]
Smooth it out, pump it up
Fill the glass and fill the cup
Turn the dial, erase the trace
Everybody wants that face!

[Chorus]
Mar-a-Lago (Face)
What a (Disgrace)
Oh! (No no, no)
Mar-a-Lago (Go)

Gag me with a spoon
(Sure ain’t gonna swoon)
‘Cause this ain’t Halloween
(Know what I mean)

[Verse 3]
From the ballroom to the screen
Everybody’s chasing pristine
Flashbulbs pop, the cameras roll
Maximalist is the goal

Natural lines? A mortal sin!
Better smooth that forehead in
Subtlety has left the place
Welcome to the makeover race!

[Bridge]
Who’s got the pout?
(Without a doubt!)
Who’s got the glow?
(Not for real… just for show)

Who’s got the brows?
(Up to the clouds!)
Who’s got the face?
(It’s taking over the place!)

Wait a minute…
Hold that pose!
Can you still laugh?
Will your eyes close…?

[Instrumental]

Pucker!
Freeze!
Tan!
Tease!

It’s not the filler.
It’s not the tan.
It’s not the face of any one fan.

It’s when the subtle disappears,
And every mirror cheers and cheers.

There’s nothing wrong with growing old,
Or choosing what you want to show.
But when the trend becomes a race…
A beautiful face?
(There is no trace)

[Final Chorus]
Mar-a-Lago (Face)
What a (Disgrace)
Oh! (No no, no)
Mar-a-Lago (Go)

Gag me with a spoon
(Sure ain’t gonna swoon)
‘Cause this ain’t Halloween
(Know what I mean)

[Outro]
Mar-a-Lago (Face)
Frozen in (Place)
Smile for the (Show)
Nowhere left to (Go)

Gag me with a spoon
(We’re leaving soon)
When every look’s a magazine…
(Know what I mean!)

About the Song
The aesthetic often referred to as a botched, overly dramatic plastic surgery look associated with certain public figures in the Republican party is known pejoratively as “Mar-a-Lago face” (or “MAGA face”).

The term, named after Donald Trump’s private club in Palm Beach, Florida, describes an aggressive, “maximalist” approach to cosmetic procedures rather than a natural or subtle look. Plastic surgeons and media outlets characterize the look by a specific combination of exaggerated facial enhancements:
• Overfilled features: Unusually smooth, heavy use of dermal fillers that create puffy “bee-sting” lips and highly voluminous, dramatic cheekbones.
• Frozen expressions: Exaggerated use of Botox resulting in completely wrinkle-free visages, taut necks, and frozen or sharply peaked eyebrows (sometimes referred to online as a “Spock brow”).
• Distinct styling: The procedures are frequently paired with specific styling choices, including heavy spray tans, prominent porcelain veneers, dark smoky eye makeup, and large fake eyelashes.

While individuals across the political spectrum undergo cosmetic enhancements, cultural critics and sociologists note that the specific “Mar-a-Lago face” trend is distinguished by its overt, high-visibility nature. Political strategists and commentators suggest the aesthetic has grown popular among some party insiders as a form of deference to Trump’s personal, camera-centric preferences for flashy, stylized beauty standards.

From the album “Social Truth“

bookmark_borderLight Hearted

[Silence]
[Intro – Gentle acoustic guitar, shimmering bells, and floating synths]

Ooh, the morning’s calling
(Calling out to you)
Feel the sunshine falling
(Coming shining through)

Leave the heavy baggage
(Let it drift away)
There’s so much magic
(In the light of day)

[Verse 1]
Woke up with the world upon my shoulders
Yesterday was weighing on my mind
But the older that I get, the more I notice
There’s a little more of life to find

See the sparrow dancing on the railing
See the clouds go wandering along
Hear the distant children laughing
Every little sound becomes a song

[Refrain]
Light hearted
(Let’s get started)
Take to flight
(Shine your light)

Light hearted
(Departed)
Took to flight
(Shining light)

Light hearted
(Shine, shine, shine)
Throughout time
(Shine, shine, shine)

[Verse 2]
You don’t have to solve the whole equation
You don’t have to carry every stone
Sometimes all it takes is a little patience
And the courage to be fully your own

