About Four Dimensional Music and Chaos Theory

These comments were made about the above discussion:

Ed called… and left a message (he has experience with the dead, is a member of the Family):
He has already attempted to contacted with “the bear” on other matters… and this type of music sounds like it is right up his alley.

He suggests we should also try to get with the bear, too.
The bear http://thebear.org/

I ask, “the bear is the grateful dead sound guy that kind-of invented the modern PA? right?”

Wally added:
His real name – Owsley Stanley
but yes, helped conceive and implement the the dead’s early sound and the infamous “wall of sound” (’74-’76)
75 tons of equipment
http://www.audiojunkies.com/blog/730/an-insiders-look-at-the-grateful-deads-wall-of-sound

http://www.youtube.com/watch?v=KB4XK8lkzEM&feature=fvw

Eric chimed in:
I’m going to research information about the the specific musical note of Bb (B flat).
It is of great significance. Exploding stars, musical waves, groovey.

Peter replied:
Numbers and beats–which also affect pitch, but ultimately it is rhythm. the area of four dimensional music must manifest in rhythm as it relates to time. pitch is just a quality of rhythm. the act of a phenomenon in space time and finding a new paradigm in space time, that is the area to attack! computers can help, but it is better to apply this to live experience.