bookmark_borderCoefficient Of Friction

LYRICS
And, now… for some science friction:
The coefficient of friction
µ (Mu)
Saved my life… how about you?
Why the fuss?
Friction is why rain doesn’t kill us

“In the real world” we all have some friction when we touch each other
Reach out and touch
Reach out and touch
… touch each other

The coefficient of friction
Let us go dimensionless
Well, er, a… we’re scalar
Curiously similar to measuring your luminosity
As in Candela. See. See?
The coefficient of friction

For that matter, when it comes to water… don’t drag a dead horse
Thus, the fuss — friction is why rain doesn’t kill us
Join the frictional force
µ (Mu), µ (Mu), µ (Mu)
The herd heard
If only in name, will it ever be the same?

Coefficient Of Friction Music Video.mp4

Coefficient Of Friction Soundtrack.mp3

ABOUT THE SONG
Style: ExperiMental Music
Chords: F G F G F E Dm / Dm9 Dm7 C
Rhythm: 137 Beats Per Minute / 16 Beat Ballad #2
Recording: digital 1-track stereo

Daniel — Vocals, Keyboards, Synthesizers and Computer Controller (microKorg, Korg N364, Casio WK-3500, miniNova, Alesis Vortex, Korg MIle software and a couple pedals)

From the album From Fractals to Classic Rocks
by Daniel Brouse

bookmark_borderSonic Source

Sonic Source Chaos Theory Video.mp4

Sonic Source.mp3

ABOUT THE SONG
Style: ExperiMental Music
Key of C / Am
Recording: live 1-track digital stereo

Daniel — Keyboards and Synthesizers (microKorg, Korg N364, Casio WK-3500, miniNova, KorgMIle software)

From the album Classical Fractal
by Daniel Brouse

bookmark_borderIncrease BPM

Increase Beats Per Minute Music Video.mp4

Increase BPM Live.mp3

LYRICS
Can we speed things up a little bit
Please, can we?
Of course we’re on a collision course
Plain to see

Inevitable collateral damage from the hit
Unfortunately, includes me
But, even worse…
Includes all of us

No sense in slowing down
Seize or freeze
Wear the devil’s crown
Cease to be

Can we hurry things up a bit
Please, can we?
Get a divorce from this collision course
Ohhhh humanity

Increase Beats Per Minute Recording Session
Increase Beats Per Minute Recording Session

ABOUT THIS SONG
Chords — E E7
E G

130 –> 155 Beats Per Minute (BPM) / 4/4 Blues

Daniel — Simultaneous Vocals, Guitar, Keyboards

From the album Free Radical
By Daniel Brouse

bookmark_borderHave You Heard (the Big Bang?)

Writing and Recording "Have You Heard?"
Writing and Recording “Have You Heard?”

Have You Heard the Big Bang Music Video.mp4

Have You Heard the Big Bang? .mp3

LYRICS
Don’t let the gravitational pull
Pull the wool
Over your eyes

Big bang!
Surprise

Now, here’s the thang
Though not quite in grasp of your fingers
It still lingers

The way Big Bang behaves…
Primordial gravitational waves
I mean, it’s worthy of a primal scream

Yeeha! Big bang!

NASA's Big Bang
NASA’s Big Bang

ABOUT THIS SONG
This song is about the discovery of The Big Bang. (Big Bang animation courtesy of NASA)

Chords — Em FM7
Em7
Em7(11)

136 Beats Per Minute / Fast Ballad

Daniel — Vocals, Synthesizers

From the album Lifterupper
By Daniel Brouse

bookmark_borderImpending Gleam

Impending Gleam Music Video.mp4

Impending Gleam.mp3

LYRICS
Polar vortex, clipper or nor’ easter
Take it as another kick to the keister
Or consider the splendor of the impending gleam
Know what I mean?
Snow — what I mean

Veil the frail in fractal white crystal
As to the blind man’s Braille
The third eye’s sail
See it all

Ensure splendid grandeur for their future

ABOUT THIS SONG
Chords — C Am
add G D Bb

Daniel — Vocals, Synthesizers, Guitar

Written and recorded in West Chester, PA, USA.

From the album Yes
By Daniel Brouse

bookmark_borderEmerge

Vocal and Keyboard Live Recording Session
Vocal and Keyboard Live Recording Session

LYRICS
Have you ever felt like you’re underwater
Walking through Jello ever further
Converge concentration
Emerge in a mind explosion

ABOUT THIS SONG
Chords — B C

132 beats per minute / Cool Night beat

Daniel — Vocals, Synthesizers

Written and recorded in West Chester, PA, USA.

From the album Cruel Fool
By Daniel Brouse

bookmark_borderMusic And Chaos Theory

Peter wrote to us: Hello. I am a composer and I have been obsessed with four dimensional music recently. I don’t know what it is, even though it is a recurring idea. I have been reading a lot and have discovered that the world of fractals and chaos seem to have a definite relationship to four D. I am not a computer programmer, so I would not be applying this to a program but am interested in applying it to acoustic works.

WE REPLIED:
Dear Peter,
OK. Let’s see what we can do.
How would you like to get started?
Sincerely,
Daniel

PETER REPLIED:
How to translate irrational numbers into a tangible working time signature — like Pi or Cantor Dust.

SIDD OFFERED:
Take the digits of pi and set them to tune, using the numbers for chord progressions?

WE ASK:
Anyone have ideas?

PART 2

rick (guitar, vocals, sound engineering) replied:
Beyond my ability to compute, but interested in the outcome…..I have trouble just keeping 6 strings in tune

krishna (guitar, percussion, computer engineering) replied:
One interesting feature of fractals is the self similarity at various length scales.
Of course the length scales aren’t simple multiple or rationally related  with each other which is what makes it fractal.
Not sure how one would play that without a computer.
I have a hard enough time staying with a band playing a regular meter :-0

chris asked:
Is this what you and Eric were working on?

I responded:
Yes. Here are a couple examples —
http://famedomain.com/going-down-video/
http://famedomain.com/palace-at-farnese-video/

fransico said:
Dan, I gave your info. to Tumaini Johnson. Maybe you can explain your knowledge and insight on 4 dimensional and chaos theory to combine the two into music. I think it’s chaos systems within
a chaos system that can be duplicated into math sequences delivered through sound and visual effects??? cc me i would like to learn… and tumaini im sure will have a good canvas to create his own ideas.

tumaini wrote:
I’m a friend of Francisco Baiz he told me about your work with dimensional audio and some experimenting with algorithms and the sorts. I’m a music producer and audio engineer so this type of stuff got my attention. Francisco said that you would be able to explain exactly what 4D music is and its future applications to me, I’m very curious.
Thanks

i try to explain:
About 4D Music and Chaos Theory Experiment
The experiment with four dimensional music and chaos theory started in the 1990’s. The word music may not be the best way to describe the experience; for now, since I do not know a word for this design invention, I will call it four dimensional music.

The experiment has evolved into solving the following design problem(s):
If you were to go on a real, real, real long roadtrip… such as in a spaceship traveling at a speed approaching that of light, what music would you take with you?

Because many of the people involved in the experiment are also musicians, we added the requirement that the design should allow for “live music” and the ability to see a concert.

The closest example of the concept that I can think of is helping a deaf person hear music.

I think the movie was called “Mr. Holland’s Opus” — the movie about Glenn Holland, a musician and composer who wants his deaf son to hear his music?

4D Music and Chaos Theory Part 2
4D Music and Chaos Theory Part 3