[Refrain]
Light hearted
(Let’s get started)
Take to flight
(Shine your light)

Light hearted
(Departed)
Took to flight
(Shining light)

Light hearted
(Shine, shine, shine)
Throughout time
(Shine, shine, shine)

[Bridge – Dreamy, floating vocals over a pulsing bass]

A little kindness
(A bit of grace)
Add some sunshine
(To another’s face)

A little laughter
(With our song)
Letting the love
(… carry us along)

[Instrumental Break – Sparkling guitar arpeggios, glockenspiel, and swirling organ]

Shine, shine, shine!
(Shine, shine, shine!)

Up, up, up!
(Never give up!)

Fly, fly, fly!
(Into the open sky!)

Light, light, light!
(Alright! All right!)

[Breakdown – Call and response]

Who’s got a light heart?
(You do! You do!)
Who’s gonna shine bright?
(Me and you!)

Who’s gonna spread it?
(Everywhere!)
Who’s gonna lift it?
(Into the air!)

What are we waiting for?
(Let’s get started!)
… LIGHT HEARTED!

[Final Refrain – Big harmonies, soaring guitars, and layered vocals]
Light hearted
(Let’s get started)
Take to flight
(Shine your light)

Light hearted
(Departed)
Took to flight
(Shining light)

[Outro]
Light hearted
(Shine, shine, shine)
Throughout time
(Shine, shine, shine)

Light hearted
(Keep it glowing)
Take to flight
(Keep on going)

Light hearted
(Free and flowing)
Shining bright
(Our love is showing)

Light hearted
(Shine, shine, shine)
Throughout time
(Shine, shine, shine)

[Outro – Instruments gradually fade into bells and soft harmonies]

Shine, shine, shine
(Throughout time)

[Spoken – Warmly, with a smile]

Shine, shine, shine
(Help making it fine.)

[Fade out]

[Silence]

[End]

From the album “Full Blown“

bookmark_borderLaughter on the Breeze

[Silence]
[Instrumental Intro: Whistle, Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Flute, Drums, Electric Guitar, Percussion]

[Intro]
When you hear…
(Joy is near)

[Refrain]
Finding the reason to be
(Bliss… and everything’s lovely)
Tickle the soul… (tease)
Laughter (on the breeze)

When you hear…
(It’s here)

[Refrain]
Finding the reason to be
(Bliss… and everything’s lovely)
Tickle the soul… (tease)
Laughter (on the breeze)

It makes a heart smile
(Feelin’ love compile)
When you hear…
(It’s here)

[Refrain]
Finding the reason to be
(Bliss… and everything’s lovely)
Tickle the soul… (tease)
Laughter (on the breeze)

[Bridge]
It makes a heart melt
(When love is felt)
The scene surene
As the dream is seen

When you hear…
(It clear…)
… it’s here

[Instrumental]

[Refrain]
Finding the reason to be
(Bliss… and everything’s lovely)
Tickle the soul… (tease)
Laughter (on the breeze)

[Outro]
Finding the reason to be
(Bliss… and everything’s lovely)
Tickle the soul… (tease)
Laughter (on the breeze)

It makes a heart smile
(Feelin’ love compile)

You heard…
(The word)

From the album “Full Blown“

bookmark_borderDebauch

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Step right up!
(Welcome to the show!)
Where the wicked wear a halo
(And the good don’t get to know)

Pull back the curtain
(What’s that you see?)
A mess of madness
(A whole lot of depravity!)

… covered in sadness…

[Verse 1]
There’s a shadow in the mirror
With a smile that doesn’t fit
There’s a promise on the table
And a thief who’s sitting with it

There’s a handshake hiding poison
There’s a contract hiding lies
There’s a thousand little victims
And a million alibis

Take a little bit of conscience
Throw it out the door
When you can’t feel another’s pain
You can always take some more

[Refrain]
Debauch all
(Diabolical)
A spectral
(… of evil)

Lie, cheat, and steal
(All that is real)
No empathy… doesn’t feel
(Launch debauch)

[Verse 2]
Sell the truth for pocket change
Sell the future for a deal
Turn a neighbor into numbers
Turn a wound into a spiel

Make the greedy look like winners
Make the ruthless look refined
Put a price tag on compassion
Leave the human heart behind

If the people start complaining
Call their suffering a show
If the evidence gets ugly
Tell the audience to go

There’s a ladder made of broken trust
And a throne built out of fear
And the ones who climb the highest
Never seem to shed a tear

[Refrain]
Debauch all
(Diabolical)
A spectral
(… of evil)

Lie, cheat, and steal
(All that is real)
No empathy… doesn’t feel
(Launch debauch)

When conscience becomes inconvenient
(Throw conscience away)
When truth becomes a liability
(Make truth obey)

When cruelty becomes business
(And greed becomes law)
When the powerful take everything
(In jaw-dropping awe)

Lie!
(That’s the ticket!)
Cheat!
(Go on, get it!)
Steal!
(What’s the deal?)

No remorse!
(Stay the course!)

Who took the money?
(Who took the cash?)
… it really isn’t funny
(Deserving of a lash)

Who told the lie?
(Money answers why)
Who gets the benefit?
(The ones up high!)

Where’s the conscience?
(Out of sight!)
Where’s the compassion?
(Left the fight!)

What happens next?
(We choose the plot!)
Debauch all?
(Or stop the rot!)

[Refrain]
Debauch all
(Diabolical)
A spectral
(… of evil)

[Final Refrain]
Debauch all
(Diabolical)
A spectral
(… of evil)

Lie, cheat, and steal
(All that is real)
No empathy… doesn’t feel
(Launch debauch!)

[Outro]
Debauch all
(Expose the rot!)
Debauch all
(Forget me not!)

Lie, cheat, and steal
(That’s not the deal!)
No empathy… doesn’t feel
(We know the real!)

[Outro]
No shame!
(Lust fame!)
No conscience?
(Pay the consequence!)
Take it all!
(Watch it fall!)

From the album “Social Truth“

bookmark_borderGuns or Butter

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Harmonica, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
But, but (… butter?)

Well, well, well…
What’s it gonna be?
A bigger pile of weapons…
Or your lunch for free?

You can build a bigger cannon,
You can polish up the brass,
But if everybody’s hungry,
How long’s the party gonna last?

[Verse 1]
There’s a factory on the corner
Making bullets by the ton
There’s a kid across the street
Who hasn’t eaten since the sun

[Pre-Chorus]
Move it to the left
(Move it to the right)
Count the cost
(Of your fight)

[Refrain]
Guns or butter
(You better get some)
Guns or butter
(You just might get none)

Butter’s better
(Guns on the run)
Make you bitter
(Ruin the fun)

[Verse 2]
Build another battleship
Build another missile shield
Who’ll be left to pay the bill
When the hungry take the field?

[Pre-Chorus]
Raise the budget
(Raise the stakes)
Cut the table
(Who cuts the cake?)

[Refrain]
Guns or butter
(You better get some)
Guns or butter
(You just might get none)

Butter’s better
(Guns on the run)
Make you bitter
(Ruin the fun)

[Bridge – Half-time, bass and drums]
Guns might guard the border
(Guns might win a fight)
But butter feeds the children
(Each day through sthe night)

No bread, no butter
(No peace of mind)
No room at the table
(What did you find?)

A mountain of steel
(A mountain of debt)
The biggest gun in the world
Can’t be supper yet!

Guns! Guns! Guns!
(Who’s paying the bill?)
Butter! Butter!
(Who’s working the till?)

Guns! Guns! Guns!
(Shiny and new!)
Butter! Butter!
(What about you?)

What do you eat?
(Bread and butter!)
What do you need?
(Not endless slaughter!)

[Final Refrain]
Guns or butter
(You better get some)
Guns or butter
(You just might get none)

Butter’s better
(Guns on the run)
Make you bitter
(Ruin the fun)

[Outro]
Guns or butter
(It’s not just a game)
Guns or butter
(Who’s left to blame?)

Butter’s better
(When the day is done)
You can’t eat bullets
(But you can feed someone!)

But, but … butter
(Would be better)
Win the battle if you’re able…
And still lose the dinner table.

From the album “Full Blown“

bookmark_borderRepeat Offender

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Order the drums!
(Bring up the brass!)
Another headline!
(Another pass!)

Who’s keeping score?
(There’s always more!)
And who’s supposed to answer
When the cannons roar?

[Verse 1]
There’s a man behind the podium
With a finger on the switch
He can call it peace and order
While the consequences twitch

He can dress it up in patriotism
He can wrap it in a flag
But the truth keeps coming knocking
With a body in the bag

There’s a lawyer with a question
There’s a witness with a name
There’s a mountain of excuses
And a pattern all the same

[Pre-Chorus]
Who gave the order?
(Who paid the price?)
Who counts the children?
(Who rolls the dice?)

[Refrain]
The commander
(Is a repeat offender)
Crimes of war…
(And so much more)

Bombing babies
(Starving kids)
Must have rabies
(Doin’ the devil’s bids)

Repeat offender
(Meet the people’s defender)
After all you do…
(Your dues come due)

[Verse 2]
There’s a city under rubble
There’s a mother in the dust
There’s a hospital without power
There’s a promise turned to rust

There’s a child who needs a blanket
There’s a child who needs a meal
There’s a child who needs a future
More than all that you steal

And the cameras keep on rolling
While the talking heads explain
How the people who were shattered
Are a footnote to the game

[Pre-Chorus]
Who checks the target?
(Who checks the claim?)
Who bears the burden?
(Who takes the blame?)

[Refrain]
The commander
(Is a repeat offender)
Crimes of war…
(And so much more)

Bombing babies
(Starving kids)
Must have rabies
(Doing the devil’s bids)

Repeat offender
(Meet the people’s defender)
After all you do…
(Your dues come due)

[Bridge]
No crown above the law
(No rank beyond review)
No power without limits
(No special pass for you)

[Instrumental]

Who’s accountable?
(Who’s accountable?)
Who’s untouchable?
(Nobody’s untouchable!)

Who gets justice?
(We want justice!)

[Verse 3]
The commander gives a statement
Says the mission’s justified
While the people count their losses
And the wounded try to hide

And the ones who signed the papers
And the ones who pulled the strings
May discover that accountability
Applies to powerful kings

Repeat offender!
(Answer for the record!)
Repeat offender!
(Who protects the unprotected?)
Crimes of war!
(More than anyone before)

[Final Refrain]
The commander
(Is a repeat offender)
Crimes of war…
(And so much more)

Bombing babies
(Starving kids)
Must have rabies
(Doing the devil’s bids)

[Outro]
Repeat offender
(Meet the people’s defender)
After all you do…
(Your dues come due)

Repeat offender!
(The record remembers!)
Repeat offender!
(The law still renders!)

Repeat offender!
(No throne lasts forever!)
After all you do…
(Your dues come due!)

The commander…
(Is a repeat offender)
The people…
(The children will remember)
The law…
(Must answer the call)

No one…
(No one…)
Is above it all.

About the Song
Today’s new release, “Repeat Offender,” sadly, could be about far too many people in positions of power. It was inspired by the children in Gaza, the schoolchildren at Shajareh Tayyebeh Elementary School in Minab, Hormozgan Province, Iran, and the approximately 700,000 Ukrainian children Russia claims to have taken from their homeland.

The lyrics confront the devastating human cost of war, the use of power without accountability, and the tendency to bury suffering beneath political rhetoric and military justifications. But the song also makes an important distinction: accusations must be investigated, evidence must be examined, and justice must follow the rule of law. No title, uniform, or position of authority should place anyone above accountability.

The refrain, “After all you do… your dues come due,” is a reminder that power does not erase responsibility. Children are not collateral statistics. They are human beings whose lives, families, education, and futures deserve protection.

Please listen, reflect, and share “Repeat Offender.” Speak up for children caught in conflicts they did not choose. Support credible humanitarian organizations working to protect children, provide food and medical care, reunite separated families, and document violations of international law. Demand transparency, independent investigations, and accountability for those responsible, regardless of their nationality, political affiliation, or position.

Silence makes it easier to look away. Our voices can help keep the victims visible and remind those in power that the world is watching.

From the album “Social Truth“

bookmark_borderSocial Truth

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Breaking news!
(Who’s breaking what?)
Another truth!
(Or maybe whatnot!)
The facts are facts
(Until they’re not)
Welcome to the circus
(Where the clowns call the shots!)

[Verse 1]
Wake up, check your timeline
See what everybody knows
Yet another prime time crime
Spun so the rumor grows

A rumor gets a rocket
A lie gets running shoes
And facts are in the corner
With a serious case of the blues

[Refrain]
Social truth
(Are you serious?)
Know’s no couth
(Must be delirious)

Nothing you do
(Is true)
Inflicting your insanity
(On all of humanity)

Shame, shame, shame
(You’re to blame)

[Verse 2]
You bend what is true
Till it breaks in half
Take a fact, twist it n’ spew
Turn the whole thing into laugh

Make an enemy of reason
Make a hero of deceit
Then convince the whole damn crowd
That the lies are indiscreet

[Refrain]
Social truth
(Are you serious?)
Know’s no couth
(Must be delirious)

Nothing you do
(Is true)
Inflicting your insanity
(On all of humanity)

Shame, shame, shame
(You’re to blame)

Truth is not a popularity contest
(Not a vote, not a trend)
A million people repeating a falsehood
(Doesn’t make it true in the end)

You can fool a few
(You can fool a crowd)
You can make a lie
(Sound awfully loud)

But reality keeps knocking
(At the door you barricade)
You can argue with the mirror
(But the image doesn’t fade!)

Fact check!
(What the heck?)
Double check!
(Who’s a wreck?)

Clickbait!
(Too late!)
Truth serum!
(Who can hear ’em?)

Is it factual…
(… or theatrical!)
Can you conceive
(How they believe)
Hook, line, and sinker
(Swallowed the thinker)

[Final Refrain]
Social truth
(Are you serious?)
Know’s no couth
(Must be delirious)

Nothing you do
(Is true)
Inflicting your insanity
(On all of humanity)

Shame, shame, shame
(You’re to blame)

[Outro]
Social truth
(Who’s keeping score?)
Social truth
(We can’t take much more!)

Shame, shame, shame
(Stop playing the game!)
Shame, shame, shame
(Truth isn’t yours to rename!)

Social truth…
(Are you serious?)
Social truth…
(Or just delirious?)

Lame (brain)

From the album “Social Truth“

bookmark_borderZwirling

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Zwirling
(Twirling)
Spinning round and round
(Round and round)

[Refrain]
Zwirling
(Twirling)
Spinning round and round
(Round and round)

Turning
(Swirling)
Turning upside down
(Spinning round and round)

[Instrumental: Organ and Synth, Call and Response, Percussion]

[Refrain]
Zwirling
(Twirling)
Spinning round and round
(Round and round)

Turning
(Swirling)
Turning upside down
(Spinning round and round)

Spinning and spinning
(Unfurling… opening)

[Instrumental: Organ and Synth, Call and Response, Percussion]

[Refrain]
Zwirling
(Twirling)
Spinning round and round
(Round and round)

Turning
(Swirling)
Turning upside down
(Spinning round and round)

Yearning for learning
(… to hear here)
… to have found the sound

[Instrumental: Saxophone and Organ Duet]

[Outro]
Zwirling
(Twirling)
Spinning round and round
(Round and round)

Turning
(Swirling)
Turning upside down
(Spinning round and round)

As it is…
(On our axis)
… while we orbit
(… for a bit)
As we say…
(Day-by-day)

[Silence]

[End]

From the album “Full Blown“

bookmark_borderCatch Me

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Ready?
(Ready!)

Steady?
(Almost!)

One, two, three…
(Catch me!)

Jump!
(Whoa!)

Did you know…
(Here we go!)

[Verse 1]
I’m standing on the edge of a brand-new day
Got a head full of dreams and a plan underway
I might take a leap, I might lose my footing
But I’ll trust you to catch me if I start free-falling

You reach out your hand
(I reach out mine)
We meet in the middle
(And everything’s fine!)

It’s not about falling
(It’s learning to fly)
With someone beside you
(Who’ll give it a try!)

[Refrain]
Catch me
(I’ll jump)
… and rescue you

Together “we”!
(… we’ll pump)
Up!

(Up, up, up)
Yup
(Pump up!)

[Verse 2]
When your batteries fade and your engine runs low
I’ll be right beside you, helping you go
You bring the rhythm, I’ll bring the beat
We’ll put a little more bounce into our feet

Pump up the power
(Pump up the pace)
Give one another
(A little more grace)

To stumble, to learn
(To change, to grow)
The higher we climb
(The better the show!)

[Refrain]
Catch me
(I’ll jump)
… and rescue you

Together “we”!
(… we’ll pump)
Up!

(Up, up, up)
Yup
(Pump up!)

[Bridge]
If I fall
(Will you be there?)
If I stumble
(Will you care?)

If we both lose our balance
(And tumble down)
We’ll find our feet
(And turn it around!)

[Breakdown]
Catch me!
(I’ve got you!)

Gravity…
(Set us free.)

Up!
(Up!)

Up!
(Up!)

Higher!
(Higher!)

Together!
(Will weather!)

[Instrumental]

Up, up, up!
(Yup, yup, yup!)

[Final Refrain]
Catch me
(I’ll jump)
… and rescue you

[Outro]
Together “weeee”!
(… we pump up)
Up!

(Up, up, up)
Yup
(Pump up!)

Catch me!
(I’ll catch you!)

Jump up!
(We’ll make it through!)

Together “we”!
(… we’ll pump)
Up!

(Up, up, up)
Yup
(Pump up!)

Jump!
(Up!)

Surprise…
(We rise!)

Catch me…
(And I’ll catch you, too!)

… we weeeeeeee!

[Silence]

[End]

From the album “Full Blown“

bookmark_borderOut of the Box

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Unwrap
(The rapped)
Cut the tape
(Escape!)

[Instrumental: Guitar Solo, Drum Fills]

[Refrain]
Packaged
(Out of the box)
Welcome to the age
(Reset your clocks)

[Instrumental: Organ and Synth, Call and Response, Percussion]

[Refrain]
Packaged
(Out of the box)
Welcome to a new Age
(Reset your clocks)

Let out of the cage
(Engage)
… welcome to the world stage!

[Instrumental: Organ and Synth, Call and Response, Percussion]

[Refrain]
Packaged
(Out of the box)
Welcome to a new Age
(Reset your clocks)

Let out of the cage
(Engaged)
… on to the next stage!

(Obviously…)
Taking advantage
(… of the opportunity…)

TO BE!

[Instrumental: Saxophone and Organ Duet]

[Refrain]
Packaged
(Out of the box)
Welcome to a new Age
(Reset your clocks)

[Outro]
Let out of the cage
(Engage)
… turn the page!

(Obviously…)
Taking advantage
(… of the opportunity…)
TO BE!

(Lovely… simply lovely)

[Silence]

[End]

From the album “Full Blown“

bookmark_borderPinball Lizard

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Release the ball!
(Let it roll!)
Light it up!
(Lose control!)

Bing! Bang!
(Cling! Clang!)
Who’s got the flippers?
(Who’s got the bumpers?)

[Verse 1]
You pull me close, then push me away
You change the rules in the middle of play
One minute I’m winning, the next I’m in doubt
You keep me bouncing till I burn out

Left flipper, right flipper
(Who’ll remain…?)
Up the ramp
(Down the drain!)

[Instrumental: Guitar Riff]

[Pre-Chorus]
Bump me!
(Thump me!)
Send me flying through the air
Catch me!
(Release me!)
Do you even know I’m there?

[Refrain]
It’s plain to see
(You’re playing with me)
Hittin’ all the bumpers
(Drivin’ me bonkers)

Are you going to tilt
(Are you going to jilt?)

After all
(… I’m not a pinball)

[Instrumental: Psychedelic Jam]

[Verse 2]
You light up the targets, then shut off the lights
You send me ricocheting through the longest nights
Every time I think I’ve got the game figured out
You flip the whole table and turn me about

Ding-ding!
(Another score!)
Ka-ching!
(Then out the door!)

I’m chasing jackpots
(That never arrive)
How many more rounds
(Do I have to survive?)

[Instrumental: Guitar Riff]

[Pre-Chorus]
Bump me!
(Thump me!)
Keep me spinning in the game
Shake me!
(Break me!)
Then you tell me I’m to blame!

[Refrain]
It’s plain to see
(You’re playing with me)
Hittin’ all the bumpers
(Drivin’ me bonkers)

Are you going to tilt
(Are you going to jilt?)

After all
(… I’m not a pinball)

[Bridge]
[Instrumental: Organ Solo]
There’s a little red light
(Flashing in my head)
A warning on the scoreboard
(That I should’ve read)

You keep me in motion
(But I choose the direction)
I’m done being bounced around
(Without my own reflection!)

You can pull the plunger
(You can start the game)
But you don’t own the ball
(And I won’t play the same!)

[Instrumental: Sub-Bass Solo, Drum Fills]
(Bing!)
(Bang!)
(Clang!)
(Ka-pow!)

Left!
(Right!)

Up!
(Down!)

Who’s playing who
(Is it me or you?)

[Instrumental: Guitar Riff]

[Breakdown]
Tilt!
(Warning!)

One more shove
(Goodbye, love!)

[Final Refrain]
It’s plain to see
(You’re playing with me)
Hittin’ all the bumpers
(Drivin’ me bonkers)

Are you going to tilt
(Are you going to jilt?)

After all
(… I’m not a pinball)

It’s plain to see
(I’m finally free)

Are you going to tilt?
(That’s your guilt!)

After all…
(… I’m not a pinball!)

[Outro]
[Instrumental: Guitar Riff]
Game over!
(Insert another coin!)

Game over!
(Enough kicks to the groin!)

Bing…
(Bang…)

Silence…

[Silence]

[End]

From the album “Full Blown“

bookmark_borderPassing Storm

[Silence]
[Instrumental Intro: Piano, Deep Sub-Bass Synth, Acoustic Guitar, Organ, Saxophone, Drums, Electric Guitar, Percussion]

[Intro]
Drip, drip…
(Drip, drop)
Tap, tap…
(Who’s keeping track?)

Gray skies…
(Hope tries)
Watching rain fall…
(When is the last call?)

[Instrumental, Psychedelic Synth Jam, Percussion]

[Verse 1]
I watched the raindrops race down the glass
Wondering how long this weather would last
The forecast said it would soon be clear
But the clouds kept gathering year after year

[Pre-Chorus]
Just wait it out
(That’s what they say)
It’ll all blow over
(And go away)

[Refrain]
Raindrops
(On the window)
Rain stops…
(When? I don’t know)

They say
(It’s a passing storm)
This way
(Feels like the new norm)

[Verse 2]
The seasons are shifting, the patterns have changed
The timing of rainfall is getting rearranged
Some places are parched while the rivers run wild
The weather’s gone sideways, unpredictable child

[Pre-Chorus]
Just wait it out
(It’ll pass, they say)
But the baseline’s shifting
(Away, away)

[Instrumental, Saxophone Solo]

[Refrain]
Raindrops
(On the window)
Rain stops…
(When? I don’t know)

They say
(It’s a passing storm)
This way
(Feels like the new norm)

[Bridge]
Maybe this one’s passing
(Maybe that’s true)
But what about the next one?
(What will it do?)

[Instrumental, Psychedelic Synth Jam, Percussion]

(Tap, tap, tap…)
(Rolling thunder…)
(Drip, drip, drip…)
(Going under…)

[Breakdown]
Passing storm…
(Or changing norm?)

Rain stops…
(Or plops?)

[Final Refrain]
Raindrops
(On the window)
Rain stops…
(When? I don’t know)

They say
(It’s a passing storm)
This way
(Feels like the new norm)

[Outro]
Raindrops
(Keep on falling)
Thunder rolls
(The water’s calling)

They say
(It’s a passing storm)
But the world outside
(Doesn’t feel the same anymore)

Drip, drip…
(Still falling)

Tap, tap…
(Still calling)

Raindrops…
(On the window)

Rain stops…
(When? I don’t know)

[Silence]

[End]

From the album “Feedback Coupling